Fujifilm XF 50mm f/2 R WR Lens (Silver)
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
in 20 offers
The lowest price for Fujifilm XF 50mm f/2 R WR Lens (Silver) right now is $463.59 at Camera West, compared across 11 retailers.
The all-time low was $413.91 on 12 Feb 2026 — today's price is 12% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 10:37:31
Fujifilm 50mm f2 R WR 76A11516
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originally posted on bhphotovideo.com
I'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, ... MoreI'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, helps in that regard).Besides working well ergonomically, this lens puts out the images. Details are extremely sharp at f2, and improve marginally (mostly in corner performance) up to around f5.6. Because Fuji emphasizes wide-open image quality in this lens, it will serve you well in low-light shooting without flash.I received the 50mm f2 as a Christmas gift, and it has filled a real need in my X street setup. I might someday get the 56mm 1.2 for posed portraits, but my burning desire for that lens has diminished as I enjoy the 50mm f2.
originally posted on bhphotovideo.com
Often, crop-sensor systems are treated as amateur equipment, and they arrive at our doorstep with components of less-than-stellar quality. Too often, this corner-cutting includes lenses of mediocre optical and build quality (budget-priced Nikkor and Canon APSC lenses come to mind) compared to serious enthusiast and pro systems. I'm happy to say that this is not the case with the Fuji X system. Not only is the new line of weather resistant (WR) lenses a perfect complement to the portable form factor of the X-E, X-T, and X-Pro bodies; they also fulfill the needs of portable shooting (street photography, event photography, travel photography) perfectly.When I was learning to take pictures, I used Olympus OM and Leica M3 film cameras. These cameras were great in the ... MoreOften, crop-sensor systems are treated as amateur equipment, and they arrive at our doorstep with components of less-than-stellar quality. Too often, this corner-cutting includes lenses of mediocre optical and build quality (budget-priced Nikkor and Canon APSC lenses come to mind) compared to serious enthusiast and pro systems. I'm happy to say that this is not the case with the Fuji X system. Not only is the new line of weather resistant (WR) lenses a perfect complement to the portable form factor of the X-E, X-T, and X-Pro bodies; they also fulfill the needs of portable shooting (street photography, event photography, travel photography) perfectly.When I was learning to take pictures, I used Olympus OM and Leica M3 film cameras. These cameras were great in the context of street photography: light, compact, easy to handle, and durable. When I picked up the X-E1 with the 18-55 zoom, I loved the image quality, but the camera was downright slow compared to a zone-focused film camera. After I unceremoniously dropped and damaged my X-E1 a few weeks ago, I upgraded to the X-E3 with this XF 23mm F2 R WR lens. I can't believe how effective this combination is. This lens eliminates most need for zone focusing in my street photography -- the autofocus is that fast and reliable. In a recent street photo trip to NYC, I found myself missing very few shots due to slow autofocus (lack of skill is another matter!).Having used only the 18-55 kit zoom in the past, I was skeptical that this 23mm would perform much better in terms of image quality. That doubt turned out to be short-lived. The XF 23 f2 is SUPERB wide open: sharp, contrasty, and free of noticeable distortion. What's more, in practical use, this lens embodies the functionality of the old Summicron lenses. Not only is it sharp; it is small, light, and fast. I never thought I would get such good results viewing street photos from an APSC body at 100%, but this lens will allay even a pixel peeper's fears. The build quality of this lens is a great complement to its stellar performance. While light, it feels very well made. The aperture ring is firm, and the focus ring has a nice feel and a good throw. My only design gripe (across the X system) is the texture pattern of the focus ring: residue from my hands tends to build up in the sharp flutings, and that area proves somewhat inconvenient to clean. Of course, this has no effect on image quality, and you probably won't be manual focusing this lens too much anyway. In short, I will make a tall claim: there is absolutely nothing wrong with this lens. It looks good, it feels nice, it takes technically stunning photos, and it's not too expensive. Some prefer a faster lens; some prefer a zoom. Bit if you need small, light, portable glass, I can't imagine this lens disappointing you.
originally posted on bhphotovideo.com
I shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and ... MoreI shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and therefore I've use a b+w soft filter. That is the one that's made like a Zeiss Softar with little dimpled lenses in the filter surface. Either way, with the filter or with the lens by itself this lens is very suitable for intimate portraiture. The mechanical build quality is top-notch. The lens hood is actually pretty good. This lens leaves nothing to be desired. I should also add set this lens complete my Holy Trinity of lenses, which are the 16mm 23mm and the 50mm. Armed with two x pro2 camera bodies, and those lenses, I am ready for almost any shooting assignment for any event. The 50 mm is a must-have lens.
| Focal Length | 50mm (35mm Equivalent Focal Length: 76mm) |
| Maximum Aperture | f/2 |
| Minimum Aperture | f/16 |
| Lens Mount | FUJIFILM X |
| Format Compatibility | APS-C |
Fujifilm 50mm f2 R WR 76A11516
Fujifilm 50mm f2 WR, Boxed 2AB00569
Fujifilm XF 35mm f/2 R WR Lens (Silver)
Free delivery between 16–23 June
Fujifilm XF 50mm f/2 R WR Lens (Silver)
Free delivery between 16–23 June
Fujifilm X Lens XF 50mm F2 R WR (Weather Resistant) Silver
Delivery between 16–24 June $9.90
I'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, ... MoreI'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, helps in that regard).Besides working well ergonomically, this lens puts out the images. Details are extremely sharp at f2, and improve marginally (mostly in corner performance) up to around f5.6. Because Fuji emphasizes wide-open image quality in this lens, it will serve you well in low-light shooting without flash.I received the 50mm f2 as a Christmas gift, and it has filled a real need in my X street setup. I might someday get the 56mm 1.2 for posed portraits, but my burning desire for that lens has diminished as I enjoy the 50mm f2.
Often, crop-sensor systems are treated as amateur equipment, and they arrive at our doorstep with components of less-than-stellar quality. Too often, this corner-cutting includes lenses of mediocre optical and build quality (budget-priced Nikkor and Canon APSC lenses come to mind) compared to serious enthusiast and pro systems. I'm happy to say that this is not the case with the Fuji X system. Not only is the new line of weather resistant (WR) lenses a perfect complement to the portable form factor of the X-E, X-T, and X-Pro bodies; they also fulfill the needs of portable shooting (street photography, event photography, travel photography) perfectly.When I was learning to take pictures, I used Olympus OM and Leica M3 film cameras. These cameras were great in the ... MoreOften, crop-sensor systems are treated as amateur equipment, and they arrive at our doorstep with components of less-than-stellar quality. Too often, this corner-cutting includes lenses of mediocre optical and build quality (budget-priced Nikkor and Canon APSC lenses come to mind) compared to serious enthusiast and pro systems. I'm happy to say that this is not the case with the Fuji X system. Not only is the new line of weather resistant (WR) lenses a perfect complement to the portable form factor of the X-E, X-T, and X-Pro bodies; they also fulfill the needs of portable shooting (street photography, event photography, travel photography) perfectly.When I was learning to take pictures, I used Olympus OM and Leica M3 film cameras. These cameras were great in the context of street photography: light, compact, easy to handle, and durable. When I picked up the X-E1 with the 18-55 zoom, I loved the image quality, but the camera was downright slow compared to a zone-focused film camera. After I unceremoniously dropped and damaged my X-E1 a few weeks ago, I upgraded to the X-E3 with this XF 23mm F2 R WR lens. I can't believe how effective this combination is. This lens eliminates most need for zone focusing in my street photography -- the autofocus is that fast and reliable. In a recent street photo trip to NYC, I found myself missing very few shots due to slow autofocus (lack of skill is another matter!).Having used only the 18-55 kit zoom in the past, I was skeptical that this 23mm would perform much better in terms of image quality. That doubt turned out to be short-lived. The XF 23 f2 is SUPERB wide open: sharp, contrasty, and free of noticeable distortion. What's more, in practical use, this lens embodies the functionality of the old Summicron lenses. Not only is it sharp; it is small, light, and fast. I never thought I would get such good results viewing street photos from an APSC body at 100%, but this lens will allay even a pixel peeper's fears. The build quality of this lens is a great complement to its stellar performance. While light, it feels very well made. The aperture ring is firm, and the focus ring has a nice feel and a good throw. My only design gripe (across the X system) is the texture pattern of the focus ring: residue from my hands tends to build up in the sharp flutings, and that area proves somewhat inconvenient to clean. Of course, this has no effect on image quality, and you probably won't be manual focusing this lens too much anyway. In short, I will make a tall claim: there is absolutely nothing wrong with this lens. It looks good, it feels nice, it takes technically stunning photos, and it's not too expensive. Some prefer a faster lens; some prefer a zoom. Bit if you need small, light, portable glass, I can't imagine this lens disappointing you.
I shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and ... MoreI shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and therefore I've use a b+w soft filter. That is the one that's made like a Zeiss Softar with little dimpled lenses in the filter surface. Either way, with the filter or with the lens by itself this lens is very suitable for intimate portraiture. The mechanical build quality is top-notch. The lens hood is actually pretty good. This lens leaves nothing to be desired. I should also add set this lens complete my Holy Trinity of lenses, which are the 16mm 23mm and the 50mm. Armed with two x pro2 camera bodies, and those lenses, I am ready for almost any shooting assignment for any event. The 50 mm is a must-have lens.
This is a great lens. Especially to buy used, if you get the Made In Philippines one it's from 2019 and later, and the quality is excellent. I do not have the 1.4 version and I've read several reviews -during my research- that this lens performs better in many cases. Worth researching and spending twice the money on the 1.4 version. Very sharp, and smooth. All metal construction, Weather Sealed, light, and even though it looks a little weird (the front element is 43mm while the mount is 50, so narrower on front than back) it performs beautifully. It's my walkaround lens for life. For lens hood, I recommend the HAOGE LH-X35, it's a square all metal lens hood, hooks via bayonet. Looks beautiful.
Pros: Excellent build quality in a reasonably small package. Giving exceptional image quality, the lens is fast to focus and very quiet. For an everyday lens that performs brilliantly for everything from portraits, street and landscapes. The lens will not disappoint. Super lens!Cons: Nothing! The lens is simple superb.
As far as build quality, auto-focus, and image quality I would say that this sweet little lens falls in line with the recently released 23mm f2 and the 35mm f2 lenses. I my case, I already have the Zeiss Touit 50mm f2.8 Makro lens, so I made a reasonably scientific comparison between those two lenses. Since the Zeiss is a multi-purpose lens for me, used for portraits and general use as well as occasional macro work, I thought I might be able to replace it with this 50mm f2 and gain the size advantage and use my Fujifilm extension tube for the macro end of things. I performed a series of hand held shots at different distances and subjects at f2 through f8 as well as a series of tripod mounted shots with controlled lighting ranging from the closest possible extension ... MoreAs far as build quality, auto-focus, and image quality I would say that this sweet little lens falls in line with the recently released 23mm f2 and the 35mm f2 lenses. I my case, I already have the Zeiss Touit 50mm f2.8 Makro lens, so I made a reasonably scientific comparison between those two lenses. Since the Zeiss is a multi-purpose lens for me, used for portraits and general use as well as occasional macro work, I thought I might be able to replace it with this 50mm f2 and gain the size advantage and use my Fujifilm extension tube for the macro end of things. I performed a series of hand held shots at different distances and subjects at f2 through f8 as well as a series of tripod mounted shots with controlled lighting ranging from the closest possible extension tube distance to 1 meter (+/-) with out the tube. In virtually all cases at f2.8 and f4 the zeiss lens excelled in sharpness. At f5.6 and f8 the two lenses showed no discernible difference in sharpness. Overall the zeiss' micro contrast gave the images ever so slightly more pop whereas the bokeh seemed equally silky between the two lenses. If I didn't already have the Zeiss lens, this little jewel would be a keeper, but for me the overall slightly better image quality of the Zeiss along with the instant close-up capabilities won out over the size factor of the Fujinon lens. Also: The Fujinon did not work well with the 11mm extension tube, being very soft in all but the center 25% of the image as well as only being 1:4 magnification at best.
After reading many excellent reviews, I was still surprised by this lens: Excellent image quality, solid build, tack sharp, lightweight, silent and fast autofocus... and all of that at a relatively affordable price.I initially bought it for candid portraits, street photography and some landscape... most of it personal. I love my Fuji 90mm f2 for outdoors portraits (mostly paid work). However, I will definitely bring this f2 to my next session. I actually chose this over the already available 50mm f1 (due to the lighter f2 reported to have faster autofocus with less hunting).Last year I moved from Nikon DSRL to Fuji, and most of my lenses were f/2.8... so f2 has been more than enough for me... even at night (think downtown city lighting).My favorite features: ... MoreAfter reading many excellent reviews, I was still surprised by this lens: Excellent image quality, solid build, tack sharp, lightweight, silent and fast autofocus... and all of that at a relatively affordable price.I initially bought it for candid portraits, street photography and some landscape... most of it personal. I love my Fuji 90mm f2 for outdoors portraits (mostly paid work). However, I will definitely bring this f2 to my next session. I actually chose this over the already available 50mm f1 (due to the lighter f2 reported to have faster autofocus with less hunting).Last year I moved from Nikon DSRL to Fuji, and most of my lenses were f/2.8... so f2 has been more than enough for me... even at night (think downtown city lighting).My favorite features: Fast autofocus, lightweight, excellent image quality... and inexpensive.
I've only owned this lens for a bit over a week and haven't had the time to thoroughly put it through its paces, but I can tell you with confidence that this lens is optically excellent. Images are tack sharp straight from F2 (very similar to the Fuji 90mm F2), common aberrations like CA are well-controlled, vignetting generally isn't noticeable, the list goes on.The reserved headline comes from the fact that it's a 50mm lens on APS-C, which translates to a focal length of roughly 76mm in FF terms. The slight shortness compared to the standard 85mm is noticeable in the amount of background compression and bokeh this lens produces (which is fair on this lens, but distinctly average when compared to the Fuji 56mm F1.2).Focusing noise is excellent but focus speed ... MoreI've only owned this lens for a bit over a week and haven't had the time to thoroughly put it through its paces, but I can tell you with confidence that this lens is optically excellent. Images are tack sharp straight from F2 (very similar to the Fuji 90mm F2), common aberrations like CA are well-controlled, vignetting generally isn't noticeable, the list goes on.The reserved headline comes from the fact that it's a 50mm lens on APS-C, which translates to a focal length of roughly 76mm in FF terms. The slight shortness compared to the standard 85mm is noticeable in the amount of background compression and bokeh this lens produces (which is fair on this lens, but distinctly average when compared to the Fuji 56mm F1.2).Focusing noise is excellent but focus speed is not. It's blazing fast in good lighting as most lenses are, but in non-optimal lighting focusing speeds take a big hit, becoming even slower than my 16mm F1.4 and 23mm F1.4 lenses despite those being being F1.4 lenses with older focus motor technology.The minimum focus distance on this lens is quite good and image quality remains excellent
So many Fujifilm users speak negatively about the 50mm f/2 because the 56mm f/1.2 is so impressive. However, speaking as someone who owns and uses both lenses, I prefer shooting with the 50mm f/2. The 50mm is weather sealed, has faster autofocus, has a closer minimum focus distance, and delivers almost identical image sharpness from f/2.8 onward. At f/2 the 50mm isnt quite as sharp as the 56mm, but you have to pixel-peep test charts to see the difference. I often have to shoot portraits at f/2 with the 56mm to get the entire face in focus, so lately I just use the 50mm because I can get closer (thanks to the closer minimum focus distance), it focuses faster (with better accuracy), and f/2 is better than f/1.2 for getting a complete face in focus. The only time I use ... MoreSo many Fujifilm users speak negatively about the 50mm f/2 because the 56mm f/1.2 is so impressive. However, speaking as someone who owns and uses both lenses, I prefer shooting with the 50mm f/2. The 50mm is weather sealed, has faster autofocus, has a closer minimum focus distance, and delivers almost identical image sharpness from f/2.8 onward. At f/2 the 50mm isnt quite as sharp as the 56mm, but you have to pixel-peep test charts to see the difference. I often have to shoot portraits at f/2 with the 56mm to get the entire face in focus, so lately I just use the 50mm because I can get closer (thanks to the closer minimum focus distance), it focuses faster (with better accuracy), and f/2 is better than f/1.2 for getting a complete face in focus. The only time I use the 56mm is for low light events where I dont want to use high ISO and Im far enough away from the subject that shallow depth of field isnt an issue.
I've been on the fence about getting this lens and now that I have it, idk why I waited. I also have the 56mm f1.2, which I love. I thought that the 56mm fulfilled all of my short telephoto needs, I was wrong. This 50mm f2 has a number of benefits over the older 56mm f1.2. For one, the autofocus is much faster and quieter (as with all of the f2 primes). Plus, the closer minimum focusing distance means I can get much closer to my subjects. Weather proofing is a huge benefit, allowing me to feel comfortable using the lens in adverse conditions. Sure the depth of field and bokeh isn't going to match the 56mm f1.2, but if that's not all you're after in your work, this lens can be a great addition to your kit.
| Focal Length | 50mm (35mm Equivalent Focal Length: 76mm) |
| Maximum Aperture | f/2 |
| Minimum Aperture | f/16 |
| Lens Mount | FUJIFILM X |
| Format Compatibility | APS-C |
