Sony FE 70-200mm F2.8 GM OSS II Lens
Evolved G Master F2.8 telephoto zoom The full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest1 large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies. Unprecedented image quality Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimize chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters2 are available. Exquisite G Master bokeh Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32 ft) at 70mm and 0.82 meters (2.69 ft) at 200mm. Fast, precise AF supports creative shooting Four of Sony’s original XD (Extreme Dynamic) Linear Motors, two for each of the lens’s focus groups, deliver high thrust e! ciency that boosts AF speed by up to 4x compared to the previous model2 for fast, precise continuous autofocus and tracking for stills and movies. AF tracking while zooming is improved by approx. 30%2 which greatly increase chances of getting the shot even with subjects moving rapidly towards the lens.
Evolved G Master F2.8 telephoto zoom The full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest1 large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies. Unprecedented image quality Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimize chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters2 are available. Exquisite G Master bokeh Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32 ft) at 70mm and 0.82 meters (2.69 ft) at 200mm. Fast, precise AF supports creative shooting Four of Sony’s original XD (Extreme Dynamic) Linear Motors, two for each of the lens’s focus groups, deliver high thrust e! ciency that boosts AF speed by up to 4x compared to the previous model2 for fast, precise continuous autofocus and tracking for stills and movies. AF tracking while zooming is improved by approx. 30%2 which greatly increase chances of getting the shot even with subjects moving rapidly towards the lens.
Evolved G Master F2.8 telephoto zoom The full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest1 large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies. Unprecedented image quality Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimize chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters2 are available. Exquisite G Master bokeh Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32 ft) at 70mm and 0.82 meters (2.69 ft) at 200mm. Fast, precise AF supports creative shooting Four of Sony’s original XD (Extreme Dynamic) Linear Motors, two for each of the lens’s focus groups, deliver high thrust e! ciency that boosts AF speed by up to 4x compared to the previous model2 for fast, precise continuous autofocus and tracking for stills and movies. AF tracking while zooming is improved by approx. 30%2 which greatly increase chances of getting the shot even with subjects moving rapidly towards the lens.
Evolved G Master F2.8 telephoto zoom The full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest1 large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies. Unprecedented image quality Image quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimize chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters2 are available. Exquisite G Master bokeh Beautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32 ft) at 70mm and 0.82 meters (2.69 ft) at 200mm. Fast, precise AF supports creative shooting Four of Sony’s original XD (Extreme Dynamic) Linear Motors, two for each of the lens’s focus groups, deliver high thrust e! ciency that boosts AF speed by up to 4x compared to the previous model2 for fast, precise continuous autofocus and tracking for stills and movies. AF tracking while zooming is improved by approx. 30%2 which greatly increase chances of getting the shot even with subjects moving rapidly towards the lens.
in 34 offers
The lowest price for Sony FE 70-200mm F2.8 GM OSS II Lens right now is $2,699.95 at Everyday Rewards, compared across 23 retailers.
The all-time low was $110.00 on 24 May 2026 — today's price is 2355% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 12:40:00
2ND HAND - Sony FE 70-200mm f2.8 GM M2 OSS Zoom Ø77mm
Delivery between 13–17 June $10
Sony FE 70-200mm f2.8 GM MK2 OSS Zoom Ø77mm
Delivery between 13–17 June $10
Sony SEL FE 70-200 F2.8 GM OSS II Lens
Free delivery
Sony FE 70-200mm f/2.8 GM OSS II Lens
Delivery $7.90
Sony FE 70-200mm f/2.8 GM II OSS Lens
Delivery between 17–19 June $8.95
Sony FE 70-200mm F2.8 GM M2 Lens
Delivery between 16–24 June $9.90
Sony FE 70-200mm F2.8 GM OSS II Lens
Delivery $7.95
Sony FE 70-200mm f/2.8 GM OSS II Lens
Delivery between 15–18 June $12.90
Sony FE 70-200mm F2.8 GM OSS II
Free delivery
Sony FE 70-200mm F2.8 GM M2 Lens
Delivery between Fri – Tue $16
originally posted on bestbuy.com
First, I live and work out of my van traveling the country. I'm a full time photographer that has set the standard for shooting the sport of axe throwing under my brand Throvv.I've been tracking this lense from Oregon to Tennessee and all points between. On one occasion outside Kansas City I got close, but the open box was actually a First Generation Sony GM 70 - 200mm. Side note if you're reading this and are responsible for that theft, it was me that exposed your fraud to the staff at that location.The Best Buy Staff, I can't speak highly enough of the the individuals that helped me accross the country as i pursued this lens. While i didn't have it in time to shoot alongside ESPN for the World Axe Throwing U.S. Open Championship, I did have it on my Sony A9 ii ... MoreFirst, I live and work out of my van traveling the country. I'm a full time photographer that has set the standard for shooting the sport of axe throwing under my brand Throvv.I've been tracking this lense from Oregon to Tennessee and all points between. On one occasion outside Kansas City I got close, but the open box was actually a First Generation Sony GM 70 - 200mm. Side note if you're reading this and are responsible for that theft, it was me that exposed your fraud to the staff at that location.The Best Buy Staff, I can't speak highly enough of the the individuals that helped me accross the country as i pursued this lens. While i didn't have it in time to shoot alongside ESPN for the World Axe Throwing U.S. Open Championship, I did have it on my Sony A9 ii when I worked Murfreesboro Axe Throwing's tournament this past weekend.I published thousands of images to my social media platforns from my First Gen Sony GM 70 - 200mm lens. I know the weight, feel, and how it responds inside and out.Upgrading to the Second Gen Sony GM 70 - 200mm lens was a solid choice and investment. The weight is considerably noticed on days I am shooting 12 plus hours. The response on the focus and manual mechanics is noticeable and critically better when I needed it. Image quality might not be as noticeable to some, but shooting indoors I can see eyes that look even more glassy than what My First Gen could do.The minimum auto focus was a big shift and there seems to be a moment of hesitation before it comes through and grabs a subject, but it is a huge improvement from the first gen lens.The most noticeable difference though was in it's overall performance when shootung a burst. It is so smooth and seamless on full burst, that i wasn't certain if I landed the shots until I reviewed the card.If you are on the fence about upgrading and your First Gen Sony GM 70 - 200mm lens is your primary I strongly recommend the investment. I also recommend buying from Best Buy, their staff are experts in customer care, and with the Totatech membership you get two year protection automatically. When you are buying professional equipment, it quickly pays for itself.
originally posted on adorama.com
I first bought version one last year and was highly disappointed with its weight, slow focus speed, and poor image quality (I even got a second copy because I thought the first one was faulty; but nope, it just stank).After learning that version 2 was coming out last year, I immediately sold my version 1, and tried for months to get my hands on version 2. Well, it was worth the wait. This lens is 10x better than it?s predecessor.Pros:-Lightweight (as far as 70-200 lenses go)-Insanely fast AF-Sharpest lens I?ve ever used-Build quality is SUPERB-New switches make for more image control-Aperture ring is cool, but I?m mostly indifferent on that featureCons:-Took so long to get one (this is no one?s fault, just crazy delayed supply chains)To summarize: yes ... MoreI first bought version one last year and was highly disappointed with its weight, slow focus speed, and poor image quality (I even got a second copy because I thought the first one was faulty; but nope, it just stank).After learning that version 2 was coming out last year, I immediately sold my version 1, and tried for months to get my hands on version 2. Well, it was worth the wait. This lens is 10x better than it?s predecessor.Pros:-Lightweight (as far as 70-200 lenses go)-Insanely fast AF-Sharpest lens I?ve ever used-Build quality is SUPERB-New switches make for more image control-Aperture ring is cool, but I?m mostly indifferent on that featureCons:-Took so long to get one (this is no one?s fault, just crazy delayed supply chains)To summarize: yes this lens is very expensive, but if you are a working professional or have excess cash and photography is a burning passion of yours, I would definitely recommend this lens. It will not disappoint. Sure, you could save loads of money on version 1 or a 3rd party brand?s version, but you will only be disappointed; use that money as a down payment, get the Adorama credit card ?? you truly get what you pay for.
originally posted on sony.co.uk
I have been wanting the FE 70-200mm F2.8 GM for quite some time and have been researching the difference between original lens and the OSS II to try and gauge if the price difference could be justified.I haven't got the original one, but do have the 100-400 GM and 200-600 G and I am very impressed with those lens, so I do have experience with the GM/G range.The reviews for the original 70-200 GM are very good... but when comparing the physical differences (weight, switches, aperture ring) and my research on the OSS II version, swayed me to opt for the more expensive OSS II lens - overall decision was based on weight, aperture ring on lens and the DMF switch on the lens.In summary... absolutely love the FE 70-200mm F2.8 GM OSS II ... is it worth the extra money ... MoreI have been wanting the FE 70-200mm F2.8 GM for quite some time and have been researching the difference between original lens and the OSS II to try and gauge if the price difference could be justified.I haven't got the original one, but do have the 100-400 GM and 200-600 G and I am very impressed with those lens, so I do have experience with the GM/G range.The reviews for the original 70-200 GM are very good... but when comparing the physical differences (weight, switches, aperture ring) and my research on the OSS II version, swayed me to opt for the more expensive OSS II lens - overall decision was based on weight, aperture ring on lens and the DMF switch on the lens.In summary... absolutely love the FE 70-200mm F2.8 GM OSS II ... is it worth the extra money - not sure I can answer that until I try the original one - but ask me if I am happy with the lens, then apart from the price tag, the lens is absolutely brilliantly bonkers ... it is so light, fast AF and the picture quality is as you would hope for from such an expensive lens...AWESOME, and the bokeh is just so soft and velvety.My 2 favourite features (apart from the weight), is the aperture dial ON the lens and the 'Full Time DMF' on/off switch.This is now staying on one of my cameras as my walkabout camera/lens.Would I recommend it ... absolutely yes.
| Lens system | |
| Closest focusing distance | 0.4 m |
| Maximum aperture number | 2.8 |
| Lens mount interface | Sony E |
| Diagonal angle of view (max) | -12° |
2ND HAND - Sony FE 70-200mm f2.8 GM M2 OSS Zoom Ø77mm
Delivery between 13–17 June $10
Sony FE 70-200mm f2.8 GM MK2 OSS Zoom Ø77mm
Delivery between 13–17 June $10
Sony SEL FE 70-200 F2.8 GM OSS II Lens
Free delivery
Sony FE 70-200mm f/2.8 GM OSS II Lens
Delivery $7.90
Sony FE 70-200mm f/2.8 GM II OSS Lens
Delivery between 17–19 June $8.95
First, I live and work out of my van traveling the country. I'm a full time photographer that has set the standard for shooting the sport of axe throwing under my brand Throvv.I've been tracking this lense from Oregon to Tennessee and all points between. On one occasion outside Kansas City I got close, but the open box was actually a First Generation Sony GM 70 - 200mm. Side note if you're reading this and are responsible for that theft, it was me that exposed your fraud to the staff at that location.The Best Buy Staff, I can't speak highly enough of the the individuals that helped me accross the country as i pursued this lens. While i didn't have it in time to shoot alongside ESPN for the World Axe Throwing U.S. Open Championship, I did have it on my Sony A9 ii ... MoreFirst, I live and work out of my van traveling the country. I'm a full time photographer that has set the standard for shooting the sport of axe throwing under my brand Throvv.I've been tracking this lense from Oregon to Tennessee and all points between. On one occasion outside Kansas City I got close, but the open box was actually a First Generation Sony GM 70 - 200mm. Side note if you're reading this and are responsible for that theft, it was me that exposed your fraud to the staff at that location.The Best Buy Staff, I can't speak highly enough of the the individuals that helped me accross the country as i pursued this lens. While i didn't have it in time to shoot alongside ESPN for the World Axe Throwing U.S. Open Championship, I did have it on my Sony A9 ii when I worked Murfreesboro Axe Throwing's tournament this past weekend.I published thousands of images to my social media platforns from my First Gen Sony GM 70 - 200mm lens. I know the weight, feel, and how it responds inside and out.Upgrading to the Second Gen Sony GM 70 - 200mm lens was a solid choice and investment. The weight is considerably noticed on days I am shooting 12 plus hours. The response on the focus and manual mechanics is noticeable and critically better when I needed it. Image quality might not be as noticeable to some, but shooting indoors I can see eyes that look even more glassy than what My First Gen could do.The minimum auto focus was a big shift and there seems to be a moment of hesitation before it comes through and grabs a subject, but it is a huge improvement from the first gen lens.The most noticeable difference though was in it's overall performance when shootung a burst. It is so smooth and seamless on full burst, that i wasn't certain if I landed the shots until I reviewed the card.If you are on the fence about upgrading and your First Gen Sony GM 70 - 200mm lens is your primary I strongly recommend the investment. I also recommend buying from Best Buy, their staff are experts in customer care, and with the Totatech membership you get two year protection automatically. When you are buying professional equipment, it quickly pays for itself.
I first bought version one last year and was highly disappointed with its weight, slow focus speed, and poor image quality (I even got a second copy because I thought the first one was faulty; but nope, it just stank).After learning that version 2 was coming out last year, I immediately sold my version 1, and tried for months to get my hands on version 2. Well, it was worth the wait. This lens is 10x better than it?s predecessor.Pros:-Lightweight (as far as 70-200 lenses go)-Insanely fast AF-Sharpest lens I?ve ever used-Build quality is SUPERB-New switches make for more image control-Aperture ring is cool, but I?m mostly indifferent on that featureCons:-Took so long to get one (this is no one?s fault, just crazy delayed supply chains)To summarize: yes ... MoreI first bought version one last year and was highly disappointed with its weight, slow focus speed, and poor image quality (I even got a second copy because I thought the first one was faulty; but nope, it just stank).After learning that version 2 was coming out last year, I immediately sold my version 1, and tried for months to get my hands on version 2. Well, it was worth the wait. This lens is 10x better than it?s predecessor.Pros:-Lightweight (as far as 70-200 lenses go)-Insanely fast AF-Sharpest lens I?ve ever used-Build quality is SUPERB-New switches make for more image control-Aperture ring is cool, but I?m mostly indifferent on that featureCons:-Took so long to get one (this is no one?s fault, just crazy delayed supply chains)To summarize: yes this lens is very expensive, but if you are a working professional or have excess cash and photography is a burning passion of yours, I would definitely recommend this lens. It will not disappoint. Sure, you could save loads of money on version 1 or a 3rd party brand?s version, but you will only be disappointed; use that money as a down payment, get the Adorama credit card ?? you truly get what you pay for.
I have been wanting the FE 70-200mm F2.8 GM for quite some time and have been researching the difference between original lens and the OSS II to try and gauge if the price difference could be justified.I haven't got the original one, but do have the 100-400 GM and 200-600 G and I am very impressed with those lens, so I do have experience with the GM/G range.The reviews for the original 70-200 GM are very good... but when comparing the physical differences (weight, switches, aperture ring) and my research on the OSS II version, swayed me to opt for the more expensive OSS II lens - overall decision was based on weight, aperture ring on lens and the DMF switch on the lens.In summary... absolutely love the FE 70-200mm F2.8 GM OSS II ... is it worth the extra money ... MoreI have been wanting the FE 70-200mm F2.8 GM for quite some time and have been researching the difference between original lens and the OSS II to try and gauge if the price difference could be justified.I haven't got the original one, but do have the 100-400 GM and 200-600 G and I am very impressed with those lens, so I do have experience with the GM/G range.The reviews for the original 70-200 GM are very good... but when comparing the physical differences (weight, switches, aperture ring) and my research on the OSS II version, swayed me to opt for the more expensive OSS II lens - overall decision was based on weight, aperture ring on lens and the DMF switch on the lens.In summary... absolutely love the FE 70-200mm F2.8 GM OSS II ... is it worth the extra money - not sure I can answer that until I try the original one - but ask me if I am happy with the lens, then apart from the price tag, the lens is absolutely brilliantly bonkers ... it is so light, fast AF and the picture quality is as you would hope for from such an expensive lens...AWESOME, and the bokeh is just so soft and velvety.My 2 favourite features (apart from the weight), is the aperture dial ON the lens and the 'Full Time DMF' on/off switch.This is now staying on one of my cameras as my walkabout camera/lens.Would I recommend it ... absolutely yes.
The original Sony FE 70-200 f2.8 was just too large and heavy, and image quality was only OK. But this new 2nd edition is significantly lighter, phenomenal image quality across the zoom and f-stop range, and the added features are a bonus. The auto-focus is fast and accurate which is critical for the type of photography and video work I do. The image qualify is so good, I replaced 3 other lenses with this single lens (Sony 70-200 F4 G plus 85mm and 135mm prime lenses). The aperture ring comes in handy for event photography where I often shoot/experiment with multiple different settings for each subject I photograph. This lens is expensive, but this lens replaced 3 other lenses and I sold the other lenses to cover 1/2 the cost of this lens. Faster than f2.8 would be ... MoreThe original Sony FE 70-200 f2.8 was just too large and heavy, and image quality was only OK. But this new 2nd edition is significantly lighter, phenomenal image quality across the zoom and f-stop range, and the added features are a bonus. The auto-focus is fast and accurate which is critical for the type of photography and video work I do. The image qualify is so good, I replaced 3 other lenses with this single lens (Sony 70-200 F4 G plus 85mm and 135mm prime lenses). The aperture ring comes in handy for event photography where I often shoot/experiment with multiple different settings for each subject I photograph. This lens is expensive, but this lens replaced 3 other lenses and I sold the other lenses to cover 1/2 the cost of this lens. Faster than f2.8 would be nice for occasional portrait style photography, but the convenience of a 70-200 zoom lens with the image quality of a prime lens, well that is a winning recipe. Unlike older 70-200 f2.8 lenses from Sony and other manufacturers, this lens compliments high Megapixel sensor camera bodies.
I was originally going to buy version 1 of this lens simply because I hadn't kept up with the current releases at the time but after watching some product release videos etc I deemed the price difference worth it for the features. So far, there's nothing I've been able to throw at this lens that it couldn't handle in stride. From shooting wildlife stills with my Alpha 1 or motorcycle footage on my a7Siii, the focus, clarity, speed, and quality are more than I could have expected. The edges are incredibly sharp in both photos and video beyond anything I've seen in reviews. The autofocus is the fastest and quietest I've seen from any lens thus far. Paired with the Alpha 1 and the a7Siii, all three focus modes find and lock on eyes exceptionally well (birds eye af a1 ... MoreI was originally going to buy version 1 of this lens simply because I hadn't kept up with the current releases at the time but after watching some product release videos etc I deemed the price difference worth it for the features. So far, there's nothing I've been able to throw at this lens that it couldn't handle in stride. From shooting wildlife stills with my Alpha 1 or motorcycle footage on my a7Siii, the focus, clarity, speed, and quality are more than I could have expected. The edges are incredibly sharp in both photos and video beyond anything I've seen in reviews. The autofocus is the fastest and quietest I've seen from any lens thus far. Paired with the Alpha 1 and the a7Siii, all three focus modes find and lock on eyes exceptionally well (birds eye af a1 only). Shooting 30fps with the a1 in my own testing I find that 99% of shots focus is usable with roughly 98% exceptional without post processing. The bokeh is incredibly smooth and creamy with no onioning. The weight balance is amazing and feels great in the hands. I'm a bigger (muscular) guy so for me this thing feels lighter than a feather and is easily carried around all day or packed with little to no impact on my bag weight. If you can find someone that has one and get it in your hands you won't want to give it back. I couldn't be happier with this lens and now I'm really excited to see what Sony does with the rest of their GM II's! It's a wonderful time to be a videographer/photographer!
Amazing lens! I film events such as weddings and take photos too. I own the first generation and the upgrade is definitely significant in many ways that makes shooting easier. The first generation would hunt focus sometimes especially when you're in an environment where lighting isn't ideal. I have not experienced this with this Mark II. Also the weight difference is huge. You may think 30% isn't as much but when I was using the first generation, my hands and arms would fatigue after an hour. Not with this new version! The stabilization also improved! I have filmed using this lens hand held and combined with my Sony a7s III IBIS, the footage always comes out steady and no micro jitters! Spend more on the newer version and you will not regret it.
This lens is everything your read in online reviews and than some.The focusing on a7mk3 is blazing fast and precise. Compared to Sony FE 70-200 f4 hardly drains the battery even in FULL mode. Shooting in FULL vs. LIMITED focusing range practically does't affect battery life. I do not shoot landscapes, so sharpness across the frame and vignetting is not an issue for me but they are there and clearly visible.Unfortunately at the long end this lens demonstrates a strange non-linear bokeh on Sony a7mk3. It works as expected at 70-105mm (possibly up to 135mm). Past 150mm it becomes glowy with slow fall of of the background sharpness. My FE 70-200 f4 and Canon EF 70-200 f4 mk2 are my go to lenses, so I was totally puzzled by this phenomenon. Disabled all in camera ... MoreThis lens is everything your read in online reviews and than some.The focusing on a7mk3 is blazing fast and precise. Compared to Sony FE 70-200 f4 hardly drains the battery even in FULL mode. Shooting in FULL vs. LIMITED focusing range practically does't affect battery life. I do not shoot landscapes, so sharpness across the frame and vignetting is not an issue for me but they are there and clearly visible.Unfortunately at the long end this lens demonstrates a strange non-linear bokeh on Sony a7mk3. It works as expected at 70-105mm (possibly up to 135mm). Past 150mm it becomes glowy with slow fall of of the background sharpness. My FE 70-200 f4 and Canon EF 70-200 f4 mk2 are my go to lenses, so I was totally puzzled by this phenomenon. Disabled all in camera corrections - no effect. Put on Sony a7mk2 - works perfectly. The only rational I can think of is that the new optical formula causes sensor blooming on Sony a7mk3.In short, I were to shoot a wedding with this lens and Sony a7mk3, I'd be perfectly comfortable photographing the bride but not the groom. I hope Sony will perfect this design and apply it to Sony FE 70-200 f4 mk2 with lighter faster focusing, shorter MFD and better weather sealing.
I have only used this lens once (at a children's birthday party) so I will know more when I use it more extensively, but I am very impressed so far. The bokeh is gorgeous. Auto focus is instantaneous on running children so it should work on wildlife as well. I saw no vignetting, barrel distortion or chromatic aberration even wide open. I love the constant f2. Makes it easy to use at higher shutter speeds and low ISO, essential for clean, crisp images. My main camera body is the Sony A7rIV. At 62 megapixels, it shows any weaknesses in the lens and my technique. The images taken with this lens were clean. I recommend this for wildlife, portraiture, events like weddings or street photography where medium telephoto allows capturing people at some distance, unawares and ... MoreI have only used this lens once (at a children's birthday party) so I will know more when I use it more extensively, but I am very impressed so far. The bokeh is gorgeous. Auto focus is instantaneous on running children so it should work on wildlife as well. I saw no vignetting, barrel distortion or chromatic aberration even wide open. I love the constant f2. Makes it easy to use at higher shutter speeds and low ISO, essential for clean, crisp images. My main camera body is the Sony A7rIV. At 62 megapixels, it shows any weaknesses in the lens and my technique. The images taken with this lens were clean. I recommend this for wildlife, portraiture, events like weddings or street photography where medium telephoto allows capturing people at some distance, unawares and natural (with a great bokeh to isolate them). Yes, it is expensive but I figure I will probably keep this lens much longer than my camera body.
There is not enough good things one can say about this lens. The lighter smaller package is a huge bonus that many landscape and event photographers will appreciate. The first thing I recommend you do is get yourself a better arca compatible foot to be able to mind it much easier.This is one of those lenses that can win over anyone to the sony system. The crisp images it produces with that lightning fast AF is just unbeatable. This is a lens that one has to rent to truly appreciate just how much of a masterpiece it really is. The prime sharp like images it produces with such beautiful stunning colors will leave you wanting it really badly.Sony really create the one true lens where it makes me wonder just how it creates such perfect captures with each shutter ... MoreThere is not enough good things one can say about this lens. The lighter smaller package is a huge bonus that many landscape and event photographers will appreciate. The first thing I recommend you do is get yourself a better arca compatible foot to be able to mind it much easier.This is one of those lenses that can win over anyone to the sony system. The crisp images it produces with that lightning fast AF is just unbeatable. This is a lens that one has to rent to truly appreciate just how much of a masterpiece it really is. The prime sharp like images it produces with such beautiful stunning colors will leave you wanting it really badly.Sony really create the one true lens where it makes me wonder just how it creates such perfect captures with each shutter where you wonder if you are shooting with a prime lens stopped down.
There is no question that if you have the money, are in the Sony system, and looking for a high-quality telephoto zoom lens, this is the lens to get. Sharp at f/2.8 and even sharper stopped down to f/4 and f/5.6. I love that it has internal zooming, so there is less chance for dust to enter the lens and less weight shifting when zooming in or out. This second version is also lighter, which I appreciate when shooting hand-held. The only problem is the length, but I can just fit this lens attached to a camera, a second camera with a 24-70mm lens, and 1-2 prime lenses into my Atlas Athlete backpack. The backpack is full and heavy, but it will fit.Even though I mostly shoot landscape, seascape, Milky Way nightscape, and flower/macro photography, this lens adds to my ... MoreThere is no question that if you have the money, are in the Sony system, and looking for a high-quality telephoto zoom lens, this is the lens to get. Sharp at f/2.8 and even sharper stopped down to f/4 and f/5.6. I love that it has internal zooming, so there is less chance for dust to enter the lens and less weight shifting when zooming in or out. This second version is also lighter, which I appreciate when shooting hand-held. The only problem is the length, but I can just fit this lens attached to a camera, a second camera with a 24-70mm lens, and 1-2 prime lenses into my Atlas Athlete backpack. The backpack is full and heavy, but it will fit.Even though I mostly shoot landscape, seascape, Milky Way nightscape, and flower/macro photography, this lens adds to my range of lenses (Sony FE 14mm F1.8 GM, Sony FE 24mm F1.4 GM, Sony FE 24-70mm F2.8 GM II, Sony FE 90mm F2.8 Macro G OSS) along with my Sony a7R III and a7 III for different perspectives and purposes.I purchased this lens and received it in December 2022, before my trip to Death Valley National Park. I was glad I had a telephoto zoom as I captured some photos I would not have gotten with my other lenses. Since then, I’ve taken it with me and looked for reasons to use it to give a different perspective compared to wider lenses.After about five months, I’ve had no issues or complaints about this lens. It has been worth it for me, even with the steep price. I now prefer to wait to save up for native glass if it offers high image quality and fast focusing.
| Lens system | |
| Closest focusing distance | 0.4 m |
| Maximum aperture number | 2.8 |
| Lens mount interface | Sony E |
| Diagonal angle of view (max) | -12° |
