Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro Lens for Nikon
The New Megazoom Standard Expand you possibilities with this new high-performance megazoom lens Experience previously unimaginable photographic possibilities thanks to the latest optical technology. This extremely versatile megazoom lens for digital reflex cameras with an APS-C sensor covers a huge focal length range of 16mm to 300mm and even allows you to take macro photos thanks to its short focussing distance of only 39cm. In addition, it contains the latest technology from the optical industry such as newly developed aspheric elements and multi-coated lenses to enable even sharper images despite its extremely compact design. Expand your creative possibilities in every situation with this revolutionary 18.8x zoom, developed by the pioneers of the megazoom lens. Megazoom A lens from the megazoom class allows you to capture a much larger area. Megazooms offer focal lengths from wide angles down to the telephoto range and are thus the lens of choice for most situations. As a result of their high level of flexibility, compact size and low weight, these lenses are particularly suitable for daily use as an all-round lens, as well as for vacations, activities requiring little baggage or for families with children and all their gear in tow. PZD (FTM) The PZD ultrasonic motor delivers a noticeably faster and at the same time quieter autofocus action – ideal for capturing spontaneous moments in razor-sharp images. Furthermore, it also allows you the option of manually focussing the lens at any time. VC Image Stabilization (Vibration Compensation) The tried-and-tested Tamron VC Image Stabilizer (Vibration Compensation) ensures this lens delivers sharp and shake-free images. This means that the lens is also perfectly suited for hand-held photos and low-light conditions. Splash-proof design The complex lens construction is splash-proof. As a result, this lens is also suitable for sophisticated outdoor photography.
The New Megazoom Standard Expand you possibilities with this new high-performance megazoom lens Experience previously unimaginable photographic possibilities thanks to the latest optical technology. This extremely versatile megazoom lens for digital reflex cameras with an APS-C sensor covers a huge focal length range of 16mm to 300mm and even allows you to take macro photos thanks to its short focussing distance of only 39cm. In addition, it contains the latest technology from the optical industry such as newly developed aspheric elements and multi-coated lenses to enable even sharper images despite its extremely compact design. Expand your creative possibilities in every situation with this revolutionary 18.8x zoom, developed by the pioneers of the megazoom lens. Megazoom A lens from the megazoom class allows you to capture a much larger area. Megazooms offer focal lengths from wide angles down to the telephoto range and are thus the lens of choice for most situations. As a result of their high level of flexibility, compact size and low weight, these lenses are particularly suitable for daily use as an all-round lens, as well as for vacations, activities requiring little baggage or for families with children and all their gear in tow. PZD (FTM) The PZD ultrasonic motor delivers a noticeably faster and at the same time quieter autofocus action – ideal for capturing spontaneous moments in razor-sharp images. Furthermore, it also allows you the option of manually focussing the lens at any time. VC Image Stabilization (Vibration Compensation) The tried-and-tested Tamron VC Image Stabilizer (Vibration Compensation) ensures this lens delivers sharp and shake-free images. This means that the lens is also perfectly suited for hand-held photos and low-light conditions. Splash-proof design The complex lens construction is splash-proof. As a result, this lens is also suitable for sophisticated outdoor photography.
The New Megazoom Standard Expand you possibilities with this new high-performance megazoom lens Experience previously unimaginable photographic possibilities thanks to the latest optical technology. This extremely versatile megazoom lens for digital reflex cameras with an APS-C sensor covers a huge focal length range of 16mm to 300mm and even allows you to take macro photos thanks to its short focussing distance of only 39cm. In addition, it contains the latest technology from the optical industry such as newly developed aspheric elements and multi-coated lenses to enable even sharper images despite its extremely compact design. Expand your creative possibilities in every situation with this revolutionary 18.8x zoom, developed by the pioneers of the megazoom lens. Megazoom A lens from the megazoom class allows you to capture a much larger area. Megazooms offer focal lengths from wide angles down to the telephoto range and are thus the lens of choice for most situations. As a result of their high level of flexibility, compact size and low weight, these lenses are particularly suitable for daily use as an all-round lens, as well as for vacations, activities requiring little baggage or for families with children and all their gear in tow. PZD (FTM) The PZD ultrasonic motor delivers a noticeably faster and at the same time quieter autofocus action – ideal for capturing spontaneous moments in razor-sharp images. Furthermore, it also allows you the option of manually focussing the lens at any time. VC Image Stabilization (Vibration Compensation) The tried-and-tested Tamron VC Image Stabilizer (Vibration Compensation) ensures this lens delivers sharp and shake-free images. This means that the lens is also perfectly suited for hand-held photos and low-light conditions. Splash-proof design The complex lens construction is splash-proof. As a result, this lens is also suitable for sophisticated outdoor photography.
The New Megazoom Standard Expand you possibilities with this new high-performance megazoom lens Experience previously unimaginable photographic possibilities thanks to the latest optical technology. This extremely versatile megazoom lens for digital reflex cameras with an APS-C sensor covers a huge focal length range of 16mm to 300mm and even allows you to take macro photos thanks to its short focussing distance of only 39cm. In addition, it contains the latest technology from the optical industry such as newly developed aspheric elements and multi-coated lenses to enable even sharper images despite its extremely compact design. Expand your creative possibilities in every situation with this revolutionary 18.8x zoom, developed by the pioneers of the megazoom lens. Megazoom A lens from the megazoom class allows you to capture a much larger area. Megazooms offer focal lengths from wide angles down to the telephoto range and are thus the lens of choice for most situations. As a result of their high level of flexibility, compact size and low weight, these lenses are particularly suitable for daily use as an all-round lens, as well as for vacations, activities requiring little baggage or for families with children and all their gear in tow. PZD (FTM) The PZD ultrasonic motor delivers a noticeably faster and at the same time quieter autofocus action – ideal for capturing spontaneous moments in razor-sharp images. Furthermore, it also allows you the option of manually focussing the lens at any time. VC Image Stabilization (Vibration Compensation) The tried-and-tested Tamron VC Image Stabilizer (Vibration Compensation) ensures this lens delivers sharp and shake-free images. This means that the lens is also perfectly suited for hand-held photos and low-light conditions. Splash-proof design The complex lens construction is splash-proof. As a result, this lens is also suitable for sophisticated outdoor photography.
in 21 offers
The lowest price for Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro Lens for Nikon right now is $195.00 at Alpscamera, compared across 8 retailers.
The all-time low was $195.00 on 27 June 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 27 June 2026.
Last updated at 27/06/2026 05:10:20
Tamron 16-300mm F/3.5-6.3 Di-II VC PZD All-in-One Zoom for Nikon DX DSLR Cameras
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TAMRON 16-300mm F3.5-6.3 Di II VC PZD MACRO B016 Nikon F Mount APS-C Zoom Lens 260418j
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Tamron B016 16-300mm F/3.5-6.3 Di Ii Vc Pzd For Nikon
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[exc+++++] Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd Lens For Nikon F
Delivery $95.72
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[exc+++++] Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd Lens For Nikon F
Delivery $101.50
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Near Mint Tamron 16-300mm F/3.5-6.3 Pzd Di Ii B016 For Nikon F W/ Hood
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[mint] Tamron Af 16-300mm F/3.5-6.3 Di Ii Vc Pzd Macro B016 Nikon For
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Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd Macro Lens For Canon Ef Mount
Delivery $55.82
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Tamron 16-300mm F3.5-6.3 Di Ii Vc Pzd Macro Zoom Lens B016 For Nikon F
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[mint] Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd For Nikon Mount From
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originally posted on adorama.com
I decided to upgrade to this Tamron 16-300mm after my other 18-250mm lens jammed when the zoom turret screws loosened, which happened on the same brand of their17-50mm.My first attraction was the weather sealing at the base mount, like in pro lenses. The second was the increased zoom range from 16 to 300mm, where the 300 is true. Construction is solid yet light while the zoom ring is a little stiffer than others, but smooth.While I do have Canon pro-gear and lenses for action sports, I still have my Canon 70D as my "Camera buddy" I carry around where ever I go. It's really cool when I suddenly have to cover a media event for the newswires without carrying several camera bodies and lenses.The image quality is quite good after making AF microadjustments when ... MoreI decided to upgrade to this Tamron 16-300mm after my other 18-250mm lens jammed when the zoom turret screws loosened, which happened on the same brand of their17-50mm.My first attraction was the weather sealing at the base mount, like in pro lenses. The second was the increased zoom range from 16 to 300mm, where the 300 is true. Construction is solid yet light while the zoom ring is a little stiffer than others, but smooth.While I do have Canon pro-gear and lenses for action sports, I still have my Canon 70D as my "Camera buddy" I carry around where ever I go. It's really cool when I suddenly have to cover a media event for the newswires without carrying several camera bodies and lenses.The image quality is quite good after making AF microadjustments when attached to my 70D or 7D Mark II. focus is reasonably fast, more so on the 7D Mark II. The only downside, as with lenses of this type, is a bit of purple and green chromatic aberration that can be fixed in post.One important note to know that not all APS-C cameras do not have AF microadjustments and this can be a problem for those experiencing front or back AF focus only to offer a negative review. The lens was back focusing on both the wide and zoom, but after tweaking the camera adjustments—all is great. Interesting at the full zoom range the aperture can adjust down to f/40!I highly recommend this lens as a an all around lens for hobbyists, hikers, travelers, and pros with APS-C cameras in their bag.
originally posted on ebay.com
Be warned - you will find yourself looking at a circle in your viewfinder when using with a full frame (Canon 1Dx II) camera. Seems to work quite well with the Canon cropped sensor cameras (Canon 90D). Other than this, it appears to be a good walk around lens with amazing reach. However, be aware that this is a lens that is quite soft in the corners - the compromise that has to be made to have a camera with this focal range. A good purchase but not a keeper for me as I need a walk around for both cropped AND full frame sensor cameras.
originally posted on bhphotovideo.com
Before this lens I had the Nikon 55-200mm lens and the 18-55mm lens for my D3200. Those are both decent lenses especially for the prices, but each has its issues. The 18-55 sucks for getting detailed pictures. It's great for group shots and its alright for landscapes but putting that lens on a D3200 is like having a piece of mahogany and painting it beige. The 55-200 lens is fantastic for detail and is great for shots where you've got maybe 20 feet from your subject if you want to shoot more than just their face. It's not easy to take group pictures with unless you're really far away with the 55-200 though. The issue with these two lenses is that you're going to have to start swapping them out all the time depending on the shot you're trying to take. That would be ... MoreBefore this lens I had the Nikon 55-200mm lens and the 18-55mm lens for my D3200. Those are both decent lenses especially for the prices, but each has its issues. The 18-55 sucks for getting detailed pictures. It's great for group shots and its alright for landscapes but putting that lens on a D3200 is like having a piece of mahogany and painting it beige. The 55-200 lens is fantastic for detail and is great for shots where you've got maybe 20 feet from your subject if you want to shoot more than just their face. It's not easy to take group pictures with unless you're really far away with the 55-200 though. The issue with these two lenses is that you're going to have to start swapping them out all the time depending on the shot you're trying to take. That would be ok if you're alternating between group pictures with your friends on safari and then you have to swap out for a telephoto lens to shoot the elephant a football field away from you, but when you're on the go and you're with family or friends and want to shoot your surroundings from the flowers to the cliffs, it's a major inconvenience. The 16-300 Tamron lens SOLVES THIS PROBLEM. You can shoot the wide angle group shots and shoot the detail on a flower pedal without swapping and without a sacrifice in quality. The autofocus is extremely quick which makes it very good for shooting sports or action shots, (at least as fast as the Nikon lenses) and its range is incredible. It's lowlight performance is not as good as nikon's but it's close. Basically, if you're going to shoot the moonrise in the desert of post sunset shots down by the river, you might wanna pack another lens, but other than that, this lens performs extremely well. It's a bit heavy at first by comparison to the 55-200, but after a day it feels normal. I'm thoroughly satisfied with this lens and I'd recommend it to anyone who shoots in generally well lit areas and who wants to make their camera bag a lot lighter.
| Camera Mount Type | Nikon F |
| Format Compatibility | APS-C |
| Angle of View | 82° 12' - 5° 20' |
| Minimum Focus Distance | 15.3" (.39 m) |
| Elements/Groups | 16/12 |
Tamron 16-300mm F/3.5-6.3 Di-II VC PZD All-in-One Zoom for Nikon DX DSLR Cameras
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
TAMRON 16-300mm F3.5-6.3 Di II VC PZD MACRO B016 Nikon F Mount APS-C Zoom Lens 260418j
Delivery $13.33
Tamron B016 16-300mm F/3.5-6.3 Di Ii Vc Pzd For Nikon
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[exc+++++] Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd Lens For Nikon F
Delivery $95.72
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[exc+++++] Tamron 16-300mm F/3.5-6.3 Di Ii Vc Pzd Lens For Nikon F
Delivery $101.50
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I decided to upgrade to this Tamron 16-300mm after my other 18-250mm lens jammed when the zoom turret screws loosened, which happened on the same brand of their17-50mm.My first attraction was the weather sealing at the base mount, like in pro lenses. The second was the increased zoom range from 16 to 300mm, where the 300 is true. Construction is solid yet light while the zoom ring is a little stiffer than others, but smooth.While I do have Canon pro-gear and lenses for action sports, I still have my Canon 70D as my "Camera buddy" I carry around where ever I go. It's really cool when I suddenly have to cover a media event for the newswires without carrying several camera bodies and lenses.The image quality is quite good after making AF microadjustments when ... MoreI decided to upgrade to this Tamron 16-300mm after my other 18-250mm lens jammed when the zoom turret screws loosened, which happened on the same brand of their17-50mm.My first attraction was the weather sealing at the base mount, like in pro lenses. The second was the increased zoom range from 16 to 300mm, where the 300 is true. Construction is solid yet light while the zoom ring is a little stiffer than others, but smooth.While I do have Canon pro-gear and lenses for action sports, I still have my Canon 70D as my "Camera buddy" I carry around where ever I go. It's really cool when I suddenly have to cover a media event for the newswires without carrying several camera bodies and lenses.The image quality is quite good after making AF microadjustments when attached to my 70D or 7D Mark II. focus is reasonably fast, more so on the 7D Mark II. The only downside, as with lenses of this type, is a bit of purple and green chromatic aberration that can be fixed in post.One important note to know that not all APS-C cameras do not have AF microadjustments and this can be a problem for those experiencing front or back AF focus only to offer a negative review. The lens was back focusing on both the wide and zoom, but after tweaking the camera adjustments—all is great. Interesting at the full zoom range the aperture can adjust down to f/40!I highly recommend this lens as a an all around lens for hobbyists, hikers, travelers, and pros with APS-C cameras in their bag.
Be warned - you will find yourself looking at a circle in your viewfinder when using with a full frame (Canon 1Dx II) camera. Seems to work quite well with the Canon cropped sensor cameras (Canon 90D). Other than this, it appears to be a good walk around lens with amazing reach. However, be aware that this is a lens that is quite soft in the corners - the compromise that has to be made to have a camera with this focal range. A good purchase but not a keeper for me as I need a walk around for both cropped AND full frame sensor cameras.
Before this lens I had the Nikon 55-200mm lens and the 18-55mm lens for my D3200. Those are both decent lenses especially for the prices, but each has its issues. The 18-55 sucks for getting detailed pictures. It's great for group shots and its alright for landscapes but putting that lens on a D3200 is like having a piece of mahogany and painting it beige. The 55-200 lens is fantastic for detail and is great for shots where you've got maybe 20 feet from your subject if you want to shoot more than just their face. It's not easy to take group pictures with unless you're really far away with the 55-200 though. The issue with these two lenses is that you're going to have to start swapping them out all the time depending on the shot you're trying to take. That would be ... MoreBefore this lens I had the Nikon 55-200mm lens and the 18-55mm lens for my D3200. Those are both decent lenses especially for the prices, but each has its issues. The 18-55 sucks for getting detailed pictures. It's great for group shots and its alright for landscapes but putting that lens on a D3200 is like having a piece of mahogany and painting it beige. The 55-200 lens is fantastic for detail and is great for shots where you've got maybe 20 feet from your subject if you want to shoot more than just their face. It's not easy to take group pictures with unless you're really far away with the 55-200 though. The issue with these two lenses is that you're going to have to start swapping them out all the time depending on the shot you're trying to take. That would be ok if you're alternating between group pictures with your friends on safari and then you have to swap out for a telephoto lens to shoot the elephant a football field away from you, but when you're on the go and you're with family or friends and want to shoot your surroundings from the flowers to the cliffs, it's a major inconvenience. The 16-300 Tamron lens SOLVES THIS PROBLEM. You can shoot the wide angle group shots and shoot the detail on a flower pedal without swapping and without a sacrifice in quality. The autofocus is extremely quick which makes it very good for shooting sports or action shots, (at least as fast as the Nikon lenses) and its range is incredible. It's lowlight performance is not as good as nikon's but it's close. Basically, if you're going to shoot the moonrise in the desert of post sunset shots down by the river, you might wanna pack another lens, but other than that, this lens performs extremely well. It's a bit heavy at first by comparison to the 55-200, but after a day it feels normal. I'm thoroughly satisfied with this lens and I'd recommend it to anyone who shoots in generally well lit areas and who wants to make their camera bag a lot lighter.
This has been the lens l use most on my Nikon DSLRs for almost 2 years now. ln the film days l thought a 24-450mm(35mm equiv.)would have never been possible! I was going to get the Nikon 18-300 but like the wider capability of this lens. lmage quality is pretty good for the superzoom of all superzooms. However, there is some purple fringing at 300mm at large apertures especially in the corners. And the corners are not going to be pin sharp at most focal lengths even stopped down. An 18-55 kit lens will probably perform a little better. But l think its still good enough to have 16-300mm with one lens. AF is fast in good light. But not so fast in low light. lf you do much shooting in low light this is not a good choice of lens anyway. Theres massive focus breathing at ... MoreThis has been the lens l use most on my Nikon DSLRs for almost 2 years now. ln the film days l thought a 24-450mm(35mm equiv.)would have never been possible! I was going to get the Nikon 18-300 but like the wider capability of this lens. lmage quality is pretty good for the superzoom of all superzooms. However, there is some purple fringing at 300mm at large apertures especially in the corners. And the corners are not going to be pin sharp at most focal lengths even stopped down. An 18-55 kit lens will probably perform a little better. But l think its still good enough to have 16-300mm with one lens. AF is fast in good light. But not so fast in low light. lf you do much shooting in low light this is not a good choice of lens anyway. Theres massive focus breathing at 300mm and minimum focus distance. lts more like about 50mm when focused close. The subject is very close to the lens. But it allows much larger reproduction ratios than most zooms. The focus distance scale is not accurate at some focal lengths, so its best to ignore it. Most affordable modern lenses dont have the distance scale anyway.
One of the ways I've been spending time under quarantine is by resurrecting my interest in photography. I'd been using a Canon EOS Rebel XP's with a Canon 18-55 and Tamron 70-300mm from 2008. I decided to get some new equipment, and after some research decided on a Canon EOS Rebel T7i and the Tamron 16-300mm lens. I will admit that I was a little concerned about the reports of chromatic aberration and soft focus that I saw in some of the reviews. I've had the lens for two days, have taken a couple hundred photos, specifically looking for CA and soft focus, and if you push the lens at either end, you can find both, but only if you're really looking for them. I've shot RAW and jpeg, and the only CA readily evident was in a couple of photos of a satellite dish against ... MoreOne of the ways I've been spending time under quarantine is by resurrecting my interest in photography. I'd been using a Canon EOS Rebel XP's with a Canon 18-55 and Tamron 70-300mm from 2008. I decided to get some new equipment, and after some research decided on a Canon EOS Rebel T7i and the Tamron 16-300mm lens. I will admit that I was a little concerned about the reports of chromatic aberration and soft focus that I saw in some of the reviews. I've had the lens for two days, have taken a couple hundred photos, specifically looking for CA and soft focus, and if you push the lens at either end, you can find both, but only if you're really looking for them. I've shot RAW and jpeg, and the only CA readily evident was in a couple of photos of a satellite dish against the sky, and then only noticeable if you really crop the photo. Other photos of birds in trees, flowers, frogs in a pond, were clean and crisp. Ditto for soft focus--you can find it, but it doesn't leap out at you. The lens snaps nicely into focus, and I love the full-time manual focus. When I do get to travel again, this will be the camera and lens I take. My last couple of trips have been with a compact Nikon travel camera, and I often felt frustrated by its limitations. This camera and lens will be a good replacement, and I won't have to bother with switching lenses. For the casual photographer, looking for convenience without sacrificing picture quality, this lens is definitely worthy of consideration. And B&H's service in getting the camera and lens to me was excellent.
I've been studying photography through the newyork state institute of photography. I'm still somewhat of a novice in the sense I'm still learning about all the things I've already been taught. I've acquired about 9 lenses most of them from adorama. This lens is the first non Nikon lens I've purchased. I read up on this one and the sigma 18-300 as well as the nikor 18-300 and I found this lens to be most bang for buck and so far I couldn't be happier with this purchase. Abesofmain had the same lens for a hundred dollars more but without any filters or bag or cleaning kit.. Now as for the pictures it takes the macro feature is only 1/3rd so I was disappointed in that however from 16 inches away at 300 you can get a pretty great shot of a humming bird, dragonfly, ... MoreI've been studying photography through the newyork state institute of photography. I'm still somewhat of a novice in the sense I'm still learning about all the things I've already been taught. I've acquired about 9 lenses most of them from adorama. This lens is the first non Nikon lens I've purchased. I read up on this one and the sigma 18-300 as well as the nikor 18-300 and I found this lens to be most bang for buck and so far I couldn't be happier with this purchase. Abesofmain had the same lens for a hundred dollars more but without any filters or bag or cleaning kit.. Now as for the pictures it takes the macro feature is only 1/3rd so I was disappointed in that however from 16 inches away at 300 you can get a pretty great shot of a humming bird, dragonfly, flower. I have yet to take any pictures at 16mm at night for star and Milkey way shots but I have no doubt I'll be pleased. In daylight there's very little distortion in corners of at all that I can see. Came with a circular polarizer, ultraviolet, and neutral density filter with a camera bag and lens cleaning kit. So far I love this lens, it gives me one lens to do everything in a pinch. I'll still use my prime lenses for other things but this lens saves me from lugging 9 lenses around with me on a backpack. I'd recommend this lens for anyone who's into photography simply because it takes you from 16mm wide angle for landscape shots and night time star shots and inside building outside building shots all the way to to 300mm telephoto zoom (on tripod you can take a beautiful moon shot) sports and nature shots. Like I said my reason for purchase was to have a lens that xover d everything I like to shoot so when I'm going out for a ride on the motorcycle or in the car and I don't know what I want to take a picture of I can grab that lands and it'll cover pretty much everything that I may want to take a shot of. The price was very reasonable compared to other sites also compared to other lenses it has more value in my opinion because it goes from 16 mm to 300 mm versus the Sigma or the NICOR that only go from 18 to 300, has the equivalent of Nikons cylon wave motor it also has its own vibration reduction system and it has Quality glass, it feels like a well-made lens when you hold in your hand it doesn't feel cheap like some others.
This is a first look at the Tamron 16 - 300. I have yet to test it in the field. I will put it through the paces on a trip to Japan in a couple of weeks. Here is what I like about it: Compact, sturdy, weather sealed (at least a rubber ring around the mount), remarkable close focus ability, good speed and accuracy on the auto-focus, class-leading zoom range. The 16 mm wide angle gets a little more in the frame than the 18 - 200 Nikon it is replacing. This is about two finger-widths on either side of the frame (stretch out your arm with fingers pointing up, that will show you about how many degrees wider this lens is). On the telephoto side, the 300 mm narrows the frame by about one finger-width on both sides of the frame (compared to the 200mm). So the added range is ... MoreThis is a first look at the Tamron 16 - 300. I have yet to test it in the field. I will put it through the paces on a trip to Japan in a couple of weeks. Here is what I like about it: Compact, sturdy, weather sealed (at least a rubber ring around the mount), remarkable close focus ability, good speed and accuracy on the auto-focus, class-leading zoom range. The 16 mm wide angle gets a little more in the frame than the 18 - 200 Nikon it is replacing. This is about two finger-widths on either side of the frame (stretch out your arm with fingers pointing up, that will show you about how many degrees wider this lens is). On the telephoto side, the 300 mm narrows the frame by about one finger-width on both sides of the frame (compared to the 200mm). So the added range is handy but not hugely relevant for most shots. I can confirm that the lens is remarkably sharp corner to corner at F8 from 16 to about 100 mm. All other combinations of F stop and telephoto will see increased blur around the edges. At full extension, if your subject is in the middle of the frame (like a bird in a tree) the subject will be sharp and you may not notice the blur surrounding the subject because that part of the frame is out of focus anyway. The zoom and focus ring are firm and responsive, better than my old Nikon lens. They may loosen up over time. The price of this lens has come down a bit over time making it a good value. I'll be shooting with it on my Nikon D 7100. For an all-in-one travel lens, knowing the compromises that come with such a super zoom (distortion, purple fringing) the Tamron looks very promising. It is not fast in low light but the vibration reduction system should help and cameras are getting better and better at higher ISO. So I will leave the heavy glass at home and give this a try.
Fellow photographers, Hello. My respects to you, and here is my report on the verily new, Tamron 16X300 lens and its performance. I purchased this lens for the mere fact of; I strongly dislike changing lenses because of the particles which enter the camera when in the process, and to experiment its creditability and quality exposure pixilation sharpness, color gathering and lens construction durability, along with the variable range clarity. I have been photographing with the Tamron lens for the past year, and have used it extensively in all of my mountain climbing and trekking expeditions. I hike hard terrain and thick forested mountains, and found the Tamron 16X300 lens to be of a high quality durable construction, with great focus pixilation and sharp clarity. I ... MoreFellow photographers, Hello. My respects to you, and here is my report on the verily new, Tamron 16X300 lens and its performance. I purchased this lens for the mere fact of; I strongly dislike changing lenses because of the particles which enter the camera when in the process, and to experiment its creditability and quality exposure pixilation sharpness, color gathering and lens construction durability, along with the variable range clarity. I have been photographing with the Tamron lens for the past year, and have used it extensively in all of my mountain climbing and trekking expeditions. I hike hard terrain and thick forested mountains, and found the Tamron 16X300 lens to be of a high quality durable construction, with great focus pixilation and sharp clarity. I was climbing between two rock face surfaces which were wet after the rains, and became wedged between the walls of the cliff by my gear, then decided to descend back down to an opening to resituate my gear when my foot slipped out from under me. At the time I was holding my tripod with the camera on it, preparing to capture a wonderful shot, when in my fall I first caught myself on my elbow, as my arm then hit and slid, hitting the camera Tamron lens hard on the muddy rocks. When I came to a stop I cleaned off, situated my gear, then climbed back-up to the top of the massive cliff rock. Checked my camera and the lens, and after setting-up, I snapped off few shots and examined them. Each of the pictures I took still came out with pristine sharp celerity, which surprised me after such a hard hit. I used the same Tamron lens for quite some time before sending it in for an examination, and after receiving the report back, it showed little damage. This lens gives the photographer a crisp breathtaking image of high quality; crystal clear color imagery that I know anyone could capture and enjoy through its capability. For all of my photographer friends, and even new photographers I would highly recommend the purchase of the Tamron 16X300 lens for these facts. (1) The lenses vast magnification for quick close and far range. (2) Unless you are willing to purchase a very costly lens, you won't be able to purchase a lens with such high imagery quality, and range magnification for its cost; ranging between, $ to $ (4) The most costly thing which happens to most photographers is having the image sensor cleaned, which the Tamron prevents from not needing constant lens changes. (5) It's quick focus with clarity, even at a far range which is hard to obtain in one lens, along with the possibility of receiving a money rebate. As an advanced photographer I would highly recommend this lens to everyone because of its variable range within ones budget.
JUST started using this as my daily carry lens. It is lighter than my dedicated 24-70 L series lens. The ZOOM is AMAZING and images are clean and clear through all focal ranges. This lens is more water resistant than others in it's zoom range. This lens comes with a SIX YEAR WARRANTY! When comparing on line with other lenses I read that the focus was soft but with my Canon 7D body sharpness adjustments can be made in any of the operator chosen parameters and this lens has produced images equal to myLseries lenses. The zoom ring seems a little stiff but that isn't an issue ... zooming is smooth and doesn't slip off the range selected and doesn't stick. Colors are bright and accurate although in low light situations a little camera adjustment is necessary. At F 3.5 in ... MoreJUST started using this as my daily carry lens. It is lighter than my dedicated 24-70 L series lens. The ZOOM is AMAZING and images are clean and clear through all focal ranges. This lens is more water resistant than others in it's zoom range. This lens comes with a SIX YEAR WARRANTY! When comparing on line with other lenses I read that the focus was soft but with my Canon 7D body sharpness adjustments can be made in any of the operator chosen parameters and this lens has produced images equal to myLseries lenses. The zoom ring seems a little stiff but that isn't an issue ... zooming is smooth and doesn't slip off the range selected and doesn't stick. Colors are bright and accurate although in low light situations a little camera adjustment is necessary. At F 3.5 in low light sometimes the ISO needs to be raised a little. Images taken in low light are just as crisp and clean as shooting in bright conditions or with a flash. The lens responds PERFECTLY to my dedicated flash unit and delivers amazing clarity and detail in focus. Without getting technical I would suggest that every camera owner dig into his camera's manual and TRY DIFFERENT settings and techniques. HIGHLY recommended over the other lenses of the same focal range!I discovered that the MACRO distance is an average and I have gotten clean,clear,and colorful images closer than the listed parameters. I LOVE my other dedicated lenses for specialty work but this lens is so versatile I can see myself using it for most casual shooting. Incidentally ... I buy ONLY from B&H Photo. ABSOLUTELY the best service and most reliable and honest policy available.
Before I start I must make the point that none of the images I have taken, when viewed at full width on a 1920x1080 monitor are by any means unacceptable. The quality does, however, deteriorate when viewed at 1:1 under certain conditions as I have tried to explain below.I've taken in excess of 700 photos across an EOS 60D and a 7D MkII, many of which were to calibrate the lens after I realised that it had shortcomings particularly in the range 50-100mm. In short it would appear to suffer pretty bad focus shift in that range and a bit beyond. I had planned to set the camera to aperture priority of f/8 under good lighting conditions, however, I found that the best all-round compromise setting was actually f/6.3 on my sample. I have to avoid f/8 to f/11 from about ... MoreBefore I start I must make the point that none of the images I have taken, when viewed at full width on a 1920x1080 monitor are by any means unacceptable. The quality does, however, deteriorate when viewed at 1:1 under certain conditions as I have tried to explain below.I've taken in excess of 700 photos across an EOS 60D and a 7D MkII, many of which were to calibrate the lens after I realised that it had shortcomings particularly in the range 50-100mm. In short it would appear to suffer pretty bad focus shift in that range and a bit beyond. I had planned to set the camera to aperture priority of f/8 under good lighting conditions, however, I found that the best all-round compromise setting was actually f/6.3 on my sample. I have to avoid f/8 to f/11 from about 65mm through 100mm. At the extremes there were no issues, with f/8 being optimum for 16mm and f/10 for 300mm. Where focus shift is apparent, keeping the lens close to wide open provides the best centre image quality as expected. I would expect, from my experience that shooting in auto could lead to disappointing results under certain conditions.Chromatic aberrations are also apparent but Adobe LightRoom does an excellent job of minimising them.Once I got used to the above I have been highly delighted with the results, and it is definitely a marked improvement over the 18-270mm in my view. Autofocus is nearly always spot on accepting the above, and the full-time manual focus ring is a useful feature at times. It is relatively light so does not give me an aching neck when going on a 6hr walk, and the vibration reduction system works a treat with steadily moving objects such as birds taken at 300mm.So taking weight, zoom range, build quality and cost into the equation I think it's a winner. I would recommend to a friend but I would add not to expect Canon 28-300mm image quality across the range when viewing 1:1. This lens is approx 1/3 the weight and 1/4 of the cost, and it has a much wider zoom range (26mm to 480mm equiv for full frame).
| Camera Mount Type | Nikon F |
| Format Compatibility | APS-C |
| Angle of View | 82° 12' - 5° 20' |
| Minimum Focus Distance | 15.3" (.39 m) |
| Elements/Groups | 16/12 |
