Sigma 50-100mm T2 Pl Mount Cine Lens
Get the perfect dramatic close-up with the Sigma 50ndash100mm T2 High-Speed Zoom Lens. You use the lens with Canon-EF cine cameras sporting a Super 35mm-size sensor. It gives complete command over the over the focus zoom and iris where dedicated control rings are provided for each of them. Also the ergonomic placement of the rings ensure hassle-free working with the lens. All the scales are marked in feet. The focus and zoom rings have a respective rotating range of up to 180deg and 160deg. The clickless iris ring ensures a smooth functionality. A dampener is incorporated in each ring which lessens the metallic noise when the ring hits the end. The 9-blade diaphragm underlines the importance of the foreground subject by creating pleasing bokeh in the background. With the T-stop value of 2 the lens supports shooting at night time or in the dark. The cine-standard 0.8 Mod gears are compatible with different professional film accessories such as a follow focus unit. With 95mm front diameter you can add different matte boxes to the lens. The front mounting thread accepts 82mm circular filters. This lens has an all-metal body with dust- and splash-proof sealing to withstand rough treatment.
Get the perfect dramatic close-up with the Sigma 50ndash100mm T2 High-Speed Zoom Lens. You use the lens with Canon-EF cine cameras sporting a Super 35mm-size sensor. It gives complete command over the over the focus zoom and iris where dedicated control rings are provided for each of them. Also the ergonomic placement of the rings ensure hassle-free working with the lens. All the scales are marked in feet. The focus and zoom rings have a respective rotating range of up to 180deg and 160deg. The clickless iris ring ensures a smooth functionality. A dampener is incorporated in each ring which lessens the metallic noise when the ring hits the end. The 9-blade diaphragm underlines the importance of the foreground subject by creating pleasing bokeh in the background. With the T-stop value of 2 the lens supports shooting at night time or in the dark. The cine-standard 0.8 Mod gears are compatible with different professional film accessories such as a follow focus unit. With 95mm front diameter you can add different matte boxes to the lens. The front mounting thread accepts 82mm circular filters. This lens has an all-metal body with dust- and splash-proof sealing to withstand rough treatment.
Get the perfect dramatic close-up with the Sigma 50ndash100mm T2 High-Speed Zoom Lens. You use the lens with Canon-EF cine cameras sporting a Super 35mm-size sensor. It gives complete command over the over the focus zoom and iris where dedicated control rings are provided for each of them. Also the ergonomic placement of the rings ensure hassle-free working with the lens. All the scales are marked in feet. The focus and zoom rings have a respective rotating range of up to 180deg and 160deg. The clickless iris ring ensures a smooth functionality. A dampener is incorporated in each ring which lessens the metallic noise when the ring hits the end. The 9-blade diaphragm underlines the importance of the foreground subject by creating pleasing bokeh in the background. With the T-stop value of 2 the lens supports shooting at night time or in the dark. The cine-standard 0.8 Mod gears are compatible with different professional film accessories such as a follow focus unit. With 95mm front diameter you can add different matte boxes to the lens. The front mounting thread accepts 82mm circular filters. This lens has an all-metal body with dust- and splash-proof sealing to withstand rough treatment.
Get the perfect dramatic close-up with the Sigma 50ndash100mm T2 High-Speed Zoom Lens. You use the lens with Canon-EF cine cameras sporting a Super 35mm-size sensor. It gives complete command over the over the focus zoom and iris where dedicated control rings are provided for each of them. Also the ergonomic placement of the rings ensure hassle-free working with the lens. All the scales are marked in feet. The focus and zoom rings have a respective rotating range of up to 180deg and 160deg. The clickless iris ring ensures a smooth functionality. A dampener is incorporated in each ring which lessens the metallic noise when the ring hits the end. The 9-blade diaphragm underlines the importance of the foreground subject by creating pleasing bokeh in the background. With the T-stop value of 2 the lens supports shooting at night time or in the dark. The cine-standard 0.8 Mod gears are compatible with different professional film accessories such as a follow focus unit. With 95mm front diameter you can add different matte boxes to the lens. The front mounting thread accepts 82mm circular filters. This lens has an all-metal body with dust- and splash-proof sealing to withstand rough treatment.
in 3 offers
The lowest price for Sigma 50-100mm T2 Pl Mount Cine Lens right now is $5,354.15 at digiDirect Australia, compared across 3 retailers.
The all-time low was $4,999.00 on 30 Aug 2025 — today's price is 7% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 29 June 2026.
Last updated at 29/06/2026 23:34:55
Sigma 50-100mm T2 Cine Lens PL Mount
Free delivery between Tue – Sat
Sigma 50-100mm T2 CINE Lens - Arri PL-Mount
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Sigma 50-100mm T2 Cine Lens for PL Mount
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originally posted on bhphotovideo.com
We got this PL mount set plus a couple of the Sigma Cine FF primes and they have vastly exceeded our expectations. Sigma has really shaken up the cinema world for getting build and optical quality at an affordable price. These are a must own for any professional cinematographer.
originally posted on bhphotovideo.com
5 years from now these lenses will still be some of the best on the market. They have a beautiful image and will stand the test of time.Perfect focal lengths for a kit.Quick shipment from B&H.
originally posted on lensrentals.com
Nice to have access to equipment like this at a reasonable price. You guys always get the equipment here on time and in excellent condition.
| Aperture Range | T2.0 to T16 |
| Aperture | T2.0 to T 16 |
| Camera Mount | ARRI PL |
| Close Focus | 0.95 m |
| Image Coverage | S35 Digital 28.4 |
Sigma 50-100mm T2 Cine Lens PL Mount
Free delivery between Tue – Sat
Sigma 50-100mm T2 CINE Lens - Arri PL-Mount
Free delivery
Sigma 50-100mm T2 Cine Lens for PL Mount
Free delivery
We got this PL mount set plus a couple of the Sigma Cine FF primes and they have vastly exceeded our expectations. Sigma has really shaken up the cinema world for getting build and optical quality at an affordable price. These are a must own for any professional cinematographer.
5 years from now these lenses will still be some of the best on the market. They have a beautiful image and will stand the test of time.Perfect focal lengths for a kit.Quick shipment from B&H.
Nice to have access to equipment like this at a reasonable price. You guys always get the equipment here on time and in excellent condition.
I use this with Ursa Mini Pro 4.6k and Pocket 6k for a lot of applications. Most of what I do is doc style and corporate video.The quality of glass that sigma has been putting out the last few years is exceptional. I also own the Cine 18-35mm. Having these two lenses to cover everything from 18-100mm at T2 (F1.8) is fantastic.While the 18-35mm is nearly parfocal, the 50-100mm is not. It’s biggest weakness is the breathing. It hasn’t ruined any shots for me personally, but I imagine if you were doing a more complicated follow focusing shot, it might be frustrating. Still, having 50mm/85mm/100mm and everything in between with one lens is super valuable. Especially when I’m run & gunning on a doc.Greatest strength is having the 50-100mm focal lengths in a single ... MoreI use this with Ursa Mini Pro 4.6k and Pocket 6k for a lot of applications. Most of what I do is doc style and corporate video.The quality of glass that sigma has been putting out the last few years is exceptional. I also own the Cine 18-35mm. Having these two lenses to cover everything from 18-100mm at T2 (F1.8) is fantastic.While the 18-35mm is nearly parfocal, the 50-100mm is not. It’s biggest weakness is the breathing. It hasn’t ruined any shots for me personally, but I imagine if you were doing a more complicated follow focusing shot, it might be frustrating. Still, having 50mm/85mm/100mm and everything in between with one lens is super valuable. Especially when I’m run & gunning on a doc.Greatest strength is having the 50-100mm focal lengths in a single fast lens.Biggest weakness is focus breathing.I’ve heard a few complaints that it’s the same glass as the art series but in a cine housing and 4-5x the price, but when it comes to great/fast cinema glass, I still think its a great value in comparison to a lot of other lenses out there.If you really don’t need to control it with a FIZ, you’ll probably be fine with the art series, but if you have a capable AC at your side, the cine version is the way to go.
Love these lenses. I have used these for quite some time for a myriad of shoots - all lenses have their quirks (like these breathe a bit) - but these are crisp and they’ve been taken care of.
These guys rocks! Helpful. Honest. Knowledgeable. Great people! Thanks! Will get gear here again!
Great lens, super sharp, pairs well with my RED Gemini. Lensrentals is always on top of making sure orders are processed asap and arrive on time.
Needed a cine lenses to pair with a Blackmagic Pocket Cinema Camera (we also rented) for a campaign we shot in our studio and it did not disappoint!Super sharp for a zoom lens and if I had to do it again, I would have rented the sigma 18-35 cine lens as well.
1. Too noticeable focus breath .... Not usable for serious cinema ....2 . None Lens Data System ( LDS ) that now very need for post - production works with augmented reality3. Too overpriced ( " cinema " version with lens gear )Version for photo with EF ( about $1000 ) mount much better for use with RED .Really .
I work in documentary and TV, shooting on the FS7. I shoot a lot of b-roll and interviews on the fly, but am always looking for that extra edge to make my imagery look better than the next DP, and this lens (plus the 18-35mm sister lens) help me achieve that goal.I can say that for interviews, this lens is irreplaceable. In doc scenarios, primes aren't really ideal, as you are stuck with one focal length in an environment where you need to work quickly and often are making changes. In my experience with this lens, I've found that sometimes I'll settle on 77mm or 86mm or 92mm (or whatever) for interviews, a point of flexibility that isn't possible with primes. The fact that it's T/2 throughout the range is a major bonus, as you are getting the best of both of the ... MoreI work in documentary and TV, shooting on the FS7. I shoot a lot of b-roll and interviews on the fly, but am always looking for that extra edge to make my imagery look better than the next DP, and this lens (plus the 18-35mm sister lens) help me achieve that goal.I can say that for interviews, this lens is irreplaceable. In doc scenarios, primes aren't really ideal, as you are stuck with one focal length in an environment where you need to work quickly and often are making changes. In my experience with this lens, I've found that sometimes I'll settle on 77mm or 86mm or 92mm (or whatever) for interviews, a point of flexibility that isn't possible with primes. The fact that it's T/2 throughout the range is a major bonus, as you are getting the best of both of the zoom/prime worlds.Shooting outdoors in changing light conditions, being able to ride the aperture without the iris-stepping of a stills lens is also an irreplaceable quality.Some people complain that this is just a stills lens with cine gears but in real world shooting conditions, I don't find that to be the case. For pixel peepers, maybe they are right, but you simply can't replace focus markings, smooth aperture, and cinema grade build quality.Last note: I rented the PL and E-mount version of this lens. With the PL to E-mount adapter on the PL version, both lenses are the exact same length, so I'd recommend buying the PL version for resale value and general usability.
| Aperture Range | T2.0 to T16 |
| Aperture | T2.0 to T 16 |
| Camera Mount | ARRI PL |
| Close Focus | 0.95 m |
| Image Coverage | S35 Digital 28.4 |
