Kodak Gold 200 135 Film 24 Exposures 3 Pack
KODAK GOLD 200 Film is a low-speed color negative film that offers an outstanding combination of color saturation fine grain and high sharpness. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photo lamps (3400 K) or tungsten illumination (3200 K) with filters. It also features wide exposure latitude from 2 stops underexposure to 3 stops overexposure.
KODAK GOLD 200 Film is a low-speed color negative film that offers an outstanding combination of color saturation fine grain and high sharpness. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photo lamps (3400 K) or tungsten illumination (3200 K) with filters. It also features wide exposure latitude from 2 stops underexposure to 3 stops overexposure.
KODAK GOLD 200 Film is a low-speed color negative film that offers an outstanding combination of color saturation fine grain and high sharpness. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photo lamps (3400 K) or tungsten illumination (3200 K) with filters. It also features wide exposure latitude from 2 stops underexposure to 3 stops overexposure.
KODAK GOLD 200 Film is a low-speed color negative film that offers an outstanding combination of color saturation fine grain and high sharpness. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photo lamps (3400 K) or tungsten illumination (3200 K) with filters. It also features wide exposure latitude from 2 stops underexposure to 3 stops overexposure.
in 33 offers
The lowest price for Kodak Gold 200 135 Film 24 Exposures 3 Pack right now is $12.75 at eBay.com.au, compared across 23 retailers.
The all-time low was $7.00 on 26 May 2026 — today's price is 82% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 29 June 2026.
Last updated at 29/06/2026 08:06:29
Kodak GOLD 200 Color Negative Film (35mm Roll Film, 24 Exposures, 3-Pack) - 6033971,Purple, Yellow
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Kodak Gold 200 Color Film (35mm, 24 Exposures) In Film Tube Rare
Delivery $33.13
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Kodak Film Gold 200 Color Negative Film (35mm Roll Film, 24 Exposures,
Free delivery
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Kodak Gold 200 Iso Colour 35mm 24exp 3 Pack
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Kodak Gold 200 Color Negative Film (35mm Roll Film, 24 Exposures,
Delivery $11
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Kodak 6033971 Gold 35mm Color Film Roll
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Kodak Gold 200 Iso 35mm 24 Exposures Film 3-pack Expired
Delivery $36.25
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Kodak GOLD 200 Color Negative Film (35Mm Roll Film, 24 Exposures, 3-Pack) - 6...
Free delivery
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Kodak GB/GOLD 200 ASA Color Film (35mm, 24 Exposures) 3-PACK 7518301
Delivery $36.22
Kodak Gold 200asa Color Negative Film (35mm Roll Film 24 Exposures 3 Pack)
Delivery $13
originally posted on analoguewonderland.co.uk
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
originally posted on analoguewonderland.co.uk
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
originally posted on analoguewonderland.co.uk
Well, I thought I was B&W / HP5 all the way, never stray away from the path .. I might just be converted to colour, especially with this lovely film. A few driving factors with me. Playing with my new (old) half frame camera I've found the smaller scale and double image nature of photography suits colour really well, perhaps a bit better than B&W for me, it just benefits from a little colour pop. The distortion from the 1960s lens combines with the old school colour of Kodak Gold to send all my pictures back in time. Shooting film on a fully manual camera, processing C-41 (with an FPP kit from AW) and then scanning takes SOOOO much longer than digital, and is INFINATELY more rewarding.
| Film Format | 35mm |
| Number of Exposures | 24 |
| Film Type | Color Negative |
| Film Speed | ISO 200 |
| Color Balance | Daylight |
Kodak GOLD 200 Color Negative Film (35mm Roll Film, 24 Exposures, 3-Pack) - 6033971,Purple, Yellow
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kodak Gold 200 Color Film (35mm, 24 Exposures) In Film Tube Rare
Delivery $33.13
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kodak Film Gold 200 Color Negative Film (35mm Roll Film, 24 Exposures,
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kodak Gold 200 Iso Colour 35mm 24exp 3 Pack
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kodak Gold 200 Color Negative Film (35mm Roll Film, 24 Exposures,
Delivery $11
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
Well, I thought I was B&W / HP5 all the way, never stray away from the path .. I might just be converted to colour, especially with this lovely film. A few driving factors with me. Playing with my new (old) half frame camera I've found the smaller scale and double image nature of photography suits colour really well, perhaps a bit better than B&W for me, it just benefits from a little colour pop. The distortion from the 1960s lens combines with the old school colour of Kodak Gold to send all my pictures back in time. Shooting film on a fully manual camera, processing C-41 (with an FPP kit from AW) and then scanning takes SOOOO much longer than digital, and is INFINATELY more rewarding.
…especially shot through a thorium lens like I did at one point, oops (don’t do this unless you want every human subject to look like they have advanced jaundice)!A great beginner film that works as an all round outdoor stock both in sunny and overcast conditions, my first few rolls of film have all been Kodak Gold 200. Excels at sunset and when photographing subjects with gold and green tones present. Good dynamic range and the grain isn’t too extreme. Can come out a little orange or with odd skin tones in indoor artificially lit environments, but this can be fixed in Lightroom if you don’t consider that blasphemous.Developed very nicely by Analogue Wonderland too.
This is a massively underrated film. I have come across many reviews on the internet which put it on a level with ColourPlus but I think it is much superior: the grain is finer, the lines are cleaner, there is more life in the image and the colours do not wash out and turn drab when there's a cloud in the sky.I also don't think it is always used right, from what I have seen. I do not over expose it or shoot it at 100ISO. I shoot at box speed and, especially in high contrast lighting, meter for the median between the highlights and shadows. The images I get are exactly as I remember seeing the scene at the time. I think that reviews that complain about its dynamic range or comment on its warm tones look overexposed to me.As a 200ISO it is naturally a film for ... MoreThis is a massively underrated film. I have come across many reviews on the internet which put it on a level with ColourPlus but I think it is much superior: the grain is finer, the lines are cleaner, there is more life in the image and the colours do not wash out and turn drab when there's a cloud in the sky.I also don't think it is always used right, from what I have seen. I do not over expose it or shoot it at 100ISO. I shoot at box speed and, especially in high contrast lighting, meter for the median between the highlights and shadows. The images I get are exactly as I remember seeing the scene at the time. I think that reviews that complain about its dynamic range or comment on its warm tones look overexposed to me.As a 200ISO it is naturally a film for daylight, or else with a tripod or flash in poorer light. Especially in England, going in to the Winter there might be fewer opportunities to shoot in favourable conditions, so it might be advisable to buy 24 exposures and keep an ISO400 film to hand.
I actually shot this film for the first time during a photoshoot (which I wouldn't recommend doing) and actually got some lovely results. Kodak Gold is really well-suited for shooting natural scenery, ideally in bright daylight or golden hour, but the film's natural yellow glow will compensate for any dullness brought upon by overcast lighting situations. However, this film can produce some rather brassy results depending on the lighting or colours of your surroundings. If you're not a fan of this, Kodak Ultramax 400 or Fujicolor C200 could be a good alternative. In general this film can handle 1-2 stops of under/overexposure, although overexposed photos do look slightly nicer than underexposed ones.
I've shot film for 4 years on colorplus bc I'm not a photographer and it's the cheapest for a hobby but Kodak Gold has definitely become my favourite for the beautiful colours and tones it derives from the subject. Gold is a great film if you want a vintage/nostalgic/hazy (but still sharp enough)/cosy feel to your photos. I think it has a lighter tone to photos taken in dark places than colorplus for example, and goldier-green than dark green (not an expert, just based on my own experience). It captures well in sunny, dark, inside and outside conditions so would be great for beginners and hobbyists, especially super easy to use on a point-and-shoot (these photos are taken on a canon prima zoom mini)
I've long debated which should be my film of choice for my current projects. For context, I'm travelling around on my bicycle, photographing Devon and Cornwall. Here's why Kodak Gold 200 is my film of choice: 1. Great colour reproduction — colours are vibrant, true to life and it's easier to go from colour to black and white than the other way. 2. 36 exposures — portability is a concern for me, so the few cartridges I have to carry around, the better. and 3. minimal noise and solid results on or off a tripod. The sample images speak for themselves, this is a solid film at a great price point.
I held off on trying Gold in 35mm for a long time, I think out of fear of bad results. I used Gold in 120, and found that the shots came out amazing. Then I grabbed a roll of 35mm, and was surprised by how much I loved the results. The grain is actually a lot more minimal than I expected, and the colours are more natural than expected. I need to shoot a few more rolls, but at the moment, this is one of my favourite colour films.
I tried this film for the first time on a photo walk in Leeds when it was a mild but sunny day. This consumer film gives a warm and golden haze to pictures, making them look nostalgic. It's quite a forgiving film, so good for beginners, however the results are more consistent during daylight as its an ISO 200 film. When rated at 'box speed' it has noticeable grain, and definitely gives off vintage vibes. You could try rating it at ISO 100 if you have a manual camera to reduce grain and that warm cast.Example images taken on Olympus XA rated at EI200.
| Film Format | 35mm |
| Number of Exposures | 24 |
| Film Type | Color Negative |
| Film Speed | ISO 200 |
| Color Balance | Daylight |
