Sony FE 50mm f/1.2 gm (SEL50F12GM)
This exceptional 50 mm F1.2 G Master with fixed focal length leaves nothing to be desired and shines with ultra-fast autofocus and fantastic G Master bokeh. With the F1.2 aperture, high-resolution images can be achieved even in low light. There are no limits to creativity with this compact, lightweight lens. XA elements (Extreme Aspherical) and other modern technologies enable high-resolution, high-contrast images - from the centre to the edge. Sony's AR Nano Coating II prevents ghosting and flare effects and the floating focus mechanism ensures optimum sharpness at any focus distance. XA elements and the precise correction of spherical aberrations in design and manufacture result in the beautiful bokeh typical of G Master. Above all, the shallow depth of field at F1.2 aperture is ideal for portraits or the cropping of other subjects. A circular aperture mechanism with 11 blades contributes to a beautiful circular bokeh. Even with the extremely shallow depth of field at 50 mm F1.2, AF is fast and precise. Four XD (eXtreme Dynamic) linear motors control the large, heavy focus groups of the AF quickly and precisely. For both stills and video, the original technology of Sony's E-mount lenses maximises the performance of E-mount cameras. The three XA elements and four XD linear motors of this fast, amazingly compact lens open up many creative possibilities. Two focus hold buttons, a focus adjustment switch, an aperture ring with switchable click-stop click-stop diaphragm and other elements facilitate handling. The focus hold buttons can be assigned differently via the camera. The focus ring enables linear manual focussing. Dust and moisture protection1 and the fluorine coating on the front element ensure greater reliability.
This exceptional 50 mm F1.2 G Master with fixed focal length leaves nothing to be desired and shines with ultra-fast autofocus and fantastic G Master bokeh. With the F1.2 aperture, high-resolution images can be achieved even in low light. There are no limits to creativity with this compact, lightweight lens. XA elements (Extreme Aspherical) and other modern technologies enable high-resolution, high-contrast images - from the centre to the edge. Sony's AR Nano Coating II prevents ghosting and flare effects and the floating focus mechanism ensures optimum sharpness at any focus distance. XA elements and the precise correction of spherical aberrations in design and manufacture result in the beautiful bokeh typical of G Master. Above all, the shallow depth of field at F1.2 aperture is ideal for portraits or the cropping of other subjects. A circular aperture mechanism with 11 blades contributes to a beautiful circular bokeh. Even with the extremely shallow depth of field at 50 mm F1.2, AF is fast and precise. Four XD (eXtreme Dynamic) linear motors control the large, heavy focus groups of the AF quickly and precisely. For both stills and video, the original technology of Sony's E-mount lenses maximises the performance of E-mount cameras. The three XA elements and four XD linear motors of this fast, amazingly compact lens open up many creative possibilities. Two focus hold buttons, a focus adjustment switch, an aperture ring with switchable click-stop click-stop diaphragm and other elements facilitate handling. The focus hold buttons can be assigned differently via the camera. The focus ring enables linear manual focussing. Dust and moisture protection1 and the fluorine coating on the front element ensure greater reliability.
This exceptional 50 mm F1.2 G Master with fixed focal length leaves nothing to be desired and shines with ultra-fast autofocus and fantastic G Master bokeh. With the F1.2 aperture, high-resolution images can be achieved even in low light. There are no limits to creativity with this compact, lightweight lens. XA elements (Extreme Aspherical) and other modern technologies enable high-resolution, high-contrast images - from the centre to the edge. Sony's AR Nano Coating II prevents ghosting and flare effects and the floating focus mechanism ensures optimum sharpness at any focus distance. XA elements and the precise correction of spherical aberrations in design and manufacture result in the beautiful bokeh typical of G Master. Above all, the shallow depth of field at F1.2 aperture is ideal for portraits or the cropping of other subjects. A circular aperture mechanism with 11 blades contributes to a beautiful circular bokeh. Even with the extremely shallow depth of field at 50 mm F1.2, AF is fast and precise. Four XD (eXtreme Dynamic) linear motors control the large, heavy focus groups of the AF quickly and precisely. For both stills and video, the original technology of Sony's E-mount lenses maximises the performance of E-mount cameras. The three XA elements and four XD linear motors of this fast, amazingly compact lens open up many creative possibilities. Two focus hold buttons, a focus adjustment switch, an aperture ring with switchable click-stop click-stop diaphragm and other elements facilitate handling. The focus hold buttons can be assigned differently via the camera. The focus ring enables linear manual focussing. Dust and moisture protection1 and the fluorine coating on the front element ensure greater reliability.
This exceptional 50 mm F1.2 G Master with fixed focal length leaves nothing to be desired and shines with ultra-fast autofocus and fantastic G Master bokeh. With the F1.2 aperture, high-resolution images can be achieved even in low light. There are no limits to creativity with this compact, lightweight lens. XA elements (Extreme Aspherical) and other modern technologies enable high-resolution, high-contrast images - from the centre to the edge. Sony's AR Nano Coating II prevents ghosting and flare effects and the floating focus mechanism ensures optimum sharpness at any focus distance. XA elements and the precise correction of spherical aberrations in design and manufacture result in the beautiful bokeh typical of G Master. Above all, the shallow depth of field at F1.2 aperture is ideal for portraits or the cropping of other subjects. A circular aperture mechanism with 11 blades contributes to a beautiful circular bokeh. Even with the extremely shallow depth of field at 50 mm F1.2, AF is fast and precise. Four XD (eXtreme Dynamic) linear motors control the large, heavy focus groups of the AF quickly and precisely. For both stills and video, the original technology of Sony's E-mount lenses maximises the performance of E-mount cameras. The three XA elements and four XD linear motors of this fast, amazingly compact lens open up many creative possibilities. Two focus hold buttons, a focus adjustment switch, an aperture ring with switchable click-stop click-stop diaphragm and other elements facilitate handling. The focus hold buttons can be assigned differently via the camera. The focus ring enables linear manual focussing. Dust and moisture protection1 and the fluorine coating on the front element ensure greater reliability.
in 3 offers
The lowest price for Sony FE 50mm f/1.2 gm (SEL50F12GM) right now is $3,096.22 at eBay.com.au, compared across 2 retailers.
The all-time low was $1,823.98 on 11 Mar 2026 — today's price is 70% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 20 June 2026.
Last updated at 20/06/2026 18:46:01
Sony Fe 50mm F1.2 Gm Master Standard Prime Lens For Full-frame Α
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Fe 50mm F1.2 Gm Master Standard Prime Lens For Full-frame Α...
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 50mm F1.2 GM Lens For E-mount (Full-frame Mirrorless Compatible) SEL50F12GM
Delivery between 25–30 June $207.82
originally posted on bhphotovideo.com
This lens is fantastic. The bokeh is the creamiest and most pleasing I’ve seen so far on the Sony emount with silky smooth transitions from unsharp to sharp portions. For reference I own the following lenses with my Sony a7rV body: sigma 35mm dg dn f1.4, Sony 70-200gmii, Sony 24-70gmii, and the sigma 105mm dg dn art macro. This 50mm lens stands out from the rest of my excellent lenses by offering gorgeous bokeh and extremely sharp images even when wide open. While I love my sigma 35mm f1.4 this 50mm f1.2 out performs it in every way with substantially sharper images at both f1.2 snd f1.4, faster autofocus, more pleasing bokeh and a more compelling focal length for closer portraits and headshots. In addition this lens is making me consider selling my 24-70mm GMII ... MoreThis lens is fantastic. The bokeh is the creamiest and most pleasing I’ve seen so far on the Sony emount with silky smooth transitions from unsharp to sharp portions. For reference I own the following lenses with my Sony a7rV body: sigma 35mm dg dn f1.4, Sony 70-200gmii, Sony 24-70gmii, and the sigma 105mm dg dn art macro. This 50mm lens stands out from the rest of my excellent lenses by offering gorgeous bokeh and extremely sharp images even when wide open. While I love my sigma 35mm f1.4 this 50mm f1.2 out performs it in every way with substantially sharper images at both f1.2 snd f1.4, faster autofocus, more pleasing bokeh and a more compelling focal length for closer portraits and headshots. In addition this lens is making me consider selling my 24-70mm GMII because it’s extremely high resolution allows for cropping that can help address the 50-70mm range that is not covered by my 70-200mm GMII. All I prefer the look of the 50mm focal to wider focal lengths for the majority of my photography. In summary this lens is perfect for my needs and it’s made reconsider the necessity of owning other lenses.
originally posted on bhphotovideo.com
I bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal ... MoreI bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal or other kind of support devices used by video creators and bloggers.Fifth, I really appreciate its capability to get very close thanks to its minimum focusing distance.Finally, the Bokeh is not as 'creamy' as the Sony FE 24mm f/1.4 GM but it is absolutely satisfying nevertheless.One minor disappointment about this lens relates to having a very noticeable 'lens breathing' effect. So if you are into pulling focus on videos - you will need to deal with this minor limitation.This is one of my favorite Sony Lenses, I own and use almost all of the GM series, except for the Super Telephoto ones.I will soon travel to Bolivia's Uyuni Salt Flats where I will be able to test this lens for Low-Light and Astrophotography.
originally posted on bestbuy.com
The standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial ... MoreThe standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial for outdoor photography in unpredictable conditions. The smooth and precise focus ring enhances the overall handling and operation of the lens, allowing for manual focus adjustments with ease and precision.Autofocus performance is another area where this lens shines. Equipped with Sony's advanced Direct Drive Super Sonic Wave Motor (DDSSM), the lens provides fast, accurate, and virtually silent autofocus. It locks onto subjects swiftly and tracks them with precision, ensuring that you can capture those decisive moments without any compromise. The autofocus performance is especially impressive when combined with Sony's advanced autofocus systems found in their full-frame mirrorless cameras.In terms of versatility, the 35mm focal length is a popular choice among photographers due to its wide range of applications. It offers a natural field of view that closely resembles the human eye, making it suitable for documentary-style photography or capturing everyday scenes with a realistic perspective. The lens excels in capturing environmental portraits, street photography, and general-purpose photography, providing a great balance between wide-angle and standard perspectives.While the Sony GM 35mm 1.4 lens delivers exceptional performance, it does come with a higher price tag compared to other 35mm lenses on the market. However, the lens justifies its cost through its exceptional image quality, build quality, and autofocus performance. It is an investment for those who demand the utmost quality and reliability in their gear.In conclusion, the Sony GM 35mm 1.4 lens is a top-tier prime lens that offers outstanding optical performance, excellent build quality, and fast autofocus capabilities. It is a versatile lens suitable for various photography genres and excels in low-light conditions. Although it comes with a higher price point, it delivers the image quality and features that professionals and enthusiasts alike seek. If you're looking for a premium 35mm lens, the Sony GM 35mm 1.4 is definitely worth considering.
Sony Fe 50mm F1.2 Gm Master Standard Prime Lens For Full-frame Α
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Fe 50mm F1.2 Gm Master Standard Prime Lens For Full-frame Α...
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 50mm F1.2 GM Lens For E-mount (Full-frame Mirrorless Compatible) SEL50F12GM
Delivery between 25–30 June $207.82
This lens is fantastic. The bokeh is the creamiest and most pleasing I’ve seen so far on the Sony emount with silky smooth transitions from unsharp to sharp portions. For reference I own the following lenses with my Sony a7rV body: sigma 35mm dg dn f1.4, Sony 70-200gmii, Sony 24-70gmii, and the sigma 105mm dg dn art macro. This 50mm lens stands out from the rest of my excellent lenses by offering gorgeous bokeh and extremely sharp images even when wide open. While I love my sigma 35mm f1.4 this 50mm f1.2 out performs it in every way with substantially sharper images at both f1.2 snd f1.4, faster autofocus, more pleasing bokeh and a more compelling focal length for closer portraits and headshots. In addition this lens is making me consider selling my 24-70mm GMII ... MoreThis lens is fantastic. The bokeh is the creamiest and most pleasing I’ve seen so far on the Sony emount with silky smooth transitions from unsharp to sharp portions. For reference I own the following lenses with my Sony a7rV body: sigma 35mm dg dn f1.4, Sony 70-200gmii, Sony 24-70gmii, and the sigma 105mm dg dn art macro. This 50mm lens stands out from the rest of my excellent lenses by offering gorgeous bokeh and extremely sharp images even when wide open. While I love my sigma 35mm f1.4 this 50mm f1.2 out performs it in every way with substantially sharper images at both f1.2 snd f1.4, faster autofocus, more pleasing bokeh and a more compelling focal length for closer portraits and headshots. In addition this lens is making me consider selling my 24-70mm GMII because it’s extremely high resolution allows for cropping that can help address the 50-70mm range that is not covered by my 70-200mm GMII. All I prefer the look of the 50mm focal to wider focal lengths for the majority of my photography. In summary this lens is perfect for my needs and it’s made reconsider the necessity of owning other lenses.
I bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal ... MoreI bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal or other kind of support devices used by video creators and bloggers.Fifth, I really appreciate its capability to get very close thanks to its minimum focusing distance.Finally, the Bokeh is not as 'creamy' as the Sony FE 24mm f/1.4 GM but it is absolutely satisfying nevertheless.One minor disappointment about this lens relates to having a very noticeable 'lens breathing' effect. So if you are into pulling focus on videos - you will need to deal with this minor limitation.This is one of my favorite Sony Lenses, I own and use almost all of the GM series, except for the Super Telephoto ones.I will soon travel to Bolivia's Uyuni Salt Flats where I will be able to test this lens for Low-Light and Astrophotography.
The standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial ... MoreThe standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial for outdoor photography in unpredictable conditions. The smooth and precise focus ring enhances the overall handling and operation of the lens, allowing for manual focus adjustments with ease and precision.Autofocus performance is another area where this lens shines. Equipped with Sony's advanced Direct Drive Super Sonic Wave Motor (DDSSM), the lens provides fast, accurate, and virtually silent autofocus. It locks onto subjects swiftly and tracks them with precision, ensuring that you can capture those decisive moments without any compromise. The autofocus performance is especially impressive when combined with Sony's advanced autofocus systems found in their full-frame mirrorless cameras.In terms of versatility, the 35mm focal length is a popular choice among photographers due to its wide range of applications. It offers a natural field of view that closely resembles the human eye, making it suitable for documentary-style photography or capturing everyday scenes with a realistic perspective. The lens excels in capturing environmental portraits, street photography, and general-purpose photography, providing a great balance between wide-angle and standard perspectives.While the Sony GM 35mm 1.4 lens delivers exceptional performance, it does come with a higher price tag compared to other 35mm lenses on the market. However, the lens justifies its cost through its exceptional image quality, build quality, and autofocus performance. It is an investment for those who demand the utmost quality and reliability in their gear.In conclusion, the Sony GM 35mm 1.4 lens is a top-tier prime lens that offers outstanding optical performance, excellent build quality, and fast autofocus capabilities. It is a versatile lens suitable for various photography genres and excels in low-light conditions. Although it comes with a higher price point, it delivers the image quality and features that professionals and enthusiasts alike seek. If you're looking for a premium 35mm lens, the Sony GM 35mm 1.4 is definitely worth considering.
Sharpest, fastest, most accurate 50mm lens I have ever used from any brand. You can use this lens at any aperture and get sharp results that will not disappoint. I was gob smacked as they say, about how sharp and clean it is at 1.2 across the frame.The most critical reviews I saw about this lens in my view show how good the lens is.Those critiques were that it was far too perfect in image quality and that the lens doesn't change character when you stop down, meaning that the only real benefit you are going to see is increasing the depth of field when you stop down. So if you prefer the various looks (AKA obvious defects wide open that lessen on stopping down) of other 1.2 lenses like the Canon 50mm f1.2L EF, don't buy this.My most critical issues with the lens ... MoreSharpest, fastest, most accurate 50mm lens I have ever used from any brand. You can use this lens at any aperture and get sharp results that will not disappoint. I was gob smacked as they say, about how sharp and clean it is at 1.2 across the frame.The most critical reviews I saw about this lens in my view show how good the lens is.Those critiques were that it was far too perfect in image quality and that the lens doesn't change character when you stop down, meaning that the only real benefit you are going to see is increasing the depth of field when you stop down. So if you prefer the various looks (AKA obvious defects wide open that lessen on stopping down) of other 1.2 lenses like the Canon 50mm f1.2L EF, don't buy this.My most critical issues with the lens are the focus breathing and cat's eye bokeh that goes away around by f2.5. However, every other 1.2 50mm I have seen better in these regards is either way larger and heavier, doesn't have auto focus or the AF is not nearly is fast/accurate, or the IQ isn't as good. So its basically a trade off here.I would say that unless there is some revolutionary change in lens design that happens soon, you will enjoy this lens for a very long time without the need to upgrade when a version 2 or even version 3 come about.
I got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great ... MoreI got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great optics. To me the sigma has annoyed me the past with missing focus during critical moments during events which caused me having to reshoot but missing the better moment.Also please take into consideration sample variation because I had to go through TWO copies of the GM II to get this excellent one which is NOT FUN. Copy variation plagues the 24-70 zoom lenses in particular as they are difficult to design and have different tolerances. I was not happy with my two previous copies as they were softer on the left side of the frame even stopped down at most FL which was not OK. I had the same experience when I got my sony 12-24 GM lens. I really wish this wasn't the same case in 2023 but here we are.Still highly recommend this lens if you can afford it and want the best AF especially.
As a professional photographer, I recently acquired the Sony Full Frame E-Mount 24mm F1.4 G-Master Lens, and I couldn't be more thrilled to share my experience with this remarkable piece of glass. This lens has not only met but far exceeded my expectations, and I can confidently say that it's a game-changer for my photography.Build Quality (5/5):The moment I held the 24mm F1.4 G-Master in my hands, I knew I was working with a piece of art. Its solid, robust construction instilled confidence in its durability, and the weather-sealing has already proved its worth in unpredictable conditions. The focus and aperture rings move with buttery smoothness, offering a tactile pleasure that enhances the overall shooting experience.Optical Performance (5/5):This lens is ... MoreAs a professional photographer, I recently acquired the Sony Full Frame E-Mount 24mm F1.4 G-Master Lens, and I couldn't be more thrilled to share my experience with this remarkable piece of glass. This lens has not only met but far exceeded my expectations, and I can confidently say that it's a game-changer for my photography.Build Quality (5/5):The moment I held the 24mm F1.4 G-Master in my hands, I knew I was working with a piece of art. Its solid, robust construction instilled confidence in its durability, and the weather-sealing has already proved its worth in unpredictable conditions. The focus and aperture rings move with buttery smoothness, offering a tactile pleasure that enhances the overall shooting experience.Optical Performance (5/5):This lens is an optical marvel. The 24mm focal length is incredibly versatile, allowing me to capture wide-angle landscapes, immersive street scenes, and intimate portraits with equal finesse. Shooting wide open at F1.4 is a revelation; it's like painting with light. The centre sharpness is stunning, and the lens maintains impeccable clarity from corner to corner. Chromatic aberrations and distortion are virtually non-existent, even when pushing the limits of the wide aperture.Bokeh (5/5):One of the standout features of this lens is its ability to produce dreamy, ethereal backgrounds with that mesmerizing creamy bokeh. It's a true artist's tool, turning everyday scenes into works of art. Portraits are especially enchanting, with the lens effortlessly isolating the subject and rendering backgrounds into a beautiful blur.Autofocus (4/5):While the autofocus is fast and accurate, it's not the absolute fastest in Sony's line-up. However, it's more than sufficient for the vast majority of shooting situations. The inclusion of a customizable focus hold button adds a level of control that I've come to appreciate in various scenarios.Versatility (5/5):The 24mm F1.4 G-Master is a versatile powerhouse. From sweeping landscapes to candid street photography and intimate environmental portraits, it excels across the board. Its compact size and relatively light weight make it a joy to carry, perfect for travel and on-the-go shooting.Conclusion:In the world of prime lenses, the Sony Full Frame E-Mount 24mm F1.4 G-Master Lens stands out as an engineering marvel and a true masterpiece. Its combination of impeccable build quality, exceptional optical performance, enchanting bokeh, and versatility make it a must-have for any serious photographer. While it comes at a premium price, the results it delivers are worth every investment for those who demand excellence in their photography. This lens has unlocked new creative possibilities for me, and I can't recommend it enough to fellow photographers looking to elevate their craft. The 24mm F1.4 G-Master is not just a lens; it's a dream realized.
I use my Sony alpha7R, 24mm f1.4 and 35mm f2.8 to backpack in the Sierras. These 3 pieces are very little weight. I considered buying a 3rd lens, 55mm as I felt that prime lenses are generally superior to zoom lenses. I then researched this zoom lens and was blown away by the MTF graphs which show resolution curves from the center of the lens to the outer edges. I compared these graphs to those of each of the prime lenses. The zoom lens has better MTF graphs than each of the prime lenses. The weight savings was a complete bonus as I was not going to be deciding between quality and weight. I would have better quality and lighter weight with the zoom lens.I love this lens. It is sharp on the edges. I am also able to get very close to my subjects if I choose and it ... MoreI use my Sony alpha7R, 24mm f1.4 and 35mm f2.8 to backpack in the Sierras. These 3 pieces are very little weight. I considered buying a 3rd lens, 55mm as I felt that prime lenses are generally superior to zoom lenses. I then researched this zoom lens and was blown away by the MTF graphs which show resolution curves from the center of the lens to the outer edges. I compared these graphs to those of each of the prime lenses. The zoom lens has better MTF graphs than each of the prime lenses. The weight savings was a complete bonus as I was not going to be deciding between quality and weight. I would have better quality and lighter weight with the zoom lens.I love this lens. It is sharp on the edges. I am also able to get very close to my subjects if I choose and it is a joy to use. I no longer need to change lenses in the field. I always use a tripod so I don't miss the image stabilization. This is probably one of the reasons the lens is lighter than its predecessor.
Near Perfect but let down by Sony camera’s limitation.I only had this lens for more than 2 weeks. I have been testing this lens ever since I received this.In a short test period, I would say this lens performance is good in areas:1.Wide end image quality: Good.2.Tele end image quality: Good (but pay attention to shutter speed to reduce blurring due to shake).3.AF acquisition and final focus result: Good (there is slight focus breathing when you change focal length and re-focus).4.Handling: Good, balances well on camera (I use A1).The only area I’m a little critical is non-OIS in lens. The Sony camera I use is the A1 and it has IBIS but it’s certainly not that effective in the Tele end. I must increase the shutter speed to minimize shake, and this ... MoreNear Perfect but let down by Sony camera’s limitation.I only had this lens for more than 2 weeks. I have been testing this lens ever since I received this.In a short test period, I would say this lens performance is good in areas:1.Wide end image quality: Good.2.Tele end image quality: Good (but pay attention to shutter speed to reduce blurring due to shake).3.AF acquisition and final focus result: Good (there is slight focus breathing when you change focal length and re-focus).4.Handling: Good, balances well on camera (I use A1).The only area I’m a little critical is non-OIS in lens. The Sony camera I use is the A1 and it has IBIS but it’s certainly not that effective in the Tele end. I must increase the shutter speed to minimize shake, and this limits my use case. Sony should either improve the cameras (A1) IBIS effective stops or include OIS in lens. The Focus breathing issue might not be an issue if you have newer released Sony cameras after A1 release. The new cameras have focus breathing compensation. Sony should improve/add this in A1 or build lens with better focus breathing handling.But from an Image quality point, the G2 is certainly better (not a huge amount but slightly) than other 24-70mm F2.8 lens.
This lens is the one - the one you take if you can only take one!! With a focal range wide enough that you can shoot large vistas, or groups of people/vehicles & telephoto enough that you can totally isolate an object and have nice compression.All around the most versatile high-quality lens in my line-up. If I'm going on a hike, and want to enjoy it in a minimalistic fashion, I'm very comfortable with just this one lens slung around my body. When shooting an off-road 4x4 tour, or any event, this lens must be on me.Just recently I photographed a three-day overland event out in Sand Hollow, Utah and did not switch lenses once. I was able to do everything with the 24-70mm GM. What was cool was the speed at which I was able to go from shooting many vehicles together ... MoreThis lens is the one - the one you take if you can only take one!! With a focal range wide enough that you can shoot large vistas, or groups of people/vehicles & telephoto enough that you can totally isolate an object and have nice compression.All around the most versatile high-quality lens in my line-up. If I'm going on a hike, and want to enjoy it in a minimalistic fashion, I'm very comfortable with just this one lens slung around my body. When shooting an off-road 4x4 tour, or any event, this lens must be on me.Just recently I photographed a three-day overland event out in Sand Hollow, Utah and did not switch lenses once. I was able to do everything with the 24-70mm GM. What was cool was the speed at which I was able to go from shooting many vehicles together and then just isolating one at a time as they went over obstacles. This lens executed flawlessly and made my job easy.When in crop-sensor mode this lens becomes a 36-105mm and if you're using the Sony Alpha 7R IV body, that will result in a 26-megapixel image which is a huge benefit of combining this lens with this camera. This only adds to the versatility of this great lens which I also can be used to shoot the stars at night since the aperture is 2.8.
I just got this and have only been doing some quick testing with it, just to play around.things I noticed:* it's heavy, I'm not sure what the standard weight is for G master lenses since this is my first 'quality' lens. but it is heavier than my Sony 85 mm 1.8*The images are crisp. taking photos at 10k iso indoors with my a7riii, at 1.4-5.6 at 10k iso looks like how my 85mm lens looks at 5.6 - f/8 at 250-500 iso.*There is a rubber lining on the lens hood that I love so I don't have to worry about bumping the glass when putting it on, or anything I put the lens hood against.* never had an aperture ring on a digital camera lens, and not sure how I feel about it yet, Right now I think I like it more than dialing it on camera. (There is an auto setting so you ... MoreI just got this and have only been doing some quick testing with it, just to play around.things I noticed:* it's heavy, I'm not sure what the standard weight is for G master lenses since this is my first 'quality' lens. but it is heavier than my Sony 85 mm 1.8*The images are crisp. taking photos at 10k iso indoors with my a7riii, at 1.4-5.6 at 10k iso looks like how my 85mm lens looks at 5.6 - f/8 at 250-500 iso.*There is a rubber lining on the lens hood that I love so I don't have to worry about bumping the glass when putting it on, or anything I put the lens hood against.* never had an aperture ring on a digital camera lens, and not sure how I feel about it yet, Right now I think I like it more than dialing it on camera. (There is an auto setting so you don't need to use this feature if you don't like it)* The glass where the lens attaches to the camera, it's going to be easy to clean, IDK why, but on my Sony 85mm there is a weird gap around the edges that is super hard to get stuff out of* The front glass lays nicely with the frame of the lens, also making it easier to clean.* The gears seem smooth, as well as the rings for the aperture and manual focus* The autofocus seems fast but I need to test more with itI will give more updates in the future as I use it, this is just right out of the box with no real testing. overall I'm happy with it right now.
