Fujifilm Fujichrome Provia 100F 135/36
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
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The lowest price for Fujifilm Fujichrome Provia 100F 135/36 right now is $14.88 at Analog Space, compared across 17 retailers.
The all-time low was $14.66 on 3 June 2026 — today's price is 2% above the lowest ever. This is at or near its all-time low — a good time to buy.
Prices last updated 28 June 2026.
Last updated at 28/06/2026 07:39:10
Fujifilm Provia 100F medium format color slide film (single 120 roll)
Delivery $66.40
Fujifilm Provia 100F 35mm color slide film (36 exposures)
Delivery $66.40
Fujifilm Provia 100F Professional - 120 Color Reversal Film (1 Roll)
Fujifilm Provia 100F Professional – 135/36 Color Reversal Film
Fujifilm Fujichrome Provia 100F RDPIII (35mm Film, 36 Exposures)
Delivery $9.90
Fujifilm Fujichrome Provia 100F RDPIII (120mm Film, 12 Exposures) - 5 Pack
Delivery $9.90
Fuji Provia 100F ISO 100 135/36 DIA Film
Fuji Provia 100F RDP III ISO 100 4x5 20 Sheets Exp. 08/2017
Fujifilm Provia 100F 135 Colour Reversal Film - Live Price Matching
Delivery $7.95
Fujifilm Provia 100F 120 slide film
originally posted on adorama.com
There is no substitute for large format color slide film. The colors are much more crisp than something like Portra. If you have good light, it's not hard to shoot. Even the greatest medium format digital camera can't do what this film can in 4x5. In terms of image quality, it's actually cheaper for me to shoot on used film cameras than buy an expensive medium format digital camera that can't do the movements needed for architecture and such.
originally posted on analoguewonderland.co.uk
After receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less ... MoreAfter receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less blue and magenta than Ektachrome, more green-ish but still natural.
originally posted on ebay.com
This Fuji film is, in my view, vital to the life of real photographers working in colour. Its colour rendering is so true to life; vibrant, clear and well saturated without being brassy. Moreover, it can be "pushed" to 200 or 400 I.S.O. without any loss of quality or graininess. I always "push" this to 200 I.S.O. and am consistently delighted with the results. This is especially useful following Fuji's withdrawal of faster films several years' ago. Just don't forget to inform your processing lab!
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Color Reversal |
| Film Speed | ISO 100 |
| Color Balance | Daylight |
Fujifilm Provia 100F medium format color slide film (single 120 roll)
Delivery $66.40
Fujifilm Provia 100F 35mm color slide film (36 exposures)
Delivery $66.40
Fujifilm Provia 100F Professional - 120 Color Reversal Film (1 Roll)
Fujifilm Provia 100F Professional – 135/36 Color Reversal Film
Fujifilm Fujichrome Provia 100F RDPIII (35mm Film, 36 Exposures)
Delivery $9.90
There is no substitute for large format color slide film. The colors are much more crisp than something like Portra. If you have good light, it's not hard to shoot. Even the greatest medium format digital camera can't do what this film can in 4x5. In terms of image quality, it's actually cheaper for me to shoot on used film cameras than buy an expensive medium format digital camera that can't do the movements needed for architecture and such.
After receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less ... MoreAfter receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less blue and magenta than Ektachrome, more green-ish but still natural.
This Fuji film is, in my view, vital to the life of real photographers working in colour. Its colour rendering is so true to life; vibrant, clear and well saturated without being brassy. Moreover, it can be "pushed" to 200 or 400 I.S.O. without any loss of quality or graininess. I always "push" this to 200 I.S.O. and am consistently delighted with the results. This is especially useful following Fuji's withdrawal of faster films several years' ago. Just don't forget to inform your processing lab!
My journey in photography began in 1978 with the purchase of a Minolta XE-5 with a 50mm lens (I still have it today), and began shooting Kodachrome 64.Today I continue to shoot film. Kodachrome 64 is gone and my search for another side film led me to Fujifilm.I settled on Provia 100F. The colors are bright and true and I get that film look that I like.Try a roll or two. I don't think you'll be disappointed.
This is my favourite slide film. The colours are beautiful. It is slightly more saturated than Ektachrome, but a little less forgiving, so be sure to expose for those highlights otherwise photos can get blown out. There is a very distinct look to photos, just like old school slide film from the 80s/90s. The only bad thing is the price nowadays and the uncertainty of production. Stock up if you see this at a reasonable price.
I used an entire roll of this on one beach from the afternoon into the evening. The resulting images had great sharpness and reduced grain which I really liked. One concern I have with this film however is the colours. I have seen accurate colours be produced by this film, however I found my images weren't necessarily true to life. However, this could be down to develop/scanning and the fact that this was my second ever roll of film I shot (human error). I love the results that this film, and slide film in general, offer and I have a roll of Provia 100 that I am waiting to shoot, but the price means that it shall be saved for special occasions. The benefit that slide film gives to an image is worth it for me, but it's definitely worth considering carefully how all ... MoreI used an entire roll of this on one beach from the afternoon into the evening. The resulting images had great sharpness and reduced grain which I really liked. One concern I have with this film however is the colours. I have seen accurate colours be produced by this film, however I found my images weren't necessarily true to life. However, this could be down to develop/scanning and the fact that this was my second ever roll of film I shot (human error). I love the results that this film, and slide film in general, offer and I have a roll of Provia 100 that I am waiting to shoot, but the price means that it shall be saved for special occasions. The benefit that slide film gives to an image is worth it for me, but it's definitely worth considering carefully how all 36 exposures will be used.In short, what sells this film for me and means that I'd use it again is its sharpness and grain over the colour reproduction.
Among the last of the great slide films available in 4x5 format. Incredible saturation and contrast. Decent latitude (for slide film) I feel like as well. Very very fine grain. Fuji if you are reading this, please keep making slide film!
I've been using Fuji Provia 100F film for years for professional work. I can't say enough good things about it. Just lovely, realistic color. My only worry is that its availability has become erratic. May the Gods of Photography smile on us and persuade Fuji to continue making this wonderful film.
The best slide film I have ever used except for maybe Kodachrome 25. Even Kodachrome 25 couldn't match Provia 100F's ability to capture action because of it's low ISO. Fine grain and excellent colors. I experimented with 21 rolls of Kodak e100 and regretted it. Provia 100F has much better colors and exposure latitude. I'll quit shooting film before I buy e100 again.
Happy to see B&H has received a shipment of Fuji Provia 100F, in myopinion, the best color transparency film still on the market. The color, balance, and sharpness are superior to other slide films, and although I also shoot some digital images, I still use Provia 100F for my most important photography subjects.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Color Reversal |
| Film Speed | ISO 100 |
| Color Balance | Daylight |
