Sigma 50-100mm f/1.8 DC HSM Art Lens (Nikon)
Pairing a versatile range of telephoto focal lengths with a fast constant maximum aperture, this 50-100mm f/1.8 DC HSM Art Lens from Sigma is designed for DX-format Nikon F-mount DSLRs, and provides a 75-150mm equivalent focal length range. The bright constant maximum aperture offers consistent low-light performance throughout the zoom range and also affords greater control over focus placement for shallow depth of field and selective focus applications. Complementing the versatile telephoto range is a sophisticated optical design that incorporates three F Low Dispersion elements, one Special Low Dispersion element, and one high-refractive index, high-dispersion glass element. This combination of low dispersion designs works to noticeably reduce chromatic aberrations and color fringing throughout the zoom range, as well as deliver a high degree of contrast and clarity. Additionally, a Super Multi-Layer Coating has been applied to lens elements to reduce lens flare and ghosting to benefit working in strong lighting conditions. An unprecedented combination of focal length and speed, this 50-100mm f/1.8 lens offers a variety of favored telephoto perspectives in combination with a flexible maximum aperture. Complementing the imaging capabilities is a refined physical construction with internal focus and zoom mechanisms to limit the overall length of the lens during use. A Hyper Sonic AF motor affords quick focusing speeds and quiet performance as well as the ability to manually override focus at any time for greater control. Also suiting quick shooting applications, the nine-blade diaphragm has been constructed from fluorine-coated polycarbonate, along with a carbon feather film for exceptionally smooth, controlled performance when photographing at high shooting speeds. Contrasting this, a tripod collar is integrated into the design, too, for greater stability when working atop a tripod or monopod.
Pairing a versatile range of telephoto focal lengths with a fast constant maximum aperture, this 50-100mm f/1.8 DC HSM Art Lens from Sigma is designed for DX-format Nikon F-mount DSLRs, and provides a 75-150mm equivalent focal length range. The bright constant maximum aperture offers consistent low-light performance throughout the zoom range and also affords greater control over focus placement for shallow depth of field and selective focus applications. Complementing the versatile telephoto range is a sophisticated optical design that incorporates three F Low Dispersion elements, one Special Low Dispersion element, and one high-refractive index, high-dispersion glass element. This combination of low dispersion designs works to noticeably reduce chromatic aberrations and color fringing throughout the zoom range, as well as deliver a high degree of contrast and clarity. Additionally, a Super Multi-Layer Coating has been applied to lens elements to reduce lens flare and ghosting to benefit working in strong lighting conditions. An unprecedented combination of focal length and speed, this 50-100mm f/1.8 lens offers a variety of favored telephoto perspectives in combination with a flexible maximum aperture. Complementing the imaging capabilities is a refined physical construction with internal focus and zoom mechanisms to limit the overall length of the lens during use. A Hyper Sonic AF motor affords quick focusing speeds and quiet performance as well as the ability to manually override focus at any time for greater control. Also suiting quick shooting applications, the nine-blade diaphragm has been constructed from fluorine-coated polycarbonate, along with a carbon feather film for exceptionally smooth, controlled performance when photographing at high shooting speeds. Contrasting this, a tripod collar is integrated into the design, too, for greater stability when working atop a tripod or monopod.
Pairing a versatile range of telephoto focal lengths with a fast constant maximum aperture, this 50-100mm f/1.8 DC HSM Art Lens from Sigma is designed for DX-format Nikon F-mount DSLRs, and provides a 75-150mm equivalent focal length range. The bright constant maximum aperture offers consistent low-light performance throughout the zoom range and also affords greater control over focus placement for shallow depth of field and selective focus applications. Complementing the versatile telephoto range is a sophisticated optical design that incorporates three F Low Dispersion elements, one Special Low Dispersion element, and one high-refractive index, high-dispersion glass element. This combination of low dispersion designs works to noticeably reduce chromatic aberrations and color fringing throughout the zoom range, as well as deliver a high degree of contrast and clarity. Additionally, a Super Multi-Layer Coating has been applied to lens elements to reduce lens flare and ghosting to benefit working in strong lighting conditions. An unprecedented combination of focal length and speed, this 50-100mm f/1.8 lens offers a variety of favored telephoto perspectives in combination with a flexible maximum aperture. Complementing the imaging capabilities is a refined physical construction with internal focus and zoom mechanisms to limit the overall length of the lens during use. A Hyper Sonic AF motor affords quick focusing speeds and quiet performance as well as the ability to manually override focus at any time for greater control. Also suiting quick shooting applications, the nine-blade diaphragm has been constructed from fluorine-coated polycarbonate, along with a carbon feather film for exceptionally smooth, controlled performance when photographing at high shooting speeds. Contrasting this, a tripod collar is integrated into the design, too, for greater stability when working atop a tripod or monopod.
Pairing a versatile range of telephoto focal lengths with a fast constant maximum aperture, this 50-100mm f/1.8 DC HSM Art Lens from Sigma is designed for DX-format Nikon F-mount DSLRs, and provides a 75-150mm equivalent focal length range. The bright constant maximum aperture offers consistent low-light performance throughout the zoom range and also affords greater control over focus placement for shallow depth of field and selective focus applications. Complementing the versatile telephoto range is a sophisticated optical design that incorporates three F Low Dispersion elements, one Special Low Dispersion element, and one high-refractive index, high-dispersion glass element. This combination of low dispersion designs works to noticeably reduce chromatic aberrations and color fringing throughout the zoom range, as well as deliver a high degree of contrast and clarity. Additionally, a Super Multi-Layer Coating has been applied to lens elements to reduce lens flare and ghosting to benefit working in strong lighting conditions. An unprecedented combination of focal length and speed, this 50-100mm f/1.8 lens offers a variety of favored telephoto perspectives in combination with a flexible maximum aperture. Complementing the imaging capabilities is a refined physical construction with internal focus and zoom mechanisms to limit the overall length of the lens during use. A Hyper Sonic AF motor affords quick focusing speeds and quiet performance as well as the ability to manually override focus at any time for greater control. Also suiting quick shooting applications, the nine-blade diaphragm has been constructed from fluorine-coated polycarbonate, along with a carbon feather film for exceptionally smooth, controlled performance when photographing at high shooting speeds. Contrasting this, a tripod collar is integrated into the design, too, for greater stability when working atop a tripod or monopod.
in 35 offers
The lowest price for Sigma 50-100mm f/1.8 DC HSM Art Lens (Nikon) right now is $935.00 at cccwarehouse.com.au, compared across 26 retailers.
The all-time low was $774.59 on 8 May 2026 — today's price is 21% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 23:38:35
Sigma 4693955 50-100mm f/1.8 DC HSM Art Lens for Nikon, Black
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Sigma 50-100mm f/1.8 DC HSM Art Lens Nikon Mount
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Sigma 50-100mm f/1.8 DC HSM | Art (Nikon F Mount) at Etoren
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Sigma 50-100mm F1.8 DC HSM | Art (Nikon) Lens
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Sigma 50-100mm f/1.8 DC HSM Art Lens for Nikon F - Brand New
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Open Box Sigma 50-100mm f/1.8 (ART) DC HSM Nikon
Delivery between 16–18 June $8.95
Sigma 50-100mm f1.8 DC HSM Art Telephoto Zoom Lens for Nikon F-Mount with Built-In Tripod Collar
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Sigma 50-100mm f/1.8 DC HSM Art Series Lens - Nikon
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Sigma 50-100mm f/1.8 DC HSM Art Series Lens - Canon
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Sigma 50-100mm f/1.8 DC HSM Art Lens for Canon EF
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originally posted on bhphotovideo.com
First a little context, I started getting serious about photography 3-4 years ago, planning to travel upon retirement. I have real deficiencies that affect my shots because my hands are not stable and my vision is fuzzy. I have a Sony a6500 which really helps with image stabilization, focusing and being light weight. I bought a Sony 1.8/50 prime and the fast lens really made a huge difference because it minimized shake even more.I had been looking at this combo for quite some time because it was really the only one I saw that was going to give me f 1.8 start to finish and cover the range from 18-100. But I kept having second thoughts because of the weight which wouldn’t work well with my not so steady hand. I finally ordered it, took it out of the box and basically ... MoreFirst a little context, I started getting serious about photography 3-4 years ago, planning to travel upon retirement. I have real deficiencies that affect my shots because my hands are not stable and my vision is fuzzy. I have a Sony a6500 which really helps with image stabilization, focusing and being light weight. I bought a Sony 1.8/50 prime and the fast lens really made a huge difference because it minimized shake even more.I had been looking at this combo for quite some time because it was really the only one I saw that was going to give me f 1.8 start to finish and cover the range from 18-100. But I kept having second thoughts because of the weight which wouldn’t work well with my not so steady hand. I finally ordered it, took it out of the box and basically spent two weeks staring at it, picking it up and putting it down. Finally I decided I needed some practice with it.I pretty much fell in love. The weight does not really add to the shake because it is so very fast, even at smaller apertures I can keep it above 1/320 of a second. The pictures are very good, the stabilization works with my camera and the focusing is perfectly integrated and locks in well. I will probably use it mostly with a tripod but I don’t have to in fast conditions.So in conclusion even for someone like me who is more enthusiastic than skilled these two lenses are going to let me shoot faster and take better photos because they work perfectly with my camera to overcome my shortcomings. I did have a couple lower range zooms with f 4 all the way up but 1.8 is a game changer.
originally posted on bhphotovideo.com
For quite some time now, I've been eyeing this lens. Prior to purchasing it I relied on Nikkor glass, which while well made, did not come close to the IQ offered by Sigma. My first tryst with Sigma was the purchase of their 18-35 1.8; WOW! My previous, go to lens had been a Nikkor 17-55 2.8. The comparison was like night and day. The Sigma vastly outperformed the NIkkor in contrast, saturation and sharpness.With the above, in mind, I began to reassess some of my other Nikkor lenses, starting with the 35mm 1.8 DX to my 50mm 1.8D, then, finally my 85mm 1.4D. I was able to compare these lenses to the Sigma 50-100 1.8 I had rented prior to purchasing. The Sigma stood heads and shoulders above the Nikkors, with the possible exception of the 85mm's build quality. I say, ... MoreFor quite some time now, I've been eyeing this lens. Prior to purchasing it I relied on Nikkor glass, which while well made, did not come close to the IQ offered by Sigma. My first tryst with Sigma was the purchase of their 18-35 1.8; WOW! My previous, go to lens had been a Nikkor 17-55 2.8. The comparison was like night and day. The Sigma vastly outperformed the NIkkor in contrast, saturation and sharpness.With the above, in mind, I began to reassess some of my other Nikkor lenses, starting with the 35mm 1.8 DX to my 50mm 1.8D, then, finally my 85mm 1.4D. I was able to compare these lenses to the Sigma 50-100 1.8 I had rented prior to purchasing. The Sigma stood heads and shoulders above the Nikkors, with the possible exception of the 85mm's build quality. I say, possible because, in different ways, both lenses run neck and neck on that score.I have never shot with Nikon's 70-200 but I cannot imagine that the IQ and build quality would exceed that of the Sigma. When I first placed it in my hands and felt the focus and focal length rings, yes, and even the tripod collar, I was overwhelmed by the fact that I've never seen that level of quality. There is no slop in any of the moving parts, including the precisely engineered mount; noticeably better than my Nikkors. It handily beats my Sigma 18-35 in every area except IQ, where the 50-100 is ever so much better.Disadvantage: weight. I'm shooting with a Nikon D500, with a Nikon battery grip. Add to that, my 910 speedlight and the weight of the massive lens and you really need the best strap and carrying technique, plus a high level of physical fitness, or misery will set in far sooner than later. I am awestruck by this lens; the only thing missing is image stabilization.
originally posted on bhphotovideo.com
My Canon EOS R10 recognizes the lens so that helps too (it works just fine with my RF to EF adaptor) . If you have a crop sensor camera and want to take great photos of any court games basketball or volleyball etc this lens is great. You don't need image stabilization the f1.8 lets you keep a fast shutter rate whether players are stopped or running. Focus is fast. You don't have to step down I typically use f1.8 1/800 iso 4000. f2.0 is just a touch sharper. No light loss in the corners at all, none. I have not used my canon prime 50mm or 100mm since purchasing this lens. Now it is a bit heavy like a typical telephoto zoom lens but controls are smooth. The zoom range is just right 50mm is perfect for free through photos showing the player and the basket.
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
| Lens Mount | Nikon F |
| Lens Format Coverage | APS-C |
| Angle of View | 31.7° to 16.2° |
Sigma 4693955 50-100mm f/1.8 DC HSM Art Lens for Nikon, Black
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 50-100mm f/1.8 DC HSM Art Lens Nikon Mount
Delivery $26.90
Sigma 50-100mm f/1.8 DC HSM | Art (Nikon F Mount) at Etoren
Delivery $55
Sigma 50-100mm F1.8 DC HSM | Art (Nikon) Lens
Free delivery
Sigma 50-100mm f/1.8 DC HSM Art Lens for Nikon F - Brand New
Free delivery between 12–18 June
First a little context, I started getting serious about photography 3-4 years ago, planning to travel upon retirement. I have real deficiencies that affect my shots because my hands are not stable and my vision is fuzzy. I have a Sony a6500 which really helps with image stabilization, focusing and being light weight. I bought a Sony 1.8/50 prime and the fast lens really made a huge difference because it minimized shake even more.I had been looking at this combo for quite some time because it was really the only one I saw that was going to give me f 1.8 start to finish and cover the range from 18-100. But I kept having second thoughts because of the weight which wouldn’t work well with my not so steady hand. I finally ordered it, took it out of the box and basically ... MoreFirst a little context, I started getting serious about photography 3-4 years ago, planning to travel upon retirement. I have real deficiencies that affect my shots because my hands are not stable and my vision is fuzzy. I have a Sony a6500 which really helps with image stabilization, focusing and being light weight. I bought a Sony 1.8/50 prime and the fast lens really made a huge difference because it minimized shake even more.I had been looking at this combo for quite some time because it was really the only one I saw that was going to give me f 1.8 start to finish and cover the range from 18-100. But I kept having second thoughts because of the weight which wouldn’t work well with my not so steady hand. I finally ordered it, took it out of the box and basically spent two weeks staring at it, picking it up and putting it down. Finally I decided I needed some practice with it.I pretty much fell in love. The weight does not really add to the shake because it is so very fast, even at smaller apertures I can keep it above 1/320 of a second. The pictures are very good, the stabilization works with my camera and the focusing is perfectly integrated and locks in well. I will probably use it mostly with a tripod but I don’t have to in fast conditions.So in conclusion even for someone like me who is more enthusiastic than skilled these two lenses are going to let me shoot faster and take better photos because they work perfectly with my camera to overcome my shortcomings. I did have a couple lower range zooms with f 4 all the way up but 1.8 is a game changer.
For quite some time now, I've been eyeing this lens. Prior to purchasing it I relied on Nikkor glass, which while well made, did not come close to the IQ offered by Sigma. My first tryst with Sigma was the purchase of their 18-35 1.8; WOW! My previous, go to lens had been a Nikkor 17-55 2.8. The comparison was like night and day. The Sigma vastly outperformed the NIkkor in contrast, saturation and sharpness.With the above, in mind, I began to reassess some of my other Nikkor lenses, starting with the 35mm 1.8 DX to my 50mm 1.8D, then, finally my 85mm 1.4D. I was able to compare these lenses to the Sigma 50-100 1.8 I had rented prior to purchasing. The Sigma stood heads and shoulders above the Nikkors, with the possible exception of the 85mm's build quality. I say, ... MoreFor quite some time now, I've been eyeing this lens. Prior to purchasing it I relied on Nikkor glass, which while well made, did not come close to the IQ offered by Sigma. My first tryst with Sigma was the purchase of their 18-35 1.8; WOW! My previous, go to lens had been a Nikkor 17-55 2.8. The comparison was like night and day. The Sigma vastly outperformed the NIkkor in contrast, saturation and sharpness.With the above, in mind, I began to reassess some of my other Nikkor lenses, starting with the 35mm 1.8 DX to my 50mm 1.8D, then, finally my 85mm 1.4D. I was able to compare these lenses to the Sigma 50-100 1.8 I had rented prior to purchasing. The Sigma stood heads and shoulders above the Nikkors, with the possible exception of the 85mm's build quality. I say, possible because, in different ways, both lenses run neck and neck on that score.I have never shot with Nikon's 70-200 but I cannot imagine that the IQ and build quality would exceed that of the Sigma. When I first placed it in my hands and felt the focus and focal length rings, yes, and even the tripod collar, I was overwhelmed by the fact that I've never seen that level of quality. There is no slop in any of the moving parts, including the precisely engineered mount; noticeably better than my Nikkors. It handily beats my Sigma 18-35 in every area except IQ, where the 50-100 is ever so much better.Disadvantage: weight. I'm shooting with a Nikon D500, with a Nikon battery grip. Add to that, my 910 speedlight and the weight of the massive lens and you really need the best strap and carrying technique, plus a high level of physical fitness, or misery will set in far sooner than later. I am awestruck by this lens; the only thing missing is image stabilization.
My Canon EOS R10 recognizes the lens so that helps too (it works just fine with my RF to EF adaptor) . If you have a crop sensor camera and want to take great photos of any court games basketball or volleyball etc this lens is great. You don't need image stabilization the f1.8 lets you keep a fast shutter rate whether players are stopped or running. Focus is fast. You don't have to step down I typically use f1.8 1/800 iso 4000. f2.0 is just a touch sharper. No light loss in the corners at all, none. I have not used my canon prime 50mm or 100mm since purchasing this lens. Now it is a bit heavy like a typical telephoto zoom lens but controls are smooth. The zoom range is just right 50mm is perfect for free through photos showing the player and the basket.
Far exceeded my expectations for a third party lens. You can?t go wrong with a sigma art lens! The quality, build, sharpness, bokeh, and speed is incredible. Autofocus does hunt a little in low-light, but I pushed it to the limit where any lens or camera would struggle using only light from headlights or street lamps in otherwise total darkness. Beyond pleased with this lens and only wish they made this in FX to use with my z6ii. If you have a crop sensor camera and are considering this lens, don?t hesitate! Go for it! You won?t regret it. You can?t beat the quality for the price.
It's great, it's what we've always been waiting for. Someone to finally take advantage of the smaller size of the APS-c sensor to make quality, fast zoom lenses. I use it for video, with the URSA mini pro, it works great.But- I've had it for 8 months and for the last 2-3 months, the lens is slightly loose on the camera. So when I focus one way, and then back the other way, the frame noticeably shifts up or down, as the loose lens is pushed towards the other direction by the pressure from the focus wheel of my follow focus. So basically, if I focus out, and then need to focus back in, the shot is ruined, because the frame jumps a bit, noticeably. It looks like someone knocked the tripod.This same thing happened on my 18-35 f/1.8, the companion lens. I sent it in, ... MoreIt's great, it's what we've always been waiting for. Someone to finally take advantage of the smaller size of the APS-c sensor to make quality, fast zoom lenses. I use it for video, with the URSA mini pro, it works great.But- I've had it for 8 months and for the last 2-3 months, the lens is slightly loose on the camera. So when I focus one way, and then back the other way, the frame noticeably shifts up or down, as the loose lens is pushed towards the other direction by the pressure from the focus wheel of my follow focus. So basically, if I focus out, and then need to focus back in, the shot is ruined, because the frame jumps a bit, noticeably. It looks like someone knocked the tripod.This same thing happened on my 18-35 f/1.8, the companion lens. I sent it in, they billed my $200 plus dollars, tightened up some screws inside and sent it back, it was fine for about a year, and then it became loose again. This time I got a bunch of ramekins and little screwdriver out and started taking it apart myself. It was about 5 layers deep of shims and little tiny screws and parts that all had to be removed and remembered, but I found the little screws that needed to be tightened. I wouldn't recommend doing it yourself unless you're a surgeon or a lens technician, or have very steady hands. It's lots of delicate operations where a small slip could scratch the back glass. And then lots of tiny little pieces to remember how to reassemble. But it worked. I wouldn't trust myself to do this on the 50-100. It's bigger, heavier, more glass, more expensive. And frankly I wouldn't do it again on the 18-35 either, it was a pain and could have ended badly. I lost a tiny screw at one point and spent 10 minutes looking for it.Save your money and find a local lens tech or metal worker/jeweler, it's only a 15 minute job if you've taken lenses apart before and have the tools and a workbench.
I read a lot of reviews and watched a lot of videos before biting the bullet on this lens. I paired it with my 90d which sat in the bag while the 6d got all the work. This lens is the boost this body needed and will definitely be using it a lot more. I purchased this lens to be a permanent fixture on this body and a 50mm sigma art for the 6d as a permanent fixture. Oh I have another 6d for my other canon lenses. The colors and sharpness are great and getting good results with little post processing. Still playing with it but imagine the more I do, the more refined the results.
Bought the lens in spite of You Tube reviews ranging from cool to ok with qualifications. I saw promise for my intended uses, low light stage production and high school hockey games. It has not disappointed. Image quality and auto focus accuracy, when used with a Z6 for the stage production, was spot on all the time. Used with a D500 focus accuracy was more like 90-95%. But that could be attributed to trying to track fast moving hockey players. Heavy for its 2:1 zoom range but easily managed. No VR. Not an issue with a max f/1.8 aperture. The tripod collar is an odd one. Short, close to the lens barrel and not removable. Some say it gets in the way of the zoom ring. I did not find it to be an issue. If you're a pixel peeper corner sharpness may disappoint when ... MoreBought the lens in spite of You Tube reviews ranging from cool to ok with qualifications. I saw promise for my intended uses, low light stage production and high school hockey games. It has not disappointed. Image quality and auto focus accuracy, when used with a Z6 for the stage production, was spot on all the time. Used with a D500 focus accuracy was more like 90-95%. But that could be attributed to trying to track fast moving hockey players. Heavy for its 2:1 zoom range but easily managed. No VR. Not an issue with a max f/1.8 aperture. The tripod collar is an odd one. Short, close to the lens barrel and not removable. Some say it gets in the way of the zoom ring. I did not find it to be an issue. If you're a pixel peeper corner sharpness may disappoint when shooting at f/1.8. But who puts their main subject way up into the corners? Is that a thing? The finish seems relatively easy to mar. So, depending on your usage it may begin to look well used when it really isn't Overall, this is a 5 to 6 star lens in the hands of a competent photographer. The scale only goes to5 but it should go to 6 with this lens.
I purchased this lens primarily to put me in a good range focal range for shooting headshots. Having the 70mm right in the middle of the focal range is handy for this. I've found the colors and resolving power of this lens to be fantastic though it can be a little challenging to use. The focus breathing makes it easy to end up with too little or too much compression giving you a fun-house mirror like effect so be very cognisant of the subject distance as you shoot. I didn't think I'd complain about the tripod foot, but it is a bit of a pain in the ass, mainly because it's not removable and doesn't come far enough out from the barrel. I have to mount it backwards on my manfrotto 3-way pan-tilt head if I want to have my battery grip attached in landscape mode. This is ... MoreI purchased this lens primarily to put me in a good range focal range for shooting headshots. Having the 70mm right in the middle of the focal range is handy for this. I've found the colors and resolving power of this lens to be fantastic though it can be a little challenging to use. The focus breathing makes it easy to end up with too little or too much compression giving you a fun-house mirror like effect so be very cognisant of the subject distance as you shoot. I didn't think I'd complain about the tripod foot, but it is a bit of a pain in the ass, mainly because it's not removable and doesn't come far enough out from the barrel. I have to mount it backwards on my manfrotto 3-way pan-tilt head if I want to have my battery grip attached in landscape mode. This is a great lens to use if you want to do sylized portraits as it gives you quite a bit to work from.
This was my go-to lens with my Nikon D7100 before I went full-frame. It's a bit heavy, but what a wonderful lens, especially in low light. I tried it on my D750 and D850 and decided I couldn't justify selling it back to B&H. Here's couple of recent handheld shots from a walk in the garden with my Nikon Z6ii. I love the bokeh and the color rendition. On the cropped sensor it acts like a 75-150mm lens. I bought it mainly for shooting dog show movement shots in lousy indoor lighting, for which it works great. On the full frame it works in DX mode as a true 50-100mm f1.8. I haven't had any vignetting problems with any of the 3 full framed camera bodies that I've tried it on. Occasionally I'll use it for dog show movement even though I have several nice full framed ... MoreThis was my go-to lens with my Nikon D7100 before I went full-frame. It's a bit heavy, but what a wonderful lens, especially in low light. I tried it on my D750 and D850 and decided I couldn't justify selling it back to B&H. Here's couple of recent handheld shots from a walk in the garden with my Nikon Z6ii. I love the bokeh and the color rendition. On the cropped sensor it acts like a 75-150mm lens. I bought it mainly for shooting dog show movement shots in lousy indoor lighting, for which it works great. On the full frame it works in DX mode as a true 50-100mm f1.8. I haven't had any vignetting problems with any of the 3 full framed camera bodies that I've tried it on. Occasionally I'll use it for dog show movement even though I have several nice full framed lenses to choose from.
First, I bought this lens used (8 on the B&H Scale) so it had some good use with some marks, scuffs and a small dent. The lens is in great working condition as promised by B&H used dept. and must be built like a tank! My used one came with a metal follow focus gear permanently attached to the focus ring, love that as I use that!Pros:1. Very sharp and great color! Matches great with the Sigma 18-35Art lens with the look. The Focus and Zoom rings are smooth a verycontrollable, not cheap feeling in other words. It feels identical to my 18-35 just much larger. Its a beast!2. With 1.8 you can achieve great depth and beautiful out of focusareas and lovely bokeh!3. Metal body with a very little plastic, built like a tank!4. Nice feeling in your hands, even ... MoreFirst, I bought this lens used (8 on the B&H Scale) so it had some good use with some marks, scuffs and a small dent. The lens is in great working condition as promised by B&H used dept. and must be built like a tank! My used one came with a metal follow focus gear permanently attached to the focus ring, love that as I use that!Pros:1. Very sharp and great color! Matches great with the Sigma 18-35Art lens with the look. The Focus and Zoom rings are smooth a verycontrollable, not cheap feeling in other words. It feels identical to my 18-35 just much larger. Its a beast!2. With 1.8 you can achieve great depth and beautiful out of focusareas and lovely bokeh!3. Metal body with a very little plastic, built like a tank!4. Nice feeling in your hands, even very used as mine is.5. Large professional appearance for those that know perception iseverything. When adding a matte box, you get the appearance to give clients confidence you mean business. It has the broadcast look that clients want to see when they hire a pro. When using cameras like the BMPCC 6K if you have just the body and a small lens it just looks chanzy. Clients don't understand the power of these small cameras, but they get a warm feeling when you pull out a rigthat looks like your ready to film a blockbuster movie. Not only does it look like a pro it can back it up when the final content is made!Minor Cons:I really can't say a con because I love this lens but some thingsto note:1. Its heavy! its a 82mm diameter thick glass and it's all internalzooming so that makes it heavy. Lot of glass elements inside. Not sure I'll ever use this handheld as its purpose for me will be tripod use only. But this rig is very heavy when all combined.2. No stabilization but for the low price that's the trade off toget 1.8 with 50 - 100 focal lengths. On a good tripod you don't need that much anyway. Think about it, you're getting a 1.8 lens that performs almost like a pricey cine lens for just over a grand.3. Focus breathing - It is there, but I don't know I would sayhorrible. If you are using this the way I do it's not a big issue. If you'rewanting to focus on something up close then focus far away you get the breathing, but to me it looks little artsy so you can make it work fine. My focusing is just slight adjustments of stage performances - not an issue. Most of the time the focus stays the same as I'm not moving, and the performers stay within the focus zone or close enough. We do multi cam shoots so if you must do some crazy re-focusing and the breathing looks bad you can just cut off that camera and go to cam 2 etc.Follow Focus and Follow Zoom???:I use the Tilta zoom and focus.1. Its not Par-focal as some said it was. Its close but not really.The focus slightly shifts as you zoom unlike the 18-35 where that lens shifts horribly as you zoom in or out. This lens when you use focus peaking you can tell it gets out of focus slowly, so slow you would almost think it was par focal. If you get good at focusing as you zoom at the same time you can really make it seem par focal if you use peaking on your camera and move slowly. Again, if you zoom slightly to adjust you stay some what focused but if you move a good distance you will need to re-focus.2. The dreaded non removable tripod mount on the lens: I sat onbuying this lens forever just because it appeared you could not get a follow zoom gear on the zoom ring with that stinking tripod collar mount. I use the nucleus zoom and focus systems and I need a gear on that ring for the zoom! So, when I saw this lens for 300 less than new, I thought bite the bullet. To my satisfaction, there is just enough room to get a gear on the zoom ring. You have to cover the numbers ( 50 - 100 scale) on that ring and put some of it on the rubber ring. You can make the clearance by getting the gear just in front of that mount. I just made mine very, very tight so it would not shift off therubber. I am attaching images..
| Maximum Aperture | f/1.8 |
| Minimum Aperture | f/16 |
| Lens Mount | Nikon F |
| Lens Format Coverage | APS-C |
| Angle of View | 31.7° to 16.2° |
