K&M 21070 Boom Microphone Stand
Whether you are a beginner or a professional – König & Meyer offers optimal music accessories for any area of application. First-rate materials and optimized product processing result in tangible manufacturing quality right down to the smallest details. They only use precision steel tubes, which are consistent in their dimensions and tolerances. Metal and plastic parts are manufactured in-house and they have been developing and building tools and equipment ourselves for many years now. There is hardly a music studio, concert or event that isn’t outfitted with K&M microphone stands.The K&M 21070 tripod microphone stand and boom offers sturdy support for live sound and recording applications. The stand features a fixed length boom measuring at 31.69" and the stands height is adjustable between 39.76 - 67.72". This stand folds up neatly and is easy to carry. Made in Germany.
Whether you are a beginner or a professional – König & Meyer offers optimal music accessories for any area of application. First-rate materials and optimized product processing result in tangible manufacturing quality right down to the smallest details. They only use precision steel tubes, which are consistent in their dimensions and tolerances. Metal and plastic parts are manufactured in-house and they have been developing and building tools and equipment ourselves for many years now. There is hardly a music studio, concert or event that isn’t outfitted with K&M microphone stands.The K&M 21070 tripod microphone stand and boom offers sturdy support for live sound and recording applications. The stand features a fixed length boom measuring at 31.69" and the stands height is adjustable between 39.76 - 67.72". This stand folds up neatly and is easy to carry. Made in Germany.
Whether you are a beginner or a professional – König & Meyer offers optimal music accessories for any area of application. First-rate materials and optimized product processing result in tangible manufacturing quality right down to the smallest details. They only use precision steel tubes, which are consistent in their dimensions and tolerances. Metal and plastic parts are manufactured in-house and they have been developing and building tools and equipment ourselves for many years now. There is hardly a music studio, concert or event that isn’t outfitted with K&M microphone stands.The K&M 21070 tripod microphone stand and boom offers sturdy support for live sound and recording applications. The stand features a fixed length boom measuring at 31.69" and the stands height is adjustable between 39.76 - 67.72". This stand folds up neatly and is easy to carry. Made in Germany.
Whether you are a beginner or a professional – König & Meyer offers optimal music accessories for any area of application. First-rate materials and optimized product processing result in tangible manufacturing quality right down to the smallest details. They only use precision steel tubes, which are consistent in their dimensions and tolerances. Metal and plastic parts are manufactured in-house and they have been developing and building tools and equipment ourselves for many years now. There is hardly a music studio, concert or event that isn’t outfitted with K&M microphone stands.The K&M 21070 tripod microphone stand and boom offers sturdy support for live sound and recording applications. The stand features a fixed length boom measuring at 31.69" and the stands height is adjustable between 39.76 - 67.72". This stand folds up neatly and is easy to carry. Made in Germany.
in 34 offers
The lowest price for K&M 21070 Boom Microphone Stand right now is $10.00 at wwave.com.au, compared across 33 retailers.
The all-time low was $10.00 on 21 May 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 8 June 2026.
Last updated at 08/06/2026 19:17:40
Floor Microphone Stand and Boom Hire
Microphone stand König and Meyer K&M 21070
Free delivery
Konig & Meyer 21070 Tall Microphone Stand with Boom
Delivery $27.95
K&M 210/7 Tripod Microphone Stand with Single Section Boom - Black
Delivery $11.65
K&M KM21070-B Microphone Stand - Black
Free delivery between 12–18 June
Konig & Meyer 21070 Microphone Stand
Delivery $9.90
Konig & Meyer 21070 Tall Microphone Stand with Boom
K&M 21070 Microphone Stand in Black
Delivery between Fri – Sun $20
Konig & Meyer 21070 Microphone Stand (Black)
Delivery $27.05
Konig & Meyer K&M 21070 Mic Stand
Delivery between 11–18 June $20.05
originally posted on bhphotovideo.com
If you have used tripods in most music clubs these days, you know about cheap, junky tripods. Many of these barely hold an SM58 reliably, much less a heavier, more expensive microphone. Having nearly lost mics on more than one occasion, I bought better quality tripods for myself. When I began looking for the right combination of quality and weight, I decided on K&M. I have yet to have one fail. Yes, you pay more, but you get what you pay for. One day all of us learn that lesson.
originally posted on djcity.com.au
A pretty decent stand. Not too expensive. Well built, though I wish it had the clamp style of their shorter stands that have the balls on the ends of the tightening rod, it just feels like you get more leverage to tighten as opposed to the simple design that this boom has. Not a deal breaker, I'm sure it will still last many years.
originally posted on musiciansfriend.com
This product is used for my mandolin. It's designed for guitar, but narrow enough to hold a mandolin as it rests partially on the tuners. The fork is padded so there's no damage possibilities. Would NOT recommend this product for a banjo or uke unless specifically designed w/a narrow fork. Also, it may be a little too fragile to hold Les Pauls, Explorers, etc. on a night in/night out basis and last any length of time.In my case the attachment is used on a tripod/boom stand combination. A removable 'cup holder' attachment is used on the left side and the instrument attachment is on the right. The fork moves 90 degrees allowing a boom/tripod to maintain it's portable profile w/t product remaining attached.The padded lower stand doughnut is perfect. It's moveable ... MoreThis product is used for my mandolin. It's designed for guitar, but narrow enough to hold a mandolin as it rests partially on the tuners. The fork is padded so there's no damage possibilities. Would NOT recommend this product for a banjo or uke unless specifically designed w/a narrow fork. Also, it may be a little too fragile to hold Les Pauls, Explorers, etc. on a night in/night out basis and last any length of time.In my case the attachment is used on a tripod/boom stand combination. A removable 'cup holder' attachment is used on the left side and the instrument attachment is on the right. The fork moves 90 degrees allowing a boom/tripod to maintain it's portable profile w/t product remaining attached.The padded lower stand doughnut is perfect. It's moveable allowing it to be placed specifically for a given instrument. While others may object to the velcro strap I actually like it. When it wears out just replace it.The loosening/tightening mechanism for the fork may fatigue over time, so I wouldn't recommend over tightening. 'Finger tight/snug' should be sufficient.All on all it's a nice little system allowing easy access to a 2nd instrument. I've used it twice on acoustic gigs and it's really convenient. Didn't even realize how badly one was needed until purchased.
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Floor Microphone Stand and Boom Hire
Microphone stand König and Meyer K&M 21070
Free delivery
Konig & Meyer 21070 Tall Microphone Stand with Boom
Delivery $27.95
K&M 210/7 Tripod Microphone Stand with Single Section Boom - Black
Delivery $11.65
K&M KM21070-B Microphone Stand - Black
Free delivery between 12–18 June
If you have used tripods in most music clubs these days, you know about cheap, junky tripods. Many of these barely hold an SM58 reliably, much less a heavier, more expensive microphone. Having nearly lost mics on more than one occasion, I bought better quality tripods for myself. When I began looking for the right combination of quality and weight, I decided on K&M. I have yet to have one fail. Yes, you pay more, but you get what you pay for. One day all of us learn that lesson.
A pretty decent stand. Not too expensive. Well built, though I wish it had the clamp style of their shorter stands that have the balls on the ends of the tightening rod, it just feels like you get more leverage to tighten as opposed to the simple design that this boom has. Not a deal breaker, I'm sure it will still last many years.
This product is used for my mandolin. It's designed for guitar, but narrow enough to hold a mandolin as it rests partially on the tuners. The fork is padded so there's no damage possibilities. Would NOT recommend this product for a banjo or uke unless specifically designed w/a narrow fork. Also, it may be a little too fragile to hold Les Pauls, Explorers, etc. on a night in/night out basis and last any length of time.In my case the attachment is used on a tripod/boom stand combination. A removable 'cup holder' attachment is used on the left side and the instrument attachment is on the right. The fork moves 90 degrees allowing a boom/tripod to maintain it's portable profile w/t product remaining attached.The padded lower stand doughnut is perfect. It's moveable ... MoreThis product is used for my mandolin. It's designed for guitar, but narrow enough to hold a mandolin as it rests partially on the tuners. The fork is padded so there's no damage possibilities. Would NOT recommend this product for a banjo or uke unless specifically designed w/a narrow fork. Also, it may be a little too fragile to hold Les Pauls, Explorers, etc. on a night in/night out basis and last any length of time.In my case the attachment is used on a tripod/boom stand combination. A removable 'cup holder' attachment is used on the left side and the instrument attachment is on the right. The fork moves 90 degrees allowing a boom/tripod to maintain it's portable profile w/t product remaining attached.The padded lower stand doughnut is perfect. It's moveable allowing it to be placed specifically for a given instrument. While others may object to the velcro strap I actually like it. When it wears out just replace it.The loosening/tightening mechanism for the fork may fatigue over time, so I wouldn't recommend over tightening. 'Finger tight/snug' should be sufficient.All on all it's a nice little system allowing easy access to a 2nd instrument. I've used it twice on acoustic gigs and it's really convenient. Didn't even realize how badly one was needed until purchased.
The seat angle adjustment seemed like it wouldn't sufficiently tighten (the seat would suddenly change angles while being used and I almost fell off stool several times.) To get it tight enough to hold securely required sufficient force to break the handle. I suppose I will need to modify it now in order to get a secure and safe angle hold. It's a disappointment, since the stool was costly and for the most part seems to be heavy-duty and well-engineered.I wish I could recommend the stool as
With so many mic stands out there, and such a wide range of prices, it was hard to choose. This stand costs a bit more than the rock-bottom models, but as soon as I opened the box, I could see it was worth it. There is nothing fancy about this stand, but it is sturdy and well-made. The base where the legs attach and the boom attachment are both cast steel. The whole stand has a thick smooth powder-coat of black paint. A cast imprint on the boom mount, as well as labeling on the box, says Made in Germany. The mounting threads are clean and sharp. To summarize, a good, strong, well-made basic mic stand at a very sensible price. When I need more stands, I'll get this one again.
The absolute best mic stands for the price. Heavy gauge steel construction that is durable and stable. Thick powder-coated finish. Secure, metal boom pivot that wont slip when tightened. Great looking stands too.
The K&M stands of course are a mainstay for recording engineers for their durability and reliability, their reputation is well-earned and speaks for itself. This model is no exception. The 210/9 model (with the telescoping boom) is the more popular one and has nicer components in the boom-- in addition to being a telescoping boom, it has a metal angle adjustment clamp rather than the plastic one that comes with this model. That being said, the telescoping boom always feels just a tad flimsy to me when fully extended. For applications that tend to require full length booms like drum overheads or close piano spotting, I much prefer a fixed length boom arm like this one. The 21070 is the same basic stand component as the 21070 but the boom arm is a solid piece of metal ... MoreThe K&M stands of course are a mainstay for recording engineers for their durability and reliability, their reputation is well-earned and speaks for itself. This model is no exception. The 210/9 model (with the telescoping boom) is the more popular one and has nicer components in the boom-- in addition to being a telescoping boom, it has a metal angle adjustment clamp rather than the plastic one that comes with this model. That being said, the telescoping boom always feels just a tad flimsy to me when fully extended. For applications that tend to require full length booms like drum overheads or close piano spotting, I much prefer a fixed length boom arm like this one. The 21070 is the same basic stand component as the 21070 but the boom arm is a solid piece of metal with a plastic clamp that screws down. The threads to this clamp are still metal, just housed within a plastic handle. I've used very old K&M stands with plastic angle adjustment clamps which tended to droop with wear and tear, but this clamp seems better engineered and stronger. Just be sure to fully tighten it (not overly, but enough) to keep the microphones in place and loosen it before moving. The best way to break a stand is to tighten the angle clamp or clutch only partway and then try to move it without loosening.Pros:-Just as durable as the 210/90 for less money-Solid boom arm is great for fully extended applicationsCons:-Plastic clamp is not as appealing as the metal clamp, though it doesn't seem to significantly impact performance-The fixed length boom arm is less convenient for transportation and not as pretty for shorter/closer applications which require less boom extension.All in all, if you do a lot of different kinds of recording, having several of both the 21070 and 210/9 in your stand bag(s) would be worthwhile.
I originally had purchased an Auray equivalent to this microphone stand to save some money and it was flimsy and wobbly. I exchanged that stand for this one (and paid a small premium) and boy, was it worth it! K&M makes some of the best microphone stands out there and the build quality and sturdiness shine, even though this is one of their less expensive stands. Would buy again in a heartbeat.
I am using this stand with a K&M mic bar to which I attach a pair of stereo Rode NT5 mics (100 gr each). The adjustments on the stand are basically IMPOSSIBLE. The vertical pole turns around it axis regardless of how much pressure I put on the rubber tightening part. Whenever I grab the mic bar, this will also cause the boom to move around its own axis and around the vertical pole.K&M warranty service first claimed that the thread adaptors/washers (already in place from the manufacturer) were causing the problem and that they should be removed. Since that did not help, then they suggested that the knob screw was too short and they sent a longer one - which did not solve the issue either.After calling them again, they suggested that I needed a higher end heavy ... MoreI am using this stand with a K&M mic bar to which I attach a pair of stereo Rode NT5 mics (100 gr each). The adjustments on the stand are basically IMPOSSIBLE. The vertical pole turns around it axis regardless of how much pressure I put on the rubber tightening part. Whenever I grab the mic bar, this will also cause the boom to move around its own axis and around the vertical pole.K&M warranty service first claimed that the thread adaptors/washers (already in place from the manufacturer) were causing the problem and that they should be removed. Since that did not help, then they suggested that the knob screw was too short and they sent a longer one - which did not solve the issue either.After calling them again, they suggested that I needed a higher end heavy duty stand at twice the price (just to hold two 100 grams microphones on studio setup?)As much as the materials seem to be of good quality, if the adjustments do not work properly, then the mic stand does not fulfill its basic and main purpose: to keep the mics in place.When I asked K&M rep to simplify things and send a new stand, they claimed that it will have the same problem, and they asked me to try to solve the issue via B&H first (although my 30 day return period already expired and B&H is not responsible for this).A three year warranty which is not acknoledged after less than two months of purchase is no warranty at all.
I looked at various mic stands on B&H. Most of them had decent reviews but one thing I was looking for in particular... a mic stand that could hold a large condenser mic. So many mic stands negatives were... don't use with a heavy mic. This one on the other hand... good for heavier mics. So I ordered it and it does what it's supposed to do. Quality made, no tilting with my mic and shock mount whatsoever.
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