
Nikon 12-24mm f/4G IF-ED AF-S DX Zoom-Nikkor Lens
Worldwide first objective with a smaller picture circle and thus perfect coordination on the uniform recording format of the CCD sensors (23.7 x 15.6 mm), which are used in all digital Nikon mirror reflex cameras of the D series. 12-24 mm super wide-angle zoom lens of type G with a focal length range of 18-36 mm in relation to small image format. By using ED glass, chromatic aberrations are minimized. This increases the color brilliance and achieves a higher resolution. The lens is equipped with the Nikon Silent-Wave engine. This ensures extremely fast and almost noiseless automatic sharpening. Three aspherical lens elements ensure a particularly high marginal sharpness and very low distortion. Not suitable for use with analogous small image SLR cameras.
Worldwide first objective with a smaller picture circle and thus perfect coordination on the uniform recording format of the CCD sensors (23.7 x 15.6 mm), which are used in all digital Nikon mirror reflex cameras of the D series. 12-24 mm super wide-angle zoom lens of type G with a focal length range of 18-36 mm in relation to small image format. By using ED glass, chromatic aberrations are minimized. This increases the color brilliance and achieves a higher resolution. The lens is equipped with the Nikon Silent-Wave engine. This ensures extremely fast and almost noiseless automatic sharpening. Three aspherical lens elements ensure a particularly high marginal sharpness and very low distortion. Not suitable for use with analogous small image SLR cameras.
Worldwide first objective with a smaller picture circle and thus perfect coordination on the uniform recording format of the CCD sensors (23.7 x 15.6 mm), which are used in all digital Nikon mirror reflex cameras of the D series. 12-24 mm super wide-angle zoom lens of type G with a focal length range of 18-36 mm in relation to small image format. By using ED glass, chromatic aberrations are minimized. This increases the color brilliance and achieves a higher resolution. The lens is equipped with the Nikon Silent-Wave engine. This ensures extremely fast and almost noiseless automatic sharpening. Three aspherical lens elements ensure a particularly high marginal sharpness and very low distortion. Not suitable for use with analogous small image SLR cameras.
Worldwide first objective with a smaller picture circle and thus perfect coordination on the uniform recording format of the CCD sensors (23.7 x 15.6 mm), which are used in all digital Nikon mirror reflex cameras of the D series. 12-24 mm super wide-angle zoom lens of type G with a focal length range of 18-36 mm in relation to small image format. By using ED glass, chromatic aberrations are minimized. This increases the color brilliance and achieves a higher resolution. The lens is equipped with the Nikon Silent-Wave engine. This ensures extremely fast and almost noiseless automatic sharpening. Three aspherical lens elements ensure a particularly high marginal sharpness and very low distortion. Not suitable for use with analogous small image SLR cameras.
in 25 offers
The lowest price for Nikon 12-24mm f/4G IF-ED AF-S DX Zoom-Nikkor Lens right now is $188.85 at ZenPlus, compared across 11 retailers.
The all-time low was $174.33 on 20 Aug 2026 — today's price is 8% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 3 Sept 2026.
Last updated at 03/09/2026 02:31:10
Used Nikon AF-S DX 12-24mm f/4G ED Lens
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Nikon AF-S DX NIKKOR 12-24mm f/4G IF-ED Wide Angle Zoom Lens Nikon F Mount
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Used Nikon 12-24mm f/4G IF-ED AF-S Lens - Good
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Nikon 12-24mm f4 AF-S Nikkor G ED
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[USED] Nikon AF-S 12-24mm f/4G Nikkor ED DX Lens (S/N: 325285) (Excellent In Box!)
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Nikon 12-24mm F4 G DX Lens
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Nikon AF-S DX NIKKOR 12-24mm f/4G IF-ED Lens - Ex Display
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originally posted on ebay.com
If you are looking for a fixed aperture for your Nikon DX camera, this is the one. Yes, there is the newer 10-24 that goes 2mm wider, but it also comes at the price of (mostly correctable) unnatural distortion on the wide end. Just released by Nikon is the new 10-24 with VR, but do you really need VR for an ultra wide lens? The 12mm is surprisingly wide with very little distortion. Unlike other lens that only zoom to 16 or 20, 24mm gives you flexibility so that there is no need to swap lenses so often. In the end, I want fixed aperture. Nikon has seemed to move away from fixed f/ for their DX lineup. Fortunately, even though this and the few other fixed f/ lenses are 10+ years old, they still sell them. There must be a reason. I imagine the thought is only the more ... MoreIf you are looking for a fixed aperture for your Nikon DX camera, this is the one. Yes, there is the newer 10-24 that goes 2mm wider, but it also comes at the price of (mostly correctable) unnatural distortion on the wide end. Just released by Nikon is the new 10-24 with VR, but do you really need VR for an ultra wide lens? The 12mm is surprisingly wide with very little distortion. Unlike other lens that only zoom to 16 or 20, 24mm gives you flexibility so that there is no need to swap lenses so often. In the end, I want fixed aperture. Nikon has seemed to move away from fixed f/ for their DX lineup. Fortunately, even though this and the few other fixed f/ lenses are 10+ years old, they still sell them. There must be a reason. I imagine the thought is only the more demanding users will want fixed aperture and those users are (mostly) FX users. If you're still reading this review, you're probably the few like me who prefer pro level lenses on your DX body. This lens pairs nicely with the 17-55 f/2.8 and the 70-200 f/2.8 lenses. I just wish Nikon made this lens in a 2.8 version for DX. Happy trails.
originally posted on bhphotovideo.com
The DX Ultra-Wide lens market is competitive. All the major third-party manufacturers have more than one entry, and by-and-large they all review quite well. So: what about the Nikon 12-24 f/4 sets it apart? Why spend $400 - 500 more for it? Why not get the competing Nikon 10-24? I got it for two reasons: (1) I didn't like that the Nikon 10-24 isn't a fixed-length design; it's a plastic pumper zoom, and that gave me durability concerns. (2) I've had focus compatibility issues with Tamron, Sigma, and Tokina lenses in the past. This made the 12-24 a natural choice, but I can't say I'm entirely impressed. The build quality is so-so. Yes, the design is fixed-length, but it's plasticky. The inner barrel pumps in and out and twists as you zoom, and it's not a smooth or ... MoreThe DX Ultra-Wide lens market is competitive. All the major third-party manufacturers have more than one entry, and by-and-large they all review quite well. So: what about the Nikon 12-24 f/4 sets it apart? Why spend $400 - 500 more for it? Why not get the competing Nikon 10-24? I got it for two reasons: (1) I didn't like that the Nikon 10-24 isn't a fixed-length design; it's a plastic pumper zoom, and that gave me durability concerns. (2) I've had focus compatibility issues with Tamron, Sigma, and Tokina lenses in the past. This made the 12-24 a natural choice, but I can't say I'm entirely impressed. The build quality is so-so. Yes, the design is fixed-length, but it's plasticky. The inner barrel pumps in and out and twists as you zoom, and it's not a smooth or lubricated motion--just tight plastic-on-plastic stiction. Sometimes the lens actually makes a dull, protesting squeak sound as you zoom. (I wish I were joking.) It's definitely the worst gold-ring Nikkor I've owned by a wide margin--nothing like the 14-24, the 70-200, the 24-70, etc. IQ is *exceptional* above f/8. Sharp, sharp, sharp. Wide open, I think it's meh. It's sharp in the center, but there's fall-off and quite a bit of lost detail around the edges. It's nothing like the 14-24 f/2.8G, which I know isn't an entirely fair comparison--except that it is: the 12-24 f/4 is the expensive gold-ring wide angle for DX. My copy (which I use on a D7000) required some AF fine tune correction to hit optimal focus, and it isn't consistent throughout the zoom range. -2 at the wide end, -14 at the long. I plug in -8 or so and it works well enough (especially given wide angle DOF), but the fact that focus alignment moves as you zoom is annoying. This might not be as detectable on bodies with lower resolution. Alternatively, you can shoot with live view and it's not an issue at all. Had I spent $500 for it, the lens would be *awesome*. But four figures, for a plastic-fantastic with meh quality wide-open and questionable zoom alignment? I'd look for a used copy if you have your heart set on it, or try Tokina.
originally posted on ebay.com
Fantastic lens was just what I needed to help me take better pictures of listings (I'm a real estate broker). The first listing I used it on sold for full price within in 24 hours of going live on our MLS. I'm not saying it was all because of the lens, but it didn't hurt that the pictures were really good and garnered a lot of interest! And thrilled I was able to buy it for so much less than full price, which would have discouraged me from buying it.
| General | |
| Length | 9 cm |
| Diameter | 8.3 cm |
| Weight | 485 g |
| Localization | English |
Used Nikon AF-S DX 12-24mm f/4G ED Lens
Free delivery
Nikon AF-S DX NIKKOR 12-24mm f/4G IF-ED Wide Angle Zoom Lens Nikon F Mount
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Used Nikon 12-24mm f/4G IF-ED AF-S Lens - Good
Delivery $41.86
Nikon 12-24mm f4 AF-S Nikkor G ED
Delivery $59
[USED] Nikon AF-S 12-24mm f/4G Nikkor ED DX Lens (S/N: 325285) (Excellent In Box!)
Not eligible for returns
If you are looking for a fixed aperture for your Nikon DX camera, this is the one. Yes, there is the newer 10-24 that goes 2mm wider, but it also comes at the price of (mostly correctable) unnatural distortion on the wide end. Just released by Nikon is the new 10-24 with VR, but do you really need VR for an ultra wide lens? The 12mm is surprisingly wide with very little distortion. Unlike other lens that only zoom to 16 or 20, 24mm gives you flexibility so that there is no need to swap lenses so often. In the end, I want fixed aperture. Nikon has seemed to move away from fixed f/ for their DX lineup. Fortunately, even though this and the few other fixed f/ lenses are 10+ years old, they still sell them. There must be a reason. I imagine the thought is only the more ... MoreIf you are looking for a fixed aperture for your Nikon DX camera, this is the one. Yes, there is the newer 10-24 that goes 2mm wider, but it also comes at the price of (mostly correctable) unnatural distortion on the wide end. Just released by Nikon is the new 10-24 with VR, but do you really need VR for an ultra wide lens? The 12mm is surprisingly wide with very little distortion. Unlike other lens that only zoom to 16 or 20, 24mm gives you flexibility so that there is no need to swap lenses so often. In the end, I want fixed aperture. Nikon has seemed to move away from fixed f/ for their DX lineup. Fortunately, even though this and the few other fixed f/ lenses are 10+ years old, they still sell them. There must be a reason. I imagine the thought is only the more demanding users will want fixed aperture and those users are (mostly) FX users. If you're still reading this review, you're probably the few like me who prefer pro level lenses on your DX body. This lens pairs nicely with the 17-55 f/2.8 and the 70-200 f/2.8 lenses. I just wish Nikon made this lens in a 2.8 version for DX. Happy trails.
The DX Ultra-Wide lens market is competitive. All the major third-party manufacturers have more than one entry, and by-and-large they all review quite well. So: what about the Nikon 12-24 f/4 sets it apart? Why spend $400 - 500 more for it? Why not get the competing Nikon 10-24? I got it for two reasons: (1) I didn't like that the Nikon 10-24 isn't a fixed-length design; it's a plastic pumper zoom, and that gave me durability concerns. (2) I've had focus compatibility issues with Tamron, Sigma, and Tokina lenses in the past. This made the 12-24 a natural choice, but I can't say I'm entirely impressed. The build quality is so-so. Yes, the design is fixed-length, but it's plasticky. The inner barrel pumps in and out and twists as you zoom, and it's not a smooth or ... MoreThe DX Ultra-Wide lens market is competitive. All the major third-party manufacturers have more than one entry, and by-and-large they all review quite well. So: what about the Nikon 12-24 f/4 sets it apart? Why spend $400 - 500 more for it? Why not get the competing Nikon 10-24? I got it for two reasons: (1) I didn't like that the Nikon 10-24 isn't a fixed-length design; it's a plastic pumper zoom, and that gave me durability concerns. (2) I've had focus compatibility issues with Tamron, Sigma, and Tokina lenses in the past. This made the 12-24 a natural choice, but I can't say I'm entirely impressed. The build quality is so-so. Yes, the design is fixed-length, but it's plasticky. The inner barrel pumps in and out and twists as you zoom, and it's not a smooth or lubricated motion--just tight plastic-on-plastic stiction. Sometimes the lens actually makes a dull, protesting squeak sound as you zoom. (I wish I were joking.) It's definitely the worst gold-ring Nikkor I've owned by a wide margin--nothing like the 14-24, the 70-200, the 24-70, etc. IQ is *exceptional* above f/8. Sharp, sharp, sharp. Wide open, I think it's meh. It's sharp in the center, but there's fall-off and quite a bit of lost detail around the edges. It's nothing like the 14-24 f/2.8G, which I know isn't an entirely fair comparison--except that it is: the 12-24 f/4 is the expensive gold-ring wide angle for DX. My copy (which I use on a D7000) required some AF fine tune correction to hit optimal focus, and it isn't consistent throughout the zoom range. -2 at the wide end, -14 at the long. I plug in -8 or so and it works well enough (especially given wide angle DOF), but the fact that focus alignment moves as you zoom is annoying. This might not be as detectable on bodies with lower resolution. Alternatively, you can shoot with live view and it's not an issue at all. Had I spent $500 for it, the lens would be *awesome*. But four figures, for a plastic-fantastic with meh quality wide-open and questionable zoom alignment? I'd look for a used copy if you have your heart set on it, or try Tokina.
Fantastic lens was just what I needed to help me take better pictures of listings (I'm a real estate broker). The first listing I used it on sold for full price within in 24 hours of going live on our MLS. I'm not saying it was all because of the lens, but it didn't hurt that the pictures were really good and garnered a lot of interest! And thrilled I was able to buy it for so much less than full price, which would have discouraged me from buying it.
I needed a wide angle lens for landscape photography, and read some good things about this lens. I couldn't afford the $1000 price tag, so I opted for a used lens with an E+ rating. I have to say I couldn't be happier! It looks and feels like a brand new lens (with minor scratches on the lens cap, but that doesn't affect photo quality so no big deal). This is more of a review on buying used lenses. E+ and above is pretty much brand new quality for WAY less money!!! I'm not hesitant to buy used lenses from Adorama anymore! :) Super happy with this lens!
First off, I'm new to this type of camera. I've only had good but still point and shoot cameras. I bought a Nikon D7200 camera and lens kit, not too impressed with the two lens that came with it. Did a little research and for the money this seemed like a good lens. It's a great lens for what I need it to do. I take landscape mostly and this is very good for that. I set it to infinity and it's amazing how everything is sharp and in focus. Love this lens and camera.
With my D750, I've been using my Nikkor 24-70mm as a "walkaround" lens. Arguably one of Nikon's best ever lenses but a little heavy after a long trek. My new 24-120mm gives me great sharp shots and because of its lighter weight, it has never been an issue to carry around all day. A monopod and the 24-120mm has been a constant companion for my impromptu walkaround shoots. Highly recommended.
I recently entered the digital photo world after decades of extensive film equipment experience (elaborate 35mm and medium format systems). I recently used this lens with a Nikon D90 to take photos at the Hill Air Force Base Aerospace Museum. I adjusted the ISO to 1600, because of the low light, and fired away. The performance of this lens was spectacular (color rendition, low distortion, sharp as a tack, fast focusing, and excellent zoom range).I studied all available product reviews about lenses of this type. This lens was always rated above the others and my experience with the lens supports this view. It's perfect for the wide-angle photography environment that I operate in.If you're considering this lens, don't hesitate to buy.
For a long time I never felt the need to invest in a dedicated landscape lens, I have owned an 18-200mm lens for several years and simply used the 18mm end as my landscape lens, however one day I decided I really wanted to improve my landscape photography and decided to take the plunge on an ultra-wide zoom lens for the purpose. Now I'm just sorry I didn't take the plunge years ago!I settled on Nikon's older 12-24mm lens over the newer 10-24mm lens for a couple of reasons, the main one being the build. While neither lens are solid metal construction on par with Nikon's pro lenses, there is still a noticable difference between them. The 10-24mm lens has a front element that protrudes as it zooms, much like many of Nikon's cheaper zoom lenses, lending itself a point ... MoreFor a long time I never felt the need to invest in a dedicated landscape lens, I have owned an 18-200mm lens for several years and simply used the 18mm end as my landscape lens, however one day I decided I really wanted to improve my landscape photography and decided to take the plunge on an ultra-wide zoom lens for the purpose. Now I'm just sorry I didn't take the plunge years ago!I settled on Nikon's older 12-24mm lens over the newer 10-24mm lens for a couple of reasons, the main one being the build. While neither lens are solid metal construction on par with Nikon's pro lenses, there is still a noticable difference between them. The 10-24mm lens has a front element that protrudes as it zooms, much like many of Nikon's cheaper zoom lenses, lending itself a point of structural vulnerability. By contrast the 12-24 features a solid outer barrel with just a small amount of lateral movement from an inner barrel, this inner barrel though never protrudes as far as the level of the outer one (so any filters you might add are untouched), to all intents and purposes it operates much like an internal zoom lens, giving it greater structural integrityEqually, although you generally work at narrower apertures for landscape work, I simply prefer the idea of a fixed aperture lens over a variable one, so the F4 designation of the 12-24mm was more appealing to me than the F3.5-4.5 of the 10-24mmNow, while the 10mm wide end would potentially be more flexible, I have so far found that 12mm is more than enough to get in as much as I could possibly want in a shot, it also has the beneficial side effect that at 12mm, with a wide angle holder it can take the Cokin P size slot in filters without causing vignetting, which made adding ND and ND grad filters to go with this lens a cheaper buying experience. I'm quite sure that 12mm (or more accurately 18mm when you take into account the crop factor) is right on the limit of how wide an angle can be accounted for with this size of filterThe zoom ring on this lens does feels a touch looser than my other zooms, but isn't bad by any stretch of the imagination and is certainly no cause for concern, I find myself rarely zooming anyway, I bought this lens for the wide end of it's range and it stays there most of the time, although being able to zoom in that little bit has it's uses at timesImage quality is of Nikon's typically high standards, I haven't, nor will I ever, do studio pixel peeping tests, what I can say though is that I have done a number of test shots in the real world and they've all looked great, sharp where it counts and with good contrast and colour rendition (although I more often than not still give my landscape shots a small contrast boost in post processing for a little more impact), absolutely no cause for complaint on the image quality frontNot a lot more really needs to be said from a technical point of view. The first time I took a throwaway test shot with this lens I was instantly impressed, most of my previous landscapes had always lacked a certain something and the extra field of view offered by this lens made me instantly realise the advantages of the ultra-wide angle, being able to get in so much more of a scene instantly gives a much greater sense of scale and avoids disappointing shots caused by a less wide angle clipping off half of what you can see. The other advantage to such a wide angle is that if you are putting focus on a particular subject in your scene, you can get closer to increase depth perception, which can make the shot look more dramatic.As I said at the beginning of this review, I wish I'd taken the plunge on a proper wide angle lens years ago, between this and a few slot in filters, it's opened up a whole new range of photography that I'd been missing out on and I now can't recommend a lens like this highly enough
I love the intimacy and haptic qualities of the wide angle lens and its capacity to encompass and pull together the important information in constructing a scene and telling a story. It sets the creative juices flowing! Low light levels are no challenge as the need for a tripod is minimised by the angle of view reducing apparent shake. However too wide and the subject is actually objectified and distanced or even rendered unrecognisable. This lens covers exactly the gamut of focal lengths that make attention-grabbing imagery without the distracting gimmickry of the extreme fisheye. The benefit of this lens is the amazing minimisation of barrel distortion that only a decade ago could only be controlled by a much more expensive lens. For the architectural and ... MoreI love the intimacy and haptic qualities of the wide angle lens and its capacity to encompass and pull together the important information in constructing a scene and telling a story. It sets the creative juices flowing! Low light levels are no challenge as the need for a tripod is minimised by the angle of view reducing apparent shake. However too wide and the subject is actually objectified and distanced or even rendered unrecognisable. This lens covers exactly the gamut of focal lengths that make attention-grabbing imagery without the distracting gimmickry of the extreme fisheye. The benefit of this lens is the amazing minimisation of barrel distortion that only a decade ago could only be controlled by a much more expensive lens. For the architectural and interiors photographer this makes it useful, but some PS (profiles available) or Nikon Capture distortion adjustment is required to eliminate bowing in far corners of the FOV. However, be warned that figures and faces placed in the outer third of the frame will not be flattered. They too can be brought back to 'normality' with some distortion adjustment but always this is at the sacrifice of some parts of the image as the sides of the frame will be bent and will require cropping. This is a sharp lens. Great coatings control flare superlatively, even with light sources intruding into the frame. A negative consideration is that autofocus is very touchy with this lens in extreme situations in low light or in situations with crowded information in depth (foliage, crowds). It is much better, and quite easy with the slightest twist, to override with the focus ring. For the price, you add considerably to your creative arsenal with this lens. I recommend it.
Optics are clear. Exterior shows very little sign of use and seems well taken cared of. I love the color saturation and unbelievable sharpness I get from this lens. Although it didn't come with the lens hood, I got a great deal. Shots were taken with a Nikon D90 with no filters and unedited except for the cropped shot of the ship to show how sharp it is.
| General | |
| Length | 9 cm |
| Diameter | 8.3 cm |
| Weight | 485 g |
| Localization | English |