Tamron SP 70-300mm f/4-5.6 Di VC USD Lens for Canon
Fast, crisp frame-filling power makes distant subjects instantly intimate The Tamron SP designation is reserved for lenses developed with special emphasis on extraordinary photographic performance. Engineers are free to innovate in an uncommon atmosphere where optical performance comes before price, resulting in lenses that satisfy the demands of discerning photographers. Fast becoming a benchmark for this category, the SP 70-300mm F/4-5.6 Di VC is an ideal choice for a two-zoom system—complimenting a wide-to-moderate-tele zoom perfectly. Delivering class-leading sharpness, brilliant color and striking contrast, discriminative APS-C and full-frame digital SLR photographers alike are quick to laud its performance. The first lens to feature Tamron's USD (Ultrasonic Silent Drive) auto-focus drive mechanism and VC (Vibration Compensation)* image stabilization, these proprietary technologies are teamed with XLD (Extra Low Dispersion) and LD (Low Dispersion) glass in a 17 element, 12 group formula. APS-C-sensor photographers will enjoy extreme telephoto subject magnification, with a resulting picture angle range approximating a 109-465mm lens on a 35mm film or full-frame DSLR. Sharpness, enhanced by Tamron's exclusive tri-axial VC image stabilization is amazing. Combating blur from camera shake, Tamron VC enables shooting handheld at as many as four shutter speeds slower than would be possible otherwise. Full-time manual focus makes fine tuning easy. VC OFF VC ON Tamron Di lenses are performance optimized for digital SLR cameras and usable with DSLRs featuring sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm, as well as larger full frame (36mm x 24mm) sensors and 35mm film SLRs.
Fast, crisp frame-filling power makes distant subjects instantly intimate The Tamron SP designation is reserved for lenses developed with special emphasis on extraordinary photographic performance. Engineers are free to innovate in an uncommon atmosphere where optical performance comes before price, resulting in lenses that satisfy the demands of discerning photographers. Fast becoming a benchmark for this category, the SP 70-300mm F/4-5.6 Di VC is an ideal choice for a two-zoom system—complimenting a wide-to-moderate-tele zoom perfectly. Delivering class-leading sharpness, brilliant color and striking contrast, discriminative APS-C and full-frame digital SLR photographers alike are quick to laud its performance. The first lens to feature Tamron's USD (Ultrasonic Silent Drive) auto-focus drive mechanism and VC (Vibration Compensation)* image stabilization, these proprietary technologies are teamed with XLD (Extra Low Dispersion) and LD (Low Dispersion) glass in a 17 element, 12 group formula. APS-C-sensor photographers will enjoy extreme telephoto subject magnification, with a resulting picture angle range approximating a 109-465mm lens on a 35mm film or full-frame DSLR. Sharpness, enhanced by Tamron's exclusive tri-axial VC image stabilization is amazing. Combating blur from camera shake, Tamron VC enables shooting handheld at as many as four shutter speeds slower than would be possible otherwise. Full-time manual focus makes fine tuning easy. VC OFF VC ON Tamron Di lenses are performance optimized for digital SLR cameras and usable with DSLRs featuring sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm, as well as larger full frame (36mm x 24mm) sensors and 35mm film SLRs.
Fast, crisp frame-filling power makes distant subjects instantly intimate The Tamron SP designation is reserved for lenses developed with special emphasis on extraordinary photographic performance. Engineers are free to innovate in an uncommon atmosphere where optical performance comes before price, resulting in lenses that satisfy the demands of discerning photographers. Fast becoming a benchmark for this category, the SP 70-300mm F/4-5.6 Di VC is an ideal choice for a two-zoom system—complimenting a wide-to-moderate-tele zoom perfectly. Delivering class-leading sharpness, brilliant color and striking contrast, discriminative APS-C and full-frame digital SLR photographers alike are quick to laud its performance. The first lens to feature Tamron's USD (Ultrasonic Silent Drive) auto-focus drive mechanism and VC (Vibration Compensation)* image stabilization, these proprietary technologies are teamed with XLD (Extra Low Dispersion) and LD (Low Dispersion) glass in a 17 element, 12 group formula. APS-C-sensor photographers will enjoy extreme telephoto subject magnification, with a resulting picture angle range approximating a 109-465mm lens on a 35mm film or full-frame DSLR. Sharpness, enhanced by Tamron's exclusive tri-axial VC image stabilization is amazing. Combating blur from camera shake, Tamron VC enables shooting handheld at as many as four shutter speeds slower than would be possible otherwise. Full-time manual focus makes fine tuning easy. VC OFF VC ON Tamron Di lenses are performance optimized for digital SLR cameras and usable with DSLRs featuring sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm, as well as larger full frame (36mm x 24mm) sensors and 35mm film SLRs.
Fast, crisp frame-filling power makes distant subjects instantly intimate The Tamron SP designation is reserved for lenses developed with special emphasis on extraordinary photographic performance. Engineers are free to innovate in an uncommon atmosphere where optical performance comes before price, resulting in lenses that satisfy the demands of discerning photographers. Fast becoming a benchmark for this category, the SP 70-300mm F/4-5.6 Di VC is an ideal choice for a two-zoom system—complimenting a wide-to-moderate-tele zoom perfectly. Delivering class-leading sharpness, brilliant color and striking contrast, discriminative APS-C and full-frame digital SLR photographers alike are quick to laud its performance. The first lens to feature Tamron's USD (Ultrasonic Silent Drive) auto-focus drive mechanism and VC (Vibration Compensation)* image stabilization, these proprietary technologies are teamed with XLD (Extra Low Dispersion) and LD (Low Dispersion) glass in a 17 element, 12 group formula. APS-C-sensor photographers will enjoy extreme telephoto subject magnification, with a resulting picture angle range approximating a 109-465mm lens on a 35mm film or full-frame DSLR. Sharpness, enhanced by Tamron's exclusive tri-axial VC image stabilization is amazing. Combating blur from camera shake, Tamron VC enables shooting handheld at as many as four shutter speeds slower than would be possible otherwise. Full-time manual focus makes fine tuning easy. VC OFF VC ON Tamron Di lenses are performance optimized for digital SLR cameras and usable with DSLRs featuring sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm, as well as larger full frame (36mm x 24mm) sensors and 35mm film SLRs.
in 33 offers
The lowest price for Tamron SP 70-300mm f/4-5.6 Di VC USD Lens for Canon right now is $127.21 at eBay.com.au, compared across 6 retailers.
The all-time low was $38.00 on 22 June 2026 — today's price is 235% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 23 June 2026.
Last updated at 23/06/2026 18:06:26
Tamron AF 70-300mm f/4.0-5.6 SP Di USD XLD for Sony Digital SLR Cameras
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Tamron LD A020 28-300mm f/3.5-6.3 LD XR Aspherical IF Di VC Lens For Canon
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【problem】tamron Sp 70-300mm F4-5.6 Di Vc Usd A005 Lens For Nikon Japan
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【problem】tamron Sp 70-300mm F4-5.6 Di Vc Usd A005 Lens For Nikon Japan
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Tamron Sp Af 70-300mm F/4-5.6 Di Vc Usd A005 Nikon F Mount 0222
Delivery $47.71
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Tamron Sp 70-300mm F/4-5.6 Di Vc Usd Ef Mount A005e From Japan F143
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Tamron Sp 70-300mm F/4-5.6 Di Vc Usd Ef Mount A005e From Japan F143
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Tamron SP 70-300mm F4-5.6 Di VC USD Model A005 Lens for Nikon From Japan #0344
Delivery $47.65
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Tamron Sp 70-300mm F/4-5.6 Di Vc Usd For Nikon Af From Japan
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Tamron SP A005 70-300mm f/4.0-5.6 Di VC USD Lens For Canon
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originally posted on adorama.com
I wanted to replace my 16-year old Canon 100-400L because it was too heavy to carry in a backpack all day and I wanted a more updated IS system. I really hoped this Tamron would do the trick because I didn't want to shell out 3 times as much money for the Canon 70-300L. I also considered the Canon non-L version. Some reviews of that lens are very impressive, rating its image quality much higher than the Tamron and even comparable to the L version. However, other reviews said the Tamron gives slightly better image quality, and backed it up with pictures taken in real-life situations (which to me are more meaningful than pictures of flat target images in a studio, though those have their place). I think the differing comparisons between the Tamron and the non-L Canon ... MoreI wanted to replace my 16-year old Canon 100-400L because it was too heavy to carry in a backpack all day and I wanted a more updated IS system. I really hoped this Tamron would do the trick because I didn't want to shell out 3 times as much money for the Canon 70-300L. I also considered the Canon non-L version. Some reviews of that lens are very impressive, rating its image quality much higher than the Tamron and even comparable to the L version. However, other reviews said the Tamron gives slightly better image quality, and backed it up with pictures taken in real-life situations (which to me are more meaningful than pictures of flat target images in a studio, though those have their place). I think the differing comparisons between the Tamron and the non-L Canon probably came down to quality differences between the individual copies of the respective lenses that the reviewers ended up with, which tells me there might be some disparity there. In the end I decided against the non-L Canon because of its reportedly cheap feel, the fact that it extends during focusing, and the rotating front element which makes it challenging to use certain filters like polarizers.So I got this Tamron, and found that it was really a joy to use (which is the reason a rated it as high as I did). It felt good on my Rebel (especially compared to the 100-400!), and focus seemed spot-on with every shot. Some reviewers said the snappy IS can be disconcerting, but I actually found it reassuring during shooting to have the image snap in place and stay there. I enjoyed shooting with it.Unfortunately all that joy was quickly deflated when I opened up my test images on my computer. They were very soft, especially wide open, and some had a hazy appearance to them where the bright areas seemed to send a "glow" into the dark areas. This improved greatly when the lens was stopped down, but in many telephoto situations you need as much light as possible and stopping down is not an option. Color rendition was nice overall, though in certain shots there was a mild to severe color shift, which may have had something to do with the lens' interaction with the camera's color balance system(?). This was not a consistent problem, but it did occur.With much disappointment, I turned around and ordered the Canon L. Before sending the Tamron back, I took identical test shots with both lenses to get a real comparison (and to make sure the extra money for the Canon was justified). In the Tamron's favor, it is noticeably lighter in weight than the Canon L (they are basically the same size), and as I said, the Tamron was a joy to shoot with. I did enjoy shooting with the Canon as well (carrying it around all day may be a different story, but it is still MUCH lighter and smaller than my old 100-400L, so I'll take it). The Canon may have been slightly quicker in focusing, but I still thought the Tamron was very good. The Canon's more subtle IS didn't give the same feeling of confidence during shooting that the Tamron's snappy IS did, but actually the resulting images were very close and if anything the Canon had the slight edge in minimizing camera shake. The IS on both was very good. However, the difference in sharpness between the two lenses was undeniable, especially at wider apertures. The Canon L wins, hands down! The only exception was with a few close-up shots I took, where the Canon back-focused a bit behind the subject so the Tamron gave the appearance of being sharper. But aside from these few exceptions, the Canon was much better. Bottom line - The Canon L is a great lens! I returned the Tamron.In conclusion, it may be true that comparing this Tamron to a lens 3 times more expensive isn't really fair, but if sharpness matters to you, it's a comparison you have to make. This lens (or at least the one I got) may be fine for situations where you would normally want to stop down anyway (i.e. landscapes or other still subjects shot at wider focal lengths in bright lighting conditions, or tripod mounted shots), for portraits (where a little softness is often not a bad thing) or for general snapshots that are just going to be posted on Facebook (though if that is your primary interest then you probably aren't reading this review because you are likely using a simple point-and-shoot or your cellphone rather than lugging around an SLR). But I would not want to use it for situations where it is necessary to shoot at wider apertures (i.e. moving subjects. lower light situations, or longer telephoto shots without a tripod), unless you plan on viewing/displaying the image at a small size where softness won't be as noticeable. If you want to do any large size display or cropping into the image to further isolate your subject, forget it. I ordered this lens primarily for shooting wildlife, but the one I ended up with would not have worked well for that.
originally posted on ebay.com
Love this lens! It is quite compact for traveling. The picture is still quite sharp and usable and I use it adapted to a Fujifilm XS20. The VC (Image Stabilization) really works wonders, even at 300mm; it pairs really well with my camera's in-body stabilization. I'd recommend this best for traveling, casual, or even wildlife photography but it's usable for pro-work in a pinch!
originally posted on ebay.com
This is a fantastic addition to my growing lens collection. I think it performs better than my friend's Nikkor equivalent zoom, with greater sharpness and better VC. Though it was listed as a demo, I could see no evidence that it was ever unboxed, so it is in pristine condition. I'm already getting shots of distant birds that my Nikkor 55-200mm was almost useless for. Some complain the VC is a little noisy as it engages and disengages, but since I don't do any video work, I have no complaints. The auto-focus is almost instantaneous, markedly faster and more accurate than the aforementioned Nikkor zoom I have. So, yes, very happy with this lens. The photo accompanying this review is the very first one taken fresh out of the box.
Tamron AF 70-300mm f/4.0-5.6 SP Di USD XLD for Sony Digital SLR Cameras
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Tamron LD A020 28-300mm f/3.5-6.3 LD XR Aspherical IF Di VC Lens For Canon
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【problem】tamron Sp 70-300mm F4-5.6 Di Vc Usd A005 Lens For Nikon Japan
Free delivery
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【problem】tamron Sp 70-300mm F4-5.6 Di Vc Usd A005 Lens For Nikon Japan
Free delivery
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Tamron Sp Af 70-300mm F/4-5.6 Di Vc Usd A005 Nikon F Mount 0222
Delivery $47.71
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I wanted to replace my 16-year old Canon 100-400L because it was too heavy to carry in a backpack all day and I wanted a more updated IS system. I really hoped this Tamron would do the trick because I didn't want to shell out 3 times as much money for the Canon 70-300L. I also considered the Canon non-L version. Some reviews of that lens are very impressive, rating its image quality much higher than the Tamron and even comparable to the L version. However, other reviews said the Tamron gives slightly better image quality, and backed it up with pictures taken in real-life situations (which to me are more meaningful than pictures of flat target images in a studio, though those have their place). I think the differing comparisons between the Tamron and the non-L Canon ... MoreI wanted to replace my 16-year old Canon 100-400L because it was too heavy to carry in a backpack all day and I wanted a more updated IS system. I really hoped this Tamron would do the trick because I didn't want to shell out 3 times as much money for the Canon 70-300L. I also considered the Canon non-L version. Some reviews of that lens are very impressive, rating its image quality much higher than the Tamron and even comparable to the L version. However, other reviews said the Tamron gives slightly better image quality, and backed it up with pictures taken in real-life situations (which to me are more meaningful than pictures of flat target images in a studio, though those have their place). I think the differing comparisons between the Tamron and the non-L Canon probably came down to quality differences between the individual copies of the respective lenses that the reviewers ended up with, which tells me there might be some disparity there. In the end I decided against the non-L Canon because of its reportedly cheap feel, the fact that it extends during focusing, and the rotating front element which makes it challenging to use certain filters like polarizers.So I got this Tamron, and found that it was really a joy to use (which is the reason a rated it as high as I did). It felt good on my Rebel (especially compared to the 100-400!), and focus seemed spot-on with every shot. Some reviewers said the snappy IS can be disconcerting, but I actually found it reassuring during shooting to have the image snap in place and stay there. I enjoyed shooting with it.Unfortunately all that joy was quickly deflated when I opened up my test images on my computer. They were very soft, especially wide open, and some had a hazy appearance to them where the bright areas seemed to send a "glow" into the dark areas. This improved greatly when the lens was stopped down, but in many telephoto situations you need as much light as possible and stopping down is not an option. Color rendition was nice overall, though in certain shots there was a mild to severe color shift, which may have had something to do with the lens' interaction with the camera's color balance system(?). This was not a consistent problem, but it did occur.With much disappointment, I turned around and ordered the Canon L. Before sending the Tamron back, I took identical test shots with both lenses to get a real comparison (and to make sure the extra money for the Canon was justified). In the Tamron's favor, it is noticeably lighter in weight than the Canon L (they are basically the same size), and as I said, the Tamron was a joy to shoot with. I did enjoy shooting with the Canon as well (carrying it around all day may be a different story, but it is still MUCH lighter and smaller than my old 100-400L, so I'll take it). The Canon may have been slightly quicker in focusing, but I still thought the Tamron was very good. The Canon's more subtle IS didn't give the same feeling of confidence during shooting that the Tamron's snappy IS did, but actually the resulting images were very close and if anything the Canon had the slight edge in minimizing camera shake. The IS on both was very good. However, the difference in sharpness between the two lenses was undeniable, especially at wider apertures. The Canon L wins, hands down! The only exception was with a few close-up shots I took, where the Canon back-focused a bit behind the subject so the Tamron gave the appearance of being sharper. But aside from these few exceptions, the Canon was much better. Bottom line - The Canon L is a great lens! I returned the Tamron.In conclusion, it may be true that comparing this Tamron to a lens 3 times more expensive isn't really fair, but if sharpness matters to you, it's a comparison you have to make. This lens (or at least the one I got) may be fine for situations where you would normally want to stop down anyway (i.e. landscapes or other still subjects shot at wider focal lengths in bright lighting conditions, or tripod mounted shots), for portraits (where a little softness is often not a bad thing) or for general snapshots that are just going to be posted on Facebook (though if that is your primary interest then you probably aren't reading this review because you are likely using a simple point-and-shoot or your cellphone rather than lugging around an SLR). But I would not want to use it for situations where it is necessary to shoot at wider apertures (i.e. moving subjects. lower light situations, or longer telephoto shots without a tripod), unless you plan on viewing/displaying the image at a small size where softness won't be as noticeable. If you want to do any large size display or cropping into the image to further isolate your subject, forget it. I ordered this lens primarily for shooting wildlife, but the one I ended up with would not have worked well for that.
Love this lens! It is quite compact for traveling. The picture is still quite sharp and usable and I use it adapted to a Fujifilm XS20. The VC (Image Stabilization) really works wonders, even at 300mm; it pairs really well with my camera's in-body stabilization. I'd recommend this best for traveling, casual, or even wildlife photography but it's usable for pro-work in a pinch!
This is a fantastic addition to my growing lens collection. I think it performs better than my friend's Nikkor equivalent zoom, with greater sharpness and better VC. Though it was listed as a demo, I could see no evidence that it was ever unboxed, so it is in pristine condition. I'm already getting shots of distant birds that my Nikkor 55-200mm was almost useless for. Some complain the VC is a little noisy as it engages and disengages, but since I don't do any video work, I have no complaints. The auto-focus is almost instantaneous, markedly faster and more accurate than the aforementioned Nikkor zoom I have. So, yes, very happy with this lens. The photo accompanying this review is the very first one taken fresh out of the box.
Firstly, the item I received was a quality item and deserves 5 stars. I've given 1 star due to the fact that the item I received was NOT the item advertised. It was not the Tamron SP AF 70-300mm f/4-5.6 Di VC Canon EOS Telephoto Zoom Lens. It was the regular Tamron 70-300 lens WITHOUT stabilization. I probably wouldn't have ordered if I knew it was this item, since I already have a 75-300 lens without stabilization. But the one I received does have macro capability and I can always keep it as a backup to my 75-300. The listing was probably made in error. If I were a different type of person I probably would demand the item as advertised or want to do a return. However I don't think it was purposely misrepresented. The vendor shipped quickly, I have no problem with ... MoreFirstly, the item I received was a quality item and deserves 5 stars. I've given 1 star due to the fact that the item I received was NOT the item advertised. It was not the Tamron SP AF 70-300mm f/4-5.6 Di VC Canon EOS Telephoto Zoom Lens. It was the regular Tamron 70-300 lens WITHOUT stabilization. I probably wouldn't have ordered if I knew it was this item, since I already have a 75-300 lens without stabilization. But the one I received does have macro capability and I can always keep it as a backup to my 75-300. The listing was probably made in error. If I were a different type of person I probably would demand the item as advertised or want to do a return. However I don't think it was purposely misrepresented. The vendor shipped quickly, I have no problem with them. But they need to repost this lens correctly.
This is one of the lowest cost 70-300 lenses with fast autofocus and stabilization both of which perform well. The lens has a autofocus problem with my d7200 that does not occur on a d300 and that is when it does not have enough contrast to autofocus it will go to past the infinity mark and run the motor against the infinity stop making a squeaking sounds, though I find it easy to avoid this problem now that I understand it. The lens is softer wide open than I like at 300mm but it does improve to acceptable levels when stopping down even to f/6.3 although f/8 is best. I chose this lens because the autofocus is very fast, enough for birds in flight and it is light weight and small and because it is more compatible with older cameras than the af-p lenses which are ... MoreThis is one of the lowest cost 70-300 lenses with fast autofocus and stabilization both of which perform well. The lens has a autofocus problem with my d7200 that does not occur on a d300 and that is when it does not have enough contrast to autofocus it will go to past the infinity mark and run the motor against the infinity stop making a squeaking sounds, though I find it easy to avoid this problem now that I understand it. The lens is softer wide open than I like at 300mm but it does improve to acceptable levels when stopping down even to f/6.3 although f/8 is best. I chose this lens because the autofocus is very fast, enough for birds in flight and it is light weight and small and because it is more compatible with older cameras than the af-p lenses which are faster focusing, sharper, and more expensive. The bird photo is at f/6.3, the first flower is at f/5.6 and the second flower is at f/8 for some idea of real world usage and they are all at 300mm.
After reading many reviews I decided on this lens for my Rebel T6. It has a reputation for good value and quality and it has both. Great pictures and no regrets. I was looking for some image stabilization to upgrade the Canon EF 75-300mm f/4.0-5.6 III that came with the T6. After a few outings with the Tamron I'm convinced this was good choice for an amateur photographer. There's little need for a tripod with long shots because the vibration control is effective. The auto focus is quiet and reasonably fast. The unit feels well made and comes with a deep lens hood. Saved a lot compared to Canon EF 75-300mm f/4.0-5.6 IS II USM with little compromise according to most reviews I've read. I like it.
Of paramount importance when buying any lens, is the technical quality of the results it achieves. In this respect, I'd rate this lens 10 out of 10. When I purchased one secondhand, I wasn't expecting much. I do landscapes, and frequently work with the lens focused almost at infinity. This is a very harsh test of any lens. I'd tried the non-VC version and didn't find it good enough. My next 70-300 zoom, was a cheap, Sigma, DL 70-300 F4.5 Macro. Although better, it was downhill all the way when zooming. Good enough for a half-decent, A2-size poster, up to 200mm, but too soft at 300mm, when used on an FX (full-frame) DSLR. I got the Tamron VC 70-300, largely to rule it out, before going over to prime lenses or something much more expensive. I tried it out on both DX ... MoreOf paramount importance when buying any lens, is the technical quality of the results it achieves. In this respect, I'd rate this lens 10 out of 10. When I purchased one secondhand, I wasn't expecting much. I do landscapes, and frequently work with the lens focused almost at infinity. This is a very harsh test of any lens. I'd tried the non-VC version and didn't find it good enough. My next 70-300 zoom, was a cheap, Sigma, DL 70-300 F4.5 Macro. Although better, it was downhill all the way when zooming. Good enough for a half-decent, A2-size poster, up to 200mm, but too soft at 300mm, when used on an FX (full-frame) DSLR. I got the Tamron VC 70-300, largely to rule it out, before going over to prime lenses or something much more expensive. I tried it out on both DX and FX, 24MP sensor Nikons. The results almost blew me away! With the FX Nikon, tack-sharp right across, and giving an excellent result at 300mm, even though the landscape was over three miles distant. Incredible, especially as I hadn't even used a tripod! The image stabilization had obviously done an excellent job. I then tried it on the DX Nikon, and expected inferior results due to the 1.5x multiplication factor associated with the cropped-frame sensor. If the resolving power wasn't of the highest order, it would certainly show! I used the lens at 260mm focal length setting (390mm equivalent full-frame). Once again, it delivered incredibly good results, with roof tiles visible on properties over three miles distant (as the crow flies). The VC had also yet again done an excellent job. You really don't need a tripod under most conditions with this lens! I now shan't bother looking elsewhere, because I doubt I'd get better at any price. The lens didn't even display any noticeable chroma noise. Even though it's not labelled APO, I'd say it's as good as one. The colour rendition and contrast on the FX Nikon, was beyond reproach, and on the DX Nikon, only very slightly warm, and easily corrected by post-processing. It is also very nicely styled lens, with well designed grips to make manual focusing easy, and (being two-touch) facilitate rapid zooming, whilst maintaining focus on a specific target. The VC and AF-M buttons are also easy to use, even with gloves on. My lens came supplied with an extremely well designed lens hood, and both lens caps, but no case. I'd thoroughly advise getting a proper hard case, and also a high quality Hoya HMC UV filter, to protect the front element without compromising optical performance. Do be warned that these lenses are known to feature plastic geartrains components, and sticky tape internally! Like most modern lenses, they are not designed to withstand abuse by anyone hamfisted, who just regards lenses as mere tools of the trade, and isn't worried about the odd one falling onto concrete now and again!
I have just purchased a used example of this lens after reading some positive reviews to replace a Nikon 70-300mm VR zoom with a fault. Technology seems to have moved on; this is sharper at the challenging maximum zoom, really good in fact without any need to qualify with 'for a cheaper 3rd party lens' (although frankly I don't know the relative new costs). The VC (Vibration Control) is visibly very effective, I haven't attempted to quantify this but it is at least as good as the Nikon and quite possibly better. Very chuffed with this purchase. I'd highly recommend this as better than the Nikon for typically slightly less money. On practical note, weight is almost identical, the Tamron being a negligible 20g heavier (out of 760g odd), so no worse for walk-about ... MoreI have just purchased a used example of this lens after reading some positive reviews to replace a Nikon 70-300mm VR zoom with a fault. Technology seems to have moved on; this is sharper at the challenging maximum zoom, really good in fact without any need to qualify with 'for a cheaper 3rd party lens' (although frankly I don't know the relative new costs). The VC (Vibration Control) is visibly very effective, I haven't attempted to quantify this but it is at least as good as the Nikon and quite possibly better. Very chuffed with this purchase. I'd highly recommend this as better than the Nikon for typically slightly less money. On practical note, weight is almost identical, the Tamron being a negligible 20g heavier (out of 760g odd), so no worse for walk-about photography. I can't vouch for sample variation of course which can be an issue with camera lenses, but that might affect the Nikon as much as the Tamron for all I know.
This dude is legit. I asked him to ship it asap so I could photograph my daughters soccer game and he sent it out that day! He also super padded it to make sure it didnt break. This guy is amazing.
I did a lot of research on telephoto lenses before I bought the Tamron SP AF 70-300mm f/4-5.6 Di VC Ultra Silent Drive (USD) Telephoto Zoom lens. I just bought a Full Frame Nikon D750 and I needed a full frame zoom (I also own a Nikon D5100 with a 55-300 telephoto lens, but that is a DX lens). I first checked the 70-200 and 70-300 in the Nikon lenses and found that they were decent lenses, but very expensive. Upon further research, I found that the Tamron 70-300mm lens worked better...The auto focus works pretty well. I think that it is a little slower than the Nikon, but that is the only downside that I could find. To answer a lot of questions: Yes, it will work with most Nikon cameras. The motor is in the lens, so it should work on your Nikon D3100, D3200, D5100 ... MoreI did a lot of research on telephoto lenses before I bought the Tamron SP AF 70-300mm f/4-5.6 Di VC Ultra Silent Drive (USD) Telephoto Zoom lens. I just bought a Full Frame Nikon D750 and I needed a full frame zoom (I also own a Nikon D5100 with a 55-300 telephoto lens, but that is a DX lens). I first checked the 70-200 and 70-300 in the Nikon lenses and found that they were decent lenses, but very expensive. Upon further research, I found that the Tamron 70-300mm lens worked better...The auto focus works pretty well. I think that it is a little slower than the Nikon, but that is the only downside that I could find. To answer a lot of questions: Yes, it will work with most Nikon cameras. The motor is in the lens, so it should work on your Nikon D3100, D3200, D5100 (it worked just fine on mine), D5200 etc. etc. The motor is relatively quiet.The vibration compensation (VC) works really well. It does take a little getting used to. It is kind of noisy when it is working (I can't take pictures of my brothers (small) dogs when it is on...when they hear it, they freak out). The VC works with a couple of gyros inside the lens, so you can hear and feel it compensating every time you move your lens. Like I said, it takes a little getting used to. All that said, you don't lose as many action shots to blurry pictures with this lens.The lens has some weight to it. It is not over heavy, but it feels very solid. With me, going from a DX lens to this, there is a definite difference. It feels very good and stable in my hand when it is mounted to my camera.Zooming....The lens zooms pretty well. It is still new, and seems to still be a little "sticky" in places...but, once you set your zoom, it doesn't move...even if you point the lens straight up. I have seen reviews that said that they have a little slippage in their zoom lenses, that is not the case with mine. I think that in time, mine will work very smoothly.Size...One of my things when I check into lenses, is just how big they are when they are on my camera, and nobody includes that in their reviews...so here goes: Lens by itself: 6-1/4 inches. Mounted on my D750: 8-3/4 inches. Mounted on my D750 with the included lens hood (which is huge by the way): almost 12 inches. Mounted on my D5100 (DX format): 8-3/4. D5100 with lens hood: almost 12 inches.As for performance, the lens works really well. It is still very new too me, and will probably take a little time to get used to. I have used it for some landscape shots, and they turned out very well. I believe that you need to have a good telephoto lens. (I used my D5100 a lot, and it seemed that I had my long telephoto lens on it for the majority of the time) You always want to fill your frame, and sometimes you can't just walk up on your subject. It is nice to stand back and get some great candid shots.So, if you are looking for a good lens, and don't want to spend way too much money. If you like taking pictures of wildlife, out of doors, sporting events etc. etc., you should invest in a lens like this one. Adorama was great to work with, and were very good at answering all my questions before I bought the lens...but, they were also very good on follow up questions I had after I purchased the lens.I hope that you find this review helpful.