Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German migr who had worked with Berthold Lubetkins famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britains finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day. Based on detailed archival research and with stunning new photography, this is the first book devoted to the work of Peter Moro and his colleagues in architectural practice. Ranging from the 1930s to the 1980s, it explores Moros belief in a rigorous modern architecture which was both functionally sound and aesthetically rich. It sheds new light on this important body of work, and enriches our understanding of the experience and diversity of modernism in Britain.