Nikon AF-S 70-200mm F2.8G Ed VR II
The go-to lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon's Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers' needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.
The go-to lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon's Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers' needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.
The go-to lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon's Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers' needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.
The go-to lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon's Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events. Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available - M, A/M and M/A - for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers' needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.
in 6 offers
The lowest price for Nikon AF-S 70-200mm F2.8G Ed VR II right now is $1,025.00 at CeX, compared across 6 retailers.
The all-time low was $848.64 on 19 June 2026 — today's price is 21% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 30 June 2026.
Last updated at 30/06/2026 12:44:11
Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II
Free delivery
Used Nikon 70-200mm f/2.8 VR II (No Tripod Foot) - Good
Delivery $36.31
Nikon AF-S 70-200mm F2.8 G ED VR II | Secondhand
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Nikon 70-200mm F2.8G AF-S VRII
Delivery between 6–8 July $70
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II at Etoren
Delivery $65
Nikon 70-200/2 8g Af-s If-ed Vr Ii
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originally posted on ebay.com
Had a 80-200mm AF-D that I absolutely loved. It struggled with accurate focus and sharpness on my newly acquired D810, so I decided to upgrade to the 70-200 2.8 VRII. The jump is unbelievable. Focus is nearly instant and the image is so much sharper corner to corner. On top of that, VR makes low light portraits way easier. I cannot state how happy I am with this lens.
originally posted on bhphotovideo.com
I am an old photographer who has used every camera lens combination since the sixties. I have worked as a photographic technician, printer and film processor for Labs the Pros used before Digital. I went back to school to learn Photoshop in the 90's have a degree and a Color Separation Certification from a Drum Manufacturer. I KNOW COLOR and CLARITY. I was pleasantly surprised with the performance of this lens. I have detected no color aberrations, vignetting or softness in looking over my photos in Lightroom and Photoshop. I shot a Hummingbird hovering over an 80 ft high Palm tree in Los Angeles after sundown, and the tree was across the street about 100 yards. To my surprise, the Hummingbird came out sharp as a close-up. I am shooting with a D810 and I have my ... MoreI am an old photographer who has used every camera lens combination since the sixties. I have worked as a photographic technician, printer and film processor for Labs the Pros used before Digital. I went back to school to learn Photoshop in the 90's have a degree and a Color Separation Certification from a Drum Manufacturer. I KNOW COLOR and CLARITY. I was pleasantly surprised with the performance of this lens. I have detected no color aberrations, vignetting or softness in looking over my photos in Lightroom and Photoshop. I shot a Hummingbird hovering over an 80 ft high Palm tree in Los Angeles after sundown, and the tree was across the street about 100 yards. To my surprise, the Hummingbird came out sharp as a close-up. I am shooting with a D810 and I have my Nikon set to it's normal functions as I shot all kinds of tests with this lens to determine it's worth after my purchase. I can say that I have not found any reason whatsoever to return it, and being retired I can also say that it is worth every penny. Decades ago we learned that the glass is more important than the camera in most instances. I can say that I have no affiliation with Nikon or B&H and I am not receiving anything in return for this review. I highly recommend this lens, and would advise anyone who does make a purchase to put your lens through it paces to determine if you have a defective product, as it does happen from time to time in my experience.
originally posted on ebay.com
It is a sturdy built Nikon lens with a full range wide-aperture and smooth operating adjusting rings. With this lens the zoon adjustment ring is closer to the camera. For me, I like this orientation better because I prefer to control the frame and let the camera take care of the focus. The later model lens switched the orientation placing the focus adjusting ring closer. If you prefer to control focus then you will want to buy the later model lens. I like not having to use a flash for most indoor and outdoor shoots due to the wide aperture and large lens that fill the imager with light. It is a big lens which is OK for me when the quality of image is the most important thing.
| Focal Length Range | 70 -200 mm, Minimum Focus Distance- 4.6 ft.(1.4 m) |
Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II
Free delivery
Used Nikon 70-200mm f/2.8 VR II (No Tripod Foot) - Good
Delivery $36.31
Nikon AF-S 70-200mm F2.8 G ED VR II | Secondhand
Free delivery
Nikon 70-200mm F2.8G AF-S VRII
Delivery between 6–8 July $70
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II at Etoren
Delivery $65
Had a 80-200mm AF-D that I absolutely loved. It struggled with accurate focus and sharpness on my newly acquired D810, so I decided to upgrade to the 70-200 2.8 VRII. The jump is unbelievable. Focus is nearly instant and the image is so much sharper corner to corner. On top of that, VR makes low light portraits way easier. I cannot state how happy I am with this lens.
I am an old photographer who has used every camera lens combination since the sixties. I have worked as a photographic technician, printer and film processor for Labs the Pros used before Digital. I went back to school to learn Photoshop in the 90's have a degree and a Color Separation Certification from a Drum Manufacturer. I KNOW COLOR and CLARITY. I was pleasantly surprised with the performance of this lens. I have detected no color aberrations, vignetting or softness in looking over my photos in Lightroom and Photoshop. I shot a Hummingbird hovering over an 80 ft high Palm tree in Los Angeles after sundown, and the tree was across the street about 100 yards. To my surprise, the Hummingbird came out sharp as a close-up. I am shooting with a D810 and I have my ... MoreI am an old photographer who has used every camera lens combination since the sixties. I have worked as a photographic technician, printer and film processor for Labs the Pros used before Digital. I went back to school to learn Photoshop in the 90's have a degree and a Color Separation Certification from a Drum Manufacturer. I KNOW COLOR and CLARITY. I was pleasantly surprised with the performance of this lens. I have detected no color aberrations, vignetting or softness in looking over my photos in Lightroom and Photoshop. I shot a Hummingbird hovering over an 80 ft high Palm tree in Los Angeles after sundown, and the tree was across the street about 100 yards. To my surprise, the Hummingbird came out sharp as a close-up. I am shooting with a D810 and I have my Nikon set to it's normal functions as I shot all kinds of tests with this lens to determine it's worth after my purchase. I can say that I have not found any reason whatsoever to return it, and being retired I can also say that it is worth every penny. Decades ago we learned that the glass is more important than the camera in most instances. I can say that I have no affiliation with Nikon or B&H and I am not receiving anything in return for this review. I highly recommend this lens, and would advise anyone who does make a purchase to put your lens through it paces to determine if you have a defective product, as it does happen from time to time in my experience.
It is a sturdy built Nikon lens with a full range wide-aperture and smooth operating adjusting rings. With this lens the zoon adjustment ring is closer to the camera. For me, I like this orientation better because I prefer to control the frame and let the camera take care of the focus. The later model lens switched the orientation placing the focus adjusting ring closer. If you prefer to control focus then you will want to buy the later model lens. I like not having to use a flash for most indoor and outdoor shoots due to the wide aperture and large lens that fill the imager with light. It is a big lens which is OK for me when the quality of image is the most important thing.
I've been saving up for this lens for a long time. It works well with my particular camera (D3100) but will also work with the professional bodies (like the D5 or D6). I'll be saving up for that. I'm glad that it has forward compatibility just like the cameras have backwards compatibility with old manual AIS lenses. Also, the lens is very quick and responsive even on my D3100.
I have been hearing great things about this lens for years now, but when I upgraded to the full frame D750 recently I initially paired it with the 28-300mm VR lens. At first I was happy with the results I was getting thanks to the low light capability of the D750, but I quickly came to see the limitations of a Do everything lens, particularly at longer focal lengths and in low light, so I decided to give the 70-200 a try. I can tell you that I was impressed with the lens from the very first shot I took, it focuses Lightning quick and the images are amazingly sharp. While it is perfect for subjects at long distance in low light, what really impressed me is how useful it is for portraits, stand back, zoom all the way into 200mm at f2.8 and watch your subjects pop out. ... MoreI have been hearing great things about this lens for years now, but when I upgraded to the full frame D750 recently I initially paired it with the 28-300mm VR lens. At first I was happy with the results I was getting thanks to the low light capability of the D750, but I quickly came to see the limitations of a Do everything lens, particularly at longer focal lengths and in low light, so I decided to give the 70-200 a try. I can tell you that I was impressed with the lens from the very first shot I took, it focuses Lightning quick and the images are amazingly sharp. While it is perfect for subjects at long distance in low light, what really impressed me is how useful it is for portraits, stand back, zoom all the way into 200mm at f2.8 and watch your subjects pop out. i was concerned that I might miss the extra reach the 28-300 gave me vs the 200mm on this, but I really don't miss it and for those few occasions where I might need it, I think I'd be better off enlarging and cropping the sharper images I get with the 70-200 anyway. Also, another nice feature of the 70-200VR is that it pairs nicely with the Nikon TC-20 E III teleconverter which, for $499, will give you a sharp 400mm f5.6 lens. The only downside I can see with this lens is that due to the fact that it is built like a tank, it also weighs as much as one. Some photographers may find this lens a little initimidating, but if you can get past its size and weight you will be well rewarded with a solid investment that pays dividends in great images.
So happy to have this lens! My everyday lens has been a Nikkor 18-300 3.5-6.3G. I have had my Nikon 7200 for several years and was feeling stagnant. This lens is an entirely different ballgame with a real chance to change it up with more artsy shots and use lower light conditions. It's great to feel excited once again about photography and seeing my surrounds in an entirely new way.
I don't know what I can say that hasn't been said in reviews here. This is the best 70-200 you can get (if you need f/2.8) for Nikon. There's a reason this is the flagship model. Build quality is excellent. It's well weather-sealed, and even though I personally would never willingly do it, I wouldn't be scared if I got caught in the rain with this without protection. Light rain is no problem, I can vouch for that. It internally zooms, so you don't have an extending zoom at all. The lens hood attaches with a lock on it, so there's no chance of it accidentally turning or coming off. The zoom and focus rings turn smooth and are just the right resistance. It's a bit heavy, which is to be expected, but I have no problem hand-holding it for hours. The tripod ring does not ... MoreI don't know what I can say that hasn't been said in reviews here. This is the best 70-200 you can get (if you need f/2.8) for Nikon. There's a reason this is the flagship model. Build quality is excellent. It's well weather-sealed, and even though I personally would never willingly do it, I wouldn't be scared if I got caught in the rain with this without protection. Light rain is no problem, I can vouch for that. It internally zooms, so you don't have an extending zoom at all. The lens hood attaches with a lock on it, so there's no chance of it accidentally turning or coming off. The zoom and focus rings turn smooth and are just the right resistance. It's a bit heavy, which is to be expected, but I have no problem hand-holding it for hours. The tripod ring does not come off, which is my only gripe, but the mount comes off the ring, which then has another threaded mount. I normally just keep the foot off the ring and use the ring's mount if I need a monopod. For a tripod, the foot would be beneficial for weight distribution. Auto-focus speed, oh the AF speed! This is the fastest AF lens I have tried to date. Snaps where you want it fast and precisely. My lens copy focuses spot on, didn't have to fine-tune at all. This is hands-down the best 70-200 f/2.8 when it comes to AF. Image quality is fantastic. Just the best. The Tamron has been shown to be sharper by just a hair during tests, but I prefer the look of the image overall from the Nikon. Bokeh is more visually pleasing to me, however small of a difference it may be. It's sharp throughout the range, even at f/2.8, and I don't really have to worry about keeping the f-stop higher to get sharp photos. I have nothing bad to say about this lens. If you need this range, you need this lens.
I have owned this lens for over 2 years now. At first on a DX body, then later I upgraded to FX. The lens is fantastic for sports, low light dancing, and portraiture. Pros - The lens is incredibly sharp, even wide open at all focal lengths, essentially prime quality. Colours are vivid and contrasty. AF snaps to focus more or less instantly, and rarely hunts even in low light. Build quality is pro standard, second to none. Bokeh in the out of focus areas is gorgeous. The vibration reduction works very well. Its possible to get sharp pictures at under 1/10th sec. Cons - Weight. This thing is HEAVY. I also own the 24-70 2.8G, which although not a light lens, is my go-to walk-around lens, and I have no issues carrying around that lens on my camera all day. This lens ... MoreI have owned this lens for over 2 years now. At first on a DX body, then later I upgraded to FX. The lens is fantastic for sports, low light dancing, and portraiture. Pros - The lens is incredibly sharp, even wide open at all focal lengths, essentially prime quality. Colours are vivid and contrasty. AF snaps to focus more or less instantly, and rarely hunts even in low light. Build quality is pro standard, second to none. Bokeh in the out of focus areas is gorgeous. The vibration reduction works very well. Its possible to get sharp pictures at under 1/10th sec. Cons - Weight. This thing is HEAVY. I also own the 24-70 2.8G, which although not a light lens, is my go-to walk-around lens, and I have no issues carrying around that lens on my camera all day. This lens however is a different kettle of fish. Great in small doses, but when I've been shooting dance performances with it in the past, my hands have started to cramp after holding this lens up for extended amounts of time - A Black Rapid strap is a great accompaniment to this lens if you are walking around with it a lot and for perhaps a monopod for extended shooting. There is also an issue with Focus breathing. At close focusing distances the focal length reduces to approximately 60-135mm. For some this is a big issue. For me not so much. As I tend to use for portraiture, being able to fit more into the frame in confined spaces is actually a plus. But for this reason it's certainly not good as a macro lens. All in all a great lens that I would highly recommend. But for me its certainly more of a specialist lens, rather than one that would be on my camera all the time! 5 Stars.
I bought the Nikon 70-200mm f/2.8 vrii to replace my trusty old Nikon 80-200mm f/2.8 D lens after it started to fail. I knew the 70-200 was going to be my next one because I'd rented it a number of times and loved it! This lens is deadly-sharp! Even wide open it's a force to be reckoned with. The focus is fast, quiet and sure. And it's built like a brick you-know-what. Not quite tank-like like the 80-200 in it's metal clad skin, but close enough that I'm not worried about it taking knocks from the many bar mitzvahs, weddings and events it will carry me through over the next few years. I shoot a lot, and my gear gets used very well. It also focuses about a foot closer than my old lens, which is 12 I really needed. If you've ever been on the dance floor of a wedding ... MoreI bought the Nikon 70-200mm f/2.8 vrii to replace my trusty old Nikon 80-200mm f/2.8 D lens after it started to fail. I knew the 70-200 was going to be my next one because I'd rented it a number of times and loved it! This lens is deadly-sharp! Even wide open it's a force to be reckoned with. The focus is fast, quiet and sure. And it's built like a brick you-know-what. Not quite tank-like like the 80-200 in it's metal clad skin, but close enough that I'm not worried about it taking knocks from the many bar mitzvahs, weddings and events it will carry me through over the next few years. I shoot a lot, and my gear gets used very well. It also focuses about a foot closer than my old lens, which is 12 I really needed. If you've ever been on the dance floor of a wedding reception trying to make art with fast action and a long lens, you know exactly why. The only short coming is the much lamented focus breathing you can read about on the internet. Not an issue for a real photographer. I'm not sure what people expect from the laws of physics. Suffice to say a lens that weighs as little as a mouse, instantly focuses down to foot (losing no zoom in the process), is totally water and dust proof, has 8 stops worth of flawless VR built in, is insanely sharp wide open and has perfect contrast, color rendition and no distortion, all the while costing under a thousand dollars, will never exist. Something has to give. If that's what you're waiting out for, I wish you luck in all your affairs. If you need this lens, and you know who you are, don't wait. Buy it! You won't regret it.
I waited until digital cameras were better than film, planning to keep my ED lenses from the 90's, in spite of a professional telling me I would end up upgrading all my lenses, even the EDs. I have been shooting digital for one year now. My 70-200 f4 was not nearly as good as my prime 300 f4 ED, so I traded up to the 70-200 f2.8 VR. I was told by B&H that this lens with a 1.7 coverter would be better my 300mm, but after the discussion, I realized I had not been clear that I was talking about the last version, the VR and not the newer VRII. Meanwhile, I had a used 1.7x en route to me. The used VR arrived from B&H and all was great as this was significantly better than my old non ED zoom. However, sometimes the AF would not activate. As the manual did not describe the ... MoreI waited until digital cameras were better than film, planning to keep my ED lenses from the 90's, in spite of a professional telling me I would end up upgrading all my lenses, even the EDs. I have been shooting digital for one year now. My 70-200 f4 was not nearly as good as my prime 300 f4 ED, so I traded up to the 70-200 f2.8 VR. I was told by B&H that this lens with a 1.7 coverter would be better my 300mm, but after the discussion, I realized I had not been clear that I was talking about the last version, the VR and not the newer VRII. Meanwhile, I had a used 1.7x en route to me. The used VR arrived from B&H and all was great as this was significantly better than my old non ED zoom. However, sometimes the AF would not activate. As the manual did not describe the manual focusing in detail, I was thinking that I had bumped the focus ring or a button switch at the end, but concluded the lens had an intermittent problem. The combo was very good, but the soo pleasing colors of my old prime was gone with that lens. Seller's remorse is a sickening felling, eh folks?! Meanwhile, the price of the newer VRII had dropped significantly, so now it was only 50% more, so I returned the VR and bought a new VRII. I've only had it a few days and had to work so not much time to shoot, but here are a couple of quick pics w/o the converter. I'll post on the teleconverter product page pics with the combo, which are now better than my old 300mm. Significantly better than the combo with the older VR 70-200.
| Focal Length Range | 70 -200 mm, Minimum Focus Distance- 4.6 ft.(1.4 m) |
