Canon EF 16-35mm f/2.8L III USM Lens
The EF 16-35mm f/2.8L III USM is a premium quality ultra-wide angle zoom lens, with a constant f/2.8 maximum aperture, for the highest image quality possible even in low light conditions. Versatile collection of wide-angle focal lengths EF 16-35mm f/2.8L III USM features a 16-35mm zoom that incorporates a range of wide-angle focal lengths. Premium image quality Large-diameter double-surface Glass Moulded (GMo) lenses and Ultra Low Dispersion help to significantly improve image distortion and reduce chromatic aberration. While Advanced Air Sphere and SubWavelength coating work to combat ghosting and flare, so you can shoot with confidence in environments with unflattering lighting. Fast constant aperture A large, f/2.8 aperture allows you to make the most of available light, while a 9 bladed circular aperture diaphragm helps to deliver stunning depth of field. Durable L-series construction The robust, durable, weather sealed construction of EF 16-35mm f/2.8L III USM helps it to withstand the rigours of professional use. Advanced autofocus EF 16-35mm f/2.8L III USM features a ring-type USM motor and high-performance CPU, which work to ensure faster focusing. Optical System Newly designed optics delivers stunning sharpness right across the frame. A re-designed 5 group zoom mechanism that improves vibration and shock resistant levels. 9 bladed aperture In comparison to the EF 16-35mm f/2.8L II USM 7 bladed circular aperture, the EF 16-35mm f/2.8L III USM contains 9 bladed circular aperture diaphragm, that allows you to create beautifully soft background focus. Lens coatings Subwavelength and Air Sphere coating, help to prevent ghosting and flare from effecting your images.
The EF 16-35mm f/2.8L III USM is a premium quality ultra-wide angle zoom lens, with a constant f/2.8 maximum aperture, for the highest image quality possible even in low light conditions. Versatile collection of wide-angle focal lengths EF 16-35mm f/2.8L III USM features a 16-35mm zoom that incorporates a range of wide-angle focal lengths. Premium image quality Large-diameter double-surface Glass Moulded (GMo) lenses and Ultra Low Dispersion help to significantly improve image distortion and reduce chromatic aberration. While Advanced Air Sphere and SubWavelength coating work to combat ghosting and flare, so you can shoot with confidence in environments with unflattering lighting. Fast constant aperture A large, f/2.8 aperture allows you to make the most of available light, while a 9 bladed circular aperture diaphragm helps to deliver stunning depth of field. Durable L-series construction The robust, durable, weather sealed construction of EF 16-35mm f/2.8L III USM helps it to withstand the rigours of professional use. Advanced autofocus EF 16-35mm f/2.8L III USM features a ring-type USM motor and high-performance CPU, which work to ensure faster focusing. Optical System Newly designed optics delivers stunning sharpness right across the frame. A re-designed 5 group zoom mechanism that improves vibration and shock resistant levels. 9 bladed aperture In comparison to the EF 16-35mm f/2.8L II USM 7 bladed circular aperture, the EF 16-35mm f/2.8L III USM contains 9 bladed circular aperture diaphragm, that allows you to create beautifully soft background focus. Lens coatings Subwavelength and Air Sphere coating, help to prevent ghosting and flare from effecting your images.
The EF 16-35mm f/2.8L III USM is a premium quality ultra-wide angle zoom lens, with a constant f/2.8 maximum aperture, for the highest image quality possible even in low light conditions. Versatile collection of wide-angle focal lengths EF 16-35mm f/2.8L III USM features a 16-35mm zoom that incorporates a range of wide-angle focal lengths. Premium image quality Large-diameter double-surface Glass Moulded (GMo) lenses and Ultra Low Dispersion help to significantly improve image distortion and reduce chromatic aberration. While Advanced Air Sphere and SubWavelength coating work to combat ghosting and flare, so you can shoot with confidence in environments with unflattering lighting. Fast constant aperture A large, f/2.8 aperture allows you to make the most of available light, while a 9 bladed circular aperture diaphragm helps to deliver stunning depth of field. Durable L-series construction The robust, durable, weather sealed construction of EF 16-35mm f/2.8L III USM helps it to withstand the rigours of professional use. Advanced autofocus EF 16-35mm f/2.8L III USM features a ring-type USM motor and high-performance CPU, which work to ensure faster focusing. Optical System Newly designed optics delivers stunning sharpness right across the frame. A re-designed 5 group zoom mechanism that improves vibration and shock resistant levels. 9 bladed aperture In comparison to the EF 16-35mm f/2.8L II USM 7 bladed circular aperture, the EF 16-35mm f/2.8L III USM contains 9 bladed circular aperture diaphragm, that allows you to create beautifully soft background focus. Lens coatings Subwavelength and Air Sphere coating, help to prevent ghosting and flare from effecting your images.
The EF 16-35mm f/2.8L III USM is a premium quality ultra-wide angle zoom lens, with a constant f/2.8 maximum aperture, for the highest image quality possible even in low light conditions. Versatile collection of wide-angle focal lengths EF 16-35mm f/2.8L III USM features a 16-35mm zoom that incorporates a range of wide-angle focal lengths. Premium image quality Large-diameter double-surface Glass Moulded (GMo) lenses and Ultra Low Dispersion help to significantly improve image distortion and reduce chromatic aberration. While Advanced Air Sphere and SubWavelength coating work to combat ghosting and flare, so you can shoot with confidence in environments with unflattering lighting. Fast constant aperture A large, f/2.8 aperture allows you to make the most of available light, while a 9 bladed circular aperture diaphragm helps to deliver stunning depth of field. Durable L-series construction The robust, durable, weather sealed construction of EF 16-35mm f/2.8L III USM helps it to withstand the rigours of professional use. Advanced autofocus EF 16-35mm f/2.8L III USM features a ring-type USM motor and high-performance CPU, which work to ensure faster focusing. Optical System Newly designed optics delivers stunning sharpness right across the frame. A re-designed 5 group zoom mechanism that improves vibration and shock resistant levels. 9 bladed aperture In comparison to the EF 16-35mm f/2.8L II USM 7 bladed circular aperture, the EF 16-35mm f/2.8L III USM contains 9 bladed circular aperture diaphragm, that allows you to create beautifully soft background focus. Lens coatings Subwavelength and Air Sphere coating, help to prevent ghosting and flare from effecting your images.
in 32 offers
The lowest price for Canon EF 16-35mm f/2.8L III USM Lens right now is $1,599.00 at cccwarehouse.com.au, compared across 26 retailers.
The all-time low was $682.41 on 20 Mar 2026 — today's price is 134% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 10:32:46
Canon EF 16-35mm f/2.8 L III USM Zoom Lens - AU Version
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Canon EF 16-35mm f/2.8L III USM Lens with 5 Year Warranty
Delivery $18.15
Canon EF 16-35mm f/2.8L III USM at Etoren
Delivery $43
Canon EF 16-35mm f2.8L USM III | Secondhand
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Canon EF 16-35mm f2.8L USM III
14-day returns
Canon EF16-35mm 1:2.8 L III USM Lens (EF16-35LIII)
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Canon EF16-35mm 1:2.8 L III USM Lens (EF16-35LIII)
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Canon EF16-35mm 1:2.8 L III USM Lens (EF16-35LIII)
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CANON EF 16-35mm f/2.8L III USM Lens - Brand New
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Canon EF 16-35mm f/2.8L III USM Lens by Onestop Digital
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originally posted on bestbuy.com
I shoot weddings and other large social events, as well as child and family portraiture. This zoom range and the constant f2.8 aperture serve me well in this kind of shooting.This is a superb lens, the sharpest ultra-wide angle zoom I've ever used. I use it almost exclusively at f2.8 when photographing people at events and I have no problems with the significant light fall-off off-center. There are very cool looking 18 point stars when it's used at around f11, which gives rooms shots a little extra punch if you plan them accordingly.You don't use this lens for its out of focus blur, but I love getting close to subjects and have found the bokeh rendering to be a very pleasant surprise when I do.It's an expensive piece of glass, but for me it will pay for itself ... MoreI shoot weddings and other large social events, as well as child and family portraiture. This zoom range and the constant f2.8 aperture serve me well in this kind of shooting.This is a superb lens, the sharpest ultra-wide angle zoom I've ever used. I use it almost exclusively at f2.8 when photographing people at events and I have no problems with the significant light fall-off off-center. There are very cool looking 18 point stars when it's used at around f11, which gives rooms shots a little extra punch if you plan them accordingly.You don't use this lens for its out of focus blur, but I love getting close to subjects and have found the bokeh rendering to be a very pleasant surprise when I do.It's an expensive piece of glass, but for me it will pay for itself over time and meanwhile it's a business write-off. The significant cost of this lens will probably dissuade many people from buying it, but whoever takes the plunge will be rewarded with beautiful rendering and rock-solid performance.I actually owned Canon f4 version of this zoom lens. That one comes with IS and is also truly excellent. I lost that lens in an accident and would have been happy to buy another if the f2.8 version hadn't been upgraded to this beauty.For anyone shooting mostly landscapes, the f4 version is amazing, probably indistinguishable from the f2.8 version when both are stopped down between f5.6 and f11. And the f4 version is much lighter, too. Users of Canon's 24-70 f2.8mk2 will be surprised to discover that this lens is actually longer and heavier than that one. No complaints here, it's built like a tank and I love it.You can't go wrong. It's a great time to be in the market for wide angle lenses from Canon. I covet the remarkable 11-24, but wouldn't dare use that lens at events because it can't be protected.I heartily recommend this lens. And Best Buy's protection plan is actually one of the real-world best I've ever experienced. Wouldn't buy any equipment like this from them without the Geek Squad protection. What I wasn't thrilled about was (1) Best Buy doesn't have this lens in stock in any of its stores and (2) the lens was shipped in a bubble wrap bag with no protection other than Canon's packaging. I was lucky, the lens arrived intact and has been a stellar performer. But Best Buy should put this lens in a hard cardboard box and surround it with cushioning.
originally posted on lensrentals.com
I rented the Canon 16-35mm f/2.8l III. I used the lens for an interior shoot. The space I shot in was tight with high ceilings. The lens performed great. I had sharp raw images at the end of the day. I will say shooting with this lens you can expect to workout the distortion in PS, ie straightening and warping. I will be renting from this company again because of its great service and quality products.
originally posted on lensrentals.com
I'm a photographer who needed a tool for a specialized task that I don't normally do - shooting the interior of a property in order to publish it in a rental website. Real estate photography is a special skill and requires a lot of little details to get right. One of the things you see a lot is use of wide angle or fisheye lenses. These help spaces look larger, but can also oddly distorted your photographs, especially toward the edges. Focus sharpness can also be a problem. I felt that the latest Canon 16-35mm was a good all arounder for this task. Sure I wanted an even wider max angle, but overall Canon delivered on their promise to have a sharp, distortion-free experience that I think makes it a really good choice for any pro to casual photographer that wants ... MoreI'm a photographer who needed a tool for a specialized task that I don't normally do - shooting the interior of a property in order to publish it in a rental website. Real estate photography is a special skill and requires a lot of little details to get right. One of the things you see a lot is use of wide angle or fisheye lenses. These help spaces look larger, but can also oddly distorted your photographs, especially toward the edges. Focus sharpness can also be a problem. I felt that the latest Canon 16-35mm was a good all arounder for this task. Sure I wanted an even wider max angle, but overall Canon delivered on their promise to have a sharp, distortion-free experience that I think makes it a really good choice for any pro to casual photographer that wants up-to commercial quality in their gear and shots. If the lens wasn't in the $1,500 range I'd probably just buy one to have around. Thanks again LensRentals.
| Focal Length | 16 to 35mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Canon EF |
| Lens Format Coverage | Full-Frame |
Canon EF 16-35mm f/2.8 L III USM Zoom Lens - AU Version
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Canon EF 16-35mm f/2.8L III USM Lens with 5 Year Warranty
Delivery $18.15
Canon EF 16-35mm f/2.8L III USM at Etoren
Delivery $43
Canon EF 16-35mm f2.8L USM III | Secondhand
Free delivery
Canon EF 16-35mm f2.8L USM III
14-day returns
I shoot weddings and other large social events, as well as child and family portraiture. This zoom range and the constant f2.8 aperture serve me well in this kind of shooting.This is a superb lens, the sharpest ultra-wide angle zoom I've ever used. I use it almost exclusively at f2.8 when photographing people at events and I have no problems with the significant light fall-off off-center. There are very cool looking 18 point stars when it's used at around f11, which gives rooms shots a little extra punch if you plan them accordingly.You don't use this lens for its out of focus blur, but I love getting close to subjects and have found the bokeh rendering to be a very pleasant surprise when I do.It's an expensive piece of glass, but for me it will pay for itself ... MoreI shoot weddings and other large social events, as well as child and family portraiture. This zoom range and the constant f2.8 aperture serve me well in this kind of shooting.This is a superb lens, the sharpest ultra-wide angle zoom I've ever used. I use it almost exclusively at f2.8 when photographing people at events and I have no problems with the significant light fall-off off-center. There are very cool looking 18 point stars when it's used at around f11, which gives rooms shots a little extra punch if you plan them accordingly.You don't use this lens for its out of focus blur, but I love getting close to subjects and have found the bokeh rendering to be a very pleasant surprise when I do.It's an expensive piece of glass, but for me it will pay for itself over time and meanwhile it's a business write-off. The significant cost of this lens will probably dissuade many people from buying it, but whoever takes the plunge will be rewarded with beautiful rendering and rock-solid performance.I actually owned Canon f4 version of this zoom lens. That one comes with IS and is also truly excellent. I lost that lens in an accident and would have been happy to buy another if the f2.8 version hadn't been upgraded to this beauty.For anyone shooting mostly landscapes, the f4 version is amazing, probably indistinguishable from the f2.8 version when both are stopped down between f5.6 and f11. And the f4 version is much lighter, too. Users of Canon's 24-70 f2.8mk2 will be surprised to discover that this lens is actually longer and heavier than that one. No complaints here, it's built like a tank and I love it.You can't go wrong. It's a great time to be in the market for wide angle lenses from Canon. I covet the remarkable 11-24, but wouldn't dare use that lens at events because it can't be protected.I heartily recommend this lens. And Best Buy's protection plan is actually one of the real-world best I've ever experienced. Wouldn't buy any equipment like this from them without the Geek Squad protection. What I wasn't thrilled about was (1) Best Buy doesn't have this lens in stock in any of its stores and (2) the lens was shipped in a bubble wrap bag with no protection other than Canon's packaging. I was lucky, the lens arrived intact and has been a stellar performer. But Best Buy should put this lens in a hard cardboard box and surround it with cushioning.
I rented the Canon 16-35mm f/2.8l III. I used the lens for an interior shoot. The space I shot in was tight with high ceilings. The lens performed great. I had sharp raw images at the end of the day. I will say shooting with this lens you can expect to workout the distortion in PS, ie straightening and warping. I will be renting from this company again because of its great service and quality products.
I'm a photographer who needed a tool for a specialized task that I don't normally do - shooting the interior of a property in order to publish it in a rental website. Real estate photography is a special skill and requires a lot of little details to get right. One of the things you see a lot is use of wide angle or fisheye lenses. These help spaces look larger, but can also oddly distorted your photographs, especially toward the edges. Focus sharpness can also be a problem. I felt that the latest Canon 16-35mm was a good all arounder for this task. Sure I wanted an even wider max angle, but overall Canon delivered on their promise to have a sharp, distortion-free experience that I think makes it a really good choice for any pro to casual photographer that wants ... MoreI'm a photographer who needed a tool for a specialized task that I don't normally do - shooting the interior of a property in order to publish it in a rental website. Real estate photography is a special skill and requires a lot of little details to get right. One of the things you see a lot is use of wide angle or fisheye lenses. These help spaces look larger, but can also oddly distorted your photographs, especially toward the edges. Focus sharpness can also be a problem. I felt that the latest Canon 16-35mm was a good all arounder for this task. Sure I wanted an even wider max angle, but overall Canon delivered on their promise to have a sharp, distortion-free experience that I think makes it a really good choice for any pro to casual photographer that wants up-to commercial quality in their gear and shots. If the lens wasn't in the $1,500 range I'd probably just buy one to have around. Thanks again LensRentals.
I went out on a limb buying this lens. Having just stepped back into photography with a 80D using my USM lenses from the early 90's I found that I needed a wide angle lens to compensate for the crop factor and to photograph projects in the tight confines of a machine shop. I considered the other L series lens in the range and decided to purchase this lens for the speed over image stabilization. Besides, who doesn't want to have at least one high end lens in their kit?I have not been disappointed.It produces excellent results inside a poorly lit building without using a flash. It's wide angle takes beautiful landscapes both on and off a tripod. It has also proven very handy taking pictures of school activities when the flash use is discouraged and fast moving ... MoreI went out on a limb buying this lens. Having just stepped back into photography with a 80D using my USM lenses from the early 90's I found that I needed a wide angle lens to compensate for the crop factor and to photograph projects in the tight confines of a machine shop. I considered the other L series lens in the range and decided to purchase this lens for the speed over image stabilization. Besides, who doesn't want to have at least one high end lens in their kit?I have not been disappointed.It produces excellent results inside a poorly lit building without using a flash. It's wide angle takes beautiful landscapes both on and off a tripod. It has also proven very handy taking pictures of school activities when the flash use is discouraged and fast moving children present a unique challenge to parents and photographers alike.Finally, I have one use for this lens that I am eagerly awaiting to pursue... I live in Alaska, and aurora season is upon us.
I was traveling to Iceland and wanted to bring along a lens to capture the Northern Lights, but couldn't afford the professional Canon lens I wanted. Lensrentals was the perfect alternative and really affordable for my 10-day trip. The lens arrived in excellent condition and the packaging was way beyond what I expected. I'm so happy with the rental and would totally rent again to try out different lenses.
This is the second time I've used Lensrentals and my experiences have been exceptional. Responses both to my emails and phone calls were quick and my questions and concerns resolved during the first contact.I always rent the three same Canon lenses for travel which covers the complete range I need for landscape and wildlife photography. The lenses are always in exceptional condition. This may seem unimportant to some photographers, but each lens comes fitted with a B&W UV filter. I find this important for a couple reasons.The quality of glass I'm shooting through when I leave the UV on, resulting in less distortion and color change.The machining of the metal ring. I haven't had any issues removing the filter unlike lesser quality filters.Also, when shipped, the ... MoreThis is the second time I've used Lensrentals and my experiences have been exceptional. Responses both to my emails and phone calls were quick and my questions and concerns resolved during the first contact.I always rent the three same Canon lenses for travel which covers the complete range I need for landscape and wildlife photography. The lenses are always in exceptional condition. This may seem unimportant to some photographers, but each lens comes fitted with a B&W UV filter. I find this important for a couple reasons.The quality of glass I'm shooting through when I leave the UV on, resulting in less distortion and color change.The machining of the metal ring. I haven't had any issues removing the filter unlike lesser quality filters.Also, when shipped, the lenses are always packed into a quality soft lens pouch which is the then packed into a hard Pelican lens case and then shipped. Being well packed, there's very little chance the lenses will experience ant type of damage while being shipped. An added benefit is you can take the case with you during your travels if needed.I've used other major rental companies and Lensrentals has offered me the best best customer service and with competitive pricing and in some cases, much lower pricing than the competition.Cost is very important to me as I regularly rent for 6-7 week time periods.“Not everybody trusts paintings but people believe photographs.”― Ansel Adams
I was in the market for a used version II, having read older reviews at the time it came out. And at half the price of a version III, I was almost sold. But I kept seeing references to the lens being soft in the corners, especially shooting wide open at 2.8, which concerned me as I planned to use it in low light. I spoke with three photographers (two pros) who have had owned both and not only did they confirm the issues with the version II, they raved about the upgraded optics of the version III lens. One said it's worth every penny, rated it a 10 out of 10. I ultimately decided to buy the version III, knowing I would regret it if I didn't. After using now for two weeks, I can say it was the best decision. The image quality is simply spectacular, perfectly balanced ... MoreI was in the market for a used version II, having read older reviews at the time it came out. And at half the price of a version III, I was almost sold. But I kept seeing references to the lens being soft in the corners, especially shooting wide open at 2.8, which concerned me as I planned to use it in low light. I spoke with three photographers (two pros) who have had owned both and not only did they confirm the issues with the version II, they raved about the upgraded optics of the version III lens. One said it's worth every penny, rated it a 10 out of 10. I ultimately decided to buy the version III, knowing I would regret it if I didn't. After using now for two weeks, I can say it was the best decision. The image quality is simply spectacular, perfectly balanced contrast and color, razor sharp across the image even in low light at 2.8. The auto focus is quite impressive as well. If you don't plan to use 2.8, the 4.0 version may be your best option, equally good optics and more affordable. But if you plan to shoot in low light, and you need 2.8, don't hesitate on this decision. Once you see the image quality, you'll forget the price.
Renting truly could not have been easier! The lens arrived 2 days early which was great! It was one less thing to worry about for our trip to Yellowstone. The lens was amazing!!!! Exactly what I wanted for landscape and wildlife photography. When we returned from our trip, I put the lens back in the case and the same box, used the provided tape and dropped it off at our Fed Ex store. Seriously could not have been easier! I mean they even included tape for the return shipping! How easy is that! My pictures were fantastic thanks to the perfect lens. I will absolutely be using your services again! Unless I win the lottery and can buy all the lenses that I’d like to own!!! Thank you for making it so easy to have the perfect lens for the perfect trip to Yellowstone! The ... MoreRenting truly could not have been easier! The lens arrived 2 days early which was great! It was one less thing to worry about for our trip to Yellowstone. The lens was amazing!!!! Exactly what I wanted for landscape and wildlife photography. When we returned from our trip, I put the lens back in the case and the same box, used the provided tape and dropped it off at our Fed Ex store. Seriously could not have been easier! I mean they even included tape for the return shipping! How easy is that! My pictures were fantastic thanks to the perfect lens. I will absolutely be using your services again! Unless I win the lottery and can buy all the lenses that I’d like to own!!! Thank you for making it so easy to have the perfect lens for the perfect trip to Yellowstone! The canvases on my walls will be forever thankful for your lens!
Just some background information, I am a landscape photographer and I have been using this lens since it came out with the 5DSR. The major strength of this lens is that it is incredibly sharp corner to corner. I've also heard and read that this lens is a significant improvement over its predecessor. My personal problem with this lens (which DEFINITELY doesn't apply to everyone) is its heavy vignetting wide open. During the day of course it's easily fixed by stopping down or in post. However, the problem becomes much more obvious at night. I enjoy shooting a lot of astrophotography and was excited to find out that this lens renders stars very well-sharp, no evidence of coma. But due to the combination of the vignetting and the camera's limited dynamic range at high ... MoreJust some background information, I am a landscape photographer and I have been using this lens since it came out with the 5DSR. The major strength of this lens is that it is incredibly sharp corner to corner. I've also heard and read that this lens is a significant improvement over its predecessor. My personal problem with this lens (which DEFINITELY doesn't apply to everyone) is its heavy vignetting wide open. During the day of course it's easily fixed by stopping down or in post. However, the problem becomes much more obvious at night. I enjoy shooting a lot of astrophotography and was excited to find out that this lens renders stars very well-sharp, no evidence of coma. But due to the combination of the vignetting and the camera's limited dynamic range at high ISOs, any attempt at correcting the vignette in post would render unusable corners. In my case with the 5DSR, the corners become very very purple. After some testing and research, I found that the corners of the lens produce near 4 stops of vignetting! Another thing to take note of, I use this with a LEE filter system and the vignetting does get worse. So in conclusion, it's not a jack-of all trades landscape lens. If you shoot mainly during the day at low ISOs, then by all means, you will be incredibly satisfied with this lens. However, if you are like me and likes to venture out at night, then I would suggest looking somewhere else. Perhaps the new Tamron 15-30mm, which I don't own but has read raving reviews about.
I have used this lens for 8 months on my 5DIV and occasionally on my 7DII. Main use is for landscapes along with some night sky photography. I find it excellent for landscape work. If Im using it for candid people shots it acquires fast and accurate focus on both cameras, regardless of focus method Im using. Manual focus is a breeze, the focus ring is easy to adjust and feels just firm enough, not too sloppy or not too tight. Colors and contrast are excellent. If I do my job right images rarely require post work, with the exception of milky way and star images which usually need adjustments. Though this is not marketed as a night sky photography lens, it does a great job for me. Shooting wide open into the night sky.. this lens produces sharp images across the frame ... MoreI have used this lens for 8 months on my 5DIV and occasionally on my 7DII. Main use is for landscapes along with some night sky photography. I find it excellent for landscape work. If Im using it for candid people shots it acquires fast and accurate focus on both cameras, regardless of focus method Im using. Manual focus is a breeze, the focus ring is easy to adjust and feels just firm enough, not too sloppy or not too tight. Colors and contrast are excellent. If I do my job right images rarely require post work, with the exception of milky way and star images which usually need adjustments. Though this is not marketed as a night sky photography lens, it does a great job for me. Shooting wide open into the night sky.. this lens produces sharp images across the frame with crisp stars and foregrounds. I chose this lens over the 16-35 f/4 because I wanted the extra light gathering capabilities for twilight and night shooting and find that it does just what I wanted it to do.
| Focal Length | 16 to 35mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Canon EF |
| Lens Format Coverage | Full-Frame |
