The current description includes the text "This product has been played/demoed in store, used to make promotional materials, or returned in great condition." This is incorrect. That describes the condition of an item and should not be in the product description.
The current description includes the text "This product has been played/demoed in store, used to make promotional materials, or returned in great condition." This is incorrect. That describes the condition of an item and should not be in the product description.
in 4 offers
The lowest price for Source Audio One Series True Spring Reverb Pedal right now is $379.00 at Belfield Music, compared across 4 retailers.
The all-time low was $238.46 on 21 Sept 2024 — today's price is 59% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 4 Sept 2026.
Source Audio One Series True Spring Reverb Pedal
The current description includes the text "This product has been played/demoed in store, used to make promotional materials, or returned in great condition." This is incorrect. That describes the condition of an item and should not be in the product description.
The current description includes the text "This product has been played/demoed in store, used to make promotional materials, or returned in great condition." This is incorrect. That describes the condition of an item and should not be in the product description.
Last updated at 04/09/2026 20:40:09
Source Audio One Series True Spring Reverb Effects Pedal - Buy Online
Free delivery
Source Audio True Spring Reverb Pedal
Free delivery
Source Audio True Spring Reverb
Free delivery
Source Audio True Spring Reverb w/Favorite Switch Pedal
Delivery $27.75
originally posted on ebay.com
This is a great sounding spring reverb, sounds better than an original tank. Great editing functions also .
originally posted on ebay.com
Im using this with an acoustasonic so it was a bit tricky to dial in but this unit has enough options that I was able to make it work well. I use a Quilter Phantom Block between any pedal on this guitar and a PA to get more manageable tones.
originally posted on ebay.com
This is the best reverb pedal that I have ever used. Goes way beyond the others for that "Surf Sound".
| Finish | Grey |
| Year | 2018 |
| Pedal Format | Standard |
Source Audio One Series True Spring Reverb Effects Pedal - Buy Online
Free delivery
Source Audio True Spring Reverb Pedal
Free delivery
Source Audio True Spring Reverb
Free delivery
Source Audio True Spring Reverb w/Favorite Switch Pedal
Delivery $27.75
This is a great sounding spring reverb, sounds better than an original tank. Great editing functions also .
Im using this with an acoustasonic so it was a bit tricky to dial in but this unit has enough options that I was able to make it work well. I use a Quilter Phantom Block between any pedal on this guitar and a PA to get more manageable tones.
This is the best reverb pedal that I have ever used. Goes way beyond the others for that "Surf Sound".
I picked this up about 7 weeks ago and now that I have played with it for a while, I thought I would write a review. I am not a gigging musician and just play at home. I like to run in stereo and play with headphones most of the time. When I am amped, I have a Vox AC30 (that is way too loud for our home and neighbors) and a Strymon Iridium running into a Line6 Powercab 112+ (which is awesome at allowing cranked tone at lower volumes). I also have an HX Stomp that I sometimes use instead of the Iridium. I previously had a Strymon Flint and loved the tremolo side of it but never really loved the reverbs. They were good, but I just never LOVED them. I bought it years ago and for the longest time, it was my only pedal going into the AC30. I think I wanted to make the ... MoreI picked this up about 7 weeks ago and now that I have played with it for a while, I thought I would write a review. I am not a gigging musician and just play at home. I like to run in stereo and play with headphones most of the time. When I am amped, I have a Vox AC30 (that is way too loud for our home and neighbors) and a Strymon Iridium running into a Line6 Powercab 112+ (which is awesome at allowing cranked tone at lower volumes). I also have an HX Stomp that I sometimes use instead of the Iridium. I previously had a Strymon Flint and loved the tremolo side of it but never really loved the reverbs. They were good, but I just never LOVED them. I bought it years ago and for the longest time, it was my only pedal going into the AC30. I think I wanted to make the AC30 sound more like a blackface Fender. Honestly, I think my main criticism of the Flint is the stereo routing through the TRS jack was a pain. A while back I picked up a Source Audio Collider and I absolutely loved it. Lots of usable reverbs and delays with easy stereo inputs and outputs and routing. The only thing that was missing was that vintage-ish drippy spring reverb sound. Since I love the Collider I thought I would give the True Spring a try. Again, it has easy stereo ins and outs and makes cabling and wire management easy. The Reverbs: They sound great. I think I watched every video on Youtube and they do a great job of capturing the three main preset sounds. The controls are interesting in that there is no reverb time control on the knob by default. There is just Mix, Level, Dwell, and Tone. The controls are set up to be the controls of an old Fender reverb tank. Out of the box, the three basic reverbs (Short, Long, Tank) sound great but I do wish they had included another knob for decay/time. So on the surface it looks like there are just these 3 reverbs and 4 controls. But then you plug in the Source Audio desktop app (I haven't really tried the mobile app) and it unlocks lots of options. You can reassign the knobs however you want. And these assignments can be saved to presets. So if you like the dwell level and don't anticipate changing it much, reassign the Dwell knob to be the reverb time or pre-delay. You can tweak the diffusion and modulation. It is a great app because it lets you have as much or as little control over the pedal as you want. The other thing that almost nobody mentioned in the YouTube videos is that there are more reverb engines than just the three default ones. There are 8 more that you can choose. My favorites are the "Hall S" engine that is a combination of 80s Lexicon hall and a spring reverb. I love the "Trash Can Spring" which sounds as you would expect. You can also assign three additional engines to a second bank of presets giving this pedal 6 presets to easily choose from. This is another thing none of the youtube reviews mentioned. So yeah… it sounds great. You want old drippy reverb tank sounds in a small package, you got it. Mono or stereo? No problem. Weird spacy and character reverbs? Yep. Subtle reverb that emulates an old blackface Fender? Yep. There is way more here than at first glance. I love the reverbs on this pedal. It is by far the best spring reverb pedal on the market. Between it and the Collider, I don't think I will need any other reverb pedal. Tremolo: This is where I am a slightly disappointed. I bought the extra foot switch so I could control the tremolo independently of the reverb. That works well, but the rate and depth are adjusted as secondary functions to the Dwell and Tone knobs. One nice thing about the Flint is that it had its own dedicated knobs for the tremolo side. It has the same three tremolo options as the Flint (Optical, Bias, Harmonic) but they just sound more distinctly different in the Flint than they do in the True Spring. The one thing the True Spring has over the Flint is that the Tremolo has a Stereo control where you can control the stereo offset/panning. This is a great function. If you want it to fully ping-pong between left and right, it can. Want it more subtle? Just turn it down. Having the extra switch is tremendously helpful. Summary: I think this pedal has finally given me my completed dream pedal board. I can get almost any sound I want. I can play in mono or stereo, through amps or headphones. I think people often skip over this pedal thinking it may be just a one-trick pony, but it is a hugely versatile small pedal with 6 onboard presets controlling 11 possible reverb engines and 3 tremolo engines. Adding in the stereo component makes it even better. The desktop software is killer. I like it so much, I ended up selling my Flint.
| Finish | Grey |
| Year | 2018 |
| Pedal Format | Standard |
