Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit
Ideal for professionals, it offers advanced 4K video recording, high-resolution stills, and superb performance. The Leica lens ensures stunning image quality and creative control, perfect for all your photography and videography needs.
Ideal for professionals, it offers advanced 4K video recording, high-resolution stills, and superb performance. The Leica lens ensures stunning image quality and creative control, perfect for all your photography and videography needs.
Ideal for professionals, it offers advanced 4K video recording, high-resolution stills, and superb performance. The Leica lens ensures stunning image quality and creative control, perfect for all your photography and videography needs.
Ideal for professionals, it offers advanced 4K video recording, high-resolution stills, and superb performance. The Leica lens ensures stunning image quality and creative control, perfect for all your photography and videography needs.
in 9 offers
The lowest price for Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit right now is $3,970.00 at Videopro, compared across 9 retailers.
The all-time low was $2,393.90 on 5 July 2025 — today's price is 66% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 23 June 2026.
Last updated at 23/06/2026 13:41:46
Panasonic LUMIX GH7 Mirrorless Camera 12-35mm LEICA Pro Kit
Delivery between 29 June – 2 July $32.08
Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit
Delivery $9.90
Panasonic Lumix GH7 12-35mm Leica Lens Kit Lumix G Mirrorless Camera - Best Camera for Professional - 5.8K Video
Free delivery between Thu – Fri
Panasonic LUMIX GH7 Camera w/ 12-35mm Leica Lens
Delivery $10
Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit 25.2MP BSI CMOS Sensor ProRes RAW HQ 4K60p Video
Delivery $9.95
Panasonic LUMIX GH7 Mirrorless Camera with Leica Pro 12-35mm Lens
Delivery between Thu – Mon $16
Panasonic Lumix GH7 + Pro Leica 12-35mm Kit
14-day returns
Panasonic Lumix GH7 Leica Kit W/Leica 12-35mm F2.8 Zoom BOX
Delivery between 26–30 June $10
Panasonic Lumix GH7 Mirrorless Camera with 12-35mm f/2.8 Lens
7-day returns
originally posted on bhphotovideo.com
Note: I am 100% video. I have been resisting moving into a DSLR/Mirrorless workflow for YEARS. I finally broke down, took the plunge, and bought the GH7. In the first ten minutes of playing with it, I shot a dummy interview in ProRes 422, with 32bit floating audio, with available light - that looked and sounded as good as anything I ever shot with my old 1/3 sensor video camera... but with a nice dof falloff, and extra latitude in post on both audio and video to make it suitable for use in a project without even really trying. In further test shooting, the excellent auto focus, the image stabilization capabilities, the dynamic range - and the portability are very close to my dream coming true. Nothing is perfect, and I'm sure over time I'll find things I'd like to ... MoreNote: I am 100% video. I have been resisting moving into a DSLR/Mirrorless workflow for YEARS. I finally broke down, took the plunge, and bought the GH7. In the first ten minutes of playing with it, I shot a dummy interview in ProRes 422, with 32bit floating audio, with available light - that looked and sounded as good as anything I ever shot with my old 1/3 sensor video camera... but with a nice dof falloff, and extra latitude in post on both audio and video to make it suitable for use in a project without even really trying. In further test shooting, the excellent auto focus, the image stabilization capabilities, the dynamic range - and the portability are very close to my dream coming true. Nothing is perfect, and I'm sure over time I'll find things I'd like to see done differently, but I can already tell that shooting in 4k to output into my 1920x1080 world with all the control and one-man-band assistance this offers is going to be a game changer for me. Going MFT wasn't where I was heading, but when viewed holistically, this camera was a great choice for my intended use. My gear load has been cut by 70% and the technical quality of my output may very well increase by 70%. I am, and always will be an, It's not the wand, it's the witch guy - but I think my effort will be rewarded a little more with this camera.
originally posted on bhphotovideo.com
Put on a tiny lens and off to work with a powerhouse of professional capability. I have canon and Nikon systems. You know, the big bodies and big heavy lenses that impress everyone but the one that has to carry them. .Taking off all that weight just makes me feel more flexible and creative. This changes everything. Big chip small chip. Does it really matter with the modern cameras? I'm not shooting for billboards.
originally posted on bhphotovideo.com
The camera arrived on time and has fine out of the box. GH Photo did good and when it was back ordered, the next day one went out and arrived asap. Thanks BH Phot. Real pros in the photography world.
| Product Salable Type | Pre-Order |
| Megapixels | 25MP |
| Sensor Size | 4/3" |
| Image Stabilisation | Yes |
| Lens Mount | Micro Four Thirds |
Panasonic LUMIX GH7 Mirrorless Camera 12-35mm LEICA Pro Kit
Delivery between 29 June – 2 July $32.08
Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit
Delivery $9.90
Panasonic Lumix GH7 12-35mm Leica Lens Kit Lumix G Mirrorless Camera - Best Camera for Professional - 5.8K Video
Free delivery between Thu – Fri
Panasonic LUMIX GH7 Camera w/ 12-35mm Leica Lens
Delivery $10
Panasonic Lumix GH7 Mirrorless Camera 12-35mm Leica Pro Kit 25.2MP BSI CMOS Sensor ProRes RAW HQ 4K60p Video
Delivery $9.95
Note: I am 100% video. I have been resisting moving into a DSLR/Mirrorless workflow for YEARS. I finally broke down, took the plunge, and bought the GH7. In the first ten minutes of playing with it, I shot a dummy interview in ProRes 422, with 32bit floating audio, with available light - that looked and sounded as good as anything I ever shot with my old 1/3 sensor video camera... but with a nice dof falloff, and extra latitude in post on both audio and video to make it suitable for use in a project without even really trying. In further test shooting, the excellent auto focus, the image stabilization capabilities, the dynamic range - and the portability are very close to my dream coming true. Nothing is perfect, and I'm sure over time I'll find things I'd like to ... MoreNote: I am 100% video. I have been resisting moving into a DSLR/Mirrorless workflow for YEARS. I finally broke down, took the plunge, and bought the GH7. In the first ten minutes of playing with it, I shot a dummy interview in ProRes 422, with 32bit floating audio, with available light - that looked and sounded as good as anything I ever shot with my old 1/3 sensor video camera... but with a nice dof falloff, and extra latitude in post on both audio and video to make it suitable for use in a project without even really trying. In further test shooting, the excellent auto focus, the image stabilization capabilities, the dynamic range - and the portability are very close to my dream coming true. Nothing is perfect, and I'm sure over time I'll find things I'd like to see done differently, but I can already tell that shooting in 4k to output into my 1920x1080 world with all the control and one-man-band assistance this offers is going to be a game changer for me. Going MFT wasn't where I was heading, but when viewed holistically, this camera was a great choice for my intended use. My gear load has been cut by 70% and the technical quality of my output may very well increase by 70%. I am, and always will be an, It's not the wand, it's the witch guy - but I think my effort will be rewarded a little more with this camera.
Put on a tiny lens and off to work with a powerhouse of professional capability. I have canon and Nikon systems. You know, the big bodies and big heavy lenses that impress everyone but the one that has to carry them. .Taking off all that weight just makes me feel more flexible and creative. This changes everything. Big chip small chip. Does it really matter with the modern cameras? I'm not shooting for billboards.
The camera arrived on time and has fine out of the box. GH Photo did good and when it was back ordered, the next day one went out and arrived asap. Thanks BH Phot. Real pros in the photography world.
I love the features on this camera and definitely is an upgrade from the GH5. The GH6 should have had the PDAF which I’m disappointed about because I had to sell my GH6 just to get PDAF which still need some improvements hopefully a firmware update.
As an ex GH6 user, which I loved, this camera added a much needed feature (PDAF) and some incredible pro features, (Proxy uploads, RAW internal recording) And some fun features from the G9II (Realtime LUT) and the GH5 II (wireless live streaming) This little power house has everything without the cropped video, presented in the current S5II line. You will not be disappointed! This camera accommodates almost every need a modern shooter has. Bravo Lumix. 🔥
I have always used panasonic video cameras. my previous GH6 was untill now my best camera but i now have the GH7 and in my opinion now takes the the top position
Content creators on social media, specifically YouTube, have created a cardinal rule, that Full Frame is the ONLY way to go, especially when Gareth Edward’s movie “The Creator” was used with a FX3. I was thinking the same way for a long while. Trading in almost every equipment I have for an FX3, cause “I gotta have that light!!!” But the truth is, for any filmmaker, lightning is an essential process, and simply having a Full Frame camera won’t solve all your worries about lighting. And from using the GH7 for about two weeks, in low light situations in the Salsa Dancing Scenes for my docu series “Kenny Salsa”, I can say that the low light footage looks freakin good. At 6400 ISO it’s usable, and there’s noise, but it doesn’t look bad, it’s usable; and this is with no ... MoreContent creators on social media, specifically YouTube, have created a cardinal rule, that Full Frame is the ONLY way to go, especially when Gareth Edward’s movie “The Creator” was used with a FX3. I was thinking the same way for a long while. Trading in almost every equipment I have for an FX3, cause “I gotta have that light!!!” But the truth is, for any filmmaker, lightning is an essential process, and simply having a Full Frame camera won’t solve all your worries about lighting. And from using the GH7 for about two weeks, in low light situations in the Salsa Dancing Scenes for my docu series “Kenny Salsa”, I can say that the low light footage looks freakin good. At 6400 ISO it’s usable, and there’s noise, but it doesn’t look bad, it’s usable; and this is with no additional lighting, just ambient lighting from the environment. Just use a lens with an f-stop of 1.4 - 1.7 and you’re golden!I’ve used the GH5 for years, and me being a gorilla style independent filmmaker, the GH5 is always ready to go. But while using it, there were a few things I wish it had. The main one being Auto Focus. Another issue was that stabilization, even though it was great, from time to time to corners would do this wobble thing which made the clips look like a 2d image floating in 3d space. The last issue I had with it was the low lighting capabilities, it was just awful. The GH5s solved that issue I believed, but I never owned one.Even though the GH5 is a great camera, those top 3 things made me want to Upgrade from an MFT. And I was going to. The FX3 was in my cart, I was going to trade thousands of dollars worth of gear in and still pay $2500!!! But then the GH7 came out, and when I saw what it could do, well, that changed everything.The GH7 solves all of the issues I had with the GH5 and more. This camera is like a Swiss Army knife for filmmakers. Ask yourself this, if the only reason you’re thinking about not getting this camera is because it’s a MFT, well, learn to love it.
Just when I thought I would abandon all those Micro Four Thirds lenses I accumulated, along comes the most gorgeous and complete MFT camera you could imagine. I am totally in love with this thing (don't tell my ex)! The quality of the footage (especially VLOG) is breathtaking and the autofocus is divine, enabling it to double as a run-and-gun camera. I also love the many resolutions, codecs and bitrates available - especially handy for those occasions when you need decent quality but small file sizes. And 5.8K (open gate) is perfect for single camera shoots. I started this journey with the AF100 back in 2011 and am so glad I didn't abandon the Panasonic MFT platform. I am SMITTEN!
I've been a long time Lumix user and have tried other brands but was always frustrated by the (often deliberate) feature limitations. I always keep coming back to Lumix. The GH7 is the culmination of all the previous GH series with so many advanced video features such as ProRes, SSD Recording, and now internal ProRes RAW! It is a powerhouse at an affordable price and now also supports ARRI Log C3 as well as 32-bit float audio. Panasonic listens to the customers and also makes frequent firmware updates and feature enhancements well into the life of the product!
| Product Salable Type | Pre-Order |
| Megapixels | 25MP |
| Sensor Size | 4/3" |
| Image Stabilisation | Yes |
| Lens Mount | Micro Four Thirds |
