Sony FE 12-24mm f/2.8 gm Lens
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is a bright and versatile zoom characterized by its broad range and bright design. Featuring a constant f/2.8 maximum aperture, this lens is ideal for working in available lighting conditions and controlling depth of field to isolate subject matter. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. An updated Nano AR Coating II has also been applied, which suppresses flare and ghosting for greater contrast when working in bright and backlit conditions.
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is a bright and versatile zoom characterized by its broad range and bright design. Featuring a constant f/2.8 maximum aperture, this lens is ideal for working in available lighting conditions and controlling depth of field to isolate subject matter. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. An updated Nano AR Coating II has also been applied, which suppresses flare and ghosting for greater contrast when working in bright and backlit conditions.
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is a bright and versatile zoom characterized by its broad range and bright design. Featuring a constant f/2.8 maximum aperture, this lens is ideal for working in available lighting conditions and controlling depth of field to isolate subject matter. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. An updated Nano AR Coating II has also been applied, which suppresses flare and ghosting for greater contrast when working in bright and backlit conditions.
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is a bright and versatile zoom characterized by its broad range and bright design. Featuring a constant f/2.8 maximum aperture, this lens is ideal for working in available lighting conditions and controlling depth of field to isolate subject matter. Its advanced optical design includes a series of XA, aspherical, Super ED, and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate rendering, and notable color accuracy. An updated Nano AR Coating II has also been applied, which suppresses flare and ghosting for greater contrast when working in bright and backlit conditions.
in 34 offers
The lowest price for Sony FE 12-24mm f/2.8 gm Lens right now is $120.00 at The Front, compared across 27 retailers.
The all-time low was $120.00 on 7 June 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 7 June 2026.
Last updated at 07/06/2026 16:34:49
Sony FE 12-24mm F2.8 G Master Full-Frame Constant-Aperture Ultra-Wide Zoom Lens (SEL1224GM)
Free delivery
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Sony FE 12-24mm f/2.8 GM Lens Hire | THE FRONT | SYDNEY | AUSTRALIA
Sony FE 12-24mm f/2.8 GM Lens
Sony FE 12-24mm f/2.8 GM Lens (SEL1224GM)
Free delivery between 12–19 June
Sony FE 12-24mm F2.8 GM
Free delivery
Sony FE 12-24mm f/2.8 GM SEL1224GM Lens by Onestop Digital
Free delivery between 12–17 June
Sony FE 12-24mm f/2.8 GM Lens SEL1224GM
Delivery $24.90
Sony FE 12-24mm F2.8 GM Lens - Brand New
Free delivery between 10–16 June
Sony FE 12-24mm F2.8 G Master Lens (SEL1224GM)
Free delivery
Sony FE 12-24mm F2.8 GM Lens - BRAND NEW
Free delivery
originally posted on bhphotovideo.com
This has been my dream lens to own for years. After using this lens for a month I am absolutely blown away by it's flare performance (the best I've ever seen in any lens), mid to corner sharpness and gorgeous colors. I never shot at 12mm until now and it is SO FUN!Compared to the 16-35 GM that I also own, this lens is better overall especially with flare which robs contrast. This lens hold on to contrast in back lid subjects so much better. I thought it would be heavier until I held it. Surprisingly light! I attached some sample images to see. The lens gets insanely good at 18mm also. Again this is a special lens that very few will really admire that know what they want (12mm, 2.8 and want one of the best sony has ever made).There are two con aspects that I'd ... MoreThis has been my dream lens to own for years. After using this lens for a month I am absolutely blown away by it's flare performance (the best I've ever seen in any lens), mid to corner sharpness and gorgeous colors. I never shot at 12mm until now and it is SO FUN!Compared to the 16-35 GM that I also own, this lens is better overall especially with flare which robs contrast. This lens hold on to contrast in back lid subjects so much better. I thought it would be heavier until I held it. Surprisingly light! I attached some sample images to see. The lens gets insanely good at 18mm also. Again this is a special lens that very few will really admire that know what they want (12mm, 2.8 and want one of the best sony has ever made).There are two con aspects that I'd like to mention here; 12-14mm moderate field curvature and still having to deal with decentering issues in 2020. I would recommend that you buy either from B&H or a local store that is good with exchanges. I had to exchange my first copy since it had an add AF pulsing issue and had decentering issue with images being softer on the right side. No lens is perfect but I would hope sony would do better at this for this price range. Still at the end of the day when you shoot with this lens, it is an absolute delightful experience that gave me the best images I've shot in many years. Happy shooting!Super highly recommended!
originally posted on bhphotovideo.com
I purchased the lens as to go to landscape & astrophotography lens. It does not disappoint! I have the Sony Alpha 71V and I have made 20 X 24 prints showing very sharp and crisp corners. Stars show as round dots. Superb astrophotography lens. The lens was very expensive but when considering that it is also a superb landscape lens and serves my uses well, it was a wise purchase. I will not need to expand to purchase Sony's wide angle primes. This lens fills the bill well.
originally posted on bhphotovideo.com
Hi,Lens description has bullet dust and moisture resistant construction.My lens became a nest for ants, after a few weeks on a hotel couch, nonetheless it was stored in original bag and with both caps on.This happened because of a triple design mistake:1) bag Velcro is not tight2) inner cap diameter is much wider that outer hood diameter and there is no solid rubber gasket (difference a few mm)3) similar slot width is between the hood and front glass.So ants easily got to lens internals and indwelled the lens. Now from time to time an ant get out of the shady slot.How such design could get a budge dust resistant even if ants can get inside?!
| Focal Length | 12 to 24mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Format Compatibility | Full-Frame |
Sony FE 12-24mm F2.8 G Master Full-Frame Constant-Aperture Ultra-Wide Zoom Lens (SEL1224GM)
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 12-24mm f/2.8 GM Lens Hire | THE FRONT | SYDNEY | AUSTRALIA
Sony FE 12-24mm f/2.8 GM Lens
Sony FE 12-24mm f/2.8 GM Lens (SEL1224GM)
Free delivery between 12–19 June
Sony FE 12-24mm F2.8 GM
Free delivery
This has been my dream lens to own for years. After using this lens for a month I am absolutely blown away by it's flare performance (the best I've ever seen in any lens), mid to corner sharpness and gorgeous colors. I never shot at 12mm until now and it is SO FUN!Compared to the 16-35 GM that I also own, this lens is better overall especially with flare which robs contrast. This lens hold on to contrast in back lid subjects so much better. I thought it would be heavier until I held it. Surprisingly light! I attached some sample images to see. The lens gets insanely good at 18mm also. Again this is a special lens that very few will really admire that know what they want (12mm, 2.8 and want one of the best sony has ever made).There are two con aspects that I'd ... MoreThis has been my dream lens to own for years. After using this lens for a month I am absolutely blown away by it's flare performance (the best I've ever seen in any lens), mid to corner sharpness and gorgeous colors. I never shot at 12mm until now and it is SO FUN!Compared to the 16-35 GM that I also own, this lens is better overall especially with flare which robs contrast. This lens hold on to contrast in back lid subjects so much better. I thought it would be heavier until I held it. Surprisingly light! I attached some sample images to see. The lens gets insanely good at 18mm also. Again this is a special lens that very few will really admire that know what they want (12mm, 2.8 and want one of the best sony has ever made).There are two con aspects that I'd like to mention here; 12-14mm moderate field curvature and still having to deal with decentering issues in 2020. I would recommend that you buy either from B&H or a local store that is good with exchanges. I had to exchange my first copy since it had an add AF pulsing issue and had decentering issue with images being softer on the right side. No lens is perfect but I would hope sony would do better at this for this price range. Still at the end of the day when you shoot with this lens, it is an absolute delightful experience that gave me the best images I've shot in many years. Happy shooting!Super highly recommended!
I purchased the lens as to go to landscape & astrophotography lens. It does not disappoint! I have the Sony Alpha 71V and I have made 20 X 24 prints showing very sharp and crisp corners. Stars show as round dots. Superb astrophotography lens. The lens was very expensive but when considering that it is also a superb landscape lens and serves my uses well, it was a wise purchase. I will not need to expand to purchase Sony's wide angle primes. This lens fills the bill well.
Hi,Lens description has bullet dust and moisture resistant construction.My lens became a nest for ants, after a few weeks on a hotel couch, nonetheless it was stored in original bag and with both caps on.This happened because of a triple design mistake:1) bag Velcro is not tight2) inner cap diameter is much wider that outer hood diameter and there is no solid rubber gasket (difference a few mm)3) similar slot width is between the hood and front glass.So ants easily got to lens internals and indwelled the lens. Now from time to time an ant get out of the shady slot.How such design could get a budge dust resistant even if ants can get inside?!
This was my 2nd rental from lensrentals. I rented a Sony 12-24mm GM for landscape shots while in Banff. Needed all 12 mm to capture only a fraction of the beauty that comes from Banff.The rental process was easy. The lens arrived a few days early; drop-off was just as easy. I was still away on my trip when the date of return occurred. I just broke down the original box and brought it with me in my luggage to use for the return shipping.
I think most photographers have been waiting for a lens with these specs for some time. Sony upped the game by creating the first 12-24mm f/2.8 lens EVER. I was initially a little worried about distortion and vignetting with such a wide lens, but they're both actually pretty minimal even wide open at 12mm.It should come as no surprise that this lens produces top image quality given that it's part of Sony's G Master lineup. Images are impressively sharp wide open at f/2.8 and obviously sharpness increases a bit by stopping down.Sony's new Nano AR II coating does an amazing job at removing ghosting and flares when shooting in difficult lighting. I was shocked at the clarity and contrast in my images when shooting into the sun.Astrophotography with this lens is a ... MoreI think most photographers have been waiting for a lens with these specs for some time. Sony upped the game by creating the first 12-24mm f/2.8 lens EVER. I was initially a little worried about distortion and vignetting with such a wide lens, but they're both actually pretty minimal even wide open at 12mm.It should come as no surprise that this lens produces top image quality given that it's part of Sony's G Master lineup. Images are impressively sharp wide open at f/2.8 and obviously sharpness increases a bit by stopping down.Sony's new Nano AR II coating does an amazing job at removing ghosting and flares when shooting in difficult lighting. I was shocked at the clarity and contrast in my images when shooting into the sun.Astrophotography with this lens is a DREAM. There are very few lens imperfections; stars are sharp white dots from center to corners, which made me a very happy astro shooter. It's pretty incredible to be able to use a 20 second shutter speed without seeing any star trails.As a Sony Alpha Imaging Collective Member, I've been fortunate enough to use just about every G Master lens created, and this has become one of my favorites. Overall it completes my Sony G Master zoom trio from 12mm-200mm, and I highly recommend it if you're in the market for a fast, wide zoom.
heavy, solid, professional build.if i am not holding it, i like to keep it clipped on the hip for discrete and easy access. it is not a lens you want swinging around on your body on a leash or dangling from a rapid release style of strap. you must be aware of the front element at all times.astro/architecture/landscape = yes yes yesif you find yourself in situations where you need ultra wide coverage on assignment - journalistic/docu style work where you are shadowing your subject(s) - this lens will provide you with 100% coverage. perfect for the most up close and personal moments.and sports...in my experience, this lens is a must have for fan and player coverage (at any level). getting super close and shooting as wide as possible, you will create distinct ... Moreheavy, solid, professional build.if i am not holding it, i like to keep it clipped on the hip for discrete and easy access. it is not a lens you want swinging around on your body on a leash or dangling from a rapid release style of strap. you must be aware of the front element at all times.astro/architecture/landscape = yes yes yesif you find yourself in situations where you need ultra wide coverage on assignment - journalistic/docu style work where you are shadowing your subject(s) - this lens will provide you with 100% coverage. perfect for the most up close and personal moments.and sports...in my experience, this lens is a must have for fan and player coverage (at any level). getting super close and shooting as wide as possible, you will create distinct images that only a lens like this can produce.it is one of my favorite lenses to shoot with for these reasons.
I'm on the Sony bandwagon with my A7RIV and A7SIII. I'm that super picky guy who wants the lens that does it all. I run a marketing company and make lots of video content, but I also do time-lapses, landscapes, cityscapes, and astrophotography. I don't mind paying more for value, but it was really hard for me to justify spending this much.I didn't. I spent a few weeks buying other lenses and researching all the options I had available for Full-Frame E-Mount Cameras like mine.I tried the Rokinons, Meikes, Laowa Zero-D 12mm, and 11mm options, and after reaching the limitations of all of these, decided to just buy the GM 12-24mm lens and do my due diligence by making a comparison for myself.There was no comparison. This thing takes their lunch money! There is ... MoreI'm on the Sony bandwagon with my A7RIV and A7SIII. I'm that super picky guy who wants the lens that does it all. I run a marketing company and make lots of video content, but I also do time-lapses, landscapes, cityscapes, and astrophotography. I don't mind paying more for value, but it was really hard for me to justify spending this much.I didn't. I spent a few weeks buying other lenses and researching all the options I had available for Full-Frame E-Mount Cameras like mine.I tried the Rokinons, Meikes, Laowa Zero-D 12mm, and 11mm options, and after reaching the limitations of all of these, decided to just buy the GM 12-24mm lens and do my due diligence by making a comparison for myself.There was no comparison. This thing takes their lunch money! There is nothing else on the market like it, and it has been dubbed by the pros as the GoldieLox Lens because of all the boxes it checks! It's the best of the best.Most of the other options I had meant 100% manual controls, which aren't a dealbreaker but do introduce limitations, especially with time-lapses during dynamic changes. But with the GM12-24, all the usual features and Eye-AF work together.There are plenty of videos online about exactly why, but most of the other lenses I tried still had a slightly distorted feel even when corrected in Lightroom (if they even had profiles available). In many cases, I would have to sharpen corners, fix vignetting issues, and mess with perspectives.Again, not a deal-breaker for me, but when you start factoring in the quality of the images, ease of use, easy integration, and just the overall experience after testing every other viable option, I'm at peace with it! Plus, life is short, you only live once. Buy the lens!
Narrow lenses are for shooting from far away, while wide lenses are for getting up close, and the 12-24 GM allows you to really get up close and personal, yet still make high-quality images.I shoot video with this lens typically 2-4 ft away from my subject, and having the zoom allows me to adjust in that range to get what I want into the shot, while the perspective gives the viewer the feeling of being part of the action rather than just observing it from afar. Even though I'm usually focusing manually, having the ability to autofocus on Sony cameras with Sony lenses like this one allows for quickly resetting focus at the beginning of a shot, or turning AF on in specific scenarios with a lot of movement.The image quality throughout the zoom and focus range is ... MoreNarrow lenses are for shooting from far away, while wide lenses are for getting up close, and the 12-24 GM allows you to really get up close and personal, yet still make high-quality images.I shoot video with this lens typically 2-4 ft away from my subject, and having the zoom allows me to adjust in that range to get what I want into the shot, while the perspective gives the viewer the feeling of being part of the action rather than just observing it from afar. Even though I'm usually focusing manually, having the ability to autofocus on Sony cameras with Sony lenses like this one allows for quickly resetting focus at the beginning of a shot, or turning AF on in specific scenarios with a lot of movement.The image quality throughout the zoom and focus range is excellent. Like other photo-centric GM lenses that prioritize image quality over video characteristics, there is noticeable focus breathing, but in my opinion it's a small price to pay for wide-angle zoom image quality this good, while being able to melt away the background with the bokeh of 2.8 aperture.Though the lens does not have OSS built in, I find that the active camera stabilization of the A7S3 is more than adequate for handheld use with a lens as wide as this one. I can hold the camera with one hand for that matter without introducing any noticeable shake (though not for too long because this is a relatively heavy lens).The lens is relatively expensive, but you get what you pay for - one look at the huge, bulbous front element and you'll understand why this lens costs what it does - and though I wouldn't consider it a complete replacement for cine lenses even with handheld use due to the aforementioned focus breathing, even at the current MSRP it's still much cheaper than anything remotely similar in the Sony cinema lens lineup, and unless you're producing a feature film the focus breathing will probably be acceptable.If you shoot from up-close, and/or shoot landscapes/architecture, this is probably the lens you want. Overall 5 stars.
For years the Sony Alpha lineup has been driving a revolution in the camera industry. Unprecedented advances in camera technology drove the brand to the forefront of innovation and sales, but most of the lens releases have been designed to fill the standard lens quiver expected of a major camera brand. While lenses like the 16-35mm GM and 24-70mm GM are spectacular, they’re truly just the Sony iteration of a classic lens, and many of us have been waiting expectantly for Sony to turn their revolutionary engineers loose into the lens design world.Enter: the brand new 12-24mm f/2.8 GM. The first full-frame 12-24mm f/2.8 lens ever, it not only outstrips the competition in focal length and aperture, but comes in significantly lighter than any similar lens on the ... MoreFor years the Sony Alpha lineup has been driving a revolution in the camera industry. Unprecedented advances in camera technology drove the brand to the forefront of innovation and sales, but most of the lens releases have been designed to fill the standard lens quiver expected of a major camera brand. While lenses like the 16-35mm GM and 24-70mm GM are spectacular, they’re truly just the Sony iteration of a classic lens, and many of us have been waiting expectantly for Sony to turn their revolutionary engineers loose into the lens design world.Enter: the brand new 12-24mm f/2.8 GM. The first full-frame 12-24mm f/2.8 lens ever, it not only outstrips the competition in focal length and aperture, but comes in significantly lighter than any similar lens on the market. This lens is a true marvel of optical engineering, and I hope this is an indicator that future lens releases will continue down this path.My first thought when I heard 12mm at f/2.8 was horrible vignette? and I'm very pleased to announce that's not the case. There is some vignette, sure, just about universal for lenses at this focal length, but it's both manageable and palatable as well as quickly dispatched by stopping down.The lens is fantastically sharp, even wide open. The extreme aspherical elements create beautiful, rectilinear image projections with nearly no distortion at all, and the pixel stretching in the corners (unavoidable with rectilinear lenses) to me looks like an artistic benefit rather than a detraction.The Sony Nano AR coating proves again to be an incredible advancement, and you can see in my 6th photo above that even shooting directly into the sun there is almost no flare or ghosting at all.There are dozens of detailed reviews online so I won't go too deep into the technical details here on Amazon, but the real reason you're here reading reviews is to figure out if this is a lens you want to buy. I'm happy to tell you that yes, you do. If you fancy yourself a fan of wide-angle lenses for landscapes, astro, adventure, or action photography then this is an absolute must have for your quiver.
Optically this lens is incredible. It benefits from corner focusing at 12mm due to field curvature, but focused carefully, this lens is pretty sharp corner to corner at all focal lengths. It beats my 14mm GM with both lenses set at 14mm & f2.8, in terms of average sharpness across the whole frame. The prime wins for central sharpness, but has stronger field curvature. I've also compared this to 2 copies of the 24mm GM, and with the 24mm and 12-24 (set at 24mm and f2.8 as well as f4), the zoom outperforms the prime for average sharpness across the frame. That 24mm prime is known for impressive sharpness, and this zoom beats both of the copies I've had of the 24mm. It really is that good.Very little CA, moderate vignette. My main complaint isn't about the optics, ... MoreOptically this lens is incredible. It benefits from corner focusing at 12mm due to field curvature, but focused carefully, this lens is pretty sharp corner to corner at all focal lengths. It beats my 14mm GM with both lenses set at 14mm & f2.8, in terms of average sharpness across the whole frame. The prime wins for central sharpness, but has stronger field curvature. I've also compared this to 2 copies of the 24mm GM, and with the 24mm and 12-24 (set at 24mm and f2.8 as well as f4), the zoom outperforms the prime for average sharpness across the frame. That 24mm prime is known for impressive sharpness, and this zoom beats both of the copies I've had of the 24mm. It really is that good.Very little CA, moderate vignette. My main complaint isn't about the optics, but is about what I'm assuming is software/firmware. The 12-24mm attached to my A7Riv has a red/magenta ring baked into the raws. It's pretty strong at 12mm, but not too bad by 14mm. It does not do this on my A1, and others have reported that covering up the lens contacts prevents the rings being baked into the raws with other bodies. Fix that, and it'll be perfect on all bodies (I repeat, the problem is absent on my A1, but this lens and others have the red/magenta ring baked in with my A7Riv).
| Focal Length | 12 to 24mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Format Compatibility | Full-Frame |
