Sony FE 24-50mm F2.8 G Lens
The Sony FE 24-50mm f/2.8 is a compact zoom lens for your Sony mirrorless camera with full-frame sensor. It has a zoom range of 24-50mm, so it's suitable for various types of photo and videography. Bring it on a trip and take architecture and portrait photos. At the shortest focal length of 24mm, you can capture the entire area. You can do this for a video, for example. The lens has a fixed aperture of f/2.8. When you zoom in with the lens, the light intensity remains the same. As a result, you can even take bright photos with a soft bokeh in the dark. Thanks to the 19cm minimum focal distance, you can easily take close-ups of your subject. You can sharply capture the details of a flower, for example.
The Sony FE 24-50mm f/2.8 is a compact zoom lens for your Sony mirrorless camera with full-frame sensor. It has a zoom range of 24-50mm, so it's suitable for various types of photo and videography. Bring it on a trip and take architecture and portrait photos. At the shortest focal length of 24mm, you can capture the entire area. You can do this for a video, for example. The lens has a fixed aperture of f/2.8. When you zoom in with the lens, the light intensity remains the same. As a result, you can even take bright photos with a soft bokeh in the dark. Thanks to the 19cm minimum focal distance, you can easily take close-ups of your subject. You can sharply capture the details of a flower, for example.
The Sony FE 24-50mm f/2.8 is a compact zoom lens for your Sony mirrorless camera with full-frame sensor. It has a zoom range of 24-50mm, so it's suitable for various types of photo and videography. Bring it on a trip and take architecture and portrait photos. At the shortest focal length of 24mm, you can capture the entire area. You can do this for a video, for example. The lens has a fixed aperture of f/2.8. When you zoom in with the lens, the light intensity remains the same. As a result, you can even take bright photos with a soft bokeh in the dark. Thanks to the 19cm minimum focal distance, you can easily take close-ups of your subject. You can sharply capture the details of a flower, for example.
The Sony FE 24-50mm f/2.8 is a compact zoom lens for your Sony mirrorless camera with full-frame sensor. It has a zoom range of 24-50mm, so it's suitable for various types of photo and videography. Bring it on a trip and take architecture and portrait photos. At the shortest focal length of 24mm, you can capture the entire area. You can do this for a video, for example. The lens has a fixed aperture of f/2.8. When you zoom in with the lens, the light intensity remains the same. As a result, you can even take bright photos with a soft bokeh in the dark. Thanks to the 19cm minimum focal distance, you can easily take close-ups of your subject. You can sharply capture the details of a flower, for example.
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The lowest price for Sony FE 24-50mm F2.8 G Lens right now is $1,259.00 at Woolworths, compared across 25 retailers.
The all-time low was $1,161.57 on 24 July 2025 — today's price is 8% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 13 June 2026.
Last updated at 13/06/2026 05:59:39
Sony SEL2450G F2.8 Standard Zoom Lens
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Sony FE 24-50mm f/2.8 G Lens
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originally posted on bestbuy.com
The Sony FE 24-50mm F2.8 G Full Frame lens is a standout option for anyone looking for a compact yet powerful standard zoom lens. I recently put it through its paces on a trip to the Tail of the Dragon in Tennessee, a notoriously scenic yet challenging drive, and this lens proved to be a perfect companion. Its compact design made it incredibly convenient to pack and carry, while the high build quality inspired confidence when capturing the beauty of the landscape.One of the things I loved about the lens is its versatility. The 24-50mm focal range is perfect for everyday use, from wide-angle landscapes to more intimate portraits or details. At every focal length, the G Lens image quality shines through with exceptional sharpness and clarity. Thanks to the four ... MoreThe Sony FE 24-50mm F2.8 G Full Frame lens is a standout option for anyone looking for a compact yet powerful standard zoom lens. I recently put it through its paces on a trip to the Tail of the Dragon in Tennessee, a notoriously scenic yet challenging drive, and this lens proved to be a perfect companion. Its compact design made it incredibly convenient to pack and carry, while the high build quality inspired confidence when capturing the beauty of the landscape.One of the things I loved about the lens is its versatility. The 24-50mm focal range is perfect for everyday use, from wide-angle landscapes to more intimate portraits or details. At every focal length, the G Lens image quality shines through with exceptional sharpness and clarity. Thanks to the four aspherical and two ED (Extra-low Dispersion) elements, distortion and color fringing were nearly non-existent in my images. Even shooting wide open at f/2.8, I was able to get beautifully soft bokeh while maintaining sharpness on my subjects—ideal for isolating details along the scenic byways of the Dragon.The autofocus performance also impressed me. Whether I was shooting stills or video, the dual linear motors worked in harmony with my Sony α9 III, ensuring fast and accurate focus, even when shooting at high speeds. This feature became especially useful for capturing dynamic scenes and moments on the go. The lens maintained focus effortlessly, even when switching between fast-moving vehicles and the sweeping curves of the roads.For those interested in video, this lens is an excellent choice. The quiet autofocus operation paired with the F2.8 aperture made it an ideal tool for shooting video footage, especially in conjunction with a gimbal for smooth, stable shots. Its lightweight construction also made handheld shooting more manageable, reducing fatigue during long days of filming or photographing. I especially appreciated the lens’ minimal focus breathing and the in-camera breathing compensation, which allowed for more polished footage without the distracting shifts in framing that can occur with other lenses.What really stood out on this trip was how well the Sony FE 24-50mm handled challenging outdoor conditions. Despite the unpredictable weather and dust from the winding roads, the dust and moisture-resistant design gave me peace of mind. The front fluorine coating was an added bonus, repelling dirt and fingerprints for cleaner, clearer shots without constant wiping or maintenance.The lens's comprehensive manual controls were another strong point. The dedicated aperture ring with switchable click stops, focus hold button, and AF/MF switch made it easy to adjust settings on the fly. The zoom and focus rings felt smooth and precise, offering tactile feedback that enhanced my shooting experience. These features, along with the lightweight 440g design, made it an absolute pleasure to use.In conclusion, the Sony FE 24-50mm F2.8 G lens is not just compact but also incredibly high-performing. Whether you're looking to capture everyday scenes or take it along for more adventurous travels like mine to the Tail of the Dragon, this lens delivers both convenience and quality. The balance of size, performance, and image quality make it a go-to lens for both stills and video work, especially for those who value mobility without sacrificing professional-grade results.
originally posted on bestbuy.com
First impression - whoa, small and light, I could carry this all day. The Sony FE 24-50mm made a good match to my Sony ZV-E10. The next thing one notices are the physical features of the lens. There's a slide switch to toggle between auto focus and manual focus, an aperture ring to advance between the zoom ranges, and a switch to turn off the clicking for step less focal length adjustment.This lens is almost the perfect lens for me. Fast and low light while being capable of handling shooting landscapes to capturing just a single subject seated at a desk. And doing this all with all day comfort. For normal day to day type work, the zoom ranges covera what I need without paying the weight penalty for really tight close ups. Unfortunately, they do happen from time to ... MoreFirst impression - whoa, small and light, I could carry this all day. The Sony FE 24-50mm made a good match to my Sony ZV-E10. The next thing one notices are the physical features of the lens. There's a slide switch to toggle between auto focus and manual focus, an aperture ring to advance between the zoom ranges, and a switch to turn off the clicking for step less focal length adjustment.This lens is almost the perfect lens for me. Fast and low light while being capable of handling shooting landscapes to capturing just a single subject seated at a desk. And doing this all with all day comfort. For normal day to day type work, the zoom ranges covera what I need without paying the weight penalty for really tight close ups. Unfortunately, they do happen from time to time as I've been incorporating more device/mechanism internals and movement in my work.Performance is pretty good but it would be nice if this had optical stabilization. Looking at raw, there's vignetting which makes me realize that the camera itself has been helping to make this lens look good. The distortion could be an issue for some, especially if used with a much more basic camera since it's not correctable in LightRoom. But, it's only in the corners so some planning and cropping could address this depending on what you're shooting.
originally posted on bhphotovideo.com
I was so excited to see what Sony had created here. It is a compact full frame 2.8 standard zoom that complements my a7cii wonderfully AND is as small as some of the 1.4 primes! Everything seems great on paper, but when I look at the final images, I cannot see beyond the visible in camera corrections for the very strong distortion that is present at all focal lengths. With the corrections on, many parts of the image have a strange smudginess to them, that left me rubbing my eyes. When I turned the corrections off, the sharpness increased dramatically throughout the frame, but the distortion is trending towards fisheye effect. If the distortion / corrections do not bother you, then this is the best lens imaginable for the money. If you are bothered by that type of ... MoreI was so excited to see what Sony had created here. It is a compact full frame 2.8 standard zoom that complements my a7cii wonderfully AND is as small as some of the 1.4 primes! Everything seems great on paper, but when I look at the final images, I cannot see beyond the visible in camera corrections for the very strong distortion that is present at all focal lengths. With the corrections on, many parts of the image have a strange smudginess to them, that left me rubbing my eyes. When I turned the corrections off, the sharpness increased dramatically throughout the frame, but the distortion is trending towards fisheye effect. If the distortion / corrections do not bother you, then this is the best lens imaginable for the money. If you are bothered by that type of thing, this lens is not for you.Final point, B&H is the most wonderful camera company, and I am so grateful to all the super knowledgeable and caring people that work there! Thank you for all that you do!
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
| Angle of View | 84° to 47° |
Sony SEL2450G F2.8 Standard Zoom Lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 24-50mm f/2.8 G Lens
Delivery $10
Sony FE 24-50mm f/2.8 G Lens
Delivery $9.90
Sony 24-50mm F2.8 G E-Mount Lens E Mount Camera Lens - Best For General Photography
Free delivery between Tue – Wed
Sony FE 24-50mm f/2.8 G Lens
Free delivery between 16–23 June
The Sony FE 24-50mm F2.8 G Full Frame lens is a standout option for anyone looking for a compact yet powerful standard zoom lens. I recently put it through its paces on a trip to the Tail of the Dragon in Tennessee, a notoriously scenic yet challenging drive, and this lens proved to be a perfect companion. Its compact design made it incredibly convenient to pack and carry, while the high build quality inspired confidence when capturing the beauty of the landscape.One of the things I loved about the lens is its versatility. The 24-50mm focal range is perfect for everyday use, from wide-angle landscapes to more intimate portraits or details. At every focal length, the G Lens image quality shines through with exceptional sharpness and clarity. Thanks to the four ... MoreThe Sony FE 24-50mm F2.8 G Full Frame lens is a standout option for anyone looking for a compact yet powerful standard zoom lens. I recently put it through its paces on a trip to the Tail of the Dragon in Tennessee, a notoriously scenic yet challenging drive, and this lens proved to be a perfect companion. Its compact design made it incredibly convenient to pack and carry, while the high build quality inspired confidence when capturing the beauty of the landscape.One of the things I loved about the lens is its versatility. The 24-50mm focal range is perfect for everyday use, from wide-angle landscapes to more intimate portraits or details. At every focal length, the G Lens image quality shines through with exceptional sharpness and clarity. Thanks to the four aspherical and two ED (Extra-low Dispersion) elements, distortion and color fringing were nearly non-existent in my images. Even shooting wide open at f/2.8, I was able to get beautifully soft bokeh while maintaining sharpness on my subjects—ideal for isolating details along the scenic byways of the Dragon.The autofocus performance also impressed me. Whether I was shooting stills or video, the dual linear motors worked in harmony with my Sony α9 III, ensuring fast and accurate focus, even when shooting at high speeds. This feature became especially useful for capturing dynamic scenes and moments on the go. The lens maintained focus effortlessly, even when switching between fast-moving vehicles and the sweeping curves of the roads.For those interested in video, this lens is an excellent choice. The quiet autofocus operation paired with the F2.8 aperture made it an ideal tool for shooting video footage, especially in conjunction with a gimbal for smooth, stable shots. Its lightweight construction also made handheld shooting more manageable, reducing fatigue during long days of filming or photographing. I especially appreciated the lens’ minimal focus breathing and the in-camera breathing compensation, which allowed for more polished footage without the distracting shifts in framing that can occur with other lenses.What really stood out on this trip was how well the Sony FE 24-50mm handled challenging outdoor conditions. Despite the unpredictable weather and dust from the winding roads, the dust and moisture-resistant design gave me peace of mind. The front fluorine coating was an added bonus, repelling dirt and fingerprints for cleaner, clearer shots without constant wiping or maintenance.The lens's comprehensive manual controls were another strong point. The dedicated aperture ring with switchable click stops, focus hold button, and AF/MF switch made it easy to adjust settings on the fly. The zoom and focus rings felt smooth and precise, offering tactile feedback that enhanced my shooting experience. These features, along with the lightweight 440g design, made it an absolute pleasure to use.In conclusion, the Sony FE 24-50mm F2.8 G lens is not just compact but also incredibly high-performing. Whether you're looking to capture everyday scenes or take it along for more adventurous travels like mine to the Tail of the Dragon, this lens delivers both convenience and quality. The balance of size, performance, and image quality make it a go-to lens for both stills and video work, especially for those who value mobility without sacrificing professional-grade results.
First impression - whoa, small and light, I could carry this all day. The Sony FE 24-50mm made a good match to my Sony ZV-E10. The next thing one notices are the physical features of the lens. There's a slide switch to toggle between auto focus and manual focus, an aperture ring to advance between the zoom ranges, and a switch to turn off the clicking for step less focal length adjustment.This lens is almost the perfect lens for me. Fast and low light while being capable of handling shooting landscapes to capturing just a single subject seated at a desk. And doing this all with all day comfort. For normal day to day type work, the zoom ranges covera what I need without paying the weight penalty for really tight close ups. Unfortunately, they do happen from time to ... MoreFirst impression - whoa, small and light, I could carry this all day. The Sony FE 24-50mm made a good match to my Sony ZV-E10. The next thing one notices are the physical features of the lens. There's a slide switch to toggle between auto focus and manual focus, an aperture ring to advance between the zoom ranges, and a switch to turn off the clicking for step less focal length adjustment.This lens is almost the perfect lens for me. Fast and low light while being capable of handling shooting landscapes to capturing just a single subject seated at a desk. And doing this all with all day comfort. For normal day to day type work, the zoom ranges covera what I need without paying the weight penalty for really tight close ups. Unfortunately, they do happen from time to time as I've been incorporating more device/mechanism internals and movement in my work.Performance is pretty good but it would be nice if this had optical stabilization. Looking at raw, there's vignetting which makes me realize that the camera itself has been helping to make this lens look good. The distortion could be an issue for some, especially if used with a much more basic camera since it's not correctable in LightRoom. But, it's only in the corners so some planning and cropping could address this depending on what you're shooting.
I was so excited to see what Sony had created here. It is a compact full frame 2.8 standard zoom that complements my a7cii wonderfully AND is as small as some of the 1.4 primes! Everything seems great on paper, but when I look at the final images, I cannot see beyond the visible in camera corrections for the very strong distortion that is present at all focal lengths. With the corrections on, many parts of the image have a strange smudginess to them, that left me rubbing my eyes. When I turned the corrections off, the sharpness increased dramatically throughout the frame, but the distortion is trending towards fisheye effect. If the distortion / corrections do not bother you, then this is the best lens imaginable for the money. If you are bothered by that type of ... MoreI was so excited to see what Sony had created here. It is a compact full frame 2.8 standard zoom that complements my a7cii wonderfully AND is as small as some of the 1.4 primes! Everything seems great on paper, but when I look at the final images, I cannot see beyond the visible in camera corrections for the very strong distortion that is present at all focal lengths. With the corrections on, many parts of the image have a strange smudginess to them, that left me rubbing my eyes. When I turned the corrections off, the sharpness increased dramatically throughout the frame, but the distortion is trending towards fisheye effect. If the distortion / corrections do not bother you, then this is the best lens imaginable for the money. If you are bothered by that type of thing, this lens is not for you.Final point, B&H is the most wonderful camera company, and I am so grateful to all the super knowledgeable and caring people that work there! Thank you for all that you do!
As a content creator, one of the most important pieces of equipment is your lens. The glass you shoot with means much more than even the camera body. That being said, there are a few things I find important when it comes to lenses used for creating content. To name a couple both focal length and aperture are things I find important.I think the focal length of this lens is perfect for an all around lens. At 24mm it is wide enough for vlogging and shooting landscapes. At the other end 50mm allows you to zoom in for portraits and when you need to get a little closer. Although a lens that goes both wider and zooms further would be great, I believe the shorter zoom allows for this lens to stay compact. This lens is both compact and light weight which allows for you to ... MoreAs a content creator, one of the most important pieces of equipment is your lens. The glass you shoot with means much more than even the camera body. That being said, there are a few things I find important when it comes to lenses used for creating content. To name a couple both focal length and aperture are things I find important.I think the focal length of this lens is perfect for an all around lens. At 24mm it is wide enough for vlogging and shooting landscapes. At the other end 50mm allows you to zoom in for portraits and when you need to get a little closer. Although a lens that goes both wider and zooms further would be great, I believe the shorter zoom allows for this lens to stay compact. This lens is both compact and light weight which allows for you to take it anywhere without taking up much space. Regardless of its size and weight it also feels like it is built well and durable. Rubber rings are included around the buttons, switches, and mount to allow this lens to be both dust and moisture resistant. This is a bonus for anyone who creates content in the not so best conditions.If I could only choose one aperture, I would choose a 2.8 fixed aperture any day. I think this is the key to getting both great bokeh and professional looking photos or videos. This lens also has great close up performance. It can focus at 7.09” at 24mm. This is great if you do unboxings, tech reviews, and other tabletop videography/photography. There is a ring on the lens that allows you to adjust the aperture quickly, this also frees up one of your dials on the camera. There is also a switch that allows the aperture ring to click or be smooth.A lens hood is included which is a bonus for shooting video/pictures in direct sunlight. A lens hood also helps keep dust and other things off of your lens. One thing I found odd is that the lens is fully extended at 24mm and the shortest at 50mm. I am used to shooting on Canon and I am new to Sony so this might be a Sony thing.One of the most important things when it comes to a lens is image quality. This lens has great image quality. Another great advantage of an F2.8 lens is that it has great low light quality. The 11-blade circular aperture makes the bokeh crisp and the images clear. Although it does not have built-in image stabilization, cameras such as my A7 iii have built in stabilization. Combined with this fast aperture lens, you can shoot smooth handheld footage as long as it is at a wider focal length.Overall, this is a great lens that has become my most use lens. This is a perfect all around lens especially if you have to choose only one. This is also a great travel lens because it is a great do it all lens. A 2.8 aperture lens will give you just about the best bokeh you can get without switching to a prime lens.
Simply Superb Camera Lens! I use this for my landscape photography and photo studio for clients. I have used this camera now for a week paired with my Sony Alpha 7R III and luckily this lens arrived just before my trip to Colorado for some leaf peeping on the shoulder season. As I did multiple half day hikes to get the shots I wanted, having this light weight FE 24-50mm lens was wonderful. Coming in just shy of one pound, I never felt bogged down by the weight as I do sometimes with my much larger (and heavier) Sony FE 24-70 G master lens (an awesome lens by the way). I was able to get edge to edge crisp shots of landscapes, close up mountain flowers, aspens in change and river photos along the Colorado River. This lens performed famously in both sunlight and low ... MoreSimply Superb Camera Lens! I use this for my landscape photography and photo studio for clients. I have used this camera now for a week paired with my Sony Alpha 7R III and luckily this lens arrived just before my trip to Colorado for some leaf peeping on the shoulder season. As I did multiple half day hikes to get the shots I wanted, having this light weight FE 24-50mm lens was wonderful. Coming in just shy of one pound, I never felt bogged down by the weight as I do sometimes with my much larger (and heavier) Sony FE 24-70 G master lens (an awesome lens by the way). I was able to get edge to edge crisp shots of landscapes, close up mountain flowers, aspens in change and river photos along the Colorado River. This lens performed famously in both sunlight and low light conditions thanks to the F2.8 aperture at a low shutter speed. Also, as the weather can change quite rapidly in the front range of Colorado, having the fluorine coating as well as the weather resistant feature was very much welcome on this lens. My one concern with this lens was it’s lack of in lens stabilization as on 2 of my hikes, I did not take a tripod. I was amazed actually that when I returned home and viewed the images in my photo software, that 99 percent of the images were without motion artifact or blur. I am guessing the few bad ones were operator error on my part. I was also quite impressed with the close up shots of the flowers I took at 24mm – they were all in focus and had a nice background blur that I was aiming for with the proper camera settings. While I love my FE 24-70 G Master, this lens will have an equal place in my arsenal of lenses, especially when I need something lighter for a days shoot. I am definitely impressed with this offering from Sony and I recommend it highly.
I have been testing the Sony 24-50mm f2.8 G against my Zeiss Batis primes: 40mm f2 and 25mm f2. So far, I have found them to be equal in sharpness. I cannot tell any discernable difference. Setting the Sony to 40mm and f2.8, it shows more vignetting than the Zeiss. This vignetting does not fully clear until f5.6. At 24mm, the vignetting clears by f4. In contrast, the Batis 40mm and 25mm have very slight vignetting at f2.8 and clear completely at f4. I did the same comparison with the Sony/Zeiss 55mm f1.8 and found the same result. Actually, I see a very, very slight vignette even at f5.6 on the Sony when set to 50mm. Generally speaking, from f5.6 to f11, the image quality produced by all of these lenses is identical. I purchased the Sony hoping to replace my two ... MoreI have been testing the Sony 24-50mm f2.8 G against my Zeiss Batis primes: 40mm f2 and 25mm f2. So far, I have found them to be equal in sharpness. I cannot tell any discernable difference. Setting the Sony to 40mm and f2.8, it shows more vignetting than the Zeiss. This vignetting does not fully clear until f5.6. At 24mm, the vignetting clears by f4. In contrast, the Batis 40mm and 25mm have very slight vignetting at f2.8 and clear completely at f4. I did the same comparison with the Sony/Zeiss 55mm f1.8 and found the same result. Actually, I see a very, very slight vignette even at f5.6 on the Sony when set to 50mm. Generally speaking, from f5.6 to f11, the image quality produced by all of these lenses is identical. I purchased the Sony hoping to replace my two Zeiss primes (and possibly the 55mm). The Sony 24-50mm f2.8 G is an excellent lens that I plan to use in the field. Since I shoot mostly architecture and landscapes from a tripod, my usual f-stop settings are f8 to f16. Therefore, the vignetting issue does apply.
I enjoy taking pictures and videos and having the right equipment helps me getting both done with not a lot of editing and the Sony FE 24-50mm F2.8 G lens does that for me. First the lens arrived nicely packaged in a recyclable box, and once out the box. It is pleasantly compact and lightweight to take it anywhere. It is a worthy standard zoom lens designed for full-frame mirrorless cameras and perfect for a-series body cameras.The constant f/2.8 aperture provides amazing performance and it delivers excellent sharpness and clarity across the frame. Close-ups look smooth while showing amazing bokeh for that professional look. I am amazed how sharp and very nice detail it shows on stills.The FE 24-50mm lens is compact (74.8mm x 92.3mm) and lightweight (440 g.) so ... MoreI enjoy taking pictures and videos and having the right equipment helps me getting both done with not a lot of editing and the Sony FE 24-50mm F2.8 G lens does that for me. First the lens arrived nicely packaged in a recyclable box, and once out the box. It is pleasantly compact and lightweight to take it anywhere. It is a worthy standard zoom lens designed for full-frame mirrorless cameras and perfect for a-series body cameras.The constant f/2.8 aperture provides amazing performance and it delivers excellent sharpness and clarity across the frame. Close-ups look smooth while showing amazing bokeh for that professional look. I am amazed how sharp and very nice detail it shows on stills.The FE 24-50mm lens is compact (74.8mm x 92.3mm) and lightweight (440 g.) so I am taking it to my next trip in a month because I am planning on taking pictures all day long for a couple of weeks. I’ve taken it out for a few days now and I am happy with it. I also like that the lens is dust and splash resistant so it is something less to worry about.The autofocus on the lens is exceptional; it does great on tracking while doing it fast and quietly.And the lens is also great for capturing up to 4k videos while it supports different functions depending on the camera. The lens can be used in manual and autofocus mode with a simple switch.Overall, the Sony FE 24-50mm F2.8 G lens is a great lens for photographers looking for a compact, high-performance standard zoom lens. Its excellent optical performance, build quality, and handling make it a great addition to any photographer’s equipment.
This Sony FE 24-50mm F2.8 zoom lens is a welcome addition to the collection of lenses for my Sony camera and will likely become my go-to lens for local music shows, portraits, and product photography. The focal range is great because it’s wide enough for group shots, and close enough for portraits and product shots. I create photo and video social media content for multiple businesses so I’m always looking to upgrade my production equipment. I tested this lens out on a full frame Sony a7 iv and a crop sensor Sony a6500. I noticed right off the bat how sharp this lens is for still photography. Another much appreciated feature is that the 2.8 aperture does great in low light.The scenes I chose for testing were a drive-in, studio portraits, and a flower garden, so ... MoreThis Sony FE 24-50mm F2.8 zoom lens is a welcome addition to the collection of lenses for my Sony camera and will likely become my go-to lens for local music shows, portraits, and product photography. The focal range is great because it’s wide enough for group shots, and close enough for portraits and product shots. I create photo and video social media content for multiple businesses so I’m always looking to upgrade my production equipment. I tested this lens out on a full frame Sony a7 iv and a crop sensor Sony a6500. I noticed right off the bat how sharp this lens is for still photography. Another much appreciated feature is that the 2.8 aperture does great in low light.The scenes I chose for testing were a drive-in, studio portraits, and a flower garden, so the scenarios range from low-light to studio light environments.1. The movie drive-in is a very low-light scenario so I’ll share a wide photo I took of all the cars in the lot in front of the big screen. The sky was actually much darker in real life than what the photo shows and I attribute this to the 12800 ISO - the Sony a7 iv and 24-50mm lens made a great pairing and really allowed all the light to come through at a lower shutter speed (0.3 sec for the night shot of the drive-in).2. I took some self-portraits in my home studio with 3 lights: a key light, a fill light, and a color light for the background. The camera picked up wonderful colors and the lens was super sharp, especially when I purposefully pulled focus to my eyes. My studio space is very small so I got the best results when I was around 37mm. This is when I found the focus breathing while trying to find myself again as the subject, but I will say this is a challenge I’ve faced before when I’m working solo as the photographer and model. It was much easier to get the auto-focus to work quickly when I was photographing others.3. The flower garden photos were taken around 6pm, so the sun was still out. I found the 2.8 aperture to offer a very tight field of view and a nice blurred background. I was able to open the aperture to get less blur when needed. I thought it offered great focus points.I mostly shot stills with this lens, but I did shoot some video and I noticed that the auto-focus, while good at tracking, felt a little “breathy”. With subject movement, sometimes it took a second to refocus on faces again. I often found myself clicking on my face in the display to make sure it focused on my eyes when taking self-portraits. In my use-case, I ended up using my phone as a remote/monitor for the Sony a7 iv and was able to focus better that way because without it, the lens would lock focus on my face before I was in place for the photo.The lens itself is comfortable to use. It’s easy to switch between manual and auto focus, and the 3 rings for focus, zoom, and aperture are really smooth. The aperture ring has a switch to turn the click on and off in case you’re needing the quietest experience possible for filming. For stills, I use the zoom and focus rings and tend to leave the aperture ring on auto to change the f-stop in-camera.The Sony a7 iv is heavier than the a6500, but even with a beefier body, this lens is actually pretty lightweight and compact. I’m very much looking forward to taking this lens out on nature walks in the fall. I usually shoot with a 70-200mm (heavy), but I’ve been wanting a smaller zoom lens so the 24-50mm seemed like a great choice and it feels pretty light in my hand, especially paired with the a6500.I would have liked for this lens to have a stabilization feature, so when I’m filming on the move I’ll have to rely on the camera’s stabilization. In my short time with this lens, I filmed on a tripod so all my shots were stable.Overall, I’m very happy to have this Sony G standard 24-50mm lens. I will definitely be using this lens regularly on my Sony camera because it’s much easier having a zoom lens than switching between my 16mm and 30mm primes. I do like having my primes, but a zoom lens is just so much more convenient and having the quality of a Sony is perfect for my needs as a content creator.
When this lens was first announced, there were a lot of photography influencers who questioned who this lens was for and why it was needed. Well, this lens is definitely for me! I have many Sony GM prime and zoom lenses, but purchased this G lens for a trip to Africa for a wedding. I wasn’t going on safari, so did not need a lot of big lenses. In fact I needed to travel light, but keep low-light capability and versatile focal lengths. This lens was perfect—allowed me to shoot both wide angle and portraits. The constant large f2.8 aperture even worked well in low light settings at the wedding. With today’s Lightroom capabilities, I produced awesome images without using a flash. I was even able to take some good photos of the local nature—although I did wish I had ... MoreWhen this lens was first announced, there were a lot of photography influencers who questioned who this lens was for and why it was needed. Well, this lens is definitely for me! I have many Sony GM prime and zoom lenses, but purchased this G lens for a trip to Africa for a wedding. I wasn’t going on safari, so did not need a lot of big lenses. In fact I needed to travel light, but keep low-light capability and versatile focal lengths. This lens was perfect—allowed me to shoot both wide angle and portraits. The constant large f2.8 aperture even worked well in low light settings at the wedding. With today’s Lightroom capabilities, I produced awesome images without using a flash. I was even able to take some good photos of the local nature—although I did wish I had brought my Sony 100-400mm GM for that.I would highly recommend this lens for anyone who wants the versatility of a standard zoom, but doesn’t need the rest of the 51-70mm range. I own the 24-70mm GM v2, but definitely preferred this lighter version on this trip. It is sharp and focuses as fast as my GM lenses. I took some solid photos while riding in the car—lens showed its ability to lock on and keep focus. It is essentially a baby GM. So far, there is nothing that I don’t like about the lens. I am very happy with it and I plan to use it as my go-to walk-around travel lens going forward.
Granted that my focal length to go is 50mm. I own a variety of 50mm prime lenses, including the Sony FE 50mm f/2.5 G Lens and the Voigtlander Nokton 50mm f/1.2.One of the things that caught my eye of this lens is that, by default, it sits on the 50mm side of the zoom, opposite to most of the other zoom lenses, which by default sit on the wider side. When I’m out in the streets hunting for new images, many times I wished to have the chance of rapidly changing to the other focal lenses I use, 35mm and 24mm, to not miss a nice shot. But with a prime lens, changing to another lens takes enough time to miss the shot anyway.Also, carrying a heavy, big sized 24-70 is not an option, since the weight and the size make it an issue after hours in the streets.Enters the Sony ... MoreGranted that my focal length to go is 50mm. I own a variety of 50mm prime lenses, including the Sony FE 50mm f/2.5 G Lens and the Voigtlander Nokton 50mm f/1.2.One of the things that caught my eye of this lens is that, by default, it sits on the 50mm side of the zoom, opposite to most of the other zoom lenses, which by default sit on the wider side. When I’m out in the streets hunting for new images, many times I wished to have the chance of rapidly changing to the other focal lenses I use, 35mm and 24mm, to not miss a nice shot. But with a prime lens, changing to another lens takes enough time to miss the shot anyway.Also, carrying a heavy, big sized 24-70 is not an option, since the weight and the size make it an issue after hours in the streets.Enters the Sony FE 24-50mm f/2.8 G Lens. It’s not bigger than the Sony FE 50mm f/1.2 GM Lens, half its price and you can cover the full range from 24mm through 50mm, which includes three very useful focal lengths in one single lens. True, it has a maximum aperture of 2.8, but for most of the uses you’ll give to this lens is more than enough. If you need a wider aperture, you’ll always have the prime lenses.With a solid construction, outstanding image performance, and fast autofocus, all of it almost matching a GM lens, the Sony FE 24-50mm f/2.8 G lens is a no brainer for those who need a nifty-fifty for their specific fields, with the added versatility of zooming out to 24mm, making it an almost perfect walk-around.
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
| Angle of View | 84° to 47° |
