Neumann KH 120-II 2-Way Studio Monitor with DSP by Sounds Easy
Neumann ́s acclaimed studio monitor taken to a new level with deeper bass, higher resolution, and DSP power. Next Generation Monitoring The KH 120 II is based on the same concept as its acclaimed predecessor but completely re-engineered for improved performance in all parameters: deeper bass, higher SPL capability and even better resolution. Internal DSP power allows for phase linear crossovers and room adaptive alignment via Neumann’s revolutionary MA 1 Automatic Alignment. Even Better When Neumann released the KH 120 A in 2010, it was the beginning of an ongoing success story. Neumann monitoring has since become the reference of choice in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and, in fact, all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Thanks to improved performance in all parameters and a powerful DSP engine, the KH 120 II enables you to hear your tracks with even greater clarity and work more efficiently. Create mixes that translate optimally to all playback systems. With ease. Perfect Sound with a Small Footprint The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 120 II is made to extremely low tolerances of no more than ±0.5 dB! And you can hear it, too: Stereo imaging is razor-sharp. The KH 120 II is designed for nearfield applications with a recommended listening distance of 1 – 2 meters (3 – 6 ft.). It is thus ideally suited to smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multichannel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for creating a professional quality makeshift control room when working on location (e.g. orchestra/choir, live recording, film, broadcast). Ready for Your Room Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion (MMD ) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 120 II goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly aligned for your listening position. Even in acoustically treated rooms, this results in a significant improvement. Tonal compatibility with other KH line studio monitors makes it possible to use the KH 120 II in mixed setups e.g. in immersive setups. For flexible connectivity the KH 120 II features both analog and S/PDIF inputs. Energy Efficient Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the power amplifiers of the KH 120 II deliver up to 145 W to the 5.25” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 120 II has not been used for a while, but can be deactivated. - High-precision drivers, Mathematically Modelled Dispersion (MMD ) waveguide - Linear frequency response 44 Hz ... 21 kHz (±3 dB) - Linear phase response 120 Hz ... 16 kHz (±45°) with latency <2.6 ms - DSP inside allows for room adaptive alignment via Neumann ́s MA 1 - Razor sharp imaging due to extremely low tolerances (±0.5 dB) - May be combined with other KH line speakers in immersive or surround setups
Neumann ́s acclaimed studio monitor taken to a new level with deeper bass, higher resolution, and DSP power. Next Generation Monitoring The KH 120 II is based on the same concept as its acclaimed predecessor but completely re-engineered for improved performance in all parameters: deeper bass, higher SPL capability and even better resolution. Internal DSP power allows for phase linear crossovers and room adaptive alignment via Neumann’s revolutionary MA 1 Automatic Alignment. Even Better When Neumann released the KH 120 A in 2010, it was the beginning of an ongoing success story. Neumann monitoring has since become the reference of choice in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and, in fact, all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Thanks to improved performance in all parameters and a powerful DSP engine, the KH 120 II enables you to hear your tracks with even greater clarity and work more efficiently. Create mixes that translate optimally to all playback systems. With ease. Perfect Sound with a Small Footprint The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 120 II is made to extremely low tolerances of no more than ±0.5 dB! And you can hear it, too: Stereo imaging is razor-sharp. The KH 120 II is designed for nearfield applications with a recommended listening distance of 1 – 2 meters (3 – 6 ft.). It is thus ideally suited to smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multichannel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for creating a professional quality makeshift control room when working on location (e.g. orchestra/choir, live recording, film, broadcast). Ready for Your Room Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion (MMD ) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 120 II goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly aligned for your listening position. Even in acoustically treated rooms, this results in a significant improvement. Tonal compatibility with other KH line studio monitors makes it possible to use the KH 120 II in mixed setups e.g. in immersive setups. For flexible connectivity the KH 120 II features both analog and S/PDIF inputs. Energy Efficient Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the power amplifiers of the KH 120 II deliver up to 145 W to the 5.25” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 120 II has not been used for a while, but can be deactivated. - High-precision drivers, Mathematically Modelled Dispersion (MMD ) waveguide - Linear frequency response 44 Hz ... 21 kHz (±3 dB) - Linear phase response 120 Hz ... 16 kHz (±45°) with latency <2.6 ms - DSP inside allows for room adaptive alignment via Neumann ́s MA 1 - Razor sharp imaging due to extremely low tolerances (±0.5 dB) - May be combined with other KH line speakers in immersive or surround setups
Neumann ́s acclaimed studio monitor taken to a new level with deeper bass, higher resolution, and DSP power. Next Generation Monitoring The KH 120 II is based on the same concept as its acclaimed predecessor but completely re-engineered for improved performance in all parameters: deeper bass, higher SPL capability and even better resolution. Internal DSP power allows for phase linear crossovers and room adaptive alignment via Neumann’s revolutionary MA 1 Automatic Alignment. Even Better When Neumann released the KH 120 A in 2010, it was the beginning of an ongoing success story. Neumann monitoring has since become the reference of choice in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and, in fact, all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Thanks to improved performance in all parameters and a powerful DSP engine, the KH 120 II enables you to hear your tracks with even greater clarity and work more efficiently. Create mixes that translate optimally to all playback systems. With ease. Perfect Sound with a Small Footprint The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 120 II is made to extremely low tolerances of no more than ±0.5 dB! And you can hear it, too: Stereo imaging is razor-sharp. The KH 120 II is designed for nearfield applications with a recommended listening distance of 1 – 2 meters (3 – 6 ft.). It is thus ideally suited to smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multichannel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for creating a professional quality makeshift control room when working on location (e.g. orchestra/choir, live recording, film, broadcast). Ready for Your Room Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion (MMD ) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 120 II goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly aligned for your listening position. Even in acoustically treated rooms, this results in a significant improvement. Tonal compatibility with other KH line studio monitors makes it possible to use the KH 120 II in mixed setups e.g. in immersive setups. For flexible connectivity the KH 120 II features both analog and S/PDIF inputs. Energy Efficient Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the power amplifiers of the KH 120 II deliver up to 145 W to the 5.25” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 120 II has not been used for a while, but can be deactivated. - High-precision drivers, Mathematically Modelled Dispersion (MMD ) waveguide - Linear frequency response 44 Hz ... 21 kHz (±3 dB) - Linear phase response 120 Hz ... 16 kHz (±45°) with latency <2.6 ms - DSP inside allows for room adaptive alignment via Neumann ́s MA 1 - Razor sharp imaging due to extremely low tolerances (±0.5 dB) - May be combined with other KH line speakers in immersive or surround setups
Neumann ́s acclaimed studio monitor taken to a new level with deeper bass, higher resolution, and DSP power. Next Generation Monitoring The KH 120 II is based on the same concept as its acclaimed predecessor but completely re-engineered for improved performance in all parameters: deeper bass, higher SPL capability and even better resolution. Internal DSP power allows for phase linear crossovers and room adaptive alignment via Neumann’s revolutionary MA 1 Automatic Alignment. Even Better When Neumann released the KH 120 A in 2010, it was the beginning of an ongoing success story. Neumann monitoring has since become the reference of choice in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and, in fact, all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. Thanks to improved performance in all parameters and a powerful DSP engine, the KH 120 II enables you to hear your tracks with even greater clarity and work more efficiently. Create mixes that translate optimally to all playback systems. With ease. Perfect Sound with a Small Footprint The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 120 II is made to extremely low tolerances of no more than ±0.5 dB! And you can hear it, too: Stereo imaging is razor-sharp. The KH 120 II is designed for nearfield applications with a recommended listening distance of 1 – 2 meters (3 – 6 ft.). It is thus ideally suited to smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multichannel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for creating a professional quality makeshift control room when working on location (e.g. orchestra/choir, live recording, film, broadcast). Ready for Your Room Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion (MMD ) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 120 II goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly aligned for your listening position. Even in acoustically treated rooms, this results in a significant improvement. Tonal compatibility with other KH line studio monitors makes it possible to use the KH 120 II in mixed setups e.g. in immersive setups. For flexible connectivity the KH 120 II features both analog and S/PDIF inputs. Energy Efficient Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the power amplifiers of the KH 120 II deliver up to 145 W to the 5.25” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 120 II has not been used for a while, but can be deactivated. - High-precision drivers, Mathematically Modelled Dispersion (MMD ) waveguide - Linear frequency response 44 Hz ... 21 kHz (±3 dB) - Linear phase response 120 Hz ... 16 kHz (±45°) with latency <2.6 ms - DSP inside allows for room adaptive alignment via Neumann ́s MA 1 - Razor sharp imaging due to extremely low tolerances (±0.5 dB) - May be combined with other KH line speakers in immersive or surround setups
in 35 offers
The lowest price for Neumann KH 120-II 2-Way Studio Monitor with DSP by Sounds Easy right now is $1,345.72 at Pro Audio LA, compared across 15 retailers.
The all-time low was $1,197.00 on 14 Nov 2025 — today's price is 12% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 7 June 2026.
Last updated at 07/06/2026 11:42:48
Neumann KH 120 II | DSP Powered Studio Monitor | Anthracite (Single)
Delivery $212.71
Neumann KH 120 II | DSP Powered Studio Monitor | White (Single)
Delivery $212.71
Neumann KH 120 II | DSP Powered Studio Monitor | White (Pair)
Delivery $283.61
Neumann KH 120 II | DSP Powered Studio Monitor | Anthracite (Pair)
Delivery $283.61
Neumann KH120 MKII 5.25" Active Studio Monitor with DSP - Single
NEUMANN Neumann KH 120 II W Monitor Speaker (White) (1 unit) (Official Japanese Product)
NEUMANN [Early Summer Special Sale] KH 120-II (Pair) (Neumann) (Monitor Speakers) (KH120)
NEUMANN Neumann KH 120 II W Monitor Speakers (White, Pair)
KH 120-II (1 unit) (Neumann) (Monitor Speaker) (KH120) by NEUMANN
Neumann KH 120-II Single Studio Monitor (Anthracite)
Delivery $5.90
originally posted on zzounds.com
Sound:Sonically brilliant! Tight, focused lows & mids and pristine highs. These monitors reveal things in your mixes that you wouldn't have noticed before and allows you make corrections much more easily...even minor changes are obvious. A wonderful natural sound.Features:Switches for EQ adustments and input sensitivity on rear. The glowing Neumann logo on the face of the monitor changes from white to red if you are pushing too much input into them...that's a great feature!Ease of Use:Plug'em in and viola!!!Quality:These things are built like a tank...seriously...an all metal housing and protective metal grille on woofers and tweeters. AND they looking stunningly amaz-za-zing!Value:At twice the price, it would still be worth it.Manufacturer ... MoreSound:Sonically brilliant! Tight, focused lows & mids and pristine highs. These monitors reveal things in your mixes that you wouldn't have noticed before and allows you make corrections much more easily...even minor changes are obvious. A wonderful natural sound.Features:Switches for EQ adustments and input sensitivity on rear. The glowing Neumann logo on the face of the monitor changes from white to red if you are pushing too much input into them...that's a great feature!Ease of Use:Plug'em in and viola!!!Quality:These things are built like a tank...seriously...an all metal housing and protective metal grille on woofers and tweeters. AND they looking stunningly amaz-za-zing!Value:At twice the price, it would still be worth it.Manufacturer Support:It's Neumann..e on.The Wow Factor:It's Neumann. There is a legacy there. I give them a wow factor of "OMG!!!"I hear comments from bands all the time now like "I can't believe the sound that comes from those speakers." or "Dude...those monitors sound f#$%ing bada$$!!"Overall:I own a professional recording facility and had some pretty decent studio monitors from the likes of Tannoy, Mackie, and Event...BUT I found myself most often listening to mixes elsewhere and they just didn't seem to translate. I thought maybe it was just my mixing room (not boasting...but it's a great room) causing me to make several (sometimes seriously significant) revisions to mixes before I was happy listening to them in other "real" environments and finally sending them off for mastering.It was tough for me to make a decision to purchase nearfields that seemed to be very small with a fairly large price tag. But at the suggestion of a studio engineer buddy of mine, I bit the bullet and made the purchase.THIS HAS BEEN THE BEST STUDIO PURCHASE I HAVE MADE IN YEARS!! Immediately (I'm not freakin' kidding you), I could tell a tremendous difference in the sonic character of everything that was pouring from these small beauties...and instantly (I'm still not freakin' kidding you), my mixes were being nailed one time through. It was as if I had a brand new set of ears!!Neumann has usually been at the other end of things...input...not output. Let me just say that what he U87 has done for microphones, the KH120A will do for studio monitors.I have my KH120A's paired with a KRK 10s sub running through a Radial MC3 monitor controller. Just wanted to put all the facts out there.Make the purchase. Thank me later.
originally posted on zzounds.com
Overall:These monitors are fantastic period, I should’ve taken the plunge a long time ago and saved myself the headaches of trying to translate my mixes over various sources. If you’re in a similar position than myself and have a limited amount of space to work with and need a 5 inch monitor, front ports, with exceptional bass response, look no further, these are best in class.
originally posted on bhphotovideo.com
Very clean sound, though not what you would expect from the larger Neumann speakers (310's, 420's, both of which I use daily). There are rear adjustments to fine tune the speaker to its listening environment, much as with the larger models. For work station listening you should always have speakers at ear level, not just sitting on a desk. Invest in the matching LH-65 stand for each speaker. The stand is expensive but extremely, extremely well built and stable. Well worth the investment.
Neumann KH 120 II | DSP Powered Studio Monitor | Anthracite (Single)
Delivery $212.71
Neumann KH 120 II | DSP Powered Studio Monitor | White (Single)
Delivery $212.71
Neumann KH 120 II | DSP Powered Studio Monitor | White (Pair)
Delivery $283.61
Neumann KH 120 II | DSP Powered Studio Monitor | Anthracite (Pair)
Delivery $283.61
Neumann KH120 MKII 5.25" Active Studio Monitor with DSP - Single
Sound:Sonically brilliant! Tight, focused lows & mids and pristine highs. These monitors reveal things in your mixes that you wouldn't have noticed before and allows you make corrections much more easily...even minor changes are obvious. A wonderful natural sound.Features:Switches for EQ adustments and input sensitivity on rear. The glowing Neumann logo on the face of the monitor changes from white to red if you are pushing too much input into them...that's a great feature!Ease of Use:Plug'em in and viola!!!Quality:These things are built like a tank...seriously...an all metal housing and protective metal grille on woofers and tweeters. AND they looking stunningly amaz-za-zing!Value:At twice the price, it would still be worth it.Manufacturer ... MoreSound:Sonically brilliant! Tight, focused lows & mids and pristine highs. These monitors reveal things in your mixes that you wouldn't have noticed before and allows you make corrections much more easily...even minor changes are obvious. A wonderful natural sound.Features:Switches for EQ adustments and input sensitivity on rear. The glowing Neumann logo on the face of the monitor changes from white to red if you are pushing too much input into them...that's a great feature!Ease of Use:Plug'em in and viola!!!Quality:These things are built like a tank...seriously...an all metal housing and protective metal grille on woofers and tweeters. AND they looking stunningly amaz-za-zing!Value:At twice the price, it would still be worth it.Manufacturer Support:It's Neumann..e on.The Wow Factor:It's Neumann. There is a legacy there. I give them a wow factor of "OMG!!!"I hear comments from bands all the time now like "I can't believe the sound that comes from those speakers." or "Dude...those monitors sound f#$%ing bada$$!!"Overall:I own a professional recording facility and had some pretty decent studio monitors from the likes of Tannoy, Mackie, and Event...BUT I found myself most often listening to mixes elsewhere and they just didn't seem to translate. I thought maybe it was just my mixing room (not boasting...but it's a great room) causing me to make several (sometimes seriously significant) revisions to mixes before I was happy listening to them in other "real" environments and finally sending them off for mastering.It was tough for me to make a decision to purchase nearfields that seemed to be very small with a fairly large price tag. But at the suggestion of a studio engineer buddy of mine, I bit the bullet and made the purchase.THIS HAS BEEN THE BEST STUDIO PURCHASE I HAVE MADE IN YEARS!! Immediately (I'm not freakin' kidding you), I could tell a tremendous difference in the sonic character of everything that was pouring from these small beauties...and instantly (I'm still not freakin' kidding you), my mixes were being nailed one time through. It was as if I had a brand new set of ears!!Neumann has usually been at the other end of things...input...not output. Let me just say that what he U87 has done for microphones, the KH120A will do for studio monitors.I have my KH120A's paired with a KRK 10s sub running through a Radial MC3 monitor controller. Just wanted to put all the facts out there.Make the purchase. Thank me later.
Overall:These monitors are fantastic period, I should’ve taken the plunge a long time ago and saved myself the headaches of trying to translate my mixes over various sources. If you’re in a similar position than myself and have a limited amount of space to work with and need a 5 inch monitor, front ports, with exceptional bass response, look no further, these are best in class.
Very clean sound, though not what you would expect from the larger Neumann speakers (310's, 420's, both of which I use daily). There are rear adjustments to fine tune the speaker to its listening environment, much as with the larger models. For work station listening you should always have speakers at ear level, not just sitting on a desk. Invest in the matching LH-65 stand for each speaker. The stand is expensive but extremely, extremely well built and stable. Well worth the investment.
Overall:I purchased these speakers as an additional pair next to the 10" KRK's. the demo tapes that are produced at my home studio are important because they are used for guidance in putting final product together. It is absolutely necessary, in my opinion, to have both a large and small speaker set up. Well worth the money! Further, I often take some of the equipment for composition work elsewhere and the speakers travel with me. In my opinion, for production development and preproduction this should be an essential item. Regarding the overall quality: these speakers are very well constructed on every level I can possibly think of. I have had no reason to contact the manufacturer at this time.
I have been using these as my main Studio Monitors, along with a Neumann 805 Subwoofer, for several months now. They are in a relatively small control room. They are excellent, very neutral, sufficiently detailed but not overly etched, and can play amazing loud for as small as they are, especially with the Sub. They integrate well with the 805 Sub, and sometimes we forget it is there - until somebody hits a mike stand. All the mixes I have made on these have translated well to other systems. This is very important! It was easy to set the three speakers up so that the transition from the 805 to the 120s is audibly seamless. (This is not always the case with some speakers!) As usual, B&H provides quick, no hassle ordering, free shipping, and customer service that sets ... MoreI have been using these as my main Studio Monitors, along with a Neumann 805 Subwoofer, for several months now. They are in a relatively small control room. They are excellent, very neutral, sufficiently detailed but not overly etched, and can play amazing loud for as small as they are, especially with the Sub. They integrate well with the 805 Sub, and sometimes we forget it is there - until somebody hits a mike stand. All the mixes I have made on these have translated well to other systems. This is very important! It was easy to set the three speakers up so that the transition from the 805 to the 120s is audibly seamless. (This is not always the case with some speakers!) As usual, B&H provides quick, no hassle ordering, free shipping, and customer service that sets the industry standard.
I first started mixing music on JBL 4311 & 4312's in the 70s. Most studios from late 90s through 2017 were various Genelecs. In 2017 I worked in a studio that had Neumann KH 310s. Wow. I should've known they're excellent at ALL transducers they make! But all my experience with Neumann up to that point had been on the front end!I have a small mixing suite now and these are the flattest and most precise and enjoyable monitors I've ever used. Some in this business feel that accurate monitors are not necessarily pleasurable ones. Nothing could be further from the truth in my opinion. These are frankly pristine and I'm hearing things in other people's and my own mixes that I've never noticed before.These would be worth it at twice the price. Even if you have a small ... MoreI first started mixing music on JBL 4311 & 4312's in the 70s. Most studios from late 90s through 2017 were various Genelecs. In 2017 I worked in a studio that had Neumann KH 310s. Wow. I should've known they're excellent at ALL transducers they make! But all my experience with Neumann up to that point had been on the front end!I have a small mixing suite now and these are the flattest and most precise and enjoyable monitors I've ever used. Some in this business feel that accurate monitors are not necessarily pleasurable ones. Nothing could be further from the truth in my opinion. These are frankly pristine and I'm hearing things in other people's and my own mixes that I've never noticed before.These would be worth it at twice the price. Even if you have a small studio and budget, splurge on these monitors. Then you will know exactly what you are doing!
Overall:I've been in this business for over thirty years, worked in many studios and performed in several venues. I have a home studio and record all the time. Simply put, for the money these are the best I've ever heard. My mixes translate very well since I started using the Neumanns. They are worth every penny.
