The Behringer BA 19A is a boundary-style condenser microphone designed for acoustic instruments. It has a half-cardioid polar pattern for minimizing off-axis pickup and reducing feedback during live use. You'll note the 50 Hz to 18 kHz frequency response, which is suitable for kick drums, pianos, and other instruments. The mic has a 3-pin XLR output connector. A switchable presence filter lets you tailor the microphone to different instruments or styles of music. This is adjusted via a toggle switch on the underside of the microphone. The mic requires phantom power to operate, but no external mounting. It comes with a carrying case.
The Behringer BA 19A is a boundary-style condenser microphone designed for acoustic instruments. It has a half-cardioid polar pattern for minimizing off-axis pickup and reducing feedback during live use. You'll note the 50 Hz to 18 kHz frequency response, which is suitable for kick drums, pianos, and other instruments. The mic has a 3-pin XLR output connector. A switchable presence filter lets you tailor the microphone to different instruments or styles of music. This is adjusted via a toggle switch on the underside of the microphone. The mic requires phantom power to operate, but no external mounting. It comes with a carrying case.
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The Behringer BA 19A is a boundary-style condenser microphone designed for acoustic instruments. It has a half-cardioid polar pattern for minimizing off-axis pickup and reducing feedback during live use. You'll note the 50 Hz to 18 kHz frequency response, which is suitable for kick drums, pianos, and other instruments. The mic has a 3-pin XLR output connector. A switchable presence filter lets you tailor the microphone to different instruments or styles of music. This is adjusted via a toggle switch on the underside of the microphone. The mic requires phantom power to operate, but no external mounting. It comes with a carrying case.
The Behringer BA 19A is a boundary-style condenser microphone designed for acoustic instruments. It has a half-cardioid polar pattern for minimizing off-axis pickup and reducing feedback during live use. You'll note the 50 Hz to 18 kHz frequency response, which is suitable for kick drums, pianos, and other instruments. The mic has a 3-pin XLR output connector. A switchable presence filter lets you tailor the microphone to different instruments or styles of music. This is adjusted via a toggle switch on the underside of the microphone. The mic requires phantom power to operate, but no external mounting. It comes with a carrying case.
Last updated at 11/11/2024 13:05:33
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originally posted on mannys.com.au
originally posted on mannys.com.au
originally posted on mannys.com.au
| Polar Pattern | Half-Cardioid |
| Frequency Response | 50 Hz to 18 kHz |
| Impedance | 250 Ohms |
| Phantom Power | 48 V |
| Connection | 3-Pin XLR |
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| Polar Pattern | Half-Cardioid |
| Frequency Response | 50 Hz to 18 kHz |
| Impedance | 250 Ohms |
| Phantom Power | 48 V |
| Connection | 3-Pin XLR |
