Panasonic Lumix DC-G9 II Kit with 12-60mm F2.8-4 Lens (DC-G9M2L) (Black)
25.2-megapixel live MOS sensor For high resolution and high-speed response (13+ stop V-Log/V-Gamut, Dynamic Range Boost) - 25600 MAX ISO The combination of the digital live MOS sensor and the venus engine achieves clear image rendering with minimum noise even in low-lit situations and at max. ISO 25600 - Burst shooting at AFC 60 fps / AFS 75 fps* and larger buffer memory (3 sec or more) Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments. *Electronic shutter - Improved, 779-point phase detection autofocus The first LUMIX micro four thirds camera with phase detection AF -- for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes - 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) Open Gate framing lets you shoot for various social media formats. Capture the decisive moment in incredible slow-motion video (C4K/4K 10-bit 120p/100p) - Connectivity Wi-Fi and Bluetooth for easy photo sharing and transfer; USB-SSD for video shooting in heavy codec - Free-angle touch-control monitor for use at any angle, even in bright sunlight 3.0-inch LCD free-angle touch-control monitor with 1,840K-dot high resolution - 3,680K-dot OLED Live View Finder for easy image preview 3,680K-dot OLED LVF features a high magnification ratio of approx. 1.6x / 0.8x (35mm camera equivalent) - 779 AF Points for super-sharp images PDAF (Phase Detection Auto-Focus) 779 AF points - Powerful image stabilization Robust image stabilization system, perfect for for shooting video whle walking, with 8-stop B.I.S. (Body Image Stabilizer), 7.5-stop 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S. - Real Time LUT Enables to record LUT-applied photos and videos, either created by yourself or others, for your desired color grading; LUT can be applied to non-vlog images - LEICA monochrome Enhanced monochrome mode with newly added LEICA monochrome for deep black-white contrasts - Interface HDMI Type A, USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) - Double SD card slots Accepts SD Memory Card / SDHC Memory Card* / SDXC Memory Card*. *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards
25.2-megapixel live MOS sensor For high resolution and high-speed response (13+ stop V-Log/V-Gamut, Dynamic Range Boost) - 25600 MAX ISO The combination of the digital live MOS sensor and the venus engine achieves clear image rendering with minimum noise even in low-lit situations and at max. ISO 25600 - Burst shooting at AFC 60 fps / AFS 75 fps* and larger buffer memory (3 sec or more) Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments. *Electronic shutter - Improved, 779-point phase detection autofocus The first LUMIX micro four thirds camera with phase detection AF -- for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes - 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) Open Gate framing lets you shoot for various social media formats. Capture the decisive moment in incredible slow-motion video (C4K/4K 10-bit 120p/100p) - Connectivity Wi-Fi and Bluetooth for easy photo sharing and transfer; USB-SSD for video shooting in heavy codec - Free-angle touch-control monitor for use at any angle, even in bright sunlight 3.0-inch LCD free-angle touch-control monitor with 1,840K-dot high resolution - 3,680K-dot OLED Live View Finder for easy image preview 3,680K-dot OLED LVF features a high magnification ratio of approx. 1.6x / 0.8x (35mm camera equivalent) - 779 AF Points for super-sharp images PDAF (Phase Detection Auto-Focus) 779 AF points - Powerful image stabilization Robust image stabilization system, perfect for for shooting video whle walking, with 8-stop B.I.S. (Body Image Stabilizer), 7.5-stop 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S. - Real Time LUT Enables to record LUT-applied photos and videos, either created by yourself or others, for your desired color grading; LUT can be applied to non-vlog images - LEICA monochrome Enhanced monochrome mode with newly added LEICA monochrome for deep black-white contrasts - Interface HDMI Type A, USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) - Double SD card slots Accepts SD Memory Card / SDHC Memory Card* / SDXC Memory Card*. *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards
25.2-megapixel live MOS sensor For high resolution and high-speed response (13+ stop V-Log/V-Gamut, Dynamic Range Boost) - 25600 MAX ISO The combination of the digital live MOS sensor and the venus engine achieves clear image rendering with minimum noise even in low-lit situations and at max. ISO 25600 - Burst shooting at AFC 60 fps / AFS 75 fps* and larger buffer memory (3 sec or more) Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments. *Electronic shutter - Improved, 779-point phase detection autofocus The first LUMIX micro four thirds camera with phase detection AF -- for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes - 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) Open Gate framing lets you shoot for various social media formats. Capture the decisive moment in incredible slow-motion video (C4K/4K 10-bit 120p/100p) - Connectivity Wi-Fi and Bluetooth for easy photo sharing and transfer; USB-SSD for video shooting in heavy codec - Free-angle touch-control monitor for use at any angle, even in bright sunlight 3.0-inch LCD free-angle touch-control monitor with 1,840K-dot high resolution - 3,680K-dot OLED Live View Finder for easy image preview 3,680K-dot OLED LVF features a high magnification ratio of approx. 1.6x / 0.8x (35mm camera equivalent) - 779 AF Points for super-sharp images PDAF (Phase Detection Auto-Focus) 779 AF points - Powerful image stabilization Robust image stabilization system, perfect for for shooting video whle walking, with 8-stop B.I.S. (Body Image Stabilizer), 7.5-stop 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S. - Real Time LUT Enables to record LUT-applied photos and videos, either created by yourself or others, for your desired color grading; LUT can be applied to non-vlog images - LEICA monochrome Enhanced monochrome mode with newly added LEICA monochrome for deep black-white contrasts - Interface HDMI Type A, USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) - Double SD card slots Accepts SD Memory Card / SDHC Memory Card* / SDXC Memory Card*. *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards
25.2-megapixel live MOS sensor For high resolution and high-speed response (13+ stop V-Log/V-Gamut, Dynamic Range Boost) - 25600 MAX ISO The combination of the digital live MOS sensor and the venus engine achieves clear image rendering with minimum noise even in low-lit situations and at max. ISO 25600 - Burst shooting at AFC 60 fps / AFS 75 fps* and larger buffer memory (3 sec or more) Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments. *Electronic shutter - Improved, 779-point phase detection autofocus The first LUMIX micro four thirds camera with phase detection AF -- for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes - 4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) Open Gate framing lets you shoot for various social media formats. Capture the decisive moment in incredible slow-motion video (C4K/4K 10-bit 120p/100p) - Connectivity Wi-Fi and Bluetooth for easy photo sharing and transfer; USB-SSD for video shooting in heavy codec - Free-angle touch-control monitor for use at any angle, even in bright sunlight 3.0-inch LCD free-angle touch-control monitor with 1,840K-dot high resolution - 3,680K-dot OLED Live View Finder for easy image preview 3,680K-dot OLED LVF features a high magnification ratio of approx. 1.6x / 0.8x (35mm camera equivalent) - 779 AF Points for super-sharp images PDAF (Phase Detection Auto-Focus) 779 AF points - Powerful image stabilization Robust image stabilization system, perfect for for shooting video whle walking, with 8-stop B.I.S. (Body Image Stabilizer), 7.5-stop 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S. - Real Time LUT Enables to record LUT-applied photos and videos, either created by yourself or others, for your desired color grading; LUT can be applied to non-vlog images - LEICA monochrome Enhanced monochrome mode with newly added LEICA monochrome for deep black-white contrasts - Interface HDMI Type A, USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2)) - Double SD card slots Accepts SD Memory Card / SDHC Memory Card* / SDXC Memory Card*. *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards
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The lowest price for Panasonic Lumix DC-G9 II Kit with 12-60mm F2.8-4 Lens (DC-G9M2L) (Black) right now is $1,999.95 at Everyday Rewards, compared across 16 retailers.
The all-time low was $1,922.05 on 26 May 2026 — today's price is 4% above the lowest ever. This is at or near its all-time low — a good time to buy.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 03:42:14
2ND HAND - Panasonic Lumix G9 II Body
Delivery between Fri – Tue $10
Panasonic Lumix G9 II Camera w Leica 12-60mm Lens
Free delivery between Fri – Tue
Panasonic G9 II Mirrorless Camera with Leica 12-60mm Lens
Delivery between Fri – Tue $10
Panasonic Lumix G9 II Camera w 12-35mm F2.8 Lens
Free delivery between Fri – Tue
Panasonic Lumix G9II + 12-60mm Lumix Lens
Delivery between 16–19 June $32.08
Panasonic Lumix G9 Mark II Compact System Camera (Body Only) White
Delivery between 16–19 June $34.48
Panasonic Lumix DC-G9 MK II + 12-35mm LEICA F2.8 Lens Black
Delivery between 16–19 June $32.08
Panasonic Lumix G9 Mark II Kit with Lumix 12-60mm f/3.5-5.6 G Lens
Delivery between 12–17 June $12.90
Panasonic Lumix G9 II with 12-60mm f/2.8-4 Lens Kit Mirrorless Camera
Delivery $26.90
Panasonic Lumix G9 II Mirrorless Camera - Body Only
Delivery between 16–24 June $9.90
originally posted on bhphotovideo.com
I have owned the Olympus EM1MK3 and the original G9. I have also owned mirrorless bodies from every brand. This is my favorite mirrorless camera of all time, so far. It focuses great with both my Olympus and LUMIX glass.I could write paragraphs of how much I love the features but I’ll keep it short.Bird eye detect works fantastic. Also shooting landscape photos is a dream as well, so many great features for any type of photography. The Timelapse features are the best in the business as well. The new long exposure composite mode works just as well as the EM1MK3.Battery life is great, no different than any other mirrorless I’ve used.My only complaint would be that I wish they had upgraded the EVF to be as good as the OM1, but in general use I don’t even ... MoreI have owned the Olympus EM1MK3 and the original G9. I have also owned mirrorless bodies from every brand. This is my favorite mirrorless camera of all time, so far. It focuses great with both my Olympus and LUMIX glass.I could write paragraphs of how much I love the features but I’ll keep it short.Bird eye detect works fantastic. Also shooting landscape photos is a dream as well, so many great features for any type of photography. The Timelapse features are the best in the business as well. The new long exposure composite mode works just as well as the EM1MK3.Battery life is great, no different than any other mirrorless I’ve used.My only complaint would be that I wish they had upgraded the EVF to be as good as the OM1, but in general use I don’t even notice.I am not very brand loyal and have hopped between brands every year or two, Panasonic won me over again. I also shoot medium format and Leica digital rangefinders. If people can’t get great shots with micro four thirds and the amazing lenses then I don’t know what to tell ya.This camera is pricey but it’s a legit, pro body.One last con, I don’t like that they removed the top LCD information screen. I’ll be honest I didn’t use it often but it looked cool!Oh and one last thing. Thank you Panasonic for having the countdown display for long exposures! I love knowing how many seconds are left but PLEASE give us the option to increase shutter length past 60” without needing bulb. This can be an easy firmware update to compete with Fuji bodies.Sorry I wrote more than intended and could go on and on, just buy this camera if you are a micro four thirds shooter.
originally posted on bhphotovideo.com
3-star for the product, 5-star for fantastic B&H service.I like most of my Panasonic cameras, such as GX7, GX8, and G9, so I planed to upgrade to G9 II, which supposedly should be the best, However, it becomes a big disapointment. There are a few shortcomings that most reviews didn't mention:1. Bluetooth connection. After set up, every time the camera is turn on, I need to take out my phone, turn it on as well, and open the app. This makes geo tagging impractical. As a comparison, OM-1 can automatically connect to cell phone once it's set up, absolutely no need to fumble my phone to geotag my photos.2. No in-camera HDR. I understand I can do better with taking multiple shots and work on a computer. But I value convenience more in some cases. It's hard to ... More3-star for the product, 5-star for fantastic B&H service.I like most of my Panasonic cameras, such as GX7, GX8, and G9, so I planed to upgrade to G9 II, which supposedly should be the best, However, it becomes a big disapointment. There are a few shortcomings that most reviews didn't mention:1. Bluetooth connection. After set up, every time the camera is turn on, I need to take out my phone, turn it on as well, and open the app. This makes geo tagging impractical. As a comparison, OM-1 can automatically connect to cell phone once it's set up, absolutely no need to fumble my phone to geotag my photos.2. No in-camera HDR. I understand I can do better with taking multiple shots and work on a computer. But I value convenience more in some cases. It's hard to believe this simple function is not in the top of line camera.3. When I use high-speed electric shutter, the view finder blacks out and lags constantly. Unlike OM-1 which is a breeze.4. I remember there's something like impressive-art or HDR-look in the visual effects in older Panasonic cameras, but I can't find it in the new G9 II.5. No build-in ND or GND filter, which the OM-1 has.Of course, if you don't care about the above, then G9 II is still a great camera. The continuous AF is indeed a step above the G9. And I found the AF-near/AF-far button is quite useful in practice, which OM-1 missing. Also, the new leica monochrome effect looks fantastic.But for me, these missing features are killing the deal. Thanks for B&H, I returned the G9 ii and ended up using OM-1 mark ii.
originally posted on bhphotovideo.com
As a video professional who has been using the Lumix GH-series cameras (starting with GH4 and then rocking GH5 and GH6 for several years), I've been waiting a long time for an MFT camera body with PDAF. Knowing that it will eventually come to the GH7, but not knowing when, I decided to pull the trigger and get the G9II to hold me over. Coming from the GH6, which I still use as a B-Cam, I'm pretty satisfied with my choice. G9II has all of the same video-features, frame-rates and codecs as the GH6, with the added benefit of reliable continuous autofocus and even some additional useful features like Auto White Balance Lock and enhanced E-stabilization modes, which the GH6 does not have. The body design is a bit smaller and lighter than the GH6, as well, which was a ... MoreAs a video professional who has been using the Lumix GH-series cameras (starting with GH4 and then rocking GH5 and GH6 for several years), I've been waiting a long time for an MFT camera body with PDAF. Knowing that it will eventually come to the GH7, but not knowing when, I decided to pull the trigger and get the G9II to hold me over. Coming from the GH6, which I still use as a B-Cam, I'm pretty satisfied with my choice. G9II has all of the same video-features, frame-rates and codecs as the GH6, with the added benefit of reliable continuous autofocus and even some additional useful features like Auto White Balance Lock and enhanced E-stabilization modes, which the GH6 does not have. The body design is a bit smaller and lighter than the GH6, as well, which was a welcome change. The lack of fans and the issue of potential overheating hasn't been a problem for me yet, as I don't typically shoot at high framerates or open-gate for more than a few minutes at a time. Most of my long-form recording is in standard 4K 24p modes, so that has been fine. My biggest complaint about this camera is probably the lack of that unique articulating flip-out screen that has been so incredibly convenient on the GH6. It is the only thing I really miss! Other than that, I'm happy with this camera and don't feel the urgency to upgrade to the recently-announced GH7.
2ND HAND - Panasonic Lumix G9 II Body
Delivery between Fri – Tue $10
Panasonic Lumix G9 II Camera w Leica 12-60mm Lens
Free delivery between Fri – Tue
Panasonic G9 II Mirrorless Camera with Leica 12-60mm Lens
Delivery between Fri – Tue $10
Panasonic Lumix G9 II Camera w 12-35mm F2.8 Lens
Free delivery between Fri – Tue
Panasonic Lumix G9II + 12-60mm Lumix Lens
Delivery between 16–19 June $32.08
I have owned the Olympus EM1MK3 and the original G9. I have also owned mirrorless bodies from every brand. This is my favorite mirrorless camera of all time, so far. It focuses great with both my Olympus and LUMIX glass.I could write paragraphs of how much I love the features but I’ll keep it short.Bird eye detect works fantastic. Also shooting landscape photos is a dream as well, so many great features for any type of photography. The Timelapse features are the best in the business as well. The new long exposure composite mode works just as well as the EM1MK3.Battery life is great, no different than any other mirrorless I’ve used.My only complaint would be that I wish they had upgraded the EVF to be as good as the OM1, but in general use I don’t even ... MoreI have owned the Olympus EM1MK3 and the original G9. I have also owned mirrorless bodies from every brand. This is my favorite mirrorless camera of all time, so far. It focuses great with both my Olympus and LUMIX glass.I could write paragraphs of how much I love the features but I’ll keep it short.Bird eye detect works fantastic. Also shooting landscape photos is a dream as well, so many great features for any type of photography. The Timelapse features are the best in the business as well. The new long exposure composite mode works just as well as the EM1MK3.Battery life is great, no different than any other mirrorless I’ve used.My only complaint would be that I wish they had upgraded the EVF to be as good as the OM1, but in general use I don’t even notice.I am not very brand loyal and have hopped between brands every year or two, Panasonic won me over again. I also shoot medium format and Leica digital rangefinders. If people can’t get great shots with micro four thirds and the amazing lenses then I don’t know what to tell ya.This camera is pricey but it’s a legit, pro body.One last con, I don’t like that they removed the top LCD information screen. I’ll be honest I didn’t use it often but it looked cool!Oh and one last thing. Thank you Panasonic for having the countdown display for long exposures! I love knowing how many seconds are left but PLEASE give us the option to increase shutter length past 60” without needing bulb. This can be an easy firmware update to compete with Fuji bodies.Sorry I wrote more than intended and could go on and on, just buy this camera if you are a micro four thirds shooter.
3-star for the product, 5-star for fantastic B&H service.I like most of my Panasonic cameras, such as GX7, GX8, and G9, so I planed to upgrade to G9 II, which supposedly should be the best, However, it becomes a big disapointment. There are a few shortcomings that most reviews didn't mention:1. Bluetooth connection. After set up, every time the camera is turn on, I need to take out my phone, turn it on as well, and open the app. This makes geo tagging impractical. As a comparison, OM-1 can automatically connect to cell phone once it's set up, absolutely no need to fumble my phone to geotag my photos.2. No in-camera HDR. I understand I can do better with taking multiple shots and work on a computer. But I value convenience more in some cases. It's hard to ... More3-star for the product, 5-star for fantastic B&H service.I like most of my Panasonic cameras, such as GX7, GX8, and G9, so I planed to upgrade to G9 II, which supposedly should be the best, However, it becomes a big disapointment. There are a few shortcomings that most reviews didn't mention:1. Bluetooth connection. After set up, every time the camera is turn on, I need to take out my phone, turn it on as well, and open the app. This makes geo tagging impractical. As a comparison, OM-1 can automatically connect to cell phone once it's set up, absolutely no need to fumble my phone to geotag my photos.2. No in-camera HDR. I understand I can do better with taking multiple shots and work on a computer. But I value convenience more in some cases. It's hard to believe this simple function is not in the top of line camera.3. When I use high-speed electric shutter, the view finder blacks out and lags constantly. Unlike OM-1 which is a breeze.4. I remember there's something like impressive-art or HDR-look in the visual effects in older Panasonic cameras, but I can't find it in the new G9 II.5. No build-in ND or GND filter, which the OM-1 has.Of course, if you don't care about the above, then G9 II is still a great camera. The continuous AF is indeed a step above the G9. And I found the AF-near/AF-far button is quite useful in practice, which OM-1 missing. Also, the new leica monochrome effect looks fantastic.But for me, these missing features are killing the deal. Thanks for B&H, I returned the G9 ii and ended up using OM-1 mark ii.
As a video professional who has been using the Lumix GH-series cameras (starting with GH4 and then rocking GH5 and GH6 for several years), I've been waiting a long time for an MFT camera body with PDAF. Knowing that it will eventually come to the GH7, but not knowing when, I decided to pull the trigger and get the G9II to hold me over. Coming from the GH6, which I still use as a B-Cam, I'm pretty satisfied with my choice. G9II has all of the same video-features, frame-rates and codecs as the GH6, with the added benefit of reliable continuous autofocus and even some additional useful features like Auto White Balance Lock and enhanced E-stabilization modes, which the GH6 does not have. The body design is a bit smaller and lighter than the GH6, as well, which was a ... MoreAs a video professional who has been using the Lumix GH-series cameras (starting with GH4 and then rocking GH5 and GH6 for several years), I've been waiting a long time for an MFT camera body with PDAF. Knowing that it will eventually come to the GH7, but not knowing when, I decided to pull the trigger and get the G9II to hold me over. Coming from the GH6, which I still use as a B-Cam, I'm pretty satisfied with my choice. G9II has all of the same video-features, frame-rates and codecs as the GH6, with the added benefit of reliable continuous autofocus and even some additional useful features like Auto White Balance Lock and enhanced E-stabilization modes, which the GH6 does not have. The body design is a bit smaller and lighter than the GH6, as well, which was a welcome change. The lack of fans and the issue of potential overheating hasn't been a problem for me yet, as I don't typically shoot at high framerates or open-gate for more than a few minutes at a time. Most of my long-form recording is in standard 4K 24p modes, so that has been fine. My biggest complaint about this camera is probably the lack of that unique articulating flip-out screen that has been so incredibly convenient on the GH6. It is the only thing I really miss! Other than that, I'm happy with this camera and don't feel the urgency to upgrade to the recently-announced GH7.
I purchased two of these for the Panasonic $500 discount trade in offer. I watched every online review about this camera and read every online review before I decided to purchase. Everybody seemed to love this camera. I received both cameras today and, as always, I tested the features to make sure there were no bugs. The menu system is almost identical to the Panasonic GH6 so I configured both cameras to my own user specifications very quickly. My very first impression is that this camera is incredibly light! So light, in fact, it felt like a child's toy in my hand! Not a deal breaker because I always protect my cameras in cages. The viewfinder is bright and sharp and the diopter allows me to focus the LVF to my eyesights specs. Video files in Prores C4K and Full HD ... MoreI purchased two of these for the Panasonic $500 discount trade in offer. I watched every online review about this camera and read every online review before I decided to purchase. Everybody seemed to love this camera. I received both cameras today and, as always, I tested the features to make sure there were no bugs. The menu system is almost identical to the Panasonic GH6 so I configured both cameras to my own user specifications very quickly. My very first impression is that this camera is incredibly light! So light, in fact, it felt like a child's toy in my hand! Not a deal breaker because I always protect my cameras in cages. The viewfinder is bright and sharp and the diopter allows me to focus the LVF to my eyesights specs. Video files in Prores C4K and Full HD look very good, very similar to my GH6, which I love. So far no bugs and I am not disappointed with my purchase. This camera is every bit as great as the GH6 (I only shoot video, no stills) and the fact that it's so light will make using it on a shoulder rig quite comfortable. I cannot understand why Panasonic touts this as a stills camera first when, in my opinion, it is as great or even better (because some say the sensor has been upgraded from the GH6) than the GH6 for filmmaking. I'm not one to place cameras in certain niches just because it doesn't stack up to a more expernsive version. In my opinion, this camera is good enough to use as an A cam on any shoot you want.
I started my mirrorless camera system with micro four thirds (MFT) system. I had Olympus and Panasonic Lumix cameras and lenses. Then I ventured into full frame (FF) cameras. Recently when I saw the OM OM-1 and this G9M2, I wanted to get back to the MFT system. I choose the G9M2because I like what Panasonic is doing with both MFT and FF systems. The G9M2 has a balanced video and stills capability. The lower ISO shots (ISO 100) is good and has decent DR latitude for post processing adjustments. AF in continues mode has gone through major improvement. There are certainly more shots in focus in a high frame rate shots in series. Most of Panasonic MFT zoom lenses range has OIS and works with Dual IS. I like what I'm seeing so far with G9M2. it shares the same batteries, ... MoreI started my mirrorless camera system with micro four thirds (MFT) system. I had Olympus and Panasonic Lumix cameras and lenses. Then I ventured into full frame (FF) cameras. Recently when I saw the OM OM-1 and this G9M2, I wanted to get back to the MFT system. I choose the G9M2because I like what Panasonic is doing with both MFT and FF systems. The G9M2 has a balanced video and stills capability. The lower ISO shots (ISO 100) is good and has decent DR latitude for post processing adjustments. AF in continues mode has gone through major improvement. There are certainly more shots in focus in a high frame rate shots in series. Most of Panasonic MFT zoom lenses range has OIS and works with Dual IS. I like what I'm seeing so far with G9M2. it shares the same batteries, batt grip, flash units with Panasonic FF system i.e. S5II/X. So, you have MFT and FF where the 2 platforms share many accessories. the operations are the same (same menu), same apps (mobile and PC) etc. If Panasonic maintains this, I may also venture into Panasonic FF system. Panasonic gives me more confident that the MFT system is here to stay, and I prefer investing on the Panasonic MFT system than others.The G9M2 could use some improvements. I suggest implement more usage with electronic shutter i.e. flash usage, LV composite etc. Add electronic ND filters etc.It’s about time Panasonic improve the WIFI implementation across their cameras. Make it work with hidden SSID network, add FTP, improve the direct PC/MAC transfer capability. Provide a more detail manual for WIFI setup.
The new G9II is a terrific upgrade in terms of better image quality, low-light noise handling and reliability of focusing thanks to both the new, better 25MB 4/3rds sensor, as well as finally incorporating a solid phase detect auto focus system. The color accuracy of the camera is excellent, and the menu system is still intuitive and straight-forward, if you have owned any of Panasonic's other hybrid cameras. I primarily do 90 percent photography (landscape, architecture, wildlife, air shows and boat races) and 10 percent video, so I think Panasonic positioned this camera well for those focused on stills photography with some video needs.I've been testing the various features of the camera for about a month now and I have to say that the implementation of focus ... MoreThe new G9II is a terrific upgrade in terms of better image quality, low-light noise handling and reliability of focusing thanks to both the new, better 25MB 4/3rds sensor, as well as finally incorporating a solid phase detect auto focus system. The color accuracy of the camera is excellent, and the menu system is still intuitive and straight-forward, if you have owned any of Panasonic's other hybrid cameras. I primarily do 90 percent photography (landscape, architecture, wildlife, air shows and boat races) and 10 percent video, so I think Panasonic positioned this camera well for those focused on stills photography with some video needs.I've been testing the various features of the camera for about a month now and I have to say that the implementation of focus bracketing makes good sense, as I do a reasonable amount of macro and just being able to drop the raw files into Helicon produces a far better final image output than most cameras can do internally with more flexibility. It also frees up camera memory and computational power for additional add-on functionality down the road.It should be noted that operating manual for this camera is 832 pages in length and I encourage you to download the pdf. That is because of literally all the functionality and flexibility that has been built into this hybrid camera. It truly is a highly customizable hybrid camera.
I'm trying not to be too critical in this review. I wanted to love the Lumix G9 II. I am a fan of the original G9, my gateway into the world of Micro Four Thirds. I loved the feel of the original G9, the ruggedness, the well sculpted grip and the compact system it afforded. I would eventually splurge on a GH6, which I also enjoy the design and handling off. I used the GH6 on many professional shoots, in challenging low light conditions, live performances, etc. The GH6, when used at high ISO, utilizes DR Boost, a technology that has been further refined in the G9 II. DR Boost affords better dynamic range and a reduction in high ISO noise versus the older sensor in the original G9. I was really excited to have this technology in a new generation of G9 and the G9 II ... MoreI'm trying not to be too critical in this review. I wanted to love the Lumix G9 II. I am a fan of the original G9, my gateway into the world of Micro Four Thirds. I loved the feel of the original G9, the ruggedness, the well sculpted grip and the compact system it afforded. I would eventually splurge on a GH6, which I also enjoy the design and handling off. I used the GH6 on many professional shoots, in challenging low light conditions, live performances, etc. The GH6, when used at high ISO, utilizes DR Boost, a technology that has been further refined in the G9 II. DR Boost affords better dynamic range and a reduction in high ISO noise versus the older sensor in the original G9. I was really excited to have this technology in a new generation of G9 and the G9 II doesn’t disappoint in this regard. Where my disappointment lies is in the body and build quality of the new G9 II.Let’s start with what I feel is the biggest weakness if the G9 II and that is the body design and build quality. Instead of creating an evolution of the excellent original G9 body, Panasonic decided to use the body of the popular S5 II line of cameras. I can understand why they would do this, to lower production and design cost, to give those who already own an S5 II a familiar starting point and the ability to share accessories with the G9 II. On the surface, I don’t hate the layout of the G9 II’s body. It is a well thought out and practical design. My major complaint is that it feels cheap. The buttons are mushy, especially the one I use the most, the AF On button. The AF On Button is so bad that it’s difficult for me to feel that it is actuated. This lack of tactile feedback has led to missed shots and as a result I’ve had to forgo the use of back button focus altogether with this camera. This is not a problem on the original G9 (Doesn’t have AF On, but I have it mapped to AF/AE Lock button) or the GH6. Another major problem I have with the G9 II is the AF joystick, it is almost unusable. It is very difficult to precisely move the focus box using the joystick. Either it doesn’t move at all or it jumps across the screen, it is incredibly inconsistent in its behavior. Trying to dial in a precise focus area with it is nearly impossible. To work around this I’ve had to use the touch screen to select focus. I’ve found that the joystick problem is even worse when reviewing photos while magnified. It is extremely jittery, more so than when trying to move the focus point. Maybe the problem is in the software? Maybe it’s hardware? I cannot tell. Either way, the original G9 and GH6 do not have this problem. When the problems in the quality of the controls causes you to miss shots, I consider them serious missteps from the manufacturer. I expect more from a high end camera that is designed for professional use.I have complaints about the control dials being easy to unintentionally turn, especially the rear control dial, but I also share this complaint with the original G9 and the GH6. The G9 II also lacks locking mode dials, something the original G9 and its competitors have. Neither of these issues have been a deal breaker for me.Besides the aforementioned Lumix cameras, I also own and use an OM System OM-1. In comparing the build quality of the OM-1 to the G9 II, the OM-1 is a league above. Where the G9 II feels cheap, the OM-1 feels expensive and refined. While the G9 II is frustrating to use, the OM-1 is pure joy. And this is coming from someone who has extensively used and loved both the original G9 and GH6. The OM-1 has really spoiled me when it comes to build quality and handling.The EVF on the new G9 II is, in my opinion, a step back from the original G9. The G9 had much higher magnification and the ability to quickly resize the display to make it easier to see further from the eye cup. The EVF on the new G9 II is adequate, but a disappointment if you are coming from the original G9.Battery life on the new G9 II is also adequate, but not great. Compared to the OM-1, the battery on the G9 II drains faster. At least the battery type is shared among all of the current Lumix cameras, the GH6 included. Keeping a spare battery is advisable.Because the battery life is a bit short, you may be tempted to turn the camera on and off between shots. However, you will quickly find that the startup time is quite slow. You could easily lose a few shots waiting for the camera to boot up. For this reason, it is often better to let the camera go into sleep mode, to the detriment of battery life. Hopefully this can be fixed in a future firmware update.Let’s now talk about image quality. Previously, I had mention the next generation of DR Boost. As implemented in the G9 II, it is a huge improvement in dynamic range and flexibility of the raw files vs the original G9. Quite simply, you can take shots that were previously impossible on the original G9. Extremely backlit subjects, are not a problem. Boosting exposure on an underexposed shot, easy 2 stops increase at least, 3 stops, doable. In extreme cases I have seen color shift and noise, of course, but shadow recovery is very good. I haven’t done much to test highlight recovery, as the camera’s metering seems to favor preserving highlights at the expense of darkened shadows. Compared to the GH6, DR Boost is automatically enabled from ISO 100 and above, unlike the implementation on the GH6 that starts at ISO 800. This gives the G9 II a big boost in dynamic range in the lower ISO range, something the GH6 was severely deficient in. I think that DR Boost technology as implemented in the G9 is a massive step forward for Micro Four Thirds sensors in the Lumix lineup. I am excited to see the further development of this sensor technology. That being said, I believe the sensor in the OM-1 has better dynamic range. I see less color shift and less noise in boosted shadows. I believe the lowlight performance on the OM-1 is superior to the G9 II.Another area that Panasonic has improved on is color science. I feel that the G9 II, like the GH6 exhibits very pleasing and natural colors. Auto white balance has also been very reliable. This is an area that is a huge step up versus the original G9. In my experience, the G9 II, OM-1, and Fujifilm cameras have some of the best color rendering straight out of camera. Aside from color, the new Leica monochrome profile is very nice. I hope to see more of these “film simulations” from Panasonic in the future. Until then, you have the option to load custom LUTs into this camera, which is an awesome feature.Resolution got a small bump over the original G9, from 20 to 25 megapixels. This doesn’t make a huge difference in practice and I am perfectly happy with the 20MP of the original G9 and the OM-1. Another thing to note about the G9 II is that the raw file sizes are quite large for only being 25MP. I don’t think there is any kind of raw compression going on, so the file sizes are averaging around 38MB. By contrast the OM-1’s raw files average around 20MP. This makes a big difference in the amount of storage these raw images take up. I would gladly trade 5 extra megapixels for half the file size. My comparison my Fujifilm X-T5 shoots around the same raw file size using the lossless compression option and that is 40MP.I’ve gone through much of this review without mentioning the headline feature of this new camera, which is of course, Panasonic’s new phase detect autofocus. First appearing in the S5 II and S5 II X cameras, this is the first Lumix Micro Four Thirds body to feature it. It might be controversial, but I was happy with the continuous auto focus on the original G9, with the latest firmware. The wobbles didn’t really bother me and my hit rate was very high. Now, the wobbles are gone and the hit rate is still high. My major complaint about the system is, as mentioned before, the AF joystick and AF On button. My overall impression is that the continuous auto focus is very good, but I have more confidence in the OM-1’s auto focus system. Tracking autofocus seems to be very sticky, more so than the OM-1. Single point auto focus is super fast and accurate, probably the fastest contrast based AF there is. Continuous auto focus in video is vastly improved over the original G9 and GH6 and is generally more reliable than the OM-1.I’m not going to get into the nitty gritty with the other specs. Things like in body image stabilization (IBIS), buffer capacity, rolling shutter are excellent. The handheld high res mode is exceptional, providing you the option to create 100MP images, as long as there isn’t too much movement in the frame. It lacks Live ND, which is a handy feature of the OM-1 and other OM System bodies. The video specs are class leading, inheriting many of the video centric features of the GH6.While not a comprehensive review, I hope that my overall impression of this camera has come through. The G9 II is a huge upgrade over the original G9 in terms of image quality and video features. There are a few quality control issues holding it back from being perfect. I hope that Panasonic can improve on the build quality in the next G9 (III) and make a premium feeling camera to match the outstanding imaging capabilities. It should feel like a flagship camera.I primarily shoot stills and the OM-1 will continue to occupy my top spot. However, if you shoot a lot of video, the G9 II is one of the best cameras in its price point. If you’re on a budget, the original G9 is still a great option also long you learn to work with it as it isn’t as forgiving a camera.
I recently rented the Panasonic G9ii along with the 100-400ii/50-200/9 mm lenses for 1 week and tested it out. I am 70 y/o enthusiast wildlife and landscape photographer that has shot all the major brands in the past and currently shoot a Sony A74 and 200-600. The Panasonic G9ii is a very good to excellent camera which, along with the excellent lenses that I rented, would satisfy the needs of many different types of photographers. If you are the type of photographer who likes to hike/walk around a lot for hours at at time, then you tend to value high quality and light weight kit. The Panasonic does satisfy that need very well, except in a few important areas (for me). Firstly, the new sensor is really impressive for a m4/3 sensor with excellent resolution. However, ... MoreI recently rented the Panasonic G9ii along with the 100-400ii/50-200/9 mm lenses for 1 week and tested it out. I am 70 y/o enthusiast wildlife and landscape photographer that has shot all the major brands in the past and currently shoot a Sony A74 and 200-600. The Panasonic G9ii is a very good to excellent camera which, along with the excellent lenses that I rented, would satisfy the needs of many different types of photographers. If you are the type of photographer who likes to hike/walk around a lot for hours at at time, then you tend to value high quality and light weight kit. The Panasonic does satisfy that need very well, except in a few important areas (for me). Firstly, the new sensor is really impressive for a m4/3 sensor with excellent resolution. However, physics being physics, once the iso gets to around 3200, the image starts to break down due to noise. Wildlife photographers frequently shoot at high isos, so this is a problem, notwithstanding the excellent noise reduction software available today. Secondly, the new PDAF is really very good and animal/eye detection works very well with stationary subjects. However, it struggles (as many AF systems in other cameras do) with BIF and busy backgrounds. Moving target acquisition is not as fast as I had hoped for (too high expectations can be a problem). As far as video goes, I didn't shoot a lot of video but the footage was very smooth (excellent IBIS) and the autofocus worked very well,In summary, I liked a lot of things about this camera and, if you are currently shooting APS-C or other m4/3 cameras, I'd recommend you give this one a try. I think you'll be very impressed, too.
I had my eye on the Panasonic GH6 and all the reviews would criticize its focus ability. Then came the G9 II with superior focus and a lot of other nice features. But I was still wanting the GH6 or rather its successor and was waiting for when that might happen.Then one day I downloaded the user manuals for the GH6 and the G9 II to my computer. I placed the manuals side by side and carefully compared each feature, especially the video recording options. I had initially believed that the G9 II would have a smaller number of video options but that turned out to be an invalid assumption. There were more video options with the G9 II and it being a photographer's camera to boot it now had my attention. Sure, it does not have a built-in fan but then again, I used it ... MoreI had my eye on the Panasonic GH6 and all the reviews would criticize its focus ability. Then came the G9 II with superior focus and a lot of other nice features. But I was still wanting the GH6 or rather its successor and was waiting for when that might happen.Then one day I downloaded the user manuals for the GH6 and the G9 II to my computer. I placed the manuals side by side and carefully compared each feature, especially the video recording options. I had initially believed that the G9 II would have a smaller number of video options but that turned out to be an invalid assumption. There were more video options with the G9 II and it being a photographer's camera to boot it now had my attention. Sure, it does not have a built-in fan but then again, I used it recently to film a friend's wedding (the pictures and videos came out nice and clear by the way) and the camera never once overheated and was still cool to the touch.The nice thing about not having a built-in fan is that the microphones will not record the fan noise (these mics are really sensitive).All in all a great little camera.Some have said the camera is rather big for a micro four thirds but on comparing it with my Black Magic BMPCC4K it is quite small (well, that was until I attached a cage, a side and top handle, follow focus (great for controlling the lens zoom), a power brick and an SSD card).I am also pleased with the internal battery capacity.The fact that the camera can record in true Vlog is another wonderful feature.The menu options, of which there are many, are all well organized and after a few days of use become second nature. I have used the built-in image stabilization (my poor gimbal is now gathering dust).This to date is my favorite camera!
Owner of a G9 1st gen. for the past 4years, and many other camera systems, I use 4/3 with Leica/Lumix lenses for travelling light. After 2 weeks with the G9MkII, I’m just delighted. I use a S5II full frame most of the time, having the same camera in 4/3 format is unbelievably useful. Same settings, same interface, same app (fantastic), just a set of lenses that are half the size and weight. Quality wise: there is maybe a difference of 1 to 2 stops in term of image noise, but resolution is mostly comparable if you use the best lenses at their best aperture. The best part compared to full frame: an extended depth of field that makes landscape easy to render without the difficulties of focus stacking or resolution diffraction compensation that all advanced full frame ... MoreOwner of a G9 1st gen. for the past 4years, and many other camera systems, I use 4/3 with Leica/Lumix lenses for travelling light. After 2 weeks with the G9MkII, I’m just delighted. I use a S5II full frame most of the time, having the same camera in 4/3 format is unbelievably useful. Same settings, same interface, same app (fantastic), just a set of lenses that are half the size and weight. Quality wise: there is maybe a difference of 1 to 2 stops in term of image noise, but resolution is mostly comparable if you use the best lenses at their best aperture. The best part compared to full frame: an extended depth of field that makes landscape easy to render without the difficulties of focus stacking or resolution diffraction compensation that all advanced full frame users will face. I use the G9II new handheld 100 Megapixel multi shot super high resolution mode: no tripod, no noise, high resolution, and you get a huge raw file ready to handle in Lightroom. The new AF is excellent and fast, and as usual, Lumix buttons and interface are both almost perfect. Excellent Pana/Lumix engineers! Keep up the good work!
