Kentmere Pan 100 Black and White Negative Film 35mm - 24 Exposure
Kentmere 100 is a medium speed, black and white film, ideal for pictorial and fine art photography, and can be processed in a wide variety of developers. It is also less sensitive to changes in development, offering greater process control. When given standard development it has a speed rating of ISO 100/21 to daylight. Prints made from Kentmere 100 film exposed at EI 100/21 have extremely fine grain and outstanding sharp-ness. In fact, in the hands of a skilled specialist, who will pay careful attention to exposure and processing, prints from Kentmere 100 negatives can be exceptional. Kentmere 100 though, is not just for specialists and is more than an ISO 100/21 film. Its exposure latitude allows good quality results to be obtained over the exposure range EI 50/18 to EI 200/24. Kentmere 100 is compatible with all major processing systems and can be processed in all popular developers. Kentmere 100 is among the world's sharpest ISO 100 speed black-and-white camera film. This exceptional film uses unique core-shell crystal technology offering the best image quality of any new-technology film. Kentmere 100's emulsion allows levels of enlargement never before possible without loss of fine detail. Its wide tonal range and superior exposure-latitude helps capture images that can easily be reproduced on today's black-and-white papers, without the need for extreme print manipulation. Ideal for studio, fashion, portrait or fine art photography, Kentmere 100 gives professional photographers the means to express their vision with crystal clarity.
Kentmere 100 is a medium speed, black and white film, ideal for pictorial and fine art photography, and can be processed in a wide variety of developers. It is also less sensitive to changes in development, offering greater process control. When given standard development it has a speed rating of ISO 100/21 to daylight. Prints made from Kentmere 100 film exposed at EI 100/21 have extremely fine grain and outstanding sharp-ness. In fact, in the hands of a skilled specialist, who will pay careful attention to exposure and processing, prints from Kentmere 100 negatives can be exceptional. Kentmere 100 though, is not just for specialists and is more than an ISO 100/21 film. Its exposure latitude allows good quality results to be obtained over the exposure range EI 50/18 to EI 200/24. Kentmere 100 is compatible with all major processing systems and can be processed in all popular developers. Kentmere 100 is among the world's sharpest ISO 100 speed black-and-white camera film. This exceptional film uses unique core-shell crystal technology offering the best image quality of any new-technology film. Kentmere 100's emulsion allows levels of enlargement never before possible without loss of fine detail. Its wide tonal range and superior exposure-latitude helps capture images that can easily be reproduced on today's black-and-white papers, without the need for extreme print manipulation. Ideal for studio, fashion, portrait or fine art photography, Kentmere 100 gives professional photographers the means to express their vision with crystal clarity.
Kentmere 100 is a medium speed, black and white film, ideal for pictorial and fine art photography, and can be processed in a wide variety of developers. It is also less sensitive to changes in development, offering greater process control. When given standard development it has a speed rating of ISO 100/21 to daylight. Prints made from Kentmere 100 film exposed at EI 100/21 have extremely fine grain and outstanding sharp-ness. In fact, in the hands of a skilled specialist, who will pay careful attention to exposure and processing, prints from Kentmere 100 negatives can be exceptional. Kentmere 100 though, is not just for specialists and is more than an ISO 100/21 film. Its exposure latitude allows good quality results to be obtained over the exposure range EI 50/18 to EI 200/24. Kentmere 100 is compatible with all major processing systems and can be processed in all popular developers. Kentmere 100 is among the world's sharpest ISO 100 speed black-and-white camera film. This exceptional film uses unique core-shell crystal technology offering the best image quality of any new-technology film. Kentmere 100's emulsion allows levels of enlargement never before possible without loss of fine detail. Its wide tonal range and superior exposure-latitude helps capture images that can easily be reproduced on today's black-and-white papers, without the need for extreme print manipulation. Ideal for studio, fashion, portrait or fine art photography, Kentmere 100 gives professional photographers the means to express their vision with crystal clarity.
Kentmere 100 is a medium speed, black and white film, ideal for pictorial and fine art photography, and can be processed in a wide variety of developers. It is also less sensitive to changes in development, offering greater process control. When given standard development it has a speed rating of ISO 100/21 to daylight. Prints made from Kentmere 100 film exposed at EI 100/21 have extremely fine grain and outstanding sharp-ness. In fact, in the hands of a skilled specialist, who will pay careful attention to exposure and processing, prints from Kentmere 100 negatives can be exceptional. Kentmere 100 though, is not just for specialists and is more than an ISO 100/21 film. Its exposure latitude allows good quality results to be obtained over the exposure range EI 50/18 to EI 200/24. Kentmere 100 is compatible with all major processing systems and can be processed in all popular developers. Kentmere 100 is among the world's sharpest ISO 100 speed black-and-white camera film. This exceptional film uses unique core-shell crystal technology offering the best image quality of any new-technology film. Kentmere 100's emulsion allows levels of enlargement never before possible without loss of fine detail. Its wide tonal range and superior exposure-latitude helps capture images that can easily be reproduced on today's black-and-white papers, without the need for extreme print manipulation. Ideal for studio, fashion, portrait or fine art photography, Kentmere 100 gives professional photographers the means to express their vision with crystal clarity.
in 9 offers
The lowest price for Kentmere Pan 100 Black and White Negative Film 35mm - 24 Exposure right now is $10.40 at Photo Resource Pty.Ltd., compared across 9 retailers.
The all-time low was $8.42 on 14 July 2025 — today's price is 24% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 12:43:46
Harman Technology 6012368 Kentmere 100 35mm 24 Exp
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kentmere 100 Iso 35MM 24 Exposure Black & White Film
Kentmere Pan 100 35mm Black & White Film - ISO 100 | 24 Exposures | New and Sealed
Delivery $34.41
Kentmere 100 ISO 35mm 24 Exp Black & White Film
Delivery $15
Kentmere Pan 100 Black and White Negative Film 35mm - 24 Exposure
Delivery between 16–18 June $8.95
Kentmere Pan 100 35mm Film - 24exp
Kentmere 100 35mm 24 exp film
Free delivery between 12–19 June
Kentmere Pan 100 Black And White Negative Film 35mm - 24 Exposure
Delivery $9.95
Kentmere Pan 100 Black and White Negative Film 35mm - 24 Exposure
Delivery $10
originally posted on analoguewonderland.co.uk
I ran a roll of this through my Pen-EE half-frame camera and the results were surprisingly good! I got good results across a range of test subjects and I like the contrast of the film and its forgiving nature for exposure. For a 100 film, I find it a bit grainy, but that's an aesthetic some people like. The price is of course the best selling point. I've used Agfa APX100 too and this is very similar.
originally posted on analoguewonderland.co.uk
Although this is a cheaper film I had good expectations knowing that this is a product from Ilford. While there is some grain and perhaps more than from premium 100 speed films this was not evident in the woodland photography I used it for due to the texture of the subject matter.When scanned with a flatter profile a good dynamic range can be recovered with scope to push contrast as needed for the envisioned end result. The negatives had excellent density when developed with Pyro 510 as per version 12 data sheet from Zone Imaging Lab.This is a solid option for general daily shooting and testing a new camera due to the price and ease of developing while other options may be better for specific projects where finer grain or higher contrast if desired. I will ... MoreAlthough this is a cheaper film I had good expectations knowing that this is a product from Ilford. While there is some grain and perhaps more than from premium 100 speed films this was not evident in the woodland photography I used it for due to the texture of the subject matter.When scanned with a flatter profile a good dynamic range can be recovered with scope to push contrast as needed for the envisioned end result. The negatives had excellent density when developed with Pyro 510 as per version 12 data sheet from Zone Imaging Lab.This is a solid option for general daily shooting and testing a new camera due to the price and ease of developing while other options may be better for specific projects where finer grain or higher contrast if desired. I will definitely keep several rolls in stock in the future.
originally posted on analoguewonderland.co.uk
Personally I love Kentmere 100! I know it's a 'budget' film stock but so far I've rarely been disappointed with the results I've achieved. The grain is fine, it's punchy in the right situations, and pretty forgiving in the wrong ones.I've not really tested it for portraits yet, but for architecture and macro shots I think the grain gives a pretty crisp image, especially when considering the money spent. Shadow details can drop off pretty significantly in really contrasty, low light scenes, but that's expected for such a slow speed film - my poor results here were probably due to my ineptitudes more than the film stock itself.I think in terms of Ilford stocks of a similar speed, I do prefer FP4, but I will always have some Kentmere 100 in my freezer for times ... MorePersonally I love Kentmere 100! I know it's a 'budget' film stock but so far I've rarely been disappointed with the results I've achieved. The grain is fine, it's punchy in the right situations, and pretty forgiving in the wrong ones.I've not really tested it for portraits yet, but for architecture and macro shots I think the grain gives a pretty crisp image, especially when considering the money spent. Shadow details can drop off pretty significantly in really contrasty, low light scenes, but that's expected for such a slow speed film - my poor results here were probably due to my ineptitudes more than the film stock itself.I think in terms of Ilford stocks of a similar speed, I do prefer FP4, but I will always have some Kentmere 100 in my freezer for times when I want to experiment (macro mainly) and for days when I'm out to enjoy taking photos and not expecting anything special!
| Film Format | 35mm |
| Number of Exposures | 24 |
| Film Type | Panchromatic B&W Negative |
| Film Speed | ISO 100 |
| Film Processing | Standard Black and White Chemistry |
Harman Technology 6012368 Kentmere 100 35mm 24 Exp
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Kentmere 100 Iso 35MM 24 Exposure Black & White Film
Kentmere Pan 100 35mm Black & White Film - ISO 100 | 24 Exposures | New and Sealed
Delivery $34.41
Kentmere 100 ISO 35mm 24 Exp Black & White Film
Delivery $15
Kentmere Pan 100 Black and White Negative Film 35mm - 24 Exposure
Delivery between 16–18 June $8.95
I ran a roll of this through my Pen-EE half-frame camera and the results were surprisingly good! I got good results across a range of test subjects and I like the contrast of the film and its forgiving nature for exposure. For a 100 film, I find it a bit grainy, but that's an aesthetic some people like. The price is of course the best selling point. I've used Agfa APX100 too and this is very similar.
Although this is a cheaper film I had good expectations knowing that this is a product from Ilford. While there is some grain and perhaps more than from premium 100 speed films this was not evident in the woodland photography I used it for due to the texture of the subject matter.When scanned with a flatter profile a good dynamic range can be recovered with scope to push contrast as needed for the envisioned end result. The negatives had excellent density when developed with Pyro 510 as per version 12 data sheet from Zone Imaging Lab.This is a solid option for general daily shooting and testing a new camera due to the price and ease of developing while other options may be better for specific projects where finer grain or higher contrast if desired. I will ... MoreAlthough this is a cheaper film I had good expectations knowing that this is a product from Ilford. While there is some grain and perhaps more than from premium 100 speed films this was not evident in the woodland photography I used it for due to the texture of the subject matter.When scanned with a flatter profile a good dynamic range can be recovered with scope to push contrast as needed for the envisioned end result. The negatives had excellent density when developed with Pyro 510 as per version 12 data sheet from Zone Imaging Lab.This is a solid option for general daily shooting and testing a new camera due to the price and ease of developing while other options may be better for specific projects where finer grain or higher contrast if desired. I will definitely keep several rolls in stock in the future.
Personally I love Kentmere 100! I know it's a 'budget' film stock but so far I've rarely been disappointed with the results I've achieved. The grain is fine, it's punchy in the right situations, and pretty forgiving in the wrong ones.I've not really tested it for portraits yet, but for architecture and macro shots I think the grain gives a pretty crisp image, especially when considering the money spent. Shadow details can drop off pretty significantly in really contrasty, low light scenes, but that's expected for such a slow speed film - my poor results here were probably due to my ineptitudes more than the film stock itself.I think in terms of Ilford stocks of a similar speed, I do prefer FP4, but I will always have some Kentmere 100 in my freezer for times ... MorePersonally I love Kentmere 100! I know it's a 'budget' film stock but so far I've rarely been disappointed with the results I've achieved. The grain is fine, it's punchy in the right situations, and pretty forgiving in the wrong ones.I've not really tested it for portraits yet, but for architecture and macro shots I think the grain gives a pretty crisp image, especially when considering the money spent. Shadow details can drop off pretty significantly in really contrasty, low light scenes, but that's expected for such a slow speed film - my poor results here were probably due to my ineptitudes more than the film stock itself.I think in terms of Ilford stocks of a similar speed, I do prefer FP4, but I will always have some Kentmere 100 in my freezer for times when I want to experiment (macro mainly) and for days when I'm out to enjoy taking photos and not expecting anything special!
Due to the lighting on the day I shot this I needed to push it one stop. Developed in Ilfosol 3 1+9 for 6:30 I got these gorgeous sharp images. With plenty of detail and great contrast. Once I work through my bulk roll of hp5+ I may have to bulk roll this stock and play with it more!As a budget film this really blew me away. For sure try this film out you might just fall in love! (Your wallet will love you too!)
When I came back to photography in mid 2020, this was one of the first B&W films I tried, and having not developed any film myself since around 1989, I was using a Monobath developer for ease. To be perfectly honest, I wasn't too impressed with the results I got then, but that's probably a case of my lack of practice with both camera and developing, or maybe the film and Monobath developer aren't really a good match for eachother?Whatever the reason, I decided that now my skills have developed, and I'm using separate developer, stop bath, and fixer, it was time to try Kentmere 100 again...with much better results, I'm pleased to say!I shot this roll over 2 weekends, both being bright and sunny, and I developed it in HC110 dilution H for 16 mins, as per Massive Dev ... MoreWhen I came back to photography in mid 2020, this was one of the first B&W films I tried, and having not developed any film myself since around 1989, I was using a Monobath developer for ease. To be perfectly honest, I wasn't too impressed with the results I got then, but that's probably a case of my lack of practice with both camera and developing, or maybe the film and Monobath developer aren't really a good match for eachother?Whatever the reason, I decided that now my skills have developed, and I'm using separate developer, stop bath, and fixer, it was time to try Kentmere 100 again...with much better results, I'm pleased to say!I shot this roll over 2 weekends, both being bright and sunny, and I developed it in HC110 dilution H for 16 mins, as per Massive Dev Chart. The resulting images are quite high contrast, so maybe I'll try shooting my next roll in softer light, rather than the bright light of a summer afternoon.This film represents fantastic value for money, and gives great images. I'll definitely be using it again.
First tried this film a few years ago, found it to be beter than I expected for the price, have since found results will vary depending which dev you use. Grain good, contrast well handled. The bus was developed in ID11 stock and the dog picture was developed in Hydrofen 1+39. Would I recommend this film? Yes it is a good all rounder, but you may have to try a few developers till you get the resuls you want. Scans quite easily using my ancient opticfilm 7300 scanner
I was fairly impressed with this, the grain is larger and less smooth that FP$ and I found it a little more contrasty so the tonal range is smaller than FP4. The negatives were developed by AG Photographic and I scanned them on a Nikon 5000. I did a little manipulation in Lightroom but the same to each film. The title to each sample tells you which film. The cameras I used were a Leica R3 and R5 and I used the same standard lens - a 50mm Summicron F2.
Love the look of this film for nice sunny day shoots, or still life studio shots. Nice grain structure and good across the board characteristics. Shadows and highlights are rendered very true to what was shot with very little contrast work needed in the darkroom, unless you want a very tight contrast. For that I split filter with a #2 and a #5. This film is amazing for its latitude both in push/pull and well as grey scales. Out of the box with regular processing I would say it gives 6-8 zones from highlight to shadow.
I purchased several rolls of this Kentmere 100 36exp film to take on holiday to Yorkshire with me. I have used Kentmere 400 and been very happy with the results, as its been a lovely summer I grabbed the 100 and headed off on holiday.I booked onto a Process & Print course with the lovely Rachel from Little Vintage Photography whilst in Liverpool and chose to develop 2 of these rolls and WOW just WOW... I am blown away by the fine details, low grain qualities of this film, lovely tones, nice and contrasty for bright environments and it is very forgiving when settings arn't quite right. I developed these with Ilford ID-11, 1:1 at 20c for 11.5 mins & Scanned them at home on my Pixl- Latr I purchased from Analogue Wonderland. The negatives dry perfectly flat which made ... MoreI purchased several rolls of this Kentmere 100 36exp film to take on holiday to Yorkshire with me. I have used Kentmere 400 and been very happy with the results, as its been a lovely summer I grabbed the 100 and headed off on holiday.I booked onto a Process & Print course with the lovely Rachel from Little Vintage Photography whilst in Liverpool and chose to develop 2 of these rolls and WOW just WOW... I am blown away by the fine details, low grain qualities of this film, lovely tones, nice and contrasty for bright environments and it is very forgiving when settings arn't quite right. I developed these with Ilford ID-11, 1:1 at 20c for 11.5 mins & Scanned them at home on my Pixl- Latr I purchased from Analogue Wonderland. The negatives dry perfectly flat which made life so much easier.
Having done black and white photography in my own darkroom for twenty five years, I found it necessary to give that up in favor of digital, doing conversions to monochrome on the computer. I recently decided to jump back into film, and with a couple of rolls of the Kentmere 100 and the Ilford starter pack, I managed to make space in my guest bathroom for processing. I have exposed about ten rolls so far, along with Delta 100 and Fp-4 Plus, and after tweaking the exposure and development a bit, I must say I have some images from the Kentmere that I can find no fault with at all. I have exposed it at both 50 and 100, and now use Kodak Xtol stock for development for both. Consistency is good. No doubt this film lacks the richness of the FP-4 and the almost clinical ... MoreHaving done black and white photography in my own darkroom for twenty five years, I found it necessary to give that up in favor of digital, doing conversions to monochrome on the computer. I recently decided to jump back into film, and with a couple of rolls of the Kentmere 100 and the Ilford starter pack, I managed to make space in my guest bathroom for processing. I have exposed about ten rolls so far, along with Delta 100 and Fp-4 Plus, and after tweaking the exposure and development a bit, I must say I have some images from the Kentmere that I can find no fault with at all. I have exposed it at both 50 and 100, and now use Kodak Xtol stock for development for both. Consistency is good. No doubt this film lacks the richness of the FP-4 and the almost clinical sharpness of the Delta, but for anyone doing film for the fist time, or for an old timer like me getting back into it, the results from this film make it a true value.
| Film Format | 35mm |
| Number of Exposures | 24 |
| Film Type | Panchromatic B&W Negative |
| Film Speed | ISO 100 |
| Film Processing | Standard Black and White Chemistry |
