Carl Zeiss Loxia 35mm f/2 Lens For Sony E Mount
Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed in specific regard for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers. Utilizing a nearly symmetrical optical layout based on the Biogon concept, this lens incorporates one element made from anomalous partial dispersion glass in order to suppress chromatic aberrations and distortion. Additionally, a Zeiss T* anti-reflective coating has also been applied to individual lens elements to further reduce lens flare and ghosting for consistent image clarity and contrast. Serving as a unique option for the contemporary image-maker, the Zeiss Loxia series of lenses are built for the imaging demands of modern full-frame digital cameras, yet are founded upon conventional manual controls. The moderate wide-angle perspective pairs well with the f/2 maximum aperture for selective focus control, as well as enhanced performance in low-light conditions. Furthermore, the handling details of the lens have also been enhanced for maximum feedback and precision, including a long 180 focus through, clearly engraved scale markings, and a robust, all-metal construction with weather-resistant lens mount gasket. Additionally, the lens is fitted with an electronic interface that conveys all EXIF data to the camera and can also be configured to automatically activate camera-based focusing aids during use.
Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed in specific regard for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers. Utilizing a nearly symmetrical optical layout based on the Biogon concept, this lens incorporates one element made from anomalous partial dispersion glass in order to suppress chromatic aberrations and distortion. Additionally, a Zeiss T* anti-reflective coating has also been applied to individual lens elements to further reduce lens flare and ghosting for consistent image clarity and contrast. Serving as a unique option for the contemporary image-maker, the Zeiss Loxia series of lenses are built for the imaging demands of modern full-frame digital cameras, yet are founded upon conventional manual controls. The moderate wide-angle perspective pairs well with the f/2 maximum aperture for selective focus control, as well as enhanced performance in low-light conditions. Furthermore, the handling details of the lens have also been enhanced for maximum feedback and precision, including a long 180 focus through, clearly engraved scale markings, and a robust, all-metal construction with weather-resistant lens mount gasket. Additionally, the lens is fitted with an electronic interface that conveys all EXIF data to the camera and can also be configured to automatically activate camera-based focusing aids during use.
Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed in specific regard for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers. Utilizing a nearly symmetrical optical layout based on the Biogon concept, this lens incorporates one element made from anomalous partial dispersion glass in order to suppress chromatic aberrations and distortion. Additionally, a Zeiss T* anti-reflective coating has also been applied to individual lens elements to further reduce lens flare and ghosting for consistent image clarity and contrast. Serving as a unique option for the contemporary image-maker, the Zeiss Loxia series of lenses are built for the imaging demands of modern full-frame digital cameras, yet are founded upon conventional manual controls. The moderate wide-angle perspective pairs well with the f/2 maximum aperture for selective focus control, as well as enhanced performance in low-light conditions. Furthermore, the handling details of the lens have also been enhanced for maximum feedback and precision, including a long 180 focus through, clearly engraved scale markings, and a robust, all-metal construction with weather-resistant lens mount gasket. Additionally, the lens is fitted with an electronic interface that conveys all EXIF data to the camera and can also be configured to automatically activate camera-based focusing aids during use.
Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras. Its manual focus design has been developed in specific regard for use with electronic viewfinders, and also features a manual aperture ring that can be 'de-clicked' for silent operation best-suited for filmmakers. Utilizing a nearly symmetrical optical layout based on the Biogon concept, this lens incorporates one element made from anomalous partial dispersion glass in order to suppress chromatic aberrations and distortion. Additionally, a Zeiss T* anti-reflective coating has also been applied to individual lens elements to further reduce lens flare and ghosting for consistent image clarity and contrast. Serving as a unique option for the contemporary image-maker, the Zeiss Loxia series of lenses are built for the imaging demands of modern full-frame digital cameras, yet are founded upon conventional manual controls. The moderate wide-angle perspective pairs well with the f/2 maximum aperture for selective focus control, as well as enhanced performance in low-light conditions. Furthermore, the handling details of the lens have also been enhanced for maximum feedback and precision, including a long 180 focus through, clearly engraved scale markings, and a robust, all-metal construction with weather-resistant lens mount gasket. Additionally, the lens is fitted with an electronic interface that conveys all EXIF data to the camera and can also be configured to automatically activate camera-based focusing aids during use.
in 10 offers
The lowest price for Carl Zeiss Loxia 35mm f/2 Lens For Sony E Mount right now is $701.93 at Unique Photo, compared across 9 retailers.
The all-time low was $488.34 on 10 Mar 2026 — today's price is 44% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 18 July 2026.
Last updated at 18/07/2026 09:47:06
Used Zeiss Loxia 2/35 Sony E - Good
Delivery $42.98
Used Zeiss Loxia 2/35 Sony E - Excellent
Delivery $42.98
Carl Zeiss 35mm f2 Biogon T* Loxia
Delivery between 24–31 July $59
Zeiss Loxia 35mm f/2 Lens (Sony E)
Delivery $48
Zeiss 35mm f/2 Loxia for Sony E-Mount
Delivery $9.90
Zeiss Loxia 35mm F2 Sony E-Mount Lens Zeiss Camera Lens - Best For Portrait Photography
Free delivery between Tue – Wed
ZEISS LOXIA 35mm F2 - Sony E-Mount
Delivery $9.95
Carl Zeiss Loxia 35mm f/2.0
Delivery $73.73
Zeiss Loxia 2/35 E-Mount Lens
Free delivery between 21–28 July
Zeiss Loxia 35mm F2 Lens with Sony Full frame E-mount
Delivery between 22–27 July $12
originally posted on bhphotovideo.com
I got this for the Sony FS7. I was looking for a lightweight lens with a wide angle of view that had a lot of resolving power. This lens on the FS7 sensor translates to a field of view of almost 70 degrees, which is equivalent to what a 32 mm lens would get. PROS Lightweight (can stay on camera all the time and won't strain the mount) Weather-sealed (sits tightly on camera to minimize dust and other debris getting on sensor) Well built (solid construction, metal, not plastic) Very sharp image Great manual controls Aperture can be declicked CONS Price (expensive) Lens does not come off easily (I'd say it is more than snug) All manual As far as I'm concerned and after having researched many lenses, if you are looking for stellar sharpness in a lightweight lens with a ... MoreI got this for the Sony FS7. I was looking for a lightweight lens with a wide angle of view that had a lot of resolving power. This lens on the FS7 sensor translates to a field of view of almost 70 degrees, which is equivalent to what a 32 mm lens would get. PROS Lightweight (can stay on camera all the time and won't strain the mount) Weather-sealed (sits tightly on camera to minimize dust and other debris getting on sensor) Well built (solid construction, metal, not plastic) Very sharp image Great manual controls Aperture can be declicked CONS Price (expensive) Lens does not come off easily (I'd say it is more than snug) All manual As far as I'm concerned and after having researched many lenses, if you are looking for stellar sharpness in a lightweight lens with a highly useful field of view, then look no further than this. If you go to the Loxia 35 mm, then, on the FS7, that crops to the FOV of a 53 mm focal length, and that's too tight for many situations. With this lens, you can still get establishing shots and wide angle shots as well as close-ups. You can shoot in tight interiors and the angle is wide enough for handheld and Steadicam work. Also, since this lens is sharp, you can always crop in post for a tighter shot if you want with no loss of quality. If you are looking for a lens that can essentially do it all and will hold its value long after your camera body has become a relic, then this is that lens. And when you spend a couple of thousand of dollars on a camera, the last thing you want to do is skimp on the lens. That's like going to a nice restaurant, then ordering a grilled cheese sandwich. This lens is a main entre!
originally posted on bhphotovideo.com
I have to confess a hopeless addiction to the Zeiss Loxia line. This is my third (and last!) after the 35 and 50. All are astonishing! I evaluate a lens by real world performance in making images, not by pixel peeping. The 21 is in service primarily for landscape work; it demonstrates outstanding, well modulated colors, a perfect level of contrast without the excess of so many contemporary lenses, and, above all, extraordinary sharpness across the field with minimal distortion. If shooting under average conditions, you could use the results OOC.Beyond the image quality, this lens is a pleasure to use. I've used manual film cameras all my life, and prefer the totally manual experience of the Loxias. There's a lot to be said for having a focusing scale and ... MoreI have to confess a hopeless addiction to the Zeiss Loxia line. This is my third (and last!) after the 35 and 50. All are astonishing! I evaluate a lens by real world performance in making images, not by pixel peeping. The 21 is in service primarily for landscape work; it demonstrates outstanding, well modulated colors, a perfect level of contrast without the excess of so many contemporary lenses, and, above all, extraordinary sharpness across the field with minimal distortion. If shooting under average conditions, you could use the results OOC.Beyond the image quality, this lens is a pleasure to use. I've used manual film cameras all my life, and prefer the totally manual experience of the Loxias. There's a lot to be said for having a focusing scale and depth-of-field markings, especially for landscape work, but also for fast street work as well. And the tactile experience of working with such a superbly constructed and finished product is a rare joy in today's world of plastic throw-aways; you have to take pleasure in the tools you use. Yes, the price will make you cringe, but the Loxias are a long term investment and worth every penny!
originally posted on bhphotovideo.com
This is my second purchase in the Loxia line, the first being the 50mm. Once again I am astounded by the optical and mechanical performance of these lenses! This lens is a joy to handle, perfectly balanced for the full-frame Sony line, and the build quality is superb - equal to ANY brand out there. The I/3 stop clicks are a much-appreciated feature (for me, at least), and the amount of focus throw through the range is ideal. The lens mated perfectly with the mount with no play whatsoever, more than I can say for my Sony lenses. Nice solid metal hood, as well.Optically, the lens has a nicely balanced rendering, without the excessive contrast of many contemporary lenses, more of an "old school" look. Sharpness is excellent, corner-to-corner, even wide open, and ... MoreThis is my second purchase in the Loxia line, the first being the 50mm. Once again I am astounded by the optical and mechanical performance of these lenses! This lens is a joy to handle, perfectly balanced for the full-frame Sony line, and the build quality is superb - equal to ANY brand out there. The I/3 stop clicks are a much-appreciated feature (for me, at least), and the amount of focus throw through the range is ideal. The lens mated perfectly with the mount with no play whatsoever, more than I can say for my Sony lenses. Nice solid metal hood, as well.Optically, the lens has a nicely balanced rendering, without the excessive contrast of many contemporary lenses, more of an "old school" look. Sharpness is excellent, corner-to-corner, even wide open, and there is essentially no distortion.Of course, being a fully manual lens, this is not for everyone. But I do find that I can actually work faster, in many situations, with the lens set at hyperfocal distance and my settings being immediately visible before I bring the camera to my eye, something not possible with focus-by-wire lenses. If this is your style of working, or you take a more studied approach to your shooting and want the ultimate in performance, consider this lens! No, it is NOT cheap, but think of it as a long term investment in the quality of your work. No regrets here!
| Model year | 2015 |
| Image stabilization technology | yes |
| Has image stabilisation | No |
| Optical zoom | 1 x |
| Minimum diaphragm opening | 22 Millimeters |
Used Zeiss Loxia 2/35 Sony E - Good
Delivery $42.98
Used Zeiss Loxia 2/35 Sony E - Excellent
Delivery $42.98
Carl Zeiss 35mm f2 Biogon T* Loxia
Delivery between 24–31 July $59
Zeiss Loxia 35mm f/2 Lens (Sony E)
Delivery $48
Zeiss 35mm f/2 Loxia for Sony E-Mount
Delivery $9.90
I got this for the Sony FS7. I was looking for a lightweight lens with a wide angle of view that had a lot of resolving power. This lens on the FS7 sensor translates to a field of view of almost 70 degrees, which is equivalent to what a 32 mm lens would get. PROS Lightweight (can stay on camera all the time and won't strain the mount) Weather-sealed (sits tightly on camera to minimize dust and other debris getting on sensor) Well built (solid construction, metal, not plastic) Very sharp image Great manual controls Aperture can be declicked CONS Price (expensive) Lens does not come off easily (I'd say it is more than snug) All manual As far as I'm concerned and after having researched many lenses, if you are looking for stellar sharpness in a lightweight lens with a ... MoreI got this for the Sony FS7. I was looking for a lightweight lens with a wide angle of view that had a lot of resolving power. This lens on the FS7 sensor translates to a field of view of almost 70 degrees, which is equivalent to what a 32 mm lens would get. PROS Lightweight (can stay on camera all the time and won't strain the mount) Weather-sealed (sits tightly on camera to minimize dust and other debris getting on sensor) Well built (solid construction, metal, not plastic) Very sharp image Great manual controls Aperture can be declicked CONS Price (expensive) Lens does not come off easily (I'd say it is more than snug) All manual As far as I'm concerned and after having researched many lenses, if you are looking for stellar sharpness in a lightweight lens with a highly useful field of view, then look no further than this. If you go to the Loxia 35 mm, then, on the FS7, that crops to the FOV of a 53 mm focal length, and that's too tight for many situations. With this lens, you can still get establishing shots and wide angle shots as well as close-ups. You can shoot in tight interiors and the angle is wide enough for handheld and Steadicam work. Also, since this lens is sharp, you can always crop in post for a tighter shot if you want with no loss of quality. If you are looking for a lens that can essentially do it all and will hold its value long after your camera body has become a relic, then this is that lens. And when you spend a couple of thousand of dollars on a camera, the last thing you want to do is skimp on the lens. That's like going to a nice restaurant, then ordering a grilled cheese sandwich. This lens is a main entre!
I have to confess a hopeless addiction to the Zeiss Loxia line. This is my third (and last!) after the 35 and 50. All are astonishing! I evaluate a lens by real world performance in making images, not by pixel peeping. The 21 is in service primarily for landscape work; it demonstrates outstanding, well modulated colors, a perfect level of contrast without the excess of so many contemporary lenses, and, above all, extraordinary sharpness across the field with minimal distortion. If shooting under average conditions, you could use the results OOC.Beyond the image quality, this lens is a pleasure to use. I've used manual film cameras all my life, and prefer the totally manual experience of the Loxias. There's a lot to be said for having a focusing scale and ... MoreI have to confess a hopeless addiction to the Zeiss Loxia line. This is my third (and last!) after the 35 and 50. All are astonishing! I evaluate a lens by real world performance in making images, not by pixel peeping. The 21 is in service primarily for landscape work; it demonstrates outstanding, well modulated colors, a perfect level of contrast without the excess of so many contemporary lenses, and, above all, extraordinary sharpness across the field with minimal distortion. If shooting under average conditions, you could use the results OOC.Beyond the image quality, this lens is a pleasure to use. I've used manual film cameras all my life, and prefer the totally manual experience of the Loxias. There's a lot to be said for having a focusing scale and depth-of-field markings, especially for landscape work, but also for fast street work as well. And the tactile experience of working with such a superbly constructed and finished product is a rare joy in today's world of plastic throw-aways; you have to take pleasure in the tools you use. Yes, the price will make you cringe, but the Loxias are a long term investment and worth every penny!
This is my second purchase in the Loxia line, the first being the 50mm. Once again I am astounded by the optical and mechanical performance of these lenses! This lens is a joy to handle, perfectly balanced for the full-frame Sony line, and the build quality is superb - equal to ANY brand out there. The I/3 stop clicks are a much-appreciated feature (for me, at least), and the amount of focus throw through the range is ideal. The lens mated perfectly with the mount with no play whatsoever, more than I can say for my Sony lenses. Nice solid metal hood, as well.Optically, the lens has a nicely balanced rendering, without the excessive contrast of many contemporary lenses, more of an "old school" look. Sharpness is excellent, corner-to-corner, even wide open, and ... MoreThis is my second purchase in the Loxia line, the first being the 50mm. Once again I am astounded by the optical and mechanical performance of these lenses! This lens is a joy to handle, perfectly balanced for the full-frame Sony line, and the build quality is superb - equal to ANY brand out there. The I/3 stop clicks are a much-appreciated feature (for me, at least), and the amount of focus throw through the range is ideal. The lens mated perfectly with the mount with no play whatsoever, more than I can say for my Sony lenses. Nice solid metal hood, as well.Optically, the lens has a nicely balanced rendering, without the excessive contrast of many contemporary lenses, more of an "old school" look. Sharpness is excellent, corner-to-corner, even wide open, and there is essentially no distortion.Of course, being a fully manual lens, this is not for everyone. But I do find that I can actually work faster, in many situations, with the lens set at hyperfocal distance and my settings being immediately visible before I bring the camera to my eye, something not possible with focus-by-wire lenses. If this is your style of working, or you take a more studied approach to your shooting and want the ultimate in performance, consider this lens! No, it is NOT cheap, but think of it as a long term investment in the quality of your work. No regrets here!
I started with the Loxia 21mm lens and was very much fascinated by how it renders the color and contrast with the reputablepop, so that I have now all but the 50mm Loxia in my collection (because the Sony-Zeiss Sonnar 55mm f/1.8 which I already had, is outstanding in it's own right). Personally, I find the manual focusing more advantageous for creative shooting but if you are looking for action shots, this may not be the type of lens for you. However, the quality of this lens oozes highest standards so that I also see those lenses as an investment, perhaps.I should add that I no longer give too much credence to MTF data. This lens is supposedly a bit soft full open in the corners, but I see nothing but tack sharp images across the frame, even.wide open. This, as ... MoreI started with the Loxia 21mm lens and was very much fascinated by how it renders the color and contrast with the reputablepop, so that I have now all but the 50mm Loxia in my collection (because the Sony-Zeiss Sonnar 55mm f/1.8 which I already had, is outstanding in it's own right). Personally, I find the manual focusing more advantageous for creative shooting but if you are looking for action shots, this may not be the type of lens for you. However, the quality of this lens oozes highest standards so that I also see those lenses as an investment, perhaps.I should add that I no longer give too much credence to MTF data. This lens is supposedly a bit soft full open in the corners, but I see nothing but tack sharp images across the frame, even.wide open. This, as all the other Loxia lenses simply produce very sharp and beautiful images with, by my perception, a beautiful bokeh.There are two issues I have:1.) The mounting of the Loxia lenses, it takes a bit of praxis. However, taking the advise from another person's posting here, I ordered the lens grip from Pocketpano.de and when applied, it lets you mount / unmount the lens with ease.2.) Don't expect images to be sharp by going to full stop at infinity, because your images will be blurry. Best sharpness it is slightly below full stop.Then again, I have noticed that also with many competitor's manual lenses and I don't understand why this cannot, or is not done right.Other than that, I highly recommend this Lens.
This is the my first choice go to lens for the A7C body, when hiking and exploring in the mountains. Image quality has been excellent. Very solid feel. Some may not like the manual focus for a lens on a modern digital camera. However, I have a lot of experience from decades ago with cameras that used film. I can look at the depth of field scale on the lens and decide where I want that depth of field in my picture. Highly recommend this lens. Typically, in the mountains, F/8 gives me the depth of field that I want, as well as very fine sharpness across the field. The filter bundle that came with the purchase was very nice and I would recommend those filters as well.
The thing that makes this a fun lens to use is the excellent handling. It is compact, beautifully made, and has a wonderfully damped focus ring. It makes photography more fun. Results wise the lens is a mixed bag. Sharpness is good (but not on the level of my best lenses) stopped down, the rendering is good, the bokeh is okay, and the contrast is good. The sunstars are awesome. 10 straight blades make for amazing ones that really add to images. Unfortunately the flare resistance is very poor which makes it harder to take advantage of the sunstars. My Voightlander 21 and 65 are much better in this respect. Sharpness wide open is only okay outside of the center and with it only being f/2 it really doesn't provide much separation. The aperture ring is also too close to ... MoreThe thing that makes this a fun lens to use is the excellent handling. It is compact, beautifully made, and has a wonderfully damped focus ring. It makes photography more fun. Results wise the lens is a mixed bag. Sharpness is good (but not on the level of my best lenses) stopped down, the rendering is good, the bokeh is okay, and the contrast is good. The sunstars are awesome. 10 straight blades make for amazing ones that really add to images. Unfortunately the flare resistance is very poor which makes it harder to take advantage of the sunstars. My Voightlander 21 and 65 are much better in this respect. Sharpness wide open is only okay outside of the center and with it only being f/2 it really doesn't provide much separation. The aperture ring is also too close to the focusing ring which makes it easy to bump the focusing ring when you are trying to change the aperture. I think that the full price is way too much for the lens. I was lucky enough to get one used for $670 something at BH (when the regulars went on a flash sale) and I think thats a more reasonable price for a lens with performance thats good but not outstanding.
This lens attempts to be the perfect manual lens for video use on Sony cameras. The glass is excellent, sharp, and flare resistant. But there are a few flaws that make it hard to use. 1) Google the Focus Magnifier malfunction that appears when you attach it to newer Sony Cameras like the FX3. 2) The hood twists off the lens before the lens twists off the camera's body. Even when holding the small strip of non-moving lens body between the focus and aperture, fingers naturally grab the lens hood, unfortunately, while twisting about half the time, I disconnect the lens hood, so when working quickly, I get a bunch of detached hoods bouncing around my camera bag. 3) The focus ring has a hard stop, which is excellent, but it needs a knurl or knob on the focus ring so we ... MoreThis lens attempts to be the perfect manual lens for video use on Sony cameras. The glass is excellent, sharp, and flare resistant. But there are a few flaws that make it hard to use. 1) Google the Focus Magnifier malfunction that appears when you attach it to newer Sony Cameras like the FX3. 2) The hood twists off the lens before the lens twists off the camera's body. Even when holding the small strip of non-moving lens body between the focus and aperture, fingers naturally grab the lens hood, unfortunately, while twisting about half the time, I disconnect the lens hood, so when working quickly, I get a bunch of detached hoods bouncing around my camera bag. 3) The focus ring has a hard stop, which is excellent, but it needs a knurl or knob on the focus ring so we can more accurately pre-focus by feeling like on Leica lenses.
This is not so much a review of the Loxia 21mm because I only have it for 5 days and because of physical problems I am not able to go out shooting at the moment.But I can tell from the pictures I took inside the house that this lens looks very promising.And the feel of this lens is real Zeiss with the all metal build and buttery smooth manuel focussing.And infinity is there just before the hard stop.This feel is quite different from the Zeiss Batis 18mm I do own.Which is a lovely lens to, but not that traditional Zeiss feeling.The real reason for writing this interview is that I keep reading that this 21mm lens (and also the other Loxias) is hard to install and to remove because there is hardly place to get good grip on the lens.I do like to mention that ... MoreThis is not so much a review of the Loxia 21mm because I only have it for 5 days and because of physical problems I am not able to go out shooting at the moment.But I can tell from the pictures I took inside the house that this lens looks very promising.And the feel of this lens is real Zeiss with the all metal build and buttery smooth manuel focussing.And infinity is there just before the hard stop.This feel is quite different from the Zeiss Batis 18mm I do own.Which is a lovely lens to, but not that traditional Zeiss feeling.The real reason for writing this interview is that I keep reading that this 21mm lens (and also the other Loxias) is hard to install and to remove because there is hardly place to get good grip on the lens.I do like to mention that there is a small company in Germany who did solve this problem with the Pocket pano lensgrip, they are specially made for the Loxia lenses and do not cost a fortune.As I can see they do ship worldwide.So if you like to solve the problem google Pocket pano lensgrip and you will find pocketpano.deTheir site is in english too, maybe you have to choose first between english and german.I did order 2 of them, one for the 21mm and one for a future Loxia 50mm.And when it is attached to the lens you hardly see the difference, it becomes one with the lens.And it works flawlesley, i now have very good grip on the lens.So I do hope I can help some people solving this problem.And it would be a pitty if this lens looses stars in the reviews because of this now easy to solve problem.Best regards,Joep
All lenses incorporate compromises in design. In order to remain compact this Loxia sacrifices optical performance at f/2 (field curvature) and near focus (only about 1:6). I might have sold my Loxia 2/35 when I bought the Batis 2/40 CF (flat field, 1:3 reproduction) but the Loxia is so much fun to use I can't part with it.Solution to the curved field and closest focus? Solution for me is to pair it with my a6500 rather than my a7iii. On the cropped sensor field curvature is nearly eliminated, reproduction approaches 1:4 and effective focal length is 52.5mm. Returns me to the glory of the ancient Leica Series iii w/ a 50mm Summicron f2 in size, shape, and pleasure of quick accurate manual focus.Sweet spot is from f/2.8 to f/11. Activation of focus assist when ... MoreAll lenses incorporate compromises in design. In order to remain compact this Loxia sacrifices optical performance at f/2 (field curvature) and near focus (only about 1:6). I might have sold my Loxia 2/35 when I bought the Batis 2/40 CF (flat field, 1:3 reproduction) but the Loxia is so much fun to use I can't part with it.Solution to the curved field and closest focus? Solution for me is to pair it with my a6500 rather than my a7iii. On the cropped sensor field curvature is nearly eliminated, reproduction approaches 1:4 and effective focal length is 52.5mm. Returns me to the glory of the ancient Leica Series iii w/ a 50mm Summicron f2 in size, shape, and pleasure of quick accurate manual focus.Sweet spot is from f/2.8 to f/11. Activation of focus assist when turning focus ring is useful.I added a PocketPano Lens Grip which makes removing and installing any Loxia much easier; looks and feels as though Zeiss built it in.Blue rubberized seal at mount is appreciated. (Have had a Nex-7 damaged by dust and water entering at the mount with an unsealed 4/18-105 PZ.)I could take an extended overseas trip with just this lens and either my a6500 or a7iii and be delighted.
The Zeiss Loxia series is outstanding, and the 35mm is my personal favorite. It's a perfect compact lens for the Sony a7 series. The manual focus activates the automatic zoom (enlargement for focus) and focus peaking (if you select that feature in the camera menu). I love the Zeiss color rendition - especially with my Sony a7RV. Makes me slow down and enjoy the "intentionality" of manual focus.
| Model year | 2015 |
| Image stabilization technology | yes |
| Has image stabilisation | No |
| Optical zoom | 1 x |
| Minimum diaphragm opening | 22 Millimeters |
