Laowa Nanomorph 50mmT2.41.5XS35 Anamorphic Lens - Canon RF Mount (Amber)
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are offered in three different flare packages. Blue for a more Sci-Fi edge, Amber for a romantic/vintage feel, and now Silver for neutral flares. PL models include an interchangeable EF mount kit. Additional mount kits for the mirrorless models can be purchased separately here but are not cross-compatible with the PL/EF Nanomorph lenses.
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are offered in three different flare packages. Blue for a more Sci-Fi edge, Amber for a romantic/vintage feel, and now Silver for neutral flares. PL models include an interchangeable EF mount kit. Additional mount kits for the mirrorless models can be purchased separately here but are not cross-compatible with the PL/EF Nanomorph lenses.
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are offered in three different flare packages. Blue for a more Sci-Fi edge, Amber for a romantic/vintage feel, and now Silver for neutral flares. PL models include an interchangeable EF mount kit. Additional mount kits for the mirrorless models can be purchased separately here but are not cross-compatible with the PL/EF Nanomorph lenses.
They say good things come in small packages. The Laowa Nanomorphs really pack a punch with their cinematic lens flares, smooth oval bokeh, close focusing distance, and uniform 1.5x squeeze ratio. 2x squeeze is possible with Laowa's Front Anamorphic Adapter. The lenses are offered in three different flare packages. Blue for a more Sci-Fi edge, Amber for a romantic/vintage feel, and now Silver for neutral flares. PL models include an interchangeable EF mount kit. Additional mount kits for the mirrorless models can be purchased separately here but are not cross-compatible with the PL/EF Nanomorph lenses.
in 26 offers
The lowest price for Laowa Nanomorph 50mmT2.41.5XS35 Anamorphic Lens - Canon RF Mount (Amber) right now is $1,759.00 at digiDirect Australia, compared across 5 retailers.
The all-time low was $1,471.20 on 27 Feb 2026 — today's price is 20% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 21:00:37
Laowa Nanomorph 50mm T2.4 Anamorphic Lens - Sony FE Mount - Silver
Delivery between 16–18 June $8.95
Laowa Nanomorph 50mm T2.4 1.5X S35 (Amber) - (Cine) Sony E
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Amber) - (Cine) MFT
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - (Cine) L Mount
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Canon RF
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - (Cine) Canon RF
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Sony E
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) DL Lens
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Amber) - (Cine) Fuji X
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - (Cine) Sony E
Delivery $9.90
originally posted on bhphotovideo.com
First off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the ... MoreFirst off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the other person didn't study before buying), which for me, has all be quickly addressable in an editor with limited adjustments if I decided to correct it.However, I have already had a few clients, including my own personal work, where the look and feel these lenses with the distortion they create is preferred, it added a feel to the image, it was the deciding factor to use these for the productions actually (feature films), it added a driving mood that complimented the narrative - so when I say they are a tool, I am simply saying - understand what your tools have to offer, and you will know if they are the right ones for the jobs, and in those cases, these lenses are phenomenal. They are a little too sharp for my typical feel, but I slapped a custom made filter in my matte box, and they have become the perfect look for my film making aesthetic.Study these lenses on YouTube, understand their strengths and weaknesses, and make sure those strengths align with your objective - if they do, BUY THESE - I love mine.
originally posted on bhphotovideo.com
I am truly amazed by the images these lenses can produce for the price and size! If you are looking for lenses that don't look sterile and have some character to them without having to sell all your possessions to afford them, then these are absolutely the lenses for you!
originally posted on bhphotovideo.com
I'm sure it was a manufacturer error, but I would like a discount/gift card or a change of lens. I use this in a rental house and I'm sure some clients are gonna have an issue with it eventually. Other than that, great lens.
| Focal Length | 50mm |
| Maximum Aperture | T2.4 |
| Minimum Aperture | T16 |
| Lens Mount | Canon RF |
| Horizontal Squeeze (Anamorphic) | 1.5x |
Laowa Nanomorph 50mm T2.4 Anamorphic Lens - Sony FE Mount - Silver
Delivery between 16–18 June $8.95
Laowa Nanomorph 50mm T2.4 1.5X S35 (Amber) - (Cine) Sony E
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Amber) - (Cine) MFT
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Blue) - (Cine) L Mount
Delivery $9.90
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Canon RF
Delivery $9.90
First off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the ... MoreFirst off, there's a review with 1 start saying ( Not for professional use ) - I think that's an irresponsible opinion, without any room for subjectiveness. Since the definition of a professional really is nothing more than someone who is being paid for their work, you can't just say not for professional use, when there are many types of looks in demand by clients looking for exactly what these produce. I'd say these are definitely lenses for professionals in the right situation.Quick mentiontions (tough body and mounts, strong gears, very controlled flaring, and ultra light).I am not saying these are the best tools for every job, and I agree that there are some issues regarding the lenses distortion - which are easily noticeable in review videos (evidently the other person didn't study before buying), which for me, has all be quickly addressable in an editor with limited adjustments if I decided to correct it.However, I have already had a few clients, including my own personal work, where the look and feel these lenses with the distortion they create is preferred, it added a feel to the image, it was the deciding factor to use these for the productions actually (feature films), it added a driving mood that complimented the narrative - so when I say they are a tool, I am simply saying - understand what your tools have to offer, and you will know if they are the right ones for the jobs, and in those cases, these lenses are phenomenal. They are a little too sharp for my typical feel, but I slapped a custom made filter in my matte box, and they have become the perfect look for my film making aesthetic.Study these lenses on YouTube, understand their strengths and weaknesses, and make sure those strengths align with your objective - if they do, BUY THESE - I love mine.
I am truly amazed by the images these lenses can produce for the price and size! If you are looking for lenses that don't look sterile and have some character to them without having to sell all your possessions to afford them, then these are absolutely the lenses for you!
I'm sure it was a manufacturer error, but I would like a discount/gift card or a change of lens. I use this in a rental house and I'm sure some clients are gonna have an issue with it eventually. Other than that, great lens.
| Focal Length | 50mm |
| Maximum Aperture | T2.4 |
| Minimum Aperture | T16 |
| Lens Mount | Canon RF |
| Horizontal Squeeze (Anamorphic) | 1.5x |