Rode RODELink Digital Wireless Filmmaker Kit
RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality.
RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality.
RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality.
RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality.
in 3 offers
The lowest price for Rode RODELink Digital Wireless Filmmaker Kit right now is $499.95 at Ted's Cameras, compared across 3 retailers.
The all-time low was $150.00 on 28 Apr 2026 — today's price is 233% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 5 July 2026.
Last updated at 05/07/2026 21:29:17
RodeLink Filmmaker Kit
Delivery $9.95
RodeLink Filmmaker Kit
Delivery $9.95
Rode Link Filmmaker
Delivery $70.73
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on ebay.com
Ok, let's be clear here. The microphone itself is WIRED, and it plugs into a wireless transmitter and receiver combo. So there's going to be some cables running down shirts and into the transmitter which is usually in a back pocket or clipped to a belt on the subject/talent. I chose this kit, because as a solo videographer, I don't have the luxury of a second pair of hands for a boom mic. I set the sound and shot up, test and calibrate the sound, and then I have to focus on the video side during the shoot. Recording video requires the sound and video to be synchronized, and that's hard to do in field situations. Sure, you could record your lapel mic to a handheld recorder or even a mobile phone, but that still leaves your sound data on one device and video on ... MoreOk, let's be clear here. The microphone itself is WIRED, and it plugs into a wireless transmitter and receiver combo. So there's going to be some cables running down shirts and into the transmitter which is usually in a back pocket or clipped to a belt on the subject/talent. I chose this kit, because as a solo videographer, I don't have the luxury of a second pair of hands for a boom mic. I set the sound and shot up, test and calibrate the sound, and then I have to focus on the video side during the shoot. Recording video requires the sound and video to be synchronized, and that's hard to do in field situations. Sure, you could record your lapel mic to a handheld recorder or even a mobile phone, but that still leaves your sound data on one device and video on another. This can be hard to synchronize in post processing later on, especially without time-code compatible equipment. Using this, I can plug the receiver into my camera, or field recorder, and then pipe it into the camera so I have redundancy in case there's a problem. The wireless system is great for interviews, and in situations where the talent is moving. The transmitter box might be an issue if the talent faces away from you, so you'll need some ability to hide the transmitter box if that's somehow important. Boththe receiver and transmitter, each use 2x AA batteries. (Total of 4). I highly recommend buying rechargeable batteries. Particularly the Eneloop variety, especially if you're intermittently using this kit, as it should hold up to 80% of it charge after a year neglect. I can't say how long the batteries last, because I've never recorded so much that I've run out. But I've done a two hour interview without problem. The sound quality is very good for a lapel microphone, however, you can use any 3.5mm TRS-plugged microphone with the transmitter. The wireless system might not be able to handle all of the nuances of really high end microphones though, it will certainly raise the noise floor somewhat, and of course, there's the issue of interference on the wireless frequency. So there might be issues with field locations in industrial sites or where powerful broadcast towers might be present. If there is interference, you can change the channel on both the receiver and transmitter to see if that helps. That's easy to do on this kit. Just make sure you have matching channel numbers on both transmitter and receiver. If you want to use a phantom-powered, XLR microphone, you'll need a separate power source and adaptor to make it work with this wireless kit. I've used such a setup when I've found one cable to be damaged, or too short, and where absolute studio-grade sound isn't a requirement. I think for the money, it's a very nice piece of kit, especially for mirrorless and DLSR videographers. I wouldn't say that this is the kit movie studios would use, but for field recorders, news crews, and personal projects, it's very hard to beat.
originally posted on bhphotovideo.com
I accepted the limitations of this system up front because of its price and the fact that it uses digital transmission. But after a few years of use, I can't say the trade-off is worth it.One of the two included mics was bad immediately; it produced hiss and crackling that rendered it useless. Rode replaced it promptly without a hassle, but now the second mic has failed. It would have ruined my last shoot entirely if I hadn't also been running a shotgun (also a Rode) on a boom. Obviously you should run a backup, but come on; in some situations you really want the characteristics of a lav mic.This is a widely reported defect in these mics, so don't take it lightly. It's not worth looking incompetent and wasting the work of your talent and crew.Yes, you can get ... MoreI accepted the limitations of this system up front because of its price and the fact that it uses digital transmission. But after a few years of use, I can't say the trade-off is worth it.One of the two included mics was bad immediately; it produced hiss and crackling that rendered it useless. Rode replaced it promptly without a hassle, but now the second mic has failed. It would have ruined my last shoot entirely if I hadn't also been running a shotgun (also a Rode) on a boom. Obviously you should run a backup, but come on; in some situations you really want the characteristics of a lav mic.This is a widely reported defect in these mics, so don't take it lightly. It's not worth looking incompetent and wasting the work of your talent and crew.Yes, you can get third-party mics. But these units are also VERY bulky. They pair readily and are easy to use, but they're big and heavy. This presents obvious challenges for many shots and costumes.
originally posted on bhphotovideo.com
I purchased this set along with an additional RodeLink for a 3rd channel. It is easy to pair TX & RX pair. I use 3 simultaneous channels without experiencing any dropout. I especially like the ability to record left and right channels onto one camera. It performs without any crossover. In seminar settings, I feed the wireless Lavalier mic and the handheld wireless to one camera, separating L/R channels. This is great for audience feedback. I then use a 4 channel isolated headphone amplifier to capture the Camera headphone output to feed to the sound system. This provides a full loop to verify total system performance while minimizing wire runs. Note that the Lavalier mics are very sensitive. There is a tendency to cause echo in sound systems. Mounting the lavalier ... MoreI purchased this set along with an additional RodeLink for a 3rd channel. It is easy to pair TX & RX pair. I use 3 simultaneous channels without experiencing any dropout. I especially like the ability to record left and right channels onto one camera. It performs without any crossover. In seminar settings, I feed the wireless Lavalier mic and the handheld wireless to one camera, separating L/R channels. This is great for audience feedback. I then use a 4 channel isolated headphone amplifier to capture the Camera headphone output to feed to the sound system. This provides a full loop to verify total system performance while minimizing wire runs. Note that the Lavalier mics are very sensitive. There is a tendency to cause echo in sound systems. Mounting the lavalier as close as possible to the head and using a minimum amount of gain helps reduce feedback. Be careful to place Sound System speakers even or in front of the person speaking. The signal level indicators are a little deceptive. One bar of signal is usually acceptable for recording, with no more than two bars. Always check what the camera is recording for final verification. I use lithium batteries and can record off and on all day on one set. The carry case is a must.
| Wireless Technology | Digital 2.4 GHz |
| Included Transmitters | 1 x Bodypack with Microphone |
| Diversity | Frequency |
| Max Operating Range | 330' / 100.6 m (Line of Sight) |
| Max Transmitters per Band | 8 |
RodeLink Filmmaker Kit
Delivery $9.95
RodeLink Filmmaker Kit
Delivery $9.95
Rode Link Filmmaker
Delivery $70.73
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Ok, let's be clear here. The microphone itself is WIRED, and it plugs into a wireless transmitter and receiver combo. So there's going to be some cables running down shirts and into the transmitter which is usually in a back pocket or clipped to a belt on the subject/talent. I chose this kit, because as a solo videographer, I don't have the luxury of a second pair of hands for a boom mic. I set the sound and shot up, test and calibrate the sound, and then I have to focus on the video side during the shoot. Recording video requires the sound and video to be synchronized, and that's hard to do in field situations. Sure, you could record your lapel mic to a handheld recorder or even a mobile phone, but that still leaves your sound data on one device and video on ... MoreOk, let's be clear here. The microphone itself is WIRED, and it plugs into a wireless transmitter and receiver combo. So there's going to be some cables running down shirts and into the transmitter which is usually in a back pocket or clipped to a belt on the subject/talent. I chose this kit, because as a solo videographer, I don't have the luxury of a second pair of hands for a boom mic. I set the sound and shot up, test and calibrate the sound, and then I have to focus on the video side during the shoot. Recording video requires the sound and video to be synchronized, and that's hard to do in field situations. Sure, you could record your lapel mic to a handheld recorder or even a mobile phone, but that still leaves your sound data on one device and video on another. This can be hard to synchronize in post processing later on, especially without time-code compatible equipment. Using this, I can plug the receiver into my camera, or field recorder, and then pipe it into the camera so I have redundancy in case there's a problem. The wireless system is great for interviews, and in situations where the talent is moving. The transmitter box might be an issue if the talent faces away from you, so you'll need some ability to hide the transmitter box if that's somehow important. Boththe receiver and transmitter, each use 2x AA batteries. (Total of 4). I highly recommend buying rechargeable batteries. Particularly the Eneloop variety, especially if you're intermittently using this kit, as it should hold up to 80% of it charge after a year neglect. I can't say how long the batteries last, because I've never recorded so much that I've run out. But I've done a two hour interview without problem. The sound quality is very good for a lapel microphone, however, you can use any 3.5mm TRS-plugged microphone with the transmitter. The wireless system might not be able to handle all of the nuances of really high end microphones though, it will certainly raise the noise floor somewhat, and of course, there's the issue of interference on the wireless frequency. So there might be issues with field locations in industrial sites or where powerful broadcast towers might be present. If there is interference, you can change the channel on both the receiver and transmitter to see if that helps. That's easy to do on this kit. Just make sure you have matching channel numbers on both transmitter and receiver. If you want to use a phantom-powered, XLR microphone, you'll need a separate power source and adaptor to make it work with this wireless kit. I've used such a setup when I've found one cable to be damaged, or too short, and where absolute studio-grade sound isn't a requirement. I think for the money, it's a very nice piece of kit, especially for mirrorless and DLSR videographers. I wouldn't say that this is the kit movie studios would use, but for field recorders, news crews, and personal projects, it's very hard to beat.
I accepted the limitations of this system up front because of its price and the fact that it uses digital transmission. But after a few years of use, I can't say the trade-off is worth it.One of the two included mics was bad immediately; it produced hiss and crackling that rendered it useless. Rode replaced it promptly without a hassle, but now the second mic has failed. It would have ruined my last shoot entirely if I hadn't also been running a shotgun (also a Rode) on a boom. Obviously you should run a backup, but come on; in some situations you really want the characteristics of a lav mic.This is a widely reported defect in these mics, so don't take it lightly. It's not worth looking incompetent and wasting the work of your talent and crew.Yes, you can get ... MoreI accepted the limitations of this system up front because of its price and the fact that it uses digital transmission. But after a few years of use, I can't say the trade-off is worth it.One of the two included mics was bad immediately; it produced hiss and crackling that rendered it useless. Rode replaced it promptly without a hassle, but now the second mic has failed. It would have ruined my last shoot entirely if I hadn't also been running a shotgun (also a Rode) on a boom. Obviously you should run a backup, but come on; in some situations you really want the characteristics of a lav mic.This is a widely reported defect in these mics, so don't take it lightly. It's not worth looking incompetent and wasting the work of your talent and crew.Yes, you can get third-party mics. But these units are also VERY bulky. They pair readily and are easy to use, but they're big and heavy. This presents obvious challenges for many shots and costumes.
I purchased this set along with an additional RodeLink for a 3rd channel. It is easy to pair TX & RX pair. I use 3 simultaneous channels without experiencing any dropout. I especially like the ability to record left and right channels onto one camera. It performs without any crossover. In seminar settings, I feed the wireless Lavalier mic and the handheld wireless to one camera, separating L/R channels. This is great for audience feedback. I then use a 4 channel isolated headphone amplifier to capture the Camera headphone output to feed to the sound system. This provides a full loop to verify total system performance while minimizing wire runs. Note that the Lavalier mics are very sensitive. There is a tendency to cause echo in sound systems. Mounting the lavalier ... MoreI purchased this set along with an additional RodeLink for a 3rd channel. It is easy to pair TX & RX pair. I use 3 simultaneous channels without experiencing any dropout. I especially like the ability to record left and right channels onto one camera. It performs without any crossover. In seminar settings, I feed the wireless Lavalier mic and the handheld wireless to one camera, separating L/R channels. This is great for audience feedback. I then use a 4 channel isolated headphone amplifier to capture the Camera headphone output to feed to the sound system. This provides a full loop to verify total system performance while minimizing wire runs. Note that the Lavalier mics are very sensitive. There is a tendency to cause echo in sound systems. Mounting the lavalier as close as possible to the head and using a minimum amount of gain helps reduce feedback. Be careful to place Sound System speakers even or in front of the person speaking. The signal level indicators are a little deceptive. One bar of signal is usually acceptable for recording, with no more than two bars. Always check what the camera is recording for final verification. I use lithium batteries and can record off and on all day on one set. The carry case is a must.
The Rode RodeLink WirelessFilmmaker Kit is pretty much everything you need for wireless audio for interviews and presentations. Easy as pie to link the transmitter and receiver (you literally turn on both devices and you're set) and the sound quality is great. Crystal clear, with no hiss or interference. I also own a Sennheiser G3 wireless kit and I can't tell the difference between that and the Rode in sound quality. Plus, because the RodeLink is digital and not UHF, not having to deal with finding available frequencies is truly wonderful, especially in RF congested areas like New York City. Coupled with the dirt-cheap Rode VXLR adapter, I am able to connect it to any camera or audio recorder with XLR inputs. I only have two complaints (which is why it doesn't get ... MoreThe Rode RodeLink WirelessFilmmaker Kit is pretty much everything you need for wireless audio for interviews and presentations. Easy as pie to link the transmitter and receiver (you literally turn on both devices and you're set) and the sound quality is great. Crystal clear, with no hiss or interference. I also own a Sennheiser G3 wireless kit and I can't tell the difference between that and the Rode in sound quality. Plus, because the RodeLink is digital and not UHF, not having to deal with finding available frequencies is truly wonderful, especially in RF congested areas like New York City. Coupled with the dirt-cheap Rode VXLR adapter, I am able to connect it to any camera or audio recorder with XLR inputs. I only have two complaints (which is why it doesn't get 5 stars): 1) The cable for the lavalier microphone included in the RodeLink doesn't seem to be very high quality. It sounds just fine, but I question its durability. It came tightly bundled with a twisty-tie around it, and when I try to lay it flat it stays all crinkled and crooked, which looks ugly. Again, this doesn't seem to affect the sound quality, I just wish it would straighten out like the Sennheiser G3 lav cable. 2) The Rodelink transmitter and receiver are bulky. They're much larger than the more discreet Sennheiser G3 units. Tying to hide it under a person's shirt is difficult without having the bump be visible. However, the RodeLink doesn't have a flimsy antenna that can get bent or broken, which is a plus. Overall, the RodeLink is a great, inexpensive wireless kit that delivers fantastic quality at a fantastic price.
I have always been a fan of rode microphones. The filmmaker kit of the RodeLink is great because it allows simple ease of use and a minor level of control to allow you to achieve a better sound quality. The receiver has a -10 and -20 pad while the receiver can amplify by +10 and +20. I never have to fight my internal camera’s preamp to get the best quality possible.I wish the casing was metal and not plastic. It, however, feels like a durable plastic. I like how the included lav microphone includes a foam windscreen and a dead cat.Another downside is the cables. They use a tightening lock on the cables attached to both the receiver and transmitted that just don’t work. Having worked with sennheiser’s wireless offerings and the same locking cable idea, it is said ... MoreI have always been a fan of rode microphones. The filmmaker kit of the RodeLink is great because it allows simple ease of use and a minor level of control to allow you to achieve a better sound quality. The receiver has a -10 and -20 pad while the receiver can amplify by +10 and +20. I never have to fight my internal camera’s preamp to get the best quality possible.I wish the casing was metal and not plastic. It, however, feels like a durable plastic. I like how the included lav microphone includes a foam windscreen and a dead cat.Another downside is the cables. They use a tightening lock on the cables attached to both the receiver and transmitted that just don’t work. Having worked with sennheiser’s wireless offerings and the same locking cable idea, it is said to see that the cable locking just doesn’t work. However, I am not worried about the cables being yanked out. I am also a little displeased but the cold shoe adapter included for the receiver as if it feels cheap and ineffective; although, I have never had an issue of the transmitter falling off my camera.I do recommend this kit for the price, but the quality of the build is what suffers for such a cheap price tag.
I've only had the chance to shoot one wedding so far with this kit but it was great. Running around trying to get shots at a wedding one thing I really don't want to have to worry about is my audio. the receiver sits on top of the camera, I put the transmitter on the groom, hit the button and I'm done, beautiful. It feels like a well built piece of equipment. Something I always loved about the Sennheiser's is that they feel like you could run them over with a truck and they'd be alright. For $400 I think the quality of the build is top notch. I did notice the problem others were mentioning about the cable on the actual mic being kind of flimsy and creating some nasty hiss and cracks at times, but it wasn't too bad, and as long as he wasn't moving around the audio ... MoreI've only had the chance to shoot one wedding so far with this kit but it was great. Running around trying to get shots at a wedding one thing I really don't want to have to worry about is my audio. the receiver sits on top of the camera, I put the transmitter on the groom, hit the button and I'm done, beautiful. It feels like a well built piece of equipment. Something I always loved about the Sennheiser's is that they feel like you could run them over with a truck and they'd be alright. For $400 I think the quality of the build is top notch. I did notice the problem others were mentioning about the cable on the actual mic being kind of flimsy and creating some nasty hiss and cracks at times, but it wasn't too bad, and as long as he wasn't moving around the audio was perfect. The batteries lasted a very long time as well. I had the kit up and running for at least 4 hours and by the end of the night I was just starting to dip down in to the first bar. Mic wire problems aside, for the price you really can't go wrong if you're trying to break away from the soul crushingly expensive Sennheiser crowd. I think I might upgrade to a better mic eventually, just be careful with the cable, make sure its not pinched or tangled anywhere and you should be fine. I'm looking forward to using this kit more in the future and highly suggest it if you're not rich ;)
I'm a professional videographer (I get paid for doing videos full-time) and was looking for another wireless lavalier but didn't choose to spend more than necessary. I used other products in the $ to $ range (not naming names, but the cheap ones start with an A and the two expensive ones both start with S) but the cheaper wireless systems didn't provide the range and sound I needed and the expensive systems were simply, expensive.I researched the Rodelink Filmmaker Kit extensively by watching review videos and reading numerous reviews. What I like about it is that it is comparable to or possibly exceeds the features of the expensive S-brand models. It has the same clarity and range, however, being digital like cellular phones, when the signal starts degrading, the ... MoreI'm a professional videographer (I get paid for doing videos full-time) and was looking for another wireless lavalier but didn't choose to spend more than necessary. I used other products in the $ to $ range (not naming names, but the cheap ones start with an A and the two expensive ones both start with S) but the cheaper wireless systems didn't provide the range and sound I needed and the expensive systems were simply, expensive.I researched the Rodelink Filmmaker Kit extensively by watching review videos and reading numerous reviews. What I like about it is that it is comparable to or possibly exceeds the features of the expensive S-brand models. It has the same clarity and range, however, being digital like cellular phones, when the signal starts degrading, the sound stops abruptly and doesn't crackle and fade like the high end analog systems. Just think of what happens on a cell phone call when you go into an elevator.Moreover, the Rodelink pairing is quick. Just a few seconds. There's no fiddling with channel frequencies, just a few buttons to press to get the receiver and transmitter to connect. And once connected and paired, the next time they're turned on, they work instantly.I also like that you can see the battery level of the transmitter on the receiver. And of course you can see the receiver's power level as well. I've been on jobs where we would have to check the transmitter's battery power midway through the event. I've even had the transmitter die without me noticing (I was on a one-man multi-cam gig) because those expensive models don't show the transmitter's power.Yet the feature I like the most is the mute switch. While the transmitter can mute itself like those expensive models, the Rodelink receiver can override the transmitter's mute and make it live again. I had jobs where the speaker/host accidentally muted their transmitter (they didn't know it happened) and I was left with dead silence on that feed and couldn't interrupt the event to check the mute switch. However, I always have multiple backups going but they weren't as good as the muted transmitter.With all the great features I like about the Rodelink, I would say that it is kinda big. Because Rode placed built-in antennas into the Rodelink, there are no protruding antennas sticking out. I like this in that I've had broken antennas on those expensive S-models. Yet those built-in antennas would need a material to transmit through. Hence the plasticky nature of Rodelink. It is not as thin and tiny as the other models but about the same weight. Hopefully Rode can solve this size challenge in the future and make a more compact model.All in all, I'm totally satisfied with the Rodelink Filmmaker Kit. I'm planning on purchasing another Filmmaker in addition to purchasing the yet-to-be-release Newsshooter Kit. Forget those other S models out there as the Rodelink is more than a match at a price point that won't break the bank.FYI, I purchased the Rodelink outright from B&H as I'm not a compensated endorser, just a regular hardworking video guy. I already have the VideoMic Pro and also plan to purchase the Stereo VideoMic Pro. But if Rode were to give me one, I'd be super happy and appreciate! Thanks Rode and B&H!
I recently started generating videos for Youtube and had used a Rode on camera mic. I wanted to improve my audio and RodeLink wireless system did the trick. I use outdoors and typically away from any potential interference sources - so I can't comment on this potential issue. I feel the audio quality is great and I like the way I sound on the videos much better. In addition it was easy to set up and use the first time. I will be interested in the life of the batteries but I have used for 45 minutes straight and had no issues. I am currently using rechargeable batteries (they don't recommend) and they seem to work fine. The case it good quality and it small and light weight but protects the equipment and keeps everything secure. The one issue I didn't realize; I can ... MoreI recently started generating videos for Youtube and had used a Rode on camera mic. I wanted to improve my audio and RodeLink wireless system did the trick. I use outdoors and typically away from any potential interference sources - so I can't comment on this potential issue. I feel the audio quality is great and I like the way I sound on the videos much better. In addition it was easy to set up and use the first time. I will be interested in the life of the batteries but I have used for 45 minutes straight and had no issues. I am currently using rechargeable batteries (they don't recommend) and they seem to work fine. The case it good quality and it small and light weight but protects the equipment and keeps everything secure. The one issue I didn't realize; I can not add a second mic to the system. I don't know how much this would have influenced my decision but wish I would have know. Quality gear that improves your audio significantly!
I purchased two units one filmmaker kit and one news shooter kit and two VXLR Mono-Jack to XLR adapters. Everything works as expected. I have been able to configure these units in many different ways to meet all of my needs. I would suggest you watch a few YouTube videos on these units to get up to speed on how they work before you buy. I have a number of very good older Shure Dynamic mics that work great with either transmitter using the proper adapters. Phantom powered mics work fine on the news shooter as well as Lav mics. Unfortunately my Rode VideoMic GO created a lot of hum when trying to use it. I asked RODE about this issue they said microphones like the VideoMic Go weren’t designed to be used with a wireless system. Something about the signal from the ... MoreI purchased two units one filmmaker kit and one news shooter kit and two VXLR Mono-Jack to XLR adapters. Everything works as expected. I have been able to configure these units in many different ways to meet all of my needs. I would suggest you watch a few YouTube videos on these units to get up to speed on how they work before you buy. I have a number of very good older Shure Dynamic mics that work great with either transmitter using the proper adapters. Phantom powered mics work fine on the news shooter as well as Lav mics. Unfortunately my Rode VideoMic GO created a lot of hum when trying to use it. I asked RODE about this issue they said microphones like the VideoMic Go weren’t designed to be used with a wireless system. Something about the signal from the filmmaker transmitter is being induced into the capsule of the microphone and unfortunately they said there isn't a way around this. It's no big deal for me all my other RODE shotgun mics, lavs and Shure dynamic mics work great with these units. However you may want to check with RODE if you already have some of their mics and are expecting them to work with these units. So far these two units are holing up fine but they are made with plastic and can not be drop kicked, thrown against a wall or heavily abused if you treat them with a reasonable amount of care you shouldn’t have any issues. However if your tuff on your stuff then you may want to look for a wireless system with a full metal jacket.
I have two pairs of these, and have been using them for a couple years now. They worked great initially. After a few months, things started breaking down. Customer service was solid with warranty issues each time, until the most recent go-round. The replacement mics they sent (two in the span of a couple months because they are beyond fragile) hissed horribly. I tried them on other wireless units I have (Sony) and the had the same hiss there. When the cheapest mic I have was paired with the Sony, the hiss was gone and things sounded great.The jack that the mics plug into are also trash. One pulled out completely on a shoot. Rode repaired it. When they do stay in the unit and the mics are plugged in, a slight nudge in any direction (talent shifts/walks/breathes) ... MoreI have two pairs of these, and have been using them for a couple years now. They worked great initially. After a few months, things started breaking down. Customer service was solid with warranty issues each time, until the most recent go-round. The replacement mics they sent (two in the span of a couple months because they are beyond fragile) hissed horribly. I tried them on other wireless units I have (Sony) and the had the same hiss there. When the cheapest mic I have was paired with the Sony, the hiss was gone and things sounded great.The jack that the mics plug into are also trash. One pulled out completely on a shoot. Rode repaired it. When they do stay in the unit and the mics are plugged in, a slight nudge in any direction (talent shifts/walks/breathes) makes these things crackle and pop. Ive switched back to using my old tank (Sony) on all my shoots. I cant trust these at all.
| Wireless Technology | Digital 2.4 GHz |
| Included Transmitters | 1 x Bodypack with Microphone |
| Diversity | Frequency |
| Max Operating Range | 330' / 100.6 m (Line of Sight) |
| Max Transmitters per Band | 8 |
