Golden Fluid Acrylic 118ml Fluorescent Red
Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.
Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.
Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.
Golden Fluid Acrylics are highly pigmented acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to Golden Heavy Body Acrylics. Unlike mixtures of heavy-bodied paints and water which can produce weak colour and films by dilution, Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. Fluid Acrylics are ideal for spraying, brushing, pour painting techniques, and staining, and can be mixed with other Golden products. Blend with Golden Airbrush Medium for spray applications. Excellent for applying on fabrics.
in 3 offers
The lowest price for Golden Fluid Acrylic 118ml Fluorescent Red right now is $40.10 at theartshop.com.au, compared across 3 retailers.
The all-time low was $32.48 on 16 July 2025 — today's price is 23% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 10 May 2026.
Last updated at 10/05/2026 10:51:40
Golden Fluid Acrylic 118ml Fluorescent Red
Delivery $9.90
Golden : Fluid : Acrylic Paint : 118ml (4oz) : Fluorescent Red
Delivery between Mon – Tue $9.70
GOLDEN Fluid Acrylics, Fluorescent Red, 4 fl. oz. Bottle, Professional Acrylic Paint, Transparent
Free delivery between 19–22 May
originally posted on dickblick.com
This transfer paper makes my life sooo much easier when it comes to transferring my drawings to a prepared wood panel. As the box says, you really can use a sheet many times (I've used one 8x0" sheet three times so far, without losing the quality of the traced drawing. The lines are super crisp, and you don't have to press ridiculously hard.My only issue is with the white transfer paper on dark backgrounds - you do have to be super, super careful about not smudging it, and some white particles do scatter/adhere to the surface. If you're painting the background, not an issue! But I like to leave the wood exposed for some paintings, so I have to be very careful in this situation because I can't just paint over smudges. In this situation, the lines also erase fine, ... MoreThis transfer paper makes my life sooo much easier when it comes to transferring my drawings to a prepared wood panel. As the box says, you really can use a sheet many times (I've used one 8x0" sheet three times so far, without losing the quality of the traced drawing. The lines are super crisp, and you don't have to press ridiculously hard.My only issue is with the white transfer paper on dark backgrounds - you do have to be super, super careful about not smudging it, and some white particles do scatter/adhere to the surface. If you're painting the background, not an issue! But I like to leave the wood exposed for some paintings, so I have to be very careful in this situation because I can't just paint over smudges. In this situation, the lines also erase fine, but removing eraser bits from the surface becomes tricky when you're trying not to smudge, and when you're using clear gesso (which is very gritty). If I were using white gesso I'm sure it would be easier. I'll try the graphite paper on dark surfaces next, with the hope that I can see the lines well enough on a dark surface, but also that smudges/bits of transfer pigment are not as easily seen.
originally posted on michaels.com
It is nice to have a Yellow paint that is not too transparent, however the drawback of this color is that it is too watery. If you try to get good coverage in one layer, then it leaves ridges in the paint when dry; if you put it on so it is smooth and thin, then it doesn't cover what you want it to cover underneath. The Golden company either put too much water or too much thin hi flow medium in this product. It might be helpful to use this same specific color in the tube heavy body from Golden to attain better coverage.
originally posted on michaels.com
This is a necessary 'dulling' color to make mixes look more realistic, so most Artists will use this in their mixes, if not alone as a boring brown. It is very effective color-wise at making realistic mixes. The problem I have with this specific color in the fluid acrylic form, is that the Golden company has either watered it down, OR has added too much hi flow medium to the product. It is nearly impossible to control the dispensing of this product because it does NOT come out at drop at a time, but a river of watery brown at one time. It gets all over the lid, cap, side of the lid and even onto the bottle each time you try to get out even a tiny amount. This is a color that might be more helpful to use in the tube heavy body form for your fluid mixes, as no one ... MoreThis is a necessary 'dulling' color to make mixes look more realistic, so most Artists will use this in their mixes, if not alone as a boring brown. It is very effective color-wise at making realistic mixes. The problem I have with this specific color in the fluid acrylic form, is that the Golden company has either watered it down, OR has added too much hi flow medium to the product. It is nearly impossible to control the dispensing of this product because it does NOT come out at drop at a time, but a river of watery brown at one time. It gets all over the lid, cap, side of the lid and even onto the bottle each time you try to get out even a tiny amount. This is a color that might be more helpful to use in the tube heavy body form for your fluid mixes, as no one wants to deal with the spillage and watery-ness of this particular paint.
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Golden Fluid Acrylic 118ml Fluorescent Red
Delivery $9.90
Golden : Fluid : Acrylic Paint : 118ml (4oz) : Fluorescent Red
Delivery between Mon – Tue $9.70
GOLDEN Fluid Acrylics, Fluorescent Red, 4 fl. oz. Bottle, Professional Acrylic Paint, Transparent
Free delivery between 19–22 May
This transfer paper makes my life sooo much easier when it comes to transferring my drawings to a prepared wood panel. As the box says, you really can use a sheet many times (I've used one 8x0" sheet three times so far, without losing the quality of the traced drawing. The lines are super crisp, and you don't have to press ridiculously hard.My only issue is with the white transfer paper on dark backgrounds - you do have to be super, super careful about not smudging it, and some white particles do scatter/adhere to the surface. If you're painting the background, not an issue! But I like to leave the wood exposed for some paintings, so I have to be very careful in this situation because I can't just paint over smudges. In this situation, the lines also erase fine, ... MoreThis transfer paper makes my life sooo much easier when it comes to transferring my drawings to a prepared wood panel. As the box says, you really can use a sheet many times (I've used one 8x0" sheet three times so far, without losing the quality of the traced drawing. The lines are super crisp, and you don't have to press ridiculously hard.My only issue is with the white transfer paper on dark backgrounds - you do have to be super, super careful about not smudging it, and some white particles do scatter/adhere to the surface. If you're painting the background, not an issue! But I like to leave the wood exposed for some paintings, so I have to be very careful in this situation because I can't just paint over smudges. In this situation, the lines also erase fine, but removing eraser bits from the surface becomes tricky when you're trying not to smudge, and when you're using clear gesso (which is very gritty). If I were using white gesso I'm sure it would be easier. I'll try the graphite paper on dark surfaces next, with the hope that I can see the lines well enough on a dark surface, but also that smudges/bits of transfer pigment are not as easily seen.
It is nice to have a Yellow paint that is not too transparent, however the drawback of this color is that it is too watery. If you try to get good coverage in one layer, then it leaves ridges in the paint when dry; if you put it on so it is smooth and thin, then it doesn't cover what you want it to cover underneath. The Golden company either put too much water or too much thin hi flow medium in this product. It might be helpful to use this same specific color in the tube heavy body from Golden to attain better coverage.
This is a necessary 'dulling' color to make mixes look more realistic, so most Artists will use this in their mixes, if not alone as a boring brown. It is very effective color-wise at making realistic mixes. The problem I have with this specific color in the fluid acrylic form, is that the Golden company has either watered it down, OR has added too much hi flow medium to the product. It is nearly impossible to control the dispensing of this product because it does NOT come out at drop at a time, but a river of watery brown at one time. It gets all over the lid, cap, side of the lid and even onto the bottle each time you try to get out even a tiny amount. This is a color that might be more helpful to use in the tube heavy body form for your fluid mixes, as no one ... MoreThis is a necessary 'dulling' color to make mixes look more realistic, so most Artists will use this in their mixes, if not alone as a boring brown. It is very effective color-wise at making realistic mixes. The problem I have with this specific color in the fluid acrylic form, is that the Golden company has either watered it down, OR has added too much hi flow medium to the product. It is nearly impossible to control the dispensing of this product because it does NOT come out at drop at a time, but a river of watery brown at one time. It gets all over the lid, cap, side of the lid and even onto the bottle each time you try to get out even a tiny amount. This is a color that might be more helpful to use in the tube heavy body form for your fluid mixes, as no one wants to deal with the spillage and watery-ness of this particular paint.
This unique color red with a hint of orange behind it is great for mixing and surprisingly opaque for a fluid body! I've always used acrylics to paint with, but am new to the Golden Fluid Acrylic line. It's unbelievable how superior this line of paints are compared to every other acrylic I've ever used! They are more expensive than some other options, but if you do a side by side test, the results will tell you Golden fluid wins every time.#sweepstakes
I am just starting to use the Golden Fluid Acrylics more on a regular basis. Why? They have very strong pigments and thus "go a long way", means I can add a good amount of medium, and they still keep their strength and color vibrancy. Mixing them is amazing as I need to add only very little of one color to another one to change it to my liking.I didn't buy the Golden Fluid Acrylics before before because I found them too expensive. With my experience now I know that the quality and intensity of these colors don't make them too or more expensive than the acrylics I was buying before. I will definitely purchase more of the Golden Fluid Acrylics to eventually replace the acrylics I still have.
I normally work with heavy body paints and I've never used fluid acrylic paints before so I was a bit hesitant to order them at first. But the prices seem more affordable for me compared to the heavy body paints so I decided to give it a try along with Golden Extra Heavy Gel (matte). And I am happy that I gave it a try! These are definitely fluid, but it's gem packed with high quality pigments. Colors are so vibrant and work well with the extra heavy gel to create thicker texture. Also, work well itself or mixed with water to other acrylic medium for glazing and layering.
I have a love/hate relationship with Golden Fluid Acrylics. I hate the sheen that some of them have and the price can be tough on the wallet which has led me to try many other brands... but some of the colors are top notch and I can't find anything that compares to them. I mix with raw umber constantly and have yet to find another brand that offers the same raw umber hue -- it's perfect. Same goes for sap green. Both titanium and zinc white are in my top two white brand choices, but again, the sheen is a bit more than I personally prefer. The carbon black sheen is over the top.Yes, I know Golden offers a matte paint. They do have a beautiful finish but the odor is too potent for me. One can, of course, also solve the shine 'problem' by using a matte or satin ... MoreI have a love/hate relationship with Golden Fluid Acrylics. I hate the sheen that some of them have and the price can be tough on the wallet which has led me to try many other brands... but some of the colors are top notch and I can't find anything that compares to them. I mix with raw umber constantly and have yet to find another brand that offers the same raw umber hue -- it's perfect. Same goes for sap green. Both titanium and zinc white are in my top two white brand choices, but again, the sheen is a bit more than I personally prefer. The carbon black sheen is over the top.Yes, I know Golden offers a matte paint. They do have a beautiful finish but the odor is too potent for me. One can, of course, also solve the shine 'problem' by using a matte or satin varnish at the end (and I do), but I like to scan my work prior to varnishing and the sheen complicates that.Overall, they're wonderfully pigmented with fantastic fluid viscosity that works well for very detailed brushwork, but price and sheen often lead me elsewhere for many colors. If the sheen doesn't bother you and price isn't a factor - you'll love them.
There is no finer paint than Golden for my needs. The colors are so vibrant. The application is smooth whether you use a heavy body or a fluid acrylic. Fluid acrylics are great for full coverage that is absolutely smooth, with few visible brush strokes unless I want them there. It flows over the canvas but can't be confused with the Golden High Flow acrylic because it is not as thin and wet and serves an entirely different purpose. To be able to achieve gorgeous, deep, brilliant, dynamic color that is full coverage so easily with a fluid acrylic? It can only be Golden.
I bought several additional colors as I already had a mixing set. Absolutely LOVE them all! Colors are always so vibrant and have outstanding viscosity and coverage. The fluid acrylics by Goldeb are my #1. Soft body are a close second. But every product I've gotten both from Blick and Golden have been stellar. Sure you pay a bit more but definitely worth it! A little goes a long way!
I have Golden paints that are 10 years old and still work like new but I was running out so gave this set a try before investing in larger bottles.The formula feels different, a little too 'slick' for my liking. The pigment goes a really long way when mixing and I found that I was using quite a bit of paint in experimenting to determine with how much was too much. Fortunately, they had a lot of stretch when I finally got to application. Without the addition of medium these paints dry to a very shiny finish which didn't appeal to me. Some artists might be going for a shiny plastic look, in which case they might really like these paints. There are two Phthalo Blues (red and green shades). I would have preferred a French Ultramarine over one of these. The original list ... MoreI have Golden paints that are 10 years old and still work like new but I was running out so gave this set a try before investing in larger bottles.The formula feels different, a little too 'slick' for my liking. The pigment goes a really long way when mixing and I found that I was using quite a bit of paint in experimenting to determine with how much was too much. Fortunately, they had a lot of stretch when I finally got to application. Without the addition of medium these paints dry to a very shiny finish which didn't appeal to me. Some artists might be going for a shiny plastic look, in which case they might really like these paints. There are two Phthalo Blues (red and green shades). I would have preferred a French Ultramarine over one of these. The original list price is too high, in my opinion. Blick's price is a much better value.
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