Sigma 45mm f/2.8 DG DN Contemporary Lens (L Mount)
As part of the Contemporary line within Sigma's Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes. Created for full-frame Leica L-mount mirrorless cameras, this prime, normal-length lens is designed to deliver excellent image quality while optimizing size and weight. It is also suitable for APS-C models where it provides a 68mm equivalent focal length. Optical design controls spherical aberrations to help endure large, soft, rounded bokeh while enhancing the three-dimensional impression of the subject. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and provides greater control over depth of field. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. Full-time manual focus control can also be selected. Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality. The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
As part of the Contemporary line within Sigma's Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes. Created for full-frame Leica L-mount mirrorless cameras, this prime, normal-length lens is designed to deliver excellent image quality while optimizing size and weight. It is also suitable for APS-C models where it provides a 68mm equivalent focal length. Optical design controls spherical aberrations to help endure large, soft, rounded bokeh while enhancing the three-dimensional impression of the subject. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and provides greater control over depth of field. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. Full-time manual focus control can also be selected. Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality. The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
As part of the Contemporary line within Sigma's Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes. Created for full-frame Leica L-mount mirrorless cameras, this prime, normal-length lens is designed to deliver excellent image quality while optimizing size and weight. It is also suitable for APS-C models where it provides a 68mm equivalent focal length. Optical design controls spherical aberrations to help endure large, soft, rounded bokeh while enhancing the three-dimensional impression of the subject. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and provides greater control over depth of field. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. Full-time manual focus control can also be selected. Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality. The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
As part of the Contemporary line within Sigma's Global Vision series, this lens is designed to achieve a balance between convenience and performance, and meshes a compact, lightweight build and versatile handling with notable optical attributes. Created for full-frame Leica L-mount mirrorless cameras, this prime, normal-length lens is designed to deliver excellent image quality while optimizing size and weight. It is also suitable for APS-C models where it provides a 68mm equivalent focal length. Optical design controls spherical aberrations to help endure large, soft, rounded bokeh while enhancing the three-dimensional impression of the subject. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and provides greater control over depth of field. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. Full-time manual focus control can also be selected. Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality. The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
in 22 offers
The lowest price for Sigma 45mm f/2.8 DG DN Contemporary Lens (L Mount) right now is $520.88 at eBay.com.au, compared across 12 retailers.
The all-time low was $393.85 on 7 Mar 2026 — today's price is 32% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 19 July 2026.
Last updated at 19/07/2026 20:48:20
Sigma Contemporary 45mm F2.8 Dg Dn Lens For L Mount 0005
Delivery $28.69
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 415
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) -near Mint- 199
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 119
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 88
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) -near Mint- 80
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 244 -near Mint-
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Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 245 -near Mint-
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Sigma 45mm F/2.8 Dg Dn Contemporary Af Lens For L Mount Japan [top
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Sigma 45mm F/2.8 Dg Dn Contemporary Af Lens For L Mount Japan [top
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originally posted on bhphotovideo.com
I am a professional fine art Nature photographer who is used to carrying substantial equipment in my backpack. But, sometimes, I really enjoy traveling light. I have only had this lens for a week. But, I am already impressed. For landscapes, Its field of view is slightly larger than for a 50mm lens but still avoids the over-emphasis of foreground objects associated with wide angle lenses. It is light and compact, but all metal and really well designed and constructed.Importantly, its superior image quality puts it in the top class of normal lenses. In the photographs that I've taken so far, there is almost no significant difference in sharpness and contrast between the edges and corners compared with the center when stopped down to the optimum aperture of f5.6. ... MoreI am a professional fine art Nature photographer who is used to carrying substantial equipment in my backpack. But, sometimes, I really enjoy traveling light. I have only had this lens for a week. But, I am already impressed. For landscapes, Its field of view is slightly larger than for a 50mm lens but still avoids the over-emphasis of foreground objects associated with wide angle lenses. It is light and compact, but all metal and really well designed and constructed.Importantly, its superior image quality puts it in the top class of normal lenses. In the photographs that I've taken so far, there is almost no significant difference in sharpness and contrast between the edges and corners compared with the center when stopped down to the optimum aperture of f5.6. And for apertures between f4.0 and f8.0, its overall image quality is as good as the best Sony GM lenses, except for the new 135mm f1.8 GM lens. Its versatility is highly welcome. It focuses more closely (9.45) than most normal lenses; and I like the way that it works with my Sony A7rM4 where I have the option of using a C-size image of 28MP making the 45mm lens an effective 68mm lens, thereby enhancing its close-up ability.This lens is a great choice for street photography, landscapes, close-ups, portraits, and even some wildlife subjects, and when used with a compact mirrorless camera, it's small size and low weight makes it effortless to carry it with you in any environment.The attached images were made at f5.6.
originally posted on bhphotovideo.com
Some reviewers have commented how this lens is soft when close to a subject. Even though this lens claims to have a short focus distance, I don't believe that this is what that lens is made for. When focusing at subjects that are more distant, this lens is very sharp and offers a lot of detail. I used this lens on a Panasonic S5 and it works flawlessly. It is quick to focus and provides great results.The lens has an aperture ring on it. So, if you're coming from a Fuji system, you'll feel right at home. If you prefer to adjust the aperture setting from the camera, you can do that too.This lens is versatile, unique, and a lot of fun to use. What makes it great is that it isn't your typical nifty fifty. It has character. If that character is appealing to you, it ... MoreSome reviewers have commented how this lens is soft when close to a subject. Even though this lens claims to have a short focus distance, I don't believe that this is what that lens is made for. When focusing at subjects that are more distant, this lens is very sharp and offers a lot of detail. I used this lens on a Panasonic S5 and it works flawlessly. It is quick to focus and provides great results.The lens has an aperture ring on it. So, if you're coming from a Fuji system, you'll feel right at home. If you prefer to adjust the aperture setting from the camera, you can do that too.This lens is versatile, unique, and a lot of fun to use. What makes it great is that it isn't your typical nifty fifty. It has character. If that character is appealing to you, it will quickly become a go-to lens in your kit.
originally posted on bhphotovideo.com
I had this lens once before and used it with my original Leica SL. Sold the SL and sold this lens.Bought an SL2 and bought this lens again.While this lens was excellent on the 24MP SL, on the 47MP SL2 this lens is noticeably soft from wide open up through f9. If you need a near 50mm slowish lens and you don't mind that it is a little soft, I recommend this lens. Well built and easy to operate.
| Lens Mount | Leica L |
| Camera Format | Full-Frame (1x Crop Factor) |
| Maximum Resolution | 6000 x 4000 |
| Sensor Type | CMOS |
| Sensor Size | 35.9 x 23.9 mm |
Sigma Contemporary 45mm F2.8 Dg Dn Lens For L Mount 0005
Delivery $28.69
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 415
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) -near Mint- 199
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 119
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 45mm F/2.8 Dg Dn Contemporary (for L Mount) 88
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I am a professional fine art Nature photographer who is used to carrying substantial equipment in my backpack. But, sometimes, I really enjoy traveling light. I have only had this lens for a week. But, I am already impressed. For landscapes, Its field of view is slightly larger than for a 50mm lens but still avoids the over-emphasis of foreground objects associated with wide angle lenses. It is light and compact, but all metal and really well designed and constructed.Importantly, its superior image quality puts it in the top class of normal lenses. In the photographs that I've taken so far, there is almost no significant difference in sharpness and contrast between the edges and corners compared with the center when stopped down to the optimum aperture of f5.6. ... MoreI am a professional fine art Nature photographer who is used to carrying substantial equipment in my backpack. But, sometimes, I really enjoy traveling light. I have only had this lens for a week. But, I am already impressed. For landscapes, Its field of view is slightly larger than for a 50mm lens but still avoids the over-emphasis of foreground objects associated with wide angle lenses. It is light and compact, but all metal and really well designed and constructed.Importantly, its superior image quality puts it in the top class of normal lenses. In the photographs that I've taken so far, there is almost no significant difference in sharpness and contrast between the edges and corners compared with the center when stopped down to the optimum aperture of f5.6. And for apertures between f4.0 and f8.0, its overall image quality is as good as the best Sony GM lenses, except for the new 135mm f1.8 GM lens. Its versatility is highly welcome. It focuses more closely (9.45) than most normal lenses; and I like the way that it works with my Sony A7rM4 where I have the option of using a C-size image of 28MP making the 45mm lens an effective 68mm lens, thereby enhancing its close-up ability.This lens is a great choice for street photography, landscapes, close-ups, portraits, and even some wildlife subjects, and when used with a compact mirrorless camera, it's small size and low weight makes it effortless to carry it with you in any environment.The attached images were made at f5.6.
Some reviewers have commented how this lens is soft when close to a subject. Even though this lens claims to have a short focus distance, I don't believe that this is what that lens is made for. When focusing at subjects that are more distant, this lens is very sharp and offers a lot of detail. I used this lens on a Panasonic S5 and it works flawlessly. It is quick to focus and provides great results.The lens has an aperture ring on it. So, if you're coming from a Fuji system, you'll feel right at home. If you prefer to adjust the aperture setting from the camera, you can do that too.This lens is versatile, unique, and a lot of fun to use. What makes it great is that it isn't your typical nifty fifty. It has character. If that character is appealing to you, it ... MoreSome reviewers have commented how this lens is soft when close to a subject. Even though this lens claims to have a short focus distance, I don't believe that this is what that lens is made for. When focusing at subjects that are more distant, this lens is very sharp and offers a lot of detail. I used this lens on a Panasonic S5 and it works flawlessly. It is quick to focus and provides great results.The lens has an aperture ring on it. So, if you're coming from a Fuji system, you'll feel right at home. If you prefer to adjust the aperture setting from the camera, you can do that too.This lens is versatile, unique, and a lot of fun to use. What makes it great is that it isn't your typical nifty fifty. It has character. If that character is appealing to you, it will quickly become a go-to lens in your kit.
I had this lens once before and used it with my original Leica SL. Sold the SL and sold this lens.Bought an SL2 and bought this lens again.While this lens was excellent on the 24MP SL, on the 47MP SL2 this lens is noticeably soft from wide open up through f9. If you need a near 50mm slowish lens and you don't mind that it is a little soft, I recommend this lens. Well built and easy to operate.
This is the second time around for me with this lens. The first time I had this lens I found it excellent and 5-star on a Leica SL1.Sold that camera and then this lens.Now I have an SL2 and re-bought this lens. Overall it is not as sharp nor as contrast-y on the SL2 when shot at f2.8. If I stop down to f4 sharpness and contrast does pick up a bit (but not a lot).By comparison I also have the Sigma 30mm f1.4 L mount APSC lens. When I use that lens on my SL2 images, even shot at f1.4, images are sharper and do have more contrast.However, taking into consideration the fact this lens costs one-tenth the amount of a similar Leica Summicron SL lens, I'd say this lens is worthy of the 4 stars I give it.
definitely not the same as a Leica APO 50mm but a neat compact AF lens. Great “walk around” lens.All metal body and sturdy!Soft on edges wide open and portrait like quality micro softness in center. Not creamy Leica bokeh, but definitely a great “old school” lovely lens. Reminds me of Voigtlander build, look and price pointCan not beat this price for an SL2!Recommended.
Bought this lens on a lark as B&H had it on Deal Zone at a price that was too good not to give it a try. All I can say is that regardless of cost it's a very fine optic. When price is taken into account, it vies for one of the all time greats.First, there's the size and weight which are a welcome relief from the mass of virtually every other L optic available. Second, there's the aperture ring. Lord, how I miss aperture rings on my other L-lenses. The action is positive and solid with a definite click into place. Which leads me to three, the lens is solidly made with a metal hood. It's astonishing that such a lens can be sold at this price point.Of course, none of that matters much at all if the lens is poor optically. Nothing much to worry about in that area ... MoreBought this lens on a lark as B&H had it on Deal Zone at a price that was too good not to give it a try. All I can say is that regardless of cost it's a very fine optic. When price is taken into account, it vies for one of the all time greats.First, there's the size and weight which are a welcome relief from the mass of virtually every other L optic available. Second, there's the aperture ring. Lord, how I miss aperture rings on my other L-lenses. The action is positive and solid with a definite click into place. Which leads me to three, the lens is solidly made with a metal hood. It's astonishing that such a lens can be sold at this price point.Of course, none of that matters much at all if the lens is poor optically. Nothing much to worry about in that area either. This lens sits in my bag between the Summicron 35 and 75 Leica optics and frankly, it is in no way out of place in this company. Its rendering is reminiscent of the 75mm with a slight coolness to the color that feels very natural. This is not a crispy, digital, primary colors in your face sort of lens, rather it imparts a sense of smoothness and serenity in the way it draws. While not a Bokeh machine, given a max aperture of 2.8, it nevertheless is capable of very close focusing where it can come into play. In those instances, it renders very smoothly with little of the nervousness one can see in other optics. I haven't pixel peeped across the frame to nit pick corners and such, but then I haven't felt the need. It is plenty sharp, but does so in a lower contrast sort of way. It draws with all the detail, but in a gently which to a degree reminds me a little of some earlier M optics. It is without a doubt capable of utilizing all of the 47MPx the SL2 has on offer. Quite an achievement.In sum, the lens is a steal. Having purchased it on a Deal Zone special for more than a 1/4 off makes it feel even more so. Bravo Sigma, and thank you B&H! Highly recommended, something I rarely say.
This lens may or may not work on 1st Generation Sony a7x bodies. I had two consecutive lenses lose their ability to focus altogether after a few days of normal use. Both times it happened shortly after changing the focusing mode via the camera. The first lens went back to Adorama, the second I sat with for a few days, wondering if I was just reaaaaally unlucky, or if there was a compatibility issue. And, yes- I performed every last troubleshooting step I could think of, including (but not limited to) cleaning the contacts, trying every different combination of focusing modes via lens and camera, using brand-new batteries, and a factory reset. The lens was still in communication with the camera, as evidenced by the fact I was able to change the aperture from the ... MoreThis lens may or may not work on 1st Generation Sony a7x bodies. I had two consecutive lenses lose their ability to focus altogether after a few days of normal use. Both times it happened shortly after changing the focusing mode via the camera. The first lens went back to Adorama, the second I sat with for a few days, wondering if I was just reaaaaally unlucky, or if there was a compatibility issue. And, yes- I performed every last troubleshooting step I could think of, including (but not limited to) cleaning the contacts, trying every different combination of focusing modes via lens and camera, using brand-new batteries, and a factory reset. The lens was still in communication with the camera, as evidenced by the fact I was able to change the aperture from the camera dial while the lens was in "A", and the fact that the digital distance scale in the EVF moved when I turned the ring in MF mode. The focus was just.... frozen.As a desperate, last-ditch attempt to salvage the lens, I enlisted the help of a friend who owned an a73. I had him put the lens on his camera and, guess what? It WORKED. I put it back on mine and it sprang back to life, like nothing had ever happened. Crazy, right? I toggled over to Video and it started to glitch out again, so I quickly put it back into Stills mode. I'm sticking to using AF-S only, out of fear it will crap out again, during the busiest photo time of the year, no less. I recalled that video is AF-C by default, which confirms my theory that the lens simply does not play well with changes made via the camera.So, you may be asking.... why? Why would anyone put up with this? Furthermore, why would anyone put up with this from a $[xxx] lens that only goes to f/2.8 when there is (according to most of the Internet) a much "better" 45mm f/1.8 lens for a couple hundred dollars less?I will attempt to answer that. Without going overboard on listing my qualifications and tallying my gear list, I'll tell you that I'm a complete, unapologetic Lens Snob. However, my snobbery doesn't derive from lenses that champion MTF charts, or easily quantifiable data points like f-stop numbers, but from the subtleties. Handling. Rendering. That "B" word everyone hates. Transition zones. That sort of thing. If I don't like the way a lens *feels* in my hand, I'll leave it on the shelf.Sigma is not a company that needs to prove it knows how to make sharp lenses. It's not a company that needs to prove it can make fast lenses. It's already done plenty of those, often with size and price being de-prioritized to those ends. This lens' design was focused solely on creating a lens with the best *rendering* in a small, beautifully-crafted package. If you'd like to read about the design philosophy from one of the engineers behind it, Google "Ohsone's Anecdotes Episode 6" because I can't link it.I rented this lens for a weekend gig and I was absolutely HOOKED. The all-metal build, aperture ring, size/weight combo was glorious, but the rendering was unlike anything I'd ever seen. Buttery smooth backgrounds, even at f/4-f/5.6, where most lenses get gnarly. Tones that could melt butter. Even the busiest, jagged and geometric transition zones were rendered as silk. Like the classic Sonnars, but with more "pop" where it counts, more edge to the points in focus. ZERO CA. Flare when you really were *trying* to get flare.So, is this really an "overpriced" lens, as so many out there are claiming? Let's consider, for a moment, the competition. The Sony 35mm f/2.8, which, even 5 years or so after its release, is listed at around $[xxx] new. And we really don't need to re-hash all the technical issues that lens has, for all its adherents. The new 35mm f/1.8? Also $[xxx]. The 55/1.8 (aka CA MONSTER)? $[xxxx]. And, sure. The Elephant in the Room. The Samyang/Rokinon 45mm f/1.8. Sure, yeah- that one is $[xxx]. It's also EXTREMELY harsh in the transition zones, has no aperture ring, and is likely, quite literally held together with glue (ask Roger at LensRentals about that) So there's that. But hey, if you want to save a couple hundred bucks on arguably the most important element (pun intended) in your gear bag, or don't want to lower your shutter speed or boost your ISO in low light, it's an option, sure.This Sigma? Something else entirely.(Knocking off a star for making me deal with quirks... c'mon with some firmware, Sigma)P.S.- thanks Adorama for the painless exchange, but please look into this on 1st Gen Sony bodies.
First off, this seems to be a well made lens. It?s all metal and feels solid. Even the lens hood is metal and chunky.Image quality is good but not great. As many reviews have noted, it?s soft wide open. Stopping down definitely helps, but it?s never going to be the sharpest lens in your bag. The bokeh is definitely smooth and nice, though. But apparently that was the intention the lens designers had?bokeh quality over tack-sharpness.Even though the lens is solidly built, it?s small and thus not too heavy. It feels good on the camera (Sony a7ii in my case). It?s small enough to be a good walk-around or travel lens.The 45mm focal length is nice?very close to what the human eye sees.The aperture ring is a nice feature?I like it better than controlling the aperture ... MoreFirst off, this seems to be a well made lens. It?s all metal and feels solid. Even the lens hood is metal and chunky.Image quality is good but not great. As many reviews have noted, it?s soft wide open. Stopping down definitely helps, but it?s never going to be the sharpest lens in your bag. The bokeh is definitely smooth and nice, though. But apparently that was the intention the lens designers had?bokeh quality over tack-sharpness.Even though the lens is solidly built, it?s small and thus not too heavy. It feels good on the camera (Sony a7ii in my case). It?s small enough to be a good walk-around or travel lens.The 45mm focal length is nice?very close to what the human eye sees.The aperture ring is a nice feature?I like it better than controlling the aperture in camera. The AF/MF switch is nice too.If you go in not expecting a pro-quality lens, and you like smooth bokeh over tack-sharpness, you?ll be happy with it. Especially if you get it on sale.
On the S1: The lens is perfect ergo-wise, although the manual focus ring is a little small right up against the hood. I enjoyed the dampened aperture ring. AF was also stellar on the S1 for video and stills. Bokeh is stellar. Very well made and I think would make the right person very happy, continue below though.Everything about this lens, except for the optics, I was very happy with. For the price, I was expecting a little more consistency. I acknowledge the price is reasonable. This is not a nifty-fifty (not at this price), and its wide open, close range was not something I was 100% happy with. If you want to shoot at f/8-ish and have a really portable lens for traveling, or some rug rat shots and light f2.8 portraits, I think this will be a great addition. If ... MoreOn the S1: The lens is perfect ergo-wise, although the manual focus ring is a little small right up against the hood. I enjoyed the dampened aperture ring. AF was also stellar on the S1 for video and stills. Bokeh is stellar. Very well made and I think would make the right person very happy, continue below though.Everything about this lens, except for the optics, I was very happy with. For the price, I was expecting a little more consistency. I acknowledge the price is reasonable. This is not a nifty-fifty (not at this price), and its wide open, close range was not something I was 100% happy with. If you want to shoot at f/8-ish and have a really portable lens for traveling, or some rug rat shots and light f2.8 portraits, I think this will be a great addition. If you are looking for razor sharp, wide open performance, I think you will find a more classic (softer) rendering.If however, you are looking to get great value, this is not the lens for me. In fact, IMO, there is a premium paid for portability, (and the all metal construction). I'd take a plastic hood, if it would save more $$$. 3 stars was too harshIn the end, I returned it, so I could save up for S Pro glass. Means I dont have an AF lens for the S1 yet. But I'll wait for what I really want: 24-70 2.8. My wrist says it likes the 45mm better, go figure.
I had never used a Sigma lens before so I was a little skeptical, but most lenses in the L Mount range are expensive, so this was the closest thing to a budget 50mm I could find for the Panasonic S1 I ordered. However, this is an impressive lens. Image quality is nice with kind of a classic kind of rendering with less punchy contrast, and almost a softness wide open (I mean that in a good way). Build quality is excellent, very solid feeling. Focus throw feels very smooth. I love having the aperture dial on the lens. Wish 40-45mm was more common because, to me, it’s the perfect walk around focal length. Paired with the S1, which is big as mirrorless cameras go, this lens made the camera feel more manageable to carry around. It’s still a solid lens in spite of its ... MoreI had never used a Sigma lens before so I was a little skeptical, but most lenses in the L Mount range are expensive, so this was the closest thing to a budget 50mm I could find for the Panasonic S1 I ordered. However, this is an impressive lens. Image quality is nice with kind of a classic kind of rendering with less punchy contrast, and almost a softness wide open (I mean that in a good way). Build quality is excellent, very solid feeling. Focus throw feels very smooth. I love having the aperture dial on the lens. Wish 40-45mm was more common because, to me, it’s the perfect walk around focal length. Paired with the S1, which is big as mirrorless cameras go, this lens made the camera feel more manageable to carry around. It’s still a solid lens in spite of its compact size so the balance was good on the heavier camera body. I have since returned this lens along with the camera because of some hesitations with the camera, but I would buy this lens again if I end up with another L or E mount camera.
| Lens Mount | Leica L |
| Camera Format | Full-Frame (1x Crop Factor) |
| Maximum Resolution | 6000 x 4000 |
| Sensor Type | CMOS |
| Sensor Size | 35.9 x 23.9 mm |