Fujifilm GFX 100s Medium Format Mirrorless Camera (Body Only)
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
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The lowest price for Fujifilm GFX 100s Medium Format Mirrorless Camera (Body Only) right now is $3,197.72 at Unique Photo, compared across 10 retailers.
The all-time low was $3,197.72 on 10 Sept 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 13 Sept 2026.
Last updated at 13/09/2026 08:08:57
Used Fair Fujifilm GFX100S Medium Format Mirrorless Camera (Body Only)
Delivery $41.53
Used Good Fujifilm GFX100S Medium Format Mirrorless Camera (Body Only)
Delivery $41.53
Used Fujifilm GFX 100S Medium Format Body Only - Excellent
Delivery $41.53
[ Top Mint S/c 2177 ] Fujifilm Fuji Gfx 100s Mirrorless Camera Body
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Fujifilm Gfx 100s Mirrorless【shutter Count:4210】【near Mint】【english
Delivery $768.90
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Fujifilm Fuji Gfx 100s Mirrorless Camera Body Shutter Count 29056
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[ Top Mint S/c 2177 ] Fujifilm Fuji Gfx 100s Mirrorless Camera Body
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Fujifilm Gfx 100s 102mp Medium Format Mirrorless Camera Body Black
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Fujifilm Gfx 100s Medium Format Digital Camera 102mp Rare From Japan
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Fujifilm Gfx 100s Ii Medium Format Camera Body Only
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originally posted on bhphotovideo.com
I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is ... MoreI'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.
originally posted on adorama.com
I've been a professional photographer for over five years now and finally made the jump to Fujifilms medium format cameras. The Gfx100s allows you to take crisp and detailed photos while also giving you additional room to really go hard in editing. I was also surprised by how well the images looked under high iso conditions. This camera allows me to shoot it much higher isos than I normally would feel comfortable doing. The auto focus has been spot on for me, no complaints there. If you are on the fence, seriously give this camera a chance and you won't be disappointed. It's now hard for me to go back to any of my other cameras after seeing the clarity and beauty of medium format images.
originally posted on bhphotovideo.com
So far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber ... MoreSo far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber hinges that just don't look very secure or sturdy. The door just kind of flops around. Another issue I have is that it does not come with a wall charger for the battery. So if you want to charge a battery while still using your camera you need to purchase a battery charger separately. For the price of this camera one would think a battery charger would be included.I know these few issues I have may seem small but I do think they need to be mentioned. Especially the minuscule thumb stick. But as far as purchasing the Fuji GFX 100S, I would say absolutely. The image quality you get from this camera is outstanding and outshines any little faults that it may have.
| Effective Pixels | 102 megapixels |
| Sensor Size | Medium format (44 x 33 mm) |
| Sensor Type | BSI-CMOS |
| Processor | X-Processor 4 |
| White balance presets | 7 |
Used Fair Fujifilm GFX100S Medium Format Mirrorless Camera (Body Only)
Delivery $41.53
Used Good Fujifilm GFX100S Medium Format Mirrorless Camera (Body Only)
Delivery $41.53
Used Fujifilm GFX 100S Medium Format Body Only - Excellent
Delivery $41.53
[ Top Mint S/c 2177 ] Fujifilm Fuji Gfx 100s Mirrorless Camera Body
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Fujifilm Gfx 100s Mirrorless【shutter Count:4210】【near Mint】【english
Delivery $768.90
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is ... MoreI'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.
I've been a professional photographer for over five years now and finally made the jump to Fujifilms medium format cameras. The Gfx100s allows you to take crisp and detailed photos while also giving you additional room to really go hard in editing. I was also surprised by how well the images looked under high iso conditions. This camera allows me to shoot it much higher isos than I normally would feel comfortable doing. The auto focus has been spot on for me, no complaints there. If you are on the fence, seriously give this camera a chance and you won't be disappointed. It's now hard for me to go back to any of my other cameras after seeing the clarity and beauty of medium format images.
So far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber ... MoreSo far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber hinges that just don't look very secure or sturdy. The door just kind of flops around. Another issue I have is that it does not come with a wall charger for the battery. So if you want to charge a battery while still using your camera you need to purchase a battery charger separately. For the price of this camera one would think a battery charger would be included.I know these few issues I have may seem small but I do think they need to be mentioned. Especially the minuscule thumb stick. But as far as purchasing the Fuji GFX 100S, I would say absolutely. The image quality you get from this camera is outstanding and outshines any little faults that it may have.
I switched to digital cameras in 1996 and never looked back, knowing that it would take decades for me to get back to film. With the GFX100s, I was finally back from the future. Slow focus, heavier than most, terrible menu system, and non-consistent lens quality do not matter. With the GFX 100s, you are back to intentional photography and the quality that comes with it. Still, keep that Sony nearby for sports photography or anything moving extra fast because you'll need it. I don't know if it matters, but I never got published until I switched to the GFX. Now I have two awards, one National Geographic feature, and a few published photos... like they always say, it's not the photographer; it's the gear :-)I'm kidding; of course, the photographer has something to do ... MoreI switched to digital cameras in 1996 and never looked back, knowing that it would take decades for me to get back to film. With the GFX100s, I was finally back from the future. Slow focus, heavier than most, terrible menu system, and non-consistent lens quality do not matter. With the GFX 100s, you are back to intentional photography and the quality that comes with it. Still, keep that Sony nearby for sports photography or anything moving extra fast because you'll need it. I don't know if it matters, but I never got published until I switched to the GFX. Now I have two awards, one National Geographic feature, and a few published photos... like they always say, it's not the photographer; it's the gear :-)I'm kidding; of course, the photographer has something to do with good photos, but if you have the knack for it, it feels like the medium format takes away the limits I encountered with digital cameras full frame or cropped for the past 30 years. And because there is so much resolution, you can often find photos within a photo, and they'll still have more pixels than a full-frame sensor. I also get to print beautiful pictures for my family on my wide format Epson, which my Sony didn't allow me to do.
After using the GFX 100s and several GF lenses for a month, I am delighted with this new system. As a fine art and landscape photographer who sells large prints, image quality is paramount. I have been waiting for a day to arrive when a camera company would put a large, modern, high-megapixel BSI sensor into a portable DSLR-size body. Fujifilm answered my wishes with the GFX 100s, and this system has exceeded my wildest expectations. Although the 3-month backorder was frustrating, it was worth the wait. Here are some of my thoughts on using the GFX 100s system:The 102 MP BSI sensor produces an incredible amount of detail. The noise level is extremely low, and the dynamic range is very high. Shadow detail is astounding, and good color information extends several ... MoreAfter using the GFX 100s and several GF lenses for a month, I am delighted with this new system. As a fine art and landscape photographer who sells large prints, image quality is paramount. I have been waiting for a day to arrive when a camera company would put a large, modern, high-megapixel BSI sensor into a portable DSLR-size body. Fujifilm answered my wishes with the GFX 100s, and this system has exceeded my wildest expectations. Although the 3-month backorder was frustrating, it was worth the wait. Here are some of my thoughts on using the GFX 100s system:The 102 MP BSI sensor produces an incredible amount of detail. The noise level is extremely low, and the dynamic range is very high. Shadow detail is astounding, and good color information extends several EVs below mid-exposure. The colors produced by this sensor and processing engine are rich but naturaI, and it is a truly liberating feeling to be able to lift color out of dark shadows without needing an HDR combination. Hand-held, the IBIS works very well, and the shutter is nicely damped to reduce image shake. On a recent Colorado trip, I got sharp 1/9 second exposures with the 23mm while sitting in a stream with the GFX 100s supported by my elbows on my legs. The 3.7-million-pixel EV and tiltable rear LCD work well, and I use the LCD much of the time. Both screens can be configured to show a little or a lot of helpful information, including a depth of field indicator in the EV that updates as the lens aperture changes. The top sub-display is a nice touch, and it can be toggled between two views of essential information and a histogram. I use it with a black background. Although the menus are straightforward, there are easier ways to access the settings, as I will discuss below. The multi-directional joystick is responsive and has a secure feel, although adding a 4-way paddle around it would add exact left/right and up/down movements. I've found focusing both quick and exact. The focus points and strategy can be changed by tapping on the LCD or using custom settings from the PASM dial or menus.The body is aesthetic and functional, well-constructed, and has a solid, hefty feel. I'm thankful that Fujifilm didn't join the mirrorless camera trend toward miniaturizing the body. When I am not using a tripod, the GFX 100s body feels natural in hand, and its highly functional grip perfectly fits all my fingers and thumb. For tripod use, Really Right Stuff has released an L-bracket for their ball heads custom machined to the body's bottom contour. The GFX 100s is heavier than the average full-frame camera, and so are the lenses. But I didn't switch to medium format with the expectation of lightweight equipment! One battery charge typically gives me 400 to 500 exposures, so I keep some charged spares in my backpack. Fujifilm provides a cable to charge the battery through a USB connection but they don't include a battery charger. So, I bought a battery charger.I am impressed with the level of thought Fujifilm has given to bringing so much control outside the camera's menus. The top left PASM mode knob includes six C options to activate different Custom configurations -- a vast improvement over selecting custom shooting banks from the menus. This is a welcome feature on a Pro body. On the thumb rest, the Q button provides Quick access to a tableau of 16 top-level configuration groups like ISO, autofocus strategy, white balance, film simulations, etc. The target group is quickly selected using the joystick, and its setting is changed using the thumbwheel. Changes are temporary unless the Q button gets a long press to update one of the C settings. On the left, the Drive button makes it easy to switch between bracketing modes such as HDR (AE BKT), color balance and ISO bracketing, plus burst mode, multiple exposures, and more. The body buttons and wheels may also be assigned to various functions. Altogether, these features provide tremendous versatility and efficiency in using the camera.We know that the value of a camera system depends on both the camera bodies and lenses. With the GFX 100s, I bought the Fujinon GF 23mm, 32-64mm, and 45-100mm lenses, and I am thoroughly impressed by their optical performance with this unforgiving sensor. Their mechanical quality is also outstanding, using real metal and buttery smooth mechanisms. When pixel-peeped at 100%, the 102MP images are tack sharp into the corners and show little to no color fringing *before* applying the chromatic aberration correction. I also observed no longitudinal chromatic aberration (LCA) with these lenses. This aberration creates purple and green fringing around subjects nearer or farther than the focus point, and I've found it to be a nuisance with F/1.4 and F/1.8 primes on full-frame. LCA is most noticeable around defocused specular highlights and dark subjects like tree limbs or hair against a bright sky. Fujifilm engineers certainly know that an F/4 lens can be designed for higher image quality than a faster lens (assuming glass, etc., being equal). But what about the Depth of Field (DOF) given by an F/4 lens - is it narrow enough for your application? It depends on your application. If you are coming from full-frame, don't think of F/4 on the GFX sensor as being F/4 on a full-frame sensor. A direct comparison for DOF versus aperture cannot be made across different sensor sizes. Comparing the DOF between GFX and full-frame uses a conversion factor of 0.62. Thus, an F/4 GF lens offers the same DOF as an F/2.5 lens on full-frame, making my 100mm F/4 on GFX equivalent to a 79mm F/2.5 on full-frame. If you need a narrower DOF with the GFX sensor, the GF 110mm F/2 is equivalent to an 85mm F/1.4 on full-frame, and the GF 80mm F/1.7 is equivalent to a 65mm F/1.05 on full-frame.What's missing? Tilt-Shift lenses. Hopefully, Fujifilm will release tilt/shift lenses for the GFX series. I am already looking at ways to adapt my Nikon tilt/shift lenses to the GFX 100s.In summary, my experience thus far using the GFX 100s and several GF lenses has been extremely positive. Switching systems is very hard to do after a significant investment over many years. But this is proving to be the right choice.
I'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about.Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating.After much research I discovered two problems. First, ... MoreI'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about.Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating.After much research I discovered two problems. First, Adobe told me to be sure that I had a large enough cache; I enlarged it and that improved things a bit. But the real source of the problem showed up when I opened Activity Monitor and discovered that LR was sometimes using over 300% of the CPU, occasionally even more. Apple told me the CPU couldn't be upgraded but that adding memory might help. So I added 16 GB of memory. That has helped considerably. I still get occasional pops into the high CPU usage but they are brief enough that the color wheel doesn't seem to start spinning and the fan doesn't come on.If anybody can suggest other fixes I would really appreciate hearing them.I still give the camera 5 stars, but unless you have a pretty powerful computer you may not be able to edit in LightRoom as easily as with smaller image files.
My new GFX100s arrived today. As a retired photojournalist, this is the first camera I have purchased for myself in over 30 years. I had my fingers crossed. The entire purchase and delivery process with B&H Photo was flawless. I was able to download the manual from B&H's website before it arrived so all I had to do was charge the battery before trying it out. I didn't have a lot of time to shoot some serious photos, but test images of fall color using my collection of adapted Canon FD lenses (85 f1.2 Aspheric, 50 f3.5 macro and 35 f3.5 TS) were nothing short of spectacular. To be able to adapt non-Fuji lenses for use on this beast is a game changer. Having understood the 100s' operation before its arrival was a significant achievement - it's not your typical full ... MoreMy new GFX100s arrived today. As a retired photojournalist, this is the first camera I have purchased for myself in over 30 years. I had my fingers crossed. The entire purchase and delivery process with B&H Photo was flawless. I was able to download the manual from B&H's website before it arrived so all I had to do was charge the battery before trying it out. I didn't have a lot of time to shoot some serious photos, but test images of fall color using my collection of adapted Canon FD lenses (85 f1.2 Aspheric, 50 f3.5 macro and 35 f3.5 TS) were nothing short of spectacular. To be able to adapt non-Fuji lenses for use on this beast is a game changer. Having understood the 100s' operation before its arrival was a significant achievement - it's not your typical full frame camera. There is nothing I would change about the camera or the decision to go with B&H.
I've had a GFX100 since they first came out, and I've loved shooting with it. It's now for sale. I thought I might have a use for both the GFX100 and GFX100S, but I'm so impressed with the GFX100S that I don't see the need for the larger original. Portability is why I bought the 100S - the 100 is too big and bulky to be a practical go anywhere option. Having just returned from a photo road trip with the 100S, I find it to be everything I loved about the 100 and a lot more practical. I'm using smaller backpacks than I could ever stuff the 100 into, it's comfortable to pack around, and of course most important is that there is zero compromise for quality and performance. Yes, the 100 has controls for use in portrait mode, two batteries, and a couple of other unique ... MoreI've had a GFX100 since they first came out, and I've loved shooting with it. It's now for sale. I thought I might have a use for both the GFX100 and GFX100S, but I'm so impressed with the GFX100S that I don't see the need for the larger original. Portability is why I bought the 100S - the 100 is too big and bulky to be a practical go anywhere option. Having just returned from a photo road trip with the 100S, I find it to be everything I loved about the 100 and a lot more practical. I'm using smaller backpacks than I could ever stuff the 100 into, it's comfortable to pack around, and of course most important is that there is zero compromise for quality and performance. Yes, the 100 has controls for use in portrait mode, two batteries, and a couple of other unique features. None of those are game-changers for me. Size and weight win the battle. On my trip this week I took the 100S and my X-T4, which I have historically relied on when the size of the 100 proved impractical. The X-T4 didn't come out of the bag -- the 100S was well suited for every circumstance, and I love the quality of the output. Over the X-T4, I love the improved dynamic range and amazing high ISO performance of the 100S, not to mention the file size for large prints and cropping capabilities.
This is without a doubt the best camera I have ever owned.It is also the most complicated I have owned.However if you take the time to learn the complex features it will reward you with simply stunning photographs. Over the past 40 years I have used everything from 35mm Film SLRs, to Medium format Film and back to Digital SLRs including mirrorless models. My most recent camera, the Canon 5DSr, I really thought was about as good as you could get for sharpness, and at 50 mega-pixel it was no slouch.I was wrong though the GFX 100s beats it hands down in my opinion. The edge to edge and corner to corner sharpness is amazing. The size and weight are comparable to my old Canon 35mm that I was using previously and I love having 6 custom function settings.I was a ... MoreThis is without a doubt the best camera I have ever owned.It is also the most complicated I have owned.However if you take the time to learn the complex features it will reward you with simply stunning photographs. Over the past 40 years I have used everything from 35mm Film SLRs, to Medium format Film and back to Digital SLRs including mirrorless models. My most recent camera, the Canon 5DSr, I really thought was about as good as you could get for sharpness, and at 50 mega-pixel it was no slouch.I was wrong though the GFX 100s beats it hands down in my opinion. The edge to edge and corner to corner sharpness is amazing. The size and weight are comparable to my old Canon 35mm that I was using previously and I love having 6 custom function settings.I was a bit disappointed that there are not more options for lenses available either from Fuji or third party vendors, though what is there is really right at the sweet spot for lenses. I wound up going with the GF 32-64mm Fuji and the GF 100-200 Fuji, This covers about 90% of my shooting needs currently (for landscape and nature). I had initially thought I could use my plethora of Canon lenses with an adapter from Metabones but was unsuccessful at getting it to work reliably or at all in most cases with my Canon lenses. I finally gave up and bought the 100-200 Fuji instead of using my Canon 70-200. I thought that the 32-64 Fuji (24mm equiv. in 35mm) might not be a quite wide enough compared to my 15mm Sigma lens that I use occasionally, but the 32-64mm images are so incredibly sharp and free from aberrations that I have no hesitation in simply doing a merge in Lightroom of multiple images to increasewidth or height. I routinely do multi image panoramas that come outrazor sharp with this camera and lens set up.Battery life is a bit on the low side but I have no issues with swapping out batteries on a shoot. I have always carried at least a couple of spares with me when I go out to shoot. Another minor bug in my opinion is that the 400 megapixel, pixel shift option does not appear to be ready for prime time. When I used this feature it creates a 400 megapixel image but it had to many image defects and artifacts for my satisfaction.Long story short I highly recommend this camera, I couldn't be happier with the image quality and camera features it offers. I do strongly recommend that you spend the extraon the Fuji lenses and not use old repurposed glass on such an incredible camera. It really defeats the purpose of moving up to amedium format camera of this quality.
After 20 years of shooting with professional camera, I can recognize the really special ones. Because a camera is more like a creative companion or muse, not merely a technical instrument, one develops different relationships. Some, relationships are cordial, with good mutual work habits and dependability. Others are founded on hard work together, akin to working partners. Some are at a higher level, due to the respect and continued wonder of the capabilities of a camera. Yet, some are above that. They give you a sense of encapsulated genius, a sense of holding a powerful, potent instrument, that requires a higher level of knowledge and commitment. An awareness, that whatever the flaws, the camera is capable of meeting your demands, and bringing some additional ... MoreAfter 20 years of shooting with professional camera, I can recognize the really special ones. Because a camera is more like a creative companion or muse, not merely a technical instrument, one develops different relationships. Some, relationships are cordial, with good mutual work habits and dependability. Others are founded on hard work together, akin to working partners. Some are at a higher level, due to the respect and continued wonder of the capabilities of a camera. Yet, some are above that. They give you a sense of encapsulated genius, a sense of holding a powerful, potent instrument, that requires a higher level of knowledge and commitment. An awareness, that whatever the flaws, the camera is capable of meeting your demands, and bringing some additional discovery to the endeavor. The Fujifilm 100S, and its well-matched lenses brings that rarest of senses back to the fore. The excitement of having an instrument that advances discovery and that requires your senses to be at their highest level. Once you see the detail and nuance of its 16 bit files, you will understand that you must bring your best efforts, your keenest observations, and your presence to justify the great capabilities of the camera.At a more practical level, compared with large DSLR's, the GFX feels quite comfortable and substantial, and it thankfully doesn't suffer from the barbell feeling that some mirrorless cameras have. The ergonomics of its buttons and switches is not as good as some of Fujifilm's earlier X-bodies, but it is still good, and very customizable. Battery life is decent, autofocus is reasonable, and the IBIS system is good, though it never offers sharpness as acute as using a quality tripod.
| Effective Pixels | 102 megapixels |
| Sensor Size | Medium format (44 x 33 mm) |
| Sensor Type | BSI-CMOS |
| Processor | X-Processor 4 |
| White balance presets | 7 |
