Harking back to the '40s, the adidas Originals Samba OG's history is rooted in football culture. Born on the pitch, the silhouette has transitioned into a streetwear icon and is back with its original setup. This one features soft leather uppers and a renowned T toe box while 3-Stripes and gold-tone Samba lettering sit atop the sidewalls delivering heritage. Underfoot, sticky gum soles offer tacky grip. | IG5932, Leather Upper/Synthetic Sole.
Harking back to the '40s, the adidas Originals Samba OG's history is rooted in football culture. Born on the pitch, the silhouette has transitioned into a streetwear icon and is back with its original setup. This one features soft leather uppers and a renowned T toe box while 3-Stripes and gold-tone Samba lettering sit atop the sidewalls delivering heritage. Underfoot, sticky gum soles offer tacky grip. | IG5932, Leather Upper/Synthetic Sole.
in 13 offers
Harking back to the '40s, the adidas Originals Samba OG's history is rooted in football culture. Born on the pitch, the silhouette has transitioned into a streetwear icon and is back with its original setup. This one features soft leather uppers and a renowned T toe box while 3-Stripes and gold-tone Samba lettering sit atop the sidewalls delivering heritage. Underfoot, sticky gum soles offer tacky grip. | IG5932, Leather Upper/Synthetic Sole.
Harking back to the '40s, the adidas Originals Samba OG's history is rooted in football culture. Born on the pitch, the silhouette has transitioned into a streetwear icon and is back with its original setup. This one features soft leather uppers and a renowned T toe box while 3-Stripes and gold-tone Samba lettering sit atop the sidewalls delivering heritage. Underfoot, sticky gum soles offer tacky grip. | IG5932, Leather Upper/Synthetic Sole.
Size
Last updated at 23/10/2025 11:16:09
See 15 more history offers
Sole | 100% Rubber |
Upper | 50% Leather, 30% Other materials, 20% Textile. |
See 15 more history offers
Sole | 100% Rubber |
Upper | 50% Leather, 30% Other materials, 20% Textile. |