Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, and an artist. It is both a memoir and an interrogation of memoir. Drawing comparisons to Maggie Nelson, Leslie Jamison, Ada Calhoun and Eula Biss, this is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?
Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, and an artist. It is both a memoir and an interrogation of memoir. Drawing comparisons to Maggie Nelson, Leslie Jamison, Ada Calhoun and Eula Biss, this is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?
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Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, and an artist. It is both a memoir and an interrogation of memoir. Drawing comparisons to Maggie Nelson, Leslie Jamison, Ada Calhoun and Eula Biss, this is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?
Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, and an artist. It is both a memoir and an interrogation of memoir. Drawing comparisons to Maggie Nelson, Leslie Jamison, Ada Calhoun and Eula Biss, this is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?
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Last updated at 05/11/2024 11:46:44
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originally posted on booktopia.com.au
originally posted on booktopia.com.au
| Release date Australia | March 3rd, 2020 |
| Audience | General (US: Trade) |
| Country of Publication | Australia |
| Imprint | The Text Publishing Company |
| Dimensions | 155x232x18 |
Updated 1 day ago
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| Release date Australia | March 3rd, 2020 |
| Audience | General (US: Trade) |
| Country of Publication | Australia |
| Imprint | The Text Publishing Company |
| Dimensions | 155x232x18 |
