Last updated at 15/11/2026 18:50:29
SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens, Cinema Lens for M Mount, Blue Flare
Delivery $21.60
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Sirui 35Mmf1.8 Prime 4/3 Black Camera Lens
Delivery $25.95
Sirui 35mm f/1.8 1.33x Anamorphic lens for M4/3
Free delivery between 17–23 Nov
Sirui 35mm f/1.8 Anamorphic 1.33x Lens for Micro Four Thirds
Free delivery between 20–25 Nov
Sirui 35mm F1.8 Anamorphic Lens (mft & Sony E Mount)
Delivery $84.18
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
OK had to try this one. There's a lot of info online, and I don't havemuch to add except that it's decently sharp, that was a question mark looking at samples.Unpacked the Sirui 35/1.8 this morning. After a half day of testing, itlooks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.I filmed the tests on the S6 in open gate to make full use of the 6K+S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.I dropped the footy into ... MoreOK had to try this one. There's a lot of info online, and I don't havemuch to add except that it's decently sharp, that was a question mark looking at samples.Unpacked the Sirui 35/1.8 this morning. After a half day of testing, itlooks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.I filmed the tests on the S6 in open gate to make full use of the 6K+S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars.It's all good. You can downsample, crop, whatever you want. Lots ofchoices.My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, nobiggie.You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usable wide open.Clickless aperture and focus is very smooth and there are two ringsincluded for gearing. No hood, which is cheesy for an $800 lens IMHO. :(
originally posted on bhphotovideo.com
A sharp, decently fast lens...and anamorphic!! This lens has the anamorphic magic, the special something. I love what it does to both film and photos. Easily wins a spot in my top 5 favorite lenses ever.
originally posted on bhphotovideo.com
I bought the 35mm lens + Sony e-mount adapter in one transaction.According to a few reviewers, the APSC/m43 (35mm, f1.8) lens could be used on a full frame Sony using its Clear Image Zoom at 1.2x (full frame mode), but that was NOT case with my latest experience.This 35mm anamorphic lens' image circle, to my eyes, is strictly designed for m4/3 cameras. For (e-mount adapted) Sony users, once you enter the APSC mode, you will still find dark corners, and the only way to get rid of them is to use 1.3x(in APSC mode).If I had known this, I would have simply chosen Sirui's competitor: Sigma 18+35mm f1.8. At least it doesn't give dark corners and has the same Field of View (as the Sirui anamorphic has a 47mm horizontal focal length now which means little advantage ... MoreI bought the 35mm lens + Sony e-mount adapter in one transaction.According to a few reviewers, the APSC/m43 (35mm, f1.8) lens could be used on a full frame Sony using its Clear Image Zoom at 1.2x (full frame mode), but that was NOT case with my latest experience.This 35mm anamorphic lens' image circle, to my eyes, is strictly designed for m4/3 cameras. For (e-mount adapted) Sony users, once you enter the APSC mode, you will still find dark corners, and the only way to get rid of them is to use 1.3x(in APSC mode).If I had known this, I would have simply chosen Sirui's competitor: Sigma 18+35mm f1.8. At least it doesn't give dark corners and has the same Field of View (as the Sirui anamorphic has a 47mm horizontal focal length now which means little advantage over Sigma's 35mm APSC).And on the side note, Sirui really should not advertise the lens as an APSC/m43 dual-frame model, simply because dark corners are clearly visible in APSC mode and the wording is misleading.
| Focal Length | 35mm |
| Lens Mount | Micro Four Thirds |
| Lens Format Coverage | MFT |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens, Cinema Lens for M Mount, Blue Flare
Delivery $21.60
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sirui 35Mmf1.8 Prime 4/3 Black Camera Lens
Delivery $25.95
Sirui 35mm f/1.8 1.33x Anamorphic lens for M4/3
Free delivery between 17–23 Nov
Sirui 35mm f/1.8 Anamorphic 1.33x Lens for Micro Four Thirds
Free delivery between 20–25 Nov
Sirui 35mm F1.8 Anamorphic Lens (mft & Sony E Mount)
Delivery $84.18
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
OK had to try this one. There's a lot of info online, and I don't havemuch to add except that it's decently sharp, that was a question mark looking at samples.Unpacked the Sirui 35/1.8 this morning. After a half day of testing, itlooks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.I filmed the tests on the S6 in open gate to make full use of the 6K+S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.I dropped the footy into ... MoreOK had to try this one. There's a lot of info online, and I don't havemuch to add except that it's decently sharp, that was a question mark looking at samples.Unpacked the Sirui 35/1.8 this morning. After a half day of testing, itlooks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.I filmed the tests on the S6 in open gate to make full use of the 6K+S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars.It's all good. You can downsample, crop, whatever you want. Lots ofchoices.My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, nobiggie.You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usable wide open.Clickless aperture and focus is very smooth and there are two ringsincluded for gearing. No hood, which is cheesy for an $800 lens IMHO. :(
A sharp, decently fast lens...and anamorphic!! This lens has the anamorphic magic, the special something. I love what it does to both film and photos. Easily wins a spot in my top 5 favorite lenses ever.
I bought the 35mm lens + Sony e-mount adapter in one transaction.According to a few reviewers, the APSC/m43 (35mm, f1.8) lens could be used on a full frame Sony using its Clear Image Zoom at 1.2x (full frame mode), but that was NOT case with my latest experience.This 35mm anamorphic lens' image circle, to my eyes, is strictly designed for m4/3 cameras. For (e-mount adapted) Sony users, once you enter the APSC mode, you will still find dark corners, and the only way to get rid of them is to use 1.3x(in APSC mode).If I had known this, I would have simply chosen Sirui's competitor: Sigma 18+35mm f1.8. At least it doesn't give dark corners and has the same Field of View (as the Sirui anamorphic has a 47mm horizontal focal length now which means little advantage ... MoreI bought the 35mm lens + Sony e-mount adapter in one transaction.According to a few reviewers, the APSC/m43 (35mm, f1.8) lens could be used on a full frame Sony using its Clear Image Zoom at 1.2x (full frame mode), but that was NOT case with my latest experience.This 35mm anamorphic lens' image circle, to my eyes, is strictly designed for m4/3 cameras. For (e-mount adapted) Sony users, once you enter the APSC mode, you will still find dark corners, and the only way to get rid of them is to use 1.3x(in APSC mode).If I had known this, I would have simply chosen Sirui's competitor: Sigma 18+35mm f1.8. At least it doesn't give dark corners and has the same Field of View (as the Sirui anamorphic has a 47mm horizontal focal length now which means little advantage over Sigma's 35mm APSC).And on the side note, Sirui really should not advertise the lens as an APSC/m43 dual-frame model, simply because dark corners are clearly visible in APSC mode and the wording is misleading.
Got this for a VERY fair price during CyberWeek sales.I always check out B&H FIRST ... before wasting time looking for deals elsewhere. Plus ... I always know B&H has my back. I consider this FREE insurance!
The lens works great - I am also getting the 50mm. With a couple of filters I'll be exploring a new phase of video making. I have mainly done reporting videos so far. Now moving into pretty - and it will be fun.
As you unwrap the packaging you get a slight hint of that Cinema smell that lets you know it isn't just a lens you can get anywhere but a high quality cine lens. And the joy you get as you open the box and see the massive glass element. The packaging is amazing on this lens i had no worries about it being damaged or broke. The mount is tight and smooth, the focus ring and Iris ring is very tactile and buttery smooth. The overall quality is outstanding and the image you get from this lens can make even the worst shot look decent! Now i do have to grips about the lens but are by far not a big problem. The first is it being only a 1.33 anamorphic when you desqueeze the image the black bars are just not enough you still have to add a little more to them in post. My ... MoreAs you unwrap the packaging you get a slight hint of that Cinema smell that lets you know it isn't just a lens you can get anywhere but a high quality cine lens. And the joy you get as you open the box and see the massive glass element. The packaging is amazing on this lens i had no worries about it being damaged or broke. The mount is tight and smooth, the focus ring and Iris ring is very tactile and buttery smooth. The overall quality is outstanding and the image you get from this lens can make even the worst shot look decent! Now i do have to grips about the lens but are by far not a big problem. The first is it being only a 1.33 anamorphic when you desqueeze the image the black bars are just not enough you still have to add a little more to them in post. My second one is that the image from the lens comes out a little on the warm side, i shoot in Log so this isn't a problem just something to be aware of.
Although I had done my fair share of research on this lens, I was still hesitant before purchasing it.As a student, this was not something I could purchase "just for fun" and I needed a solid lens that would give me the look I was going for in as many shoots possible. The Sirui 35mm did not disappoint! I was so excited to test it out , which I did in broad daylight and night - and it gave me exactly what I was looking for , sharp and cinematic image with beautiful anamorphic flares. I just note, it's a bit heavy for my Sony a6400 but I can't complain. If you don't own a full frame sensor camera and still aim for that cinematic look, I highly recommend. 35mm- not too wide and not too tight. Perfect.
Using it on my newest short film 19 Jump Street, which you can catch on my instagram @Camilo_Mandela Thus far it has been a really fantastic lens, I have a 75mm as well and this is a pretty good step down from that. Of course the Micro four thirds system is a tighter sensor but that's not a mark on the product, this works great. At first I was a little worried about the universality of the gears that seems to be permanently on the lens but it seem to work with my nucleus nano and I imagine any manual focus system. Last thing I will say is the blue color temp if you have any other lenses in the set. It's definitely annoying to white balance every time I wanna use this focal length. other than that, great lens.
I rented the MFT version of it for a wedding over the weekend to try it out. There is a comparison video out there where the guy does the showdown between this lens and the well-known Sigma 18-35mm zoomed to 35mm in order to match.Simply put, this lens looks like a prime/anamorphic version of the Sigma! Some people are h8-as when it comes to the Sigma saying it's too sharp. I personally love it but....whatever. The Sirui closely matches that sharpness and since anamorphics typically get dinged for being too soft, this one ROCKS!I will be getting one. Now...MFT or L-mount? MFT is on sale now for $349 and that is difficult to beat!
How to get Anamorphic at low price. this lens is an afordable product with great quality build. I love the render and I can't separate from it. you can't find cheaper for this exceptionnal lens
| Focal Length | 35mm |
| Lens Mount | Micro Four Thirds |
| Lens Format Coverage | MFT |
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
Sirui 50mm f/1.8 1.33x Anamorphic Lens Scifi Flare
Sirui’s 35mm f/1.8 1.33x Anamorphic lens for micro four thirds is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16×9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences. This is then stretched back out in post-production or in-camera (see manufacturers specs for compatibility) to create the wider field of view and ratio compared to a conventional aspherical lens. The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out of focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic ‘look’.
Sirui’s 35mm f/1.8 1.33x Anamorphic lens for micro four thirds is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16×9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences. This is then stretched back out in post-production or in-camera (see manufacturers specs for compatibility) to create the wider field of view and ratio compared to a conventional aspherical lens. The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out of focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic ‘look’.
Sirui’s 35mm f/1.8 1.33x Anamorphic lens for micro four thirds is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16×9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences. This is then stretched back out in post-production or in-camera (see manufacturers specs for compatibility) to create the wider field of view and ratio compared to a conventional aspherical lens. The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out of focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic ‘look’.
Sirui’s 35mm f/1.8 1.33x Anamorphic lens for micro four thirds is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16×9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences. This is then stretched back out in post-production or in-camera (see manufacturers specs for compatibility) to create the wider field of view and ratio compared to a conventional aspherical lens. The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out of focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic ‘look’.
in 5 offers
The lowest price for Sirui 50mm f/1.8 1.33x Anamorphic Lens Scifi Flare right now is $405.00 at Cash Converters, compared across 5 retailers.
The all-time low was $341.11 on 7 May 2026 — today's price is 19% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 15 Nov 2026.
