- Sony PXW-X70 XDCAM Camcorder Camera
Sony's PXW-X70 Professional XDCAM Compact Camcorder is about the same size as a conventional 1/3" professional compact camcorder, but it features a 1" type sensor, which is larger than a super-16 sized sensor and more than eight times the size of a 1/3" sensor. The larger Exmor R sensor size provides for more cinematic appearing depth of field than a 1/3" sensor is capable of and features a back-side illuminated design for improved low light performance. It features an integrated 12x optical zoom lens with a manual lens ring for zoom/focus control, and a three level switchable ND filter. The top handle incorporates two 3-pin XLR inputs for recording audio from XLR microphones. The camera records HD video using the XAVC Long-GOP codec with 4:2:2, 10-bit color sampling at 50 Mb/second, providing footage with a high data rate that is suitable for broadcast applications. Sony's Slow & Quick Motion is built-into the camera. The camera features two SD card slots, allowing simultaneous and relay recording, and both a 3G-SDI and an HDMI output. The camera supports control via Wi-Fi using smartphones or tablets and the optional Content Browser Mobile application. Planned upgrades will allow the camera to record in 4K UHD as well as add file transfer and streaming via Wi-Fi.
Sony's PXW-X70 Professional XDCAM Compact Camcorder is about the same size as a conventional 1/3" professional compact camcorder, but it features a 1" type sensor, which is larger than a super-16 sized sensor and more than eight times the size of a 1/3" sensor. The larger Exmor R sensor size provides for more cinematic appearing depth of field than a 1/3" sensor is capable of and features a back-side illuminated design for improved low light performance. It features an integrated 12x optical zoom lens with a manual lens ring for zoom/focus control, and a three level switchable ND filter. The top handle incorporates two 3-pin XLR inputs for recording audio from XLR microphones. The camera records HD video using the XAVC Long-GOP codec with 4:2:2, 10-bit color sampling at 50 Mb/second, providing footage with a high data rate that is suitable for broadcast applications. Sony's Slow & Quick Motion is built-into the camera. The camera features two SD card slots, allowing simultaneous and relay recording, and both a 3G-SDI and an HDMI output. The camera supports control via Wi-Fi using smartphones or tablets and the optional Content Browser Mobile application. Planned upgrades will allow the camera to record in 4K UHD as well as add file transfer and streaming via Wi-Fi.
Sony's PXW-X70 Professional XDCAM Compact Camcorder is about the same size as a conventional 1/3" professional compact camcorder, but it features a 1" type sensor, which is larger than a super-16 sized sensor and more than eight times the size of a 1/3" sensor. The larger Exmor R sensor size provides for more cinematic appearing depth of field than a 1/3" sensor is capable of and features a back-side illuminated design for improved low light performance. It features an integrated 12x optical zoom lens with a manual lens ring for zoom/focus control, and a three level switchable ND filter. The top handle incorporates two 3-pin XLR inputs for recording audio from XLR microphones. The camera records HD video using the XAVC Long-GOP codec with 4:2:2, 10-bit color sampling at 50 Mb/second, providing footage with a high data rate that is suitable for broadcast applications. Sony's Slow & Quick Motion is built-into the camera. The camera features two SD card slots, allowing simultaneous and relay recording, and both a 3G-SDI and an HDMI output. The camera supports control via Wi-Fi using smartphones or tablets and the optional Content Browser Mobile application. Planned upgrades will allow the camera to record in 4K UHD as well as add file transfer and streaming via Wi-Fi.
Sony's PXW-X70 Professional XDCAM Compact Camcorder is about the same size as a conventional 1/3" professional compact camcorder, but it features a 1" type sensor, which is larger than a super-16 sized sensor and more than eight times the size of a 1/3" sensor. The larger Exmor R sensor size provides for more cinematic appearing depth of field than a 1/3" sensor is capable of and features a back-side illuminated design for improved low light performance. It features an integrated 12x optical zoom lens with a manual lens ring for zoom/focus control, and a three level switchable ND filter. The top handle incorporates two 3-pin XLR inputs for recording audio from XLR microphones. The camera records HD video using the XAVC Long-GOP codec with 4:2:2, 10-bit color sampling at 50 Mb/second, providing footage with a high data rate that is suitable for broadcast applications. Sony's Slow & Quick Motion is built-into the camera. The camera features two SD card slots, allowing simultaneous and relay recording, and both a 3G-SDI and an HDMI output. The camera supports control via Wi-Fi using smartphones or tablets and the optional Content Browser Mobile application. Planned upgrades will allow the camera to record in 4K UHD as well as add file transfer and streaming via Wi-Fi.
in 3 offers
The lowest price for - Sony PXW-X70 XDCAM Camcorder Camera right now is $1,498.31 at eBay.com.au.
The all-time low was $120.00 on 14 June 2026 — today's price is 1149% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 21 June 2026.
Last updated at 21/06/2026 06:41:38
Sony PXW-X70 Camcorder - Black
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Xdcam Memory Camcorder Pxw-x70 Sony Video Camera 2020hrs Ver.3.03
Delivery $121.21
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
SONY PXW-X70 XDCAM Memory Camcorder Black Video camera Good condition Japan
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
I have been filming for approximately 6 years in the outdoor industry. In which, camera men/women have to pack in a lot of equipment on their backs each day that they head out to film which creates a constant struggle to be as small and light as possible without compromising quality. I think that Sony has developed a great combination with both quality and size/weight with this camera and one that can be appreciated by most everyone that films. The fact that Sony offers 4:2:2 10bit internally at this price is phenomenal!!! Most of the cameras that I have used in the past that could do that (internally or externally via HDMI/SDI) usually were priced around $3000-3500 (minus the GH4). The image that the 10bit produces is robust and it can hold up really well to ... MoreI have been filming for approximately 6 years in the outdoor industry. In which, camera men/women have to pack in a lot of equipment on their backs each day that they head out to film which creates a constant struggle to be as small and light as possible without compromising quality. I think that Sony has developed a great combination with both quality and size/weight with this camera and one that can be appreciated by most everyone that films. The fact that Sony offers 4:2:2 10bit internally at this price is phenomenal!!! Most of the cameras that I have used in the past that could do that (internally or externally via HDMI/SDI) usually were priced around $3000-3500 (minus the GH4). The image that the 10bit produces is robust and it can hold up really well to grading. For those of you that use FCP X as your NLE, it is now supported (Dec 2015) and can be imported with the help of the free Sony plugin. The dynamic range is impressive as well and it holds shadow and highlight detail well. Granted it is not the equivalent of the higher end cameras (with costs of $5000+) but it holds its own in that department. The footage is sharp and clean and it doesn't have the brittle look of being too sharp. This is true of the AVCHD files as well. Aliasing and Moire are still present in 10bit but not as noticeable as the AVCHD files. The focus magnifier button helps out a lot when it comes to checking focus and it has the feel of punching in on a DSLR, quick and easy. It has several buttons that can be programed to your liking one of which is the stabilization or 'SteadyShot' feature. This feature performs well but do keep in mind that there is a slight crop of the field of view when in the ACTIVE mode. It has not effected my shooting because the only time that I use this feature is when I am walking with my subject(s). Again it performs well but do try to smooth out your walking as much as you can to help out. The Focus/Zoom ring is very smooth and to my surprise, the focus is very consistant. I haven't done any focus pulling tests with it but it appears to be very repeatable. The LCD and the viewfinder are bright and clear and they have a true representation of your exposure as you change your settings. The XLR pre-amps have a very low noise floor and, in combination with a good mic, they produce broadcast quality audio to match that beautiful 4:2:2 10bit image. The sensor that is in this camera shows up when your are in low light. It gives me an additional 6-8 minutes of usable light (being that I shoot in the outdoors before sunrise and after sunset) from what I have used in the past (Sony AX2000, NX5). With the help of the built in ND filters, you can get some impressive shallow depth of field shots too (SEE PIC). When it comes to the zoom capabilities, the 12x optical may deter some from purchasing this camera but I must say that the 'Clear Zoom' is very impressive. I have found that when you are out on the long end of the lens (24x equivalent), the image does begin to become brittle or digital looking, but only slightly. That was one of the first things that I tested on the camera when it was acquired. In knowing this I simply back off from the very end of the zoom range (approx. 20x) if I need to capture the best image possible. At this zoom range I have yet to see a decline in the image quality. A few small positives; the XLR handle comes with TWO accessory shoes. This is very handy for me because I can have my camera light mounted in the front shoe position with my wireless pack on the rear. The fact that the handle is detachable can be a positive or negative depending on how your look at it but since the male and female ports of the MI shoe (which make the handle work) come with protectors, it does come in handy when you need to pack the camera up for those long trips when it will not be in use. The AUTO/MANUAL switch has an orange indicator that gives you a quick reference so that you know that you are in AUTO or in manual. The record button located on the handle has a 'lock' feature that prevents any accidental recording stop/start(s) from occurring and the zoom rocker has a fix/variable/off selection as well. Also on the handle is a protective clear screen for the XLR input controls but it leaves the bottom of each gain control dial exposed for quick adjustments. A few negatives; the audio has to come from the handle, the 3.5mm mic port OR the internal mics. It would be nice to have a firmware update to have the option to use 1 of the XLR inputs in channel 1 while using the internal mics as a backup in channel 2. Another firmware that I would recommend would be to have the option of turning ON/OFF the automatic 'power up' of the camera when the LCD screen is opened. I actually like this feature because it speeds up the lag time from being off to the start of a recording but I'm sure that it would be appreciated by some to have that option to change that. Lastly, the lens cap is detachable. BIG FROWN :-(. I know that having this camera at this price point there had to be some cut corners but having a detachable lens cap is setting people up to loose it almost immediately. I had to improvise so that I would prevent that from happen as long as possible by putting a strip of velcro on the center of the lens cap with the other section on the mic side of the lens hood for a quick storage location (SEE PIC). Overall, this is a great camera for the outdoor industry (hunting/fishing TV) or possibly the in the field news teams. I have been very impressive with it and I hope to have a long and adventurous future with it. I would highly recommend it especially if you need the broadcast bit rate and still be wise with the wallet. Matt P
originally posted on bhphotovideo.com
We have three X70's and use them for multi-camera studio shoots, as well as run-and-gun style (sports, musical events, festivals, etc.). As of today, in the 1 sensor class, to get broadcast quality without an external recorder, you're not going to find anything better for the price. That said, there are definitely some opportunities for improvement from Sony. What's Great I think the depth-of-field is probably the most underrated feature of this camera. I was overjoyed with the prime lens look I got on many shots. With the capabilities of the 1 sensor, the bokeh effect definitely adds an artistic appeal to what would otherwise be a more flat,ENG style look. Overall image quality is excellent with this camera. Images are sharp and clear and widely configurable by ... MoreWe have three X70's and use them for multi-camera studio shoots, as well as run-and-gun style (sports, musical events, festivals, etc.). As of today, in the 1 sensor class, to get broadcast quality without an external recorder, you're not going to find anything better for the price. That said, there are definitely some opportunities for improvement from Sony. What's Great I think the depth-of-field is probably the most underrated feature of this camera. I was overjoyed with the prime lens look I got on many shots. With the capabilities of the 1 sensor, the bokeh effect definitely adds an artistic appeal to what would otherwise be a more flat,ENG style look. Overall image quality is excellent with this camera. Images are sharp and clear and widely configurable by picture profile adjustments. Low Light Shooting Image quality is great in low lighting conditions and I'm completely comfortable with setting an upper limit of db15, without worrying about grain or noise. The X70 doesn't have a built in microphone, but the quality and adjustment is excellent using an XLR mic. We use the RODE NTG-2 for shotgun and the Audio Technica System 10 for lavalier. Both give us great results. Copying picture profiles from one camera to the other, using a standard SD card, is a major convenience that saves a lot of time combing through menus and keeping reference notes. It also allows for easy experimentation and quick propagation, once you've found a good configuration that's a keeper. What's Good The physical profile of the X70 is very efficient. Sony has packed a lot of performance in a very small package here, maximizing portability. In a mediumsize bag, I can tote the camera, external mic, 160 LEDlight, 7 external monitor, batteries, charger, cables and still have some spare room for other misc. items. The Clear image zoom, taking you from 10X to 24X, is terrific and I can safely go about 30% over the optical/digital threshold without noticeable loss of quality at 1080p shooting. What's Bad When using the image stabilizer in ACTIVE mode, the jitters and skips are noticeable as the image registration calibrates, even with slow subtle movements at times. I would much rather see a true, gyroscope stabilizer in this unit, as with the Sony HXR-NX30. Placement of the both the Autofocus/ Manual Focus button and IRS/Gain/ Shutter Speed adjustment wheel is cumbersome. These are located behind the flip out LCD and finding them quickly with any accuracy at all is tricky. In almost every case, I have to take a peek around the monitor or flip it closed. I tried a workaround by reassigning the AF/MF button to one of the 6 menu configurable buttons, but it happens to be about the only thing you can't reassign. What's Sad The autofocus is almost unusable in certain lighting conditions. At a night football game with a well-lit field, the AF was completely confused, often times blurring out altogether. I'd have to completely pull the focus all the way out to grab my peaks and then slowly come back in. Sometimes it can take up to 3-4 seconds to grab. In that time period, you can miss a sports play or an important moment in a wedding shot. Unacceptable from the likes of Sony. If you're going to rely on autofocus, do so with caution and in the best of lighting conditions. The 4K upgrade leaves a lot to be desired. At the time of this post, the best Sony offers is a 4:2:0 quality 4K upgrade at additional cost. If you're planning ahead for 4K, be sure to check for the latest firmware upgrades to see if Sony intends to do anything about this. As of right now, for strictly 4K shooting, I'd seek an alternative. The maximum output of HDMI is 480p/480i. This makes using an external monitor or recorder without SDI capability useless for anything other than basic composition reference and camera-native peaking. There are other cheaper cams out there that offer much better HDMI output and not sure why Sony shorted us so much on this feature. Final Thoughts Any camera in this price class is going to require a tradeoff of some kind. With all things considered, overall, this is a great camera that packs a lot of power in a very small profile. Also worth noting that it was my choice, even AFTER a lot of painful, time-consuming research. Even considering the negatives, I'm still convinced it was the best choice for the price vs performance.
originally posted on bhphotovideo.com
I got it on time, BHPhotoVideo delivered it within 2 days. Its the exact size that i wanted, not too big, not too small but right size! It has dual recording, meaning you can put 2 memory card and record in both at sometime or you can use Card A for recording and when its full it automatically switch to Card B. So, you hardly run out of memory card storage. If you have external mic, I have senheiser lavelier wireless mic system, so I connected the handle that has XLR mic input, it has 2 input slots, when you attach the handle make sure you remove the cover (a small plastic material) on the handle and on the camera where the handle/mic makes connection with camera, there are no wires needed. Once you remove the small plastic lid or cover it connects seamlessly. It ... MoreI got it on time, BHPhotoVideo delivered it within 2 days. Its the exact size that i wanted, not too big, not too small but right size! It has dual recording, meaning you can put 2 memory card and record in both at sometime or you can use Card A for recording and when its full it automatically switch to Card B. So, you hardly run out of memory card storage. If you have external mic, I have senheiser lavelier wireless mic system, so I connected the handle that has XLR mic input, it has 2 input slots, when you attach the handle make sure you remove the cover (a small plastic material) on the handle and on the camera where the handle/mic makes connection with camera, there are no wires needed. Once you remove the small plastic lid or cover it connects seamlessly. It has various formats XAVC, AVCHD, including 1080/50Mbps and 4k/100Mbps. It has 4:2:2 Broadcast quality of video, I checked in youtube for various sample clips and they are awesome, so i decided to buy. Adjust the exposure manually than Auto to have good quality video. The video formats are easily accessible in Final Cut Pro or Adobe Premiere. I've no problem in importing or exporting in the video editing software. Auto setting is good, but i highly recommend to take advantage of manual controls to get best quality out of it. It has very good depth of field to isolate the subject from background. It stands out with excellent quality for this price range that enables broadcast quality. I upgraded to 4k within 5 mins by looking at a youtube video instead of reading the manual. Looking forward to learn more and produce more in coming days. I use it in church settings and its best and reliable so far! I highly recommend this to friends.
Sony PXW-X70 Camcorder - Black
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Xdcam Memory Camcorder Pxw-x70 Sony Video Camera 2020hrs Ver.3.03
Delivery $121.21
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
SONY PXW-X70 XDCAM Memory Camcorder Black Video camera Good condition Japan
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I have been filming for approximately 6 years in the outdoor industry. In which, camera men/women have to pack in a lot of equipment on their backs each day that they head out to film which creates a constant struggle to be as small and light as possible without compromising quality. I think that Sony has developed a great combination with both quality and size/weight with this camera and one that can be appreciated by most everyone that films. The fact that Sony offers 4:2:2 10bit internally at this price is phenomenal!!! Most of the cameras that I have used in the past that could do that (internally or externally via HDMI/SDI) usually were priced around $3000-3500 (minus the GH4). The image that the 10bit produces is robust and it can hold up really well to ... MoreI have been filming for approximately 6 years in the outdoor industry. In which, camera men/women have to pack in a lot of equipment on their backs each day that they head out to film which creates a constant struggle to be as small and light as possible without compromising quality. I think that Sony has developed a great combination with both quality and size/weight with this camera and one that can be appreciated by most everyone that films. The fact that Sony offers 4:2:2 10bit internally at this price is phenomenal!!! Most of the cameras that I have used in the past that could do that (internally or externally via HDMI/SDI) usually were priced around $3000-3500 (minus the GH4). The image that the 10bit produces is robust and it can hold up really well to grading. For those of you that use FCP X as your NLE, it is now supported (Dec 2015) and can be imported with the help of the free Sony plugin. The dynamic range is impressive as well and it holds shadow and highlight detail well. Granted it is not the equivalent of the higher end cameras (with costs of $5000+) but it holds its own in that department. The footage is sharp and clean and it doesn't have the brittle look of being too sharp. This is true of the AVCHD files as well. Aliasing and Moire are still present in 10bit but not as noticeable as the AVCHD files. The focus magnifier button helps out a lot when it comes to checking focus and it has the feel of punching in on a DSLR, quick and easy. It has several buttons that can be programed to your liking one of which is the stabilization or 'SteadyShot' feature. This feature performs well but do keep in mind that there is a slight crop of the field of view when in the ACTIVE mode. It has not effected my shooting because the only time that I use this feature is when I am walking with my subject(s). Again it performs well but do try to smooth out your walking as much as you can to help out. The Focus/Zoom ring is very smooth and to my surprise, the focus is very consistant. I haven't done any focus pulling tests with it but it appears to be very repeatable. The LCD and the viewfinder are bright and clear and they have a true representation of your exposure as you change your settings. The XLR pre-amps have a very low noise floor and, in combination with a good mic, they produce broadcast quality audio to match that beautiful 4:2:2 10bit image. The sensor that is in this camera shows up when your are in low light. It gives me an additional 6-8 minutes of usable light (being that I shoot in the outdoors before sunrise and after sunset) from what I have used in the past (Sony AX2000, NX5). With the help of the built in ND filters, you can get some impressive shallow depth of field shots too (SEE PIC). When it comes to the zoom capabilities, the 12x optical may deter some from purchasing this camera but I must say that the 'Clear Zoom' is very impressive. I have found that when you are out on the long end of the lens (24x equivalent), the image does begin to become brittle or digital looking, but only slightly. That was one of the first things that I tested on the camera when it was acquired. In knowing this I simply back off from the very end of the zoom range (approx. 20x) if I need to capture the best image possible. At this zoom range I have yet to see a decline in the image quality. A few small positives; the XLR handle comes with TWO accessory shoes. This is very handy for me because I can have my camera light mounted in the front shoe position with my wireless pack on the rear. The fact that the handle is detachable can be a positive or negative depending on how your look at it but since the male and female ports of the MI shoe (which make the handle work) come with protectors, it does come in handy when you need to pack the camera up for those long trips when it will not be in use. The AUTO/MANUAL switch has an orange indicator that gives you a quick reference so that you know that you are in AUTO or in manual. The record button located on the handle has a 'lock' feature that prevents any accidental recording stop/start(s) from occurring and the zoom rocker has a fix/variable/off selection as well. Also on the handle is a protective clear screen for the XLR input controls but it leaves the bottom of each gain control dial exposed for quick adjustments. A few negatives; the audio has to come from the handle, the 3.5mm mic port OR the internal mics. It would be nice to have a firmware update to have the option to use 1 of the XLR inputs in channel 1 while using the internal mics as a backup in channel 2. Another firmware that I would recommend would be to have the option of turning ON/OFF the automatic 'power up' of the camera when the LCD screen is opened. I actually like this feature because it speeds up the lag time from being off to the start of a recording but I'm sure that it would be appreciated by some to have that option to change that. Lastly, the lens cap is detachable. BIG FROWN :-(. I know that having this camera at this price point there had to be some cut corners but having a detachable lens cap is setting people up to loose it almost immediately. I had to improvise so that I would prevent that from happen as long as possible by putting a strip of velcro on the center of the lens cap with the other section on the mic side of the lens hood for a quick storage location (SEE PIC). Overall, this is a great camera for the outdoor industry (hunting/fishing TV) or possibly the in the field news teams. I have been very impressive with it and I hope to have a long and adventurous future with it. I would highly recommend it especially if you need the broadcast bit rate and still be wise with the wallet. Matt P
We have three X70's and use them for multi-camera studio shoots, as well as run-and-gun style (sports, musical events, festivals, etc.). As of today, in the 1 sensor class, to get broadcast quality without an external recorder, you're not going to find anything better for the price. That said, there are definitely some opportunities for improvement from Sony. What's Great I think the depth-of-field is probably the most underrated feature of this camera. I was overjoyed with the prime lens look I got on many shots. With the capabilities of the 1 sensor, the bokeh effect definitely adds an artistic appeal to what would otherwise be a more flat,ENG style look. Overall image quality is excellent with this camera. Images are sharp and clear and widely configurable by ... MoreWe have three X70's and use them for multi-camera studio shoots, as well as run-and-gun style (sports, musical events, festivals, etc.). As of today, in the 1 sensor class, to get broadcast quality without an external recorder, you're not going to find anything better for the price. That said, there are definitely some opportunities for improvement from Sony. What's Great I think the depth-of-field is probably the most underrated feature of this camera. I was overjoyed with the prime lens look I got on many shots. With the capabilities of the 1 sensor, the bokeh effect definitely adds an artistic appeal to what would otherwise be a more flat,ENG style look. Overall image quality is excellent with this camera. Images are sharp and clear and widely configurable by picture profile adjustments. Low Light Shooting Image quality is great in low lighting conditions and I'm completely comfortable with setting an upper limit of db15, without worrying about grain or noise. The X70 doesn't have a built in microphone, but the quality and adjustment is excellent using an XLR mic. We use the RODE NTG-2 for shotgun and the Audio Technica System 10 for lavalier. Both give us great results. Copying picture profiles from one camera to the other, using a standard SD card, is a major convenience that saves a lot of time combing through menus and keeping reference notes. It also allows for easy experimentation and quick propagation, once you've found a good configuration that's a keeper. What's Good The physical profile of the X70 is very efficient. Sony has packed a lot of performance in a very small package here, maximizing portability. In a mediumsize bag, I can tote the camera, external mic, 160 LEDlight, 7 external monitor, batteries, charger, cables and still have some spare room for other misc. items. The Clear image zoom, taking you from 10X to 24X, is terrific and I can safely go about 30% over the optical/digital threshold without noticeable loss of quality at 1080p shooting. What's Bad When using the image stabilizer in ACTIVE mode, the jitters and skips are noticeable as the image registration calibrates, even with slow subtle movements at times. I would much rather see a true, gyroscope stabilizer in this unit, as with the Sony HXR-NX30. Placement of the both the Autofocus/ Manual Focus button and IRS/Gain/ Shutter Speed adjustment wheel is cumbersome. These are located behind the flip out LCD and finding them quickly with any accuracy at all is tricky. In almost every case, I have to take a peek around the monitor or flip it closed. I tried a workaround by reassigning the AF/MF button to one of the 6 menu configurable buttons, but it happens to be about the only thing you can't reassign. What's Sad The autofocus is almost unusable in certain lighting conditions. At a night football game with a well-lit field, the AF was completely confused, often times blurring out altogether. I'd have to completely pull the focus all the way out to grab my peaks and then slowly come back in. Sometimes it can take up to 3-4 seconds to grab. In that time period, you can miss a sports play or an important moment in a wedding shot. Unacceptable from the likes of Sony. If you're going to rely on autofocus, do so with caution and in the best of lighting conditions. The 4K upgrade leaves a lot to be desired. At the time of this post, the best Sony offers is a 4:2:0 quality 4K upgrade at additional cost. If you're planning ahead for 4K, be sure to check for the latest firmware upgrades to see if Sony intends to do anything about this. As of right now, for strictly 4K shooting, I'd seek an alternative. The maximum output of HDMI is 480p/480i. This makes using an external monitor or recorder without SDI capability useless for anything other than basic composition reference and camera-native peaking. There are other cheaper cams out there that offer much better HDMI output and not sure why Sony shorted us so much on this feature. Final Thoughts Any camera in this price class is going to require a tradeoff of some kind. With all things considered, overall, this is a great camera that packs a lot of power in a very small profile. Also worth noting that it was my choice, even AFTER a lot of painful, time-consuming research. Even considering the negatives, I'm still convinced it was the best choice for the price vs performance.
I got it on time, BHPhotoVideo delivered it within 2 days. Its the exact size that i wanted, not too big, not too small but right size! It has dual recording, meaning you can put 2 memory card and record in both at sometime or you can use Card A for recording and when its full it automatically switch to Card B. So, you hardly run out of memory card storage. If you have external mic, I have senheiser lavelier wireless mic system, so I connected the handle that has XLR mic input, it has 2 input slots, when you attach the handle make sure you remove the cover (a small plastic material) on the handle and on the camera where the handle/mic makes connection with camera, there are no wires needed. Once you remove the small plastic lid or cover it connects seamlessly. It ... MoreI got it on time, BHPhotoVideo delivered it within 2 days. Its the exact size that i wanted, not too big, not too small but right size! It has dual recording, meaning you can put 2 memory card and record in both at sometime or you can use Card A for recording and when its full it automatically switch to Card B. So, you hardly run out of memory card storage. If you have external mic, I have senheiser lavelier wireless mic system, so I connected the handle that has XLR mic input, it has 2 input slots, when you attach the handle make sure you remove the cover (a small plastic material) on the handle and on the camera where the handle/mic makes connection with camera, there are no wires needed. Once you remove the small plastic lid or cover it connects seamlessly. It has various formats XAVC, AVCHD, including 1080/50Mbps and 4k/100Mbps. It has 4:2:2 Broadcast quality of video, I checked in youtube for various sample clips and they are awesome, so i decided to buy. Adjust the exposure manually than Auto to have good quality video. The video formats are easily accessible in Final Cut Pro or Adobe Premiere. I've no problem in importing or exporting in the video editing software. Auto setting is good, but i highly recommend to take advantage of manual controls to get best quality out of it. It has very good depth of field to isolate the subject from background. It stands out with excellent quality for this price range that enables broadcast quality. I upgraded to 4k within 5 mins by looking at a youtube video instead of reading the manual. Looking forward to learn more and produce more in coming days. I use it in church settings and its best and reliable so far! I highly recommend this to friends.
This thing is tiny, but packs a punch. I know that sounds cliche, but it's a true assessment of this camera. Its about the size of the small camcorders on the market, however with its 1 sensor, XLR inputs & manual dials it blows it away and is not just a camcorder. I use this for weddings, and don't let the tiny size fool you, its durable for the run & gun world. Speaking of weddings, I'm occasionally asked why I don't shoot DSLR (My 2nd cam currently is a VG900 which is better for dance floor footage with a 35mm 1.4 lens). Well, I explain that it has a capable zoom lens, so I'm not standing at the front of a big church, it has ND filters for easy indoor/outdoor adjustments, and XLR inputs so I can monitor audio during mass not just putting a pocket recorder in the ... MoreThis thing is tiny, but packs a punch. I know that sounds cliche, but it's a true assessment of this camera. Its about the size of the small camcorders on the market, however with its 1 sensor, XLR inputs & manual dials it blows it away and is not just a camcorder. I use this for weddings, and don't let the tiny size fool you, its durable for the run & gun world. Speaking of weddings, I'm occasionally asked why I don't shoot DSLR (My 2nd cam currently is a VG900 which is better for dance floor footage with a 35mm 1.4 lens). Well, I explain that it has a capable zoom lens, so I'm not standing at the front of a big church, it has ND filters for easy indoor/outdoor adjustments, and XLR inputs so I can monitor audio during mass not just putting a pocket recorder in the grooms jacket & hope for the best. Footage is great, especially if you dive into the Picture Profile settings and tweak to taste. At first it may appear a bit 'camcordery' but as you learn it you'll overcome it. Some features which are worthy are touch 'Spot Focus' for long bridal party processionals (otherwise autofocus may focus on Uncle Bobs iPhone reaching out into the aisle), and Steadyshot for cinematic OSS for adding motion into some photo sessions. One gripe is the focus & zoom share the same ring to dial with a button to toggle which I'm not a very big fan of. I almost returned it over this but in time you get quick with it. Menu is fairly easy to navigate, and manual settings for Iris, Gain, & Shutter are great to handle. Gain is usable as high as 18-21 I'd say, I try to stay 18 & under. For wedding receptions I do use an on camera light for intros/1st dance, and as I said I switch to a different camera come dance floor time. You can still use this camera in most venues, with a combination on higher gain (21) and likely a dimmable on camera light. However if its a real dark venue (lights out) it may struggle a bit. Overall definitely satisfactory & I'm glad I got it. Excellent for quick and run & gun use.
I purchased this camera to replace a three-year-old Canon XA10. The large sensor was the big headline feature that put this in a league of its own for the price point. The build quality seems solid, and controls are logically arranged. Given the ultra-compact Canon from which I was coming, one disappointment on the Sony is the fact that the slowest zoom speed is far faster than that of the Canon, even though the Canon had a not-so-professional single-finger zoom rocker that did not lend itself to fine-tuning the speed. But if one could get one's index finger to apply just the right pressure, the Canon would zoom imperceptibly slowly, which is a useful feature. The Sony, by contrast, has a more professional index/middle finger zoom rocker, but its slowest zoom speed ... MoreI purchased this camera to replace a three-year-old Canon XA10. The large sensor was the big headline feature that put this in a league of its own for the price point. The build quality seems solid, and controls are logically arranged. Given the ultra-compact Canon from which I was coming, one disappointment on the Sony is the fact that the slowest zoom speed is far faster than that of the Canon, even though the Canon had a not-so-professional single-finger zoom rocker that did not lend itself to fine-tuning the speed. But if one could get one's index finger to apply just the right pressure, the Canon would zoom imperceptibly slowly, which is a useful feature. The Sony, by contrast, has a more professional index/middle finger zoom rocker, but its slowest zoom speed is very noticeable, making it impossible to, for example, subtly adjust framing on a subject while rolling. The upgrade to 4K consumed a ridiculous amount of staff time. And a process that could have--and should have--been done with an online purchase and online download required that Sony ship a product key on a piece of paper via UPS. As others have noted, the bit rate of the 4K recording is too low to be considered truly professional at only 60 Mb/s. As a point of reference my pocket Panasonic LX100 shoots and records 4K with its micro four-thirds sensor at 100 Mb/s--entirely within the camera, and that is merely an incidental feature on a point-and-shoot still camera. So it is disappointing that a Sony professional camcorder only does 60. Hopefully there will be another firmware update soon. Aside from that slowest zoom speed not being as slow as I have come to expect from lesser cameras, the rest of the package is really quite a marvel for the price point. But if Sony doesn't get a proper 4K codec and make the upgrade process easy enough that it doesn't erode its users' will to live, soon the slightly more expensive competing micro four-thirds compact professional model from Panasonic will become the large sensor compact model of choice.
Ive had this camera now for a few years. There are many things to like, however, for me, it falls short.First, the pros: Very compact and fairly light. With a stereo mic and XLR cables, total weight is around 4 lbs. 10-bit 4:2:2 internal! Awesome; handles up to fairly heavy grading without issues. This is truly a nice recording format that gives you tons of editing options and ultimately produces great 8-bit 4:2:0 for delivery.Also, note I only use this cam to capture HD. There, the downsampled image is very nice indeed.The top handle, unlike say a C100 is solid; connects with two screws, so will never wobble. The top handle, along with convenience in carrying the unit, provides a second zoom lever. You can assign an independent speed to this lever; giving the ... MoreIve had this camera now for a few years. There are many things to like, however, for me, it falls short.First, the pros: Very compact and fairly light. With a stereo mic and XLR cables, total weight is around 4 lbs. 10-bit 4:2:2 internal! Awesome; handles up to fairly heavy grading without issues. This is truly a nice recording format that gives you tons of editing options and ultimately produces great 8-bit 4:2:0 for delivery.Also, note I only use this cam to capture HD. There, the downsampled image is very nice indeed.The top handle, unlike say a C100 is solid; connects with two screws, so will never wobble. The top handle, along with convenience in carrying the unit, provides a second zoom lever. You can assign an independent speed to this lever; giving the unit two separate zoom speed capabilities. Very useful.Built-in ND filters extremely useful.Ability to use SDXC cards. This is great to keep costs down. And, there are two slots. I use twin 128 and sometimes twin 256 GB cards always in dual-record mode to give me instant backups.The cons... it took approx a year for Final Cut Pro to get native bug-free editing of the footage. Prior to that, one had to transcode which was a pain. But, this was ultimately solved so is much better these days.The 1 inch sensor is a lie. Shame on the industry for using antiquated methods of denoting sensor size. If comparing this to say a cinema format, this is basically a 16mm (diagonal) sensor. This then explains while I wasnt really getting shallow DOF. I mean this cam gives you much better shallow DOF then consumer cams with tiny sensors, but if it truly had a 1-inch sensor it would be much closer to say an APS-C sized sensor. The crop on this I believe is around 2.7.The fixed lens is variable-aperture. I end up leaving the aperture at a minimum of f/4. Note that the manual incorrectly states that at the tele end, its f/4.5. In my tests, it seems to really be f/4 at the tele end.Audio level indicators are too tiny to be practical. Dont know why they couldnt do a firmware update to give us more detailed audio level indicators; after all the XLRs, physical settings, etc. are all really good. But its sometimes very difficult to monitor audio.No waveform monitor.No weather sealing of any kind. I get it that this may have caused the unit to overheat, but it should have at least some minimal protection.Battery life is very poor. Get at least two if not three of the standard sized batteries or a couple of the larger ones.Color takes lots of tweaking. Personally, I prefer Canon color science, but you can, after a while, get this cam to produce decent about.
I rented two of these for use at a multi-camera event shoot at the Richmond Auditorium last week. We shoot stage productions all the time, and have worked with a variety of Sony, Canon, JVC and Panasonic gear (plus a GoPro Hero Black 3+) as part of our configuration. Let me start by saying -- I was *SO EXCITED* to have a chance to rent these pupplies from BorrowLenses; I asked questions about output formats, recording formats, smoothness of control rings, etc., and was really hoping this would be the camera that I could buy a bunch of, so that my gear would be more unified. And with a 1 sensor, the promise of beautiful DOF was dangling like a carrot -- I could sense the drool building in my cheeks as I tore open the rental box at the hotel prior to the event. For ... MoreI rented two of these for use at a multi-camera event shoot at the Richmond Auditorium last week. We shoot stage productions all the time, and have worked with a variety of Sony, Canon, JVC and Panasonic gear (plus a GoPro Hero Black 3+) as part of our configuration. Let me start by saying -- I was *SO EXCITED* to have a chance to rent these pupplies from BorrowLenses; I asked questions about output formats, recording formats, smoothness of control rings, etc., and was really hoping this would be the camera that I could buy a bunch of, so that my gear would be more unified. And with a 1 sensor, the promise of beautiful DOF was dangling like a carrot -- I could sense the drool building in my cheeks as I tore open the rental box at the hotel prior to the event. For your sake -- I'll cut to the chase, and start with the two deal-breakers for me. The zoom ring -- NOT smooth. Well, OK -- yes, the ring turns smoothly, but how that connects with the underlying lens to allow smooth pushes and pulls (zooms) was a different story. Slow zooms are seriously impossible with this camera... when you use the ring, it steps and jerks as you turn it. And using the rocker switch has a sort of slow speed, but nothing really slow slow, and there's no smooth start/stop to the motion. Other Prosumer Sony cameras all are WAY smoother than this -- Sony PD170, FX7, Z5U, Z7U to name a few.. even my old F717 still camera (although my superzoom still from Sony has the same stepping problem), and of course my Canon XHA1s. The 2nd stepping control is the iris thumb-wheel. Besides not being smooth, and not offering an auto-gain link (functioning more like an exposure wheel like on some of the other Sony cameras), the wheel is sandwiched between the flip-out screen and single zoom/focus wheel so closely, that it's not comfortable to rest your thumb on the wheel and access it in a good way. I gave it only 2 stars because the inadequate zoom control effectively made the camera unusable for an event shoot when you're driving the camera. Fortunately, I kept one as my wide/fixed cam and another as a side camera which was remotely being pan/tilted, and I got by OK... just not as I had wanted. Since the PXW-X70 has no LAN-C, our remote-zoom wasn't operable on the side... frown emoticon Other notable -- the zoom range isn't bad, but isn't stellar either. Some very nice things about the PXW-X70 to note: - You can RECORD and OUTPUT two different formats! This was awesome, as I could output 1080 to my live switcher, but record 720p AVCHD to memory cards (there were better formats too, but this was perfect for my needs) - XLR Audio Inputs have more control than most XLR input panels - Colors looked true and well saturated. The camera seemed to handle the hot and dark spots well too, allowing me to not have to tweak the gain and iris as much as on other models as different skin-toned performers moved through an inconsistently-lit stage - Auto-Focus was flawless -- not ONCE did I experience visible hunting by the unit.. focus was fast and precise.. worked perfectly.
Firstly know that I am a very experienced and respected shooting producer who travels the world shooting corporate videos, product roll outs, travel related products and have concurrent 4k documentaries in production and post production. Early in my career I used Sony when shooting for broadcast and corporate events and I loved them. My fly packs for the last 10 years have been for the most part Panasonic. I love their professional and prosumer camcorders/cameras, have a small Red as well as well with the NIkon DSLRs I use for stagnate deep focus video.Cutting to this review: I recently purchased and now returned this Sony PXW-X70 camcorder. The plan was to use it as a B roll camera with other travel projects that could be done from a backpack. At nearly 2k plus ... MoreFirstly know that I am a very experienced and respected shooting producer who travels the world shooting corporate videos, product roll outs, travel related products and have concurrent 4k documentaries in production and post production. Early in my career I used Sony when shooting for broadcast and corporate events and I loved them. My fly packs for the last 10 years have been for the most part Panasonic. I love their professional and prosumer camcorders/cameras, have a small Red as well as well with the NIkon DSLRs I use for stagnate deep focus video.Cutting to this review: I recently purchased and now returned this Sony PXW-X70 camcorder. The plan was to use it as a B roll camera with other travel projects that could be done from a backpack. At nearly 2k plus 499 for the 4K option - this camera is mid pack in modern a cool small form factor. I really wanted to like it but once opening the box I realized it was more a toy than a professional device Here are my few gripes. I love that it is light but hate that if feels so plastic, rattles in ones hand and has that fragile feel. I am unsure it can withstand the abuse of a true working camera that gets kicked, dropped in a bag or withstands the mist of a foggy San Francisco morning. Another main beef is that the power supply is to crap if you are going out every day - the tip will wear out and the perpetual to snap an end is real. The power cable from the supply to the camera cord is cheap and will short out in quick time too. The compression rates for Sony video are sub-par despite the fine image quantity and Sony's disappointing 4k work around for 500 dollars is just lame - Moreover Sony chose to not seek and place better codex suggests they didn't thinks about how eating up and taking way too much storage messes with current and legacy editing systems and processes. There are also serious issues with button placement and menu options which hide in the strangest layers. There are many others reason I found found but being too negative on a cool prosumer camera might be stretching it, I am sure it will work for many. It just doesn't work for me and my various demands I place on my camera every day.
I got this as a companion to my regular cam, a Sony HXR-NX3 to give me a backup, allow me to do static wides and close-ups of theatrical performances, and to try 4k. This little beast is, hands-down, the best small camcorder Ive ever used.While it takes a bit of getting used to the menu-heavy feature management, its not too different from my NX3, so I was instantly familiar. Ive done one shoot with it so far, so no long-term experience, but its been champ so far. I used it to get footage for a promo for a play, both in the theatre and in the lobby for audience comments and it performed quite well. Except for the lack of a zoom controller jack (see below), I would use this as my #1 for my 2-cam shoots, but this is now my go-to for single camera and handheld ... MoreI got this as a companion to my regular cam, a Sony HXR-NX3 to give me a backup, allow me to do static wides and close-ups of theatrical performances, and to try 4k. This little beast is, hands-down, the best small camcorder Ive ever used.While it takes a bit of getting used to the menu-heavy feature management, its not too different from my NX3, so I was instantly familiar. Ive done one shoot with it so far, so no long-term experience, but its been champ so far. I used it to get footage for a promo for a play, both in the theatre and in the lobby for audience comments and it performed quite well. Except for the lack of a zoom controller jack (see below), I would use this as my #1 for my 2-cam shoots, but this is now my go-to for single camera and handheld shoots.Image quality is what you expect from Sony - clear and accurate, even in extreme contrast situations. Focus speed is a bit slow, but that may also be due to the (again) rather high contrast situation of shooting a play. The 4K upgrade is worth it, but I have yet to really play with that. It certainly cuts the record time down, but if you splurge and get two 128GB fast SDXC cards, youll get 153 minutes each card, so thats a whopping 5+ hours of recording.It is SMALL and light. A good thing overall, but if youll be shooting lots of handheld, you might want to consider getting some type of shoulder brace (I use a Revo), especially if youll also be adding a mic (Rode or Sennheiser for me) and an LED light (I use a Generay). The weight of the other accessories throws off the balance of the camera and its hard to keep it steady with one hand (of course, I cut my video chops on a Betacam EFP camcorder, so Im used to having a camera that balances on my shoulder)The only minor dings against it:Battery - the FV70A thats supplied was good for just over 3 hours. Id recommend the FV100 if youre going to be shooting continuously for long without access to AC power. Also, Sony seems to no longer sell a charger for these batteries; out of the box, you have to use the cam for charging. However, a quick trip to Amazon solved that issue.Case - I found a PortaBrace bag (from the PortaBrace site) that purported to be for the X70 and, without the XLR handle unit, it fits fine. However, its hard to close the bag with the handle attached. I really dont want to keep taking the handle on and off just to put it in the case for a while. That said, a tight fit is better than no fit, especially for the security of a PortaBrace.No accessory jack - my NX3 has a 1/8 jack for using an external zoom/focus/record handle, like my Varizoom. This makes it tough to zoom without shaking the camera since you either have to use the small handle zoom button or the side zoom rocker.So, overall, a very sound pick. Its never going to replace an FS7-M2, but for shooting industrials, social media distributed projects, and most day-to-day projects, its definitely a great small camcorder.Another note, but more against B&H - in the also purchased with this section in the product info page, they listed an SD card that was an SDHC card and this camera requires SDXC cards. Another Amazon trip took care of it and the cards I bought can be used for other purposes, but it was a bit misleading.
I have owned this camera for a year and a half and continue to learn how to maximize this camera with every shoot. It continues to please and impress me! It's biggest strength is the f4 lens on the telephoto side. That's a fairly fast lens when zoomed in, and the bokeh is amazing. Furthermore, when wide, the f2.8 does a great job blurring the background with the subject is even moderately close to the lens. I'm always amazed when reviewing footage what shots actually give me background separation. More than you'd imagine. It has the beginnings of the 'fast prime' look. The standard color profiles leave a little to be desired, but immediately going in and dialing in the look you want yields instant satisfaction. Mine are usually just various levels of black pedestal ... MoreI have owned this camera for a year and a half and continue to learn how to maximize this camera with every shoot. It continues to please and impress me! It's biggest strength is the f4 lens on the telephoto side. That's a fairly fast lens when zoomed in, and the bokeh is amazing. Furthermore, when wide, the f2.8 does a great job blurring the background with the subject is even moderately close to the lens. I'm always amazed when reviewing footage what shots actually give me background separation. More than you'd imagine. It has the beginnings of the 'fast prime' look. The standard color profiles leave a little to be desired, but immediately going in and dialing in the look you want yields instant satisfaction. Mine are usually just various levels of black pedestal to suit the shooting situation. If it's a high-contrast environment, like direct sunlight, I back off on the pedestal (raise the blacks) to even out the exposure. But if it's an indoor or cloudy scene, I love crushing my blacks to pleasing levels in-camera so I don't have to do it in post. This camera is starting to get aged, but it remains very relevant with a robust feature set and I am continually pleased by the level of flexibility it gives me.
