Description TTArtisan 50mm F1.4——Design for High Resolution Cameras A portable normal-length prime for Sony E-mount cameras, the 50mm f/1.4 Lens from TTArtisan blends its versatile normal focal length with a fast f/1.4 maximum aperture. This bright design offers impressive control over depth of field, for isolating subject matter as well as for enhanced low-light performance. The lens features one ED element and one aspherical element for clear and accurate rendering, with multicoated surfaces to prevent lens flare. This 50mm f/1.4 has a manual focus design capable of focusing as close as 19.7" away and a 12-blade diaphragm that contributes to a smooth bokeh quality.
Description TTArtisan 50mm F1.4——Design for High Resolution Cameras A portable normal-length prime for Sony E-mount cameras, the 50mm f/1.4 Lens from TTArtisan blends its versatile normal focal length with a fast f/1.4 maximum aperture. This bright design offers impressive control over depth of field, for isolating subject matter as well as for enhanced low-light performance. The lens features one ED element and one aspherical element for clear and accurate rendering, with multicoated surfaces to prevent lens flare. This 50mm f/1.4 has a manual focus design capable of focusing as close as 19.7" away and a 12-blade diaphragm that contributes to a smooth bokeh quality.
in 3 offers
The lowest price for TTArtisan 50mm F1.4 Leica L Mount right now is $294.95 at cccwarehouse.com.au, compared across 3 retailers.
The all-time low was $254.09 on 17 Mar 2026 — today's price is 16% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 23 July 2026.
TTArtisan 50mm F1.4 Leica L Mount
Description TTArtisan 50mm F1.4——Design for High Resolution Cameras A portable normal-length prime for Sony E-mount cameras, the 50mm f/1.4 Lens from TTArtisan blends its versatile normal focal length with a fast f/1.4 maximum aperture. This bright design offers impressive control over depth of field, for isolating subject matter as well as for enhanced low-light performance. The lens features one ED element and one aspherical element for clear and accurate rendering, with multicoated surfaces to prevent lens flare. This 50mm f/1.4 has a manual focus design capable of focusing as close as 19.7" away and a 12-blade diaphragm that contributes to a smooth bokeh quality.
Description TTArtisan 50mm F1.4——Design for High Resolution Cameras A portable normal-length prime for Sony E-mount cameras, the 50mm f/1.4 Lens from TTArtisan blends its versatile normal focal length with a fast f/1.4 maximum aperture. This bright design offers impressive control over depth of field, for isolating subject matter as well as for enhanced low-light performance. The lens features one ED element and one aspherical element for clear and accurate rendering, with multicoated surfaces to prevent lens flare. This 50mm f/1.4 has a manual focus design capable of focusing as close as 19.7" away and a 12-blade diaphragm that contributes to a smooth bokeh quality.
Last updated at 23/07/2026 03:07:04
TTArtisan 50mm F1.4 (L MOUNT)
Delivery $30.30
50mm F1.4 Asph Camera Lens Large Aperture Full Frame Fixed Lens For
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
TTArtisan 50mm f/1.4 Lens Black
Delivery $9.90
originally posted on bhphotovideo.com
For my Nikon Z7, I wanted a basic prime lens, not that expensive, to play around with instead of using a zoom all the time. Just like old film days, when your feet were your zoom with a prime lens.I looked at the Z 40mm f/2, and this TTartisan 50mm f/1.4. Though the Z lens is fully auto, and the TTartisan is fully manual, it didn't matter. Everything was manual years ago when I shot primes. But, what caught my attention, was comparing the wide open, Fmax, MTF charts on both lenses. This particular TTartisan was actually better, and improved a good deal stopped down.The TTartisan is heavier, but all metal, solid build, and metal back mount. The 40mm Z lens is lighter, but also plastic, with plastic back mount. Both lenses will perform very well, and I didn't mind ... MoreFor my Nikon Z7, I wanted a basic prime lens, not that expensive, to play around with instead of using a zoom all the time. Just like old film days, when your feet were your zoom with a prime lens.I looked at the Z 40mm f/2, and this TTartisan 50mm f/1.4. Though the Z lens is fully auto, and the TTartisan is fully manual, it didn't matter. Everything was manual years ago when I shot primes. But, what caught my attention, was comparing the wide open, Fmax, MTF charts on both lenses. This particular TTartisan was actually better, and improved a good deal stopped down.The TTartisan is heavier, but all metal, solid build, and metal back mount. The 40mm Z lens is lighter, but also plastic, with plastic back mount. Both lenses will perform very well, and I didn't mind a little extra weight. The TTartisan cost less, performed well, 12 blade aperture, and nice bokeh.TTartisan is manual aperture and focus, and Nikon lens is full AF. But all things considered, as I mentioned above, I bought this lens and very pleased with it. With the larger front element, suggest adding a lenshood.
originally posted on bhphotovideo.com
This lens performs brilliantly for the price! Works well for low-light photography. I'm very happy with the image quality even with the aperture wide open. Both attached images were shot with Nikon Z6 ii at f/1.4, ISO 800. The farther away was 1/160s and the close-up 1/50s.
originally posted on bhphotovideo.com
Incredibley smooth bokeh! Without a doubt the best at this price. Very sharp, too, capable of outresolving the A7RIV when stepped down.Far better than the Sony 50mm F/1.8. Optically I'd compare this to my Sony ZA 55mm F/1.8! Equally sharp, and even better aberration handling compared to the ZA 55mm.The bokeh from this lens is what's truely special. The optical design seems to be based on the classic Sonnar layout, but with a few extra elements to remove abberations. The end result is you get bokeh that's far better than any vintage SLR lens, completely blowing away every 50mm on any SLR and even DSLR, even Sigma's own Art series. This is possible due to the shorter flange distance on mirrorless cameras, allowing the sonnar design to fit without extending into ... MoreIncredibley smooth bokeh! Without a doubt the best at this price. Very sharp, too, capable of outresolving the A7RIV when stepped down.Far better than the Sony 50mm F/1.8. Optically I'd compare this to my Sony ZA 55mm F/1.8! Equally sharp, and even better aberration handling compared to the ZA 55mm.The bokeh from this lens is what's truely special. The optical design seems to be based on the classic Sonnar layout, but with a few extra elements to remove abberations. The end result is you get bokeh that's far better than any vintage SLR lens, completely blowing away every 50mm on any SLR and even DSLR, even Sigma's own Art series. This is possible due to the shorter flange distance on mirrorless cameras, allowing the sonnar design to fit without extending into the mirror box!This is truly a special lens, and the only comparable lens are the GM and ZA Sony lens. Nothing else comes close.
| Focal Length | 50mm |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Lens Mount | Leica L |
| Format Compatibility | Full-Frame |
TTArtisan 50mm F1.4 (L MOUNT)
Delivery $30.30
50mm F1.4 Asph Camera Lens Large Aperture Full Frame Fixed Lens For
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
TTArtisan 50mm f/1.4 Lens Black
Delivery $9.90
For my Nikon Z7, I wanted a basic prime lens, not that expensive, to play around with instead of using a zoom all the time. Just like old film days, when your feet were your zoom with a prime lens.I looked at the Z 40mm f/2, and this TTartisan 50mm f/1.4. Though the Z lens is fully auto, and the TTartisan is fully manual, it didn't matter. Everything was manual years ago when I shot primes. But, what caught my attention, was comparing the wide open, Fmax, MTF charts on both lenses. This particular TTartisan was actually better, and improved a good deal stopped down.The TTartisan is heavier, but all metal, solid build, and metal back mount. The 40mm Z lens is lighter, but also plastic, with plastic back mount. Both lenses will perform very well, and I didn't mind ... MoreFor my Nikon Z7, I wanted a basic prime lens, not that expensive, to play around with instead of using a zoom all the time. Just like old film days, when your feet were your zoom with a prime lens.I looked at the Z 40mm f/2, and this TTartisan 50mm f/1.4. Though the Z lens is fully auto, and the TTartisan is fully manual, it didn't matter. Everything was manual years ago when I shot primes. But, what caught my attention, was comparing the wide open, Fmax, MTF charts on both lenses. This particular TTartisan was actually better, and improved a good deal stopped down.The TTartisan is heavier, but all metal, solid build, and metal back mount. The 40mm Z lens is lighter, but also plastic, with plastic back mount. Both lenses will perform very well, and I didn't mind a little extra weight. The TTartisan cost less, performed well, 12 blade aperture, and nice bokeh.TTartisan is manual aperture and focus, and Nikon lens is full AF. But all things considered, as I mentioned above, I bought this lens and very pleased with it. With the larger front element, suggest adding a lenshood.
This lens performs brilliantly for the price! Works well for low-light photography. I'm very happy with the image quality even with the aperture wide open. Both attached images were shot with Nikon Z6 ii at f/1.4, ISO 800. The farther away was 1/160s and the close-up 1/50s.
Incredibley smooth bokeh! Without a doubt the best at this price. Very sharp, too, capable of outresolving the A7RIV when stepped down.Far better than the Sony 50mm F/1.8. Optically I'd compare this to my Sony ZA 55mm F/1.8! Equally sharp, and even better aberration handling compared to the ZA 55mm.The bokeh from this lens is what's truely special. The optical design seems to be based on the classic Sonnar layout, but with a few extra elements to remove abberations. The end result is you get bokeh that's far better than any vintage SLR lens, completely blowing away every 50mm on any SLR and even DSLR, even Sigma's own Art series. This is possible due to the shorter flange distance on mirrorless cameras, allowing the sonnar design to fit without extending into ... MoreIncredibley smooth bokeh! Without a doubt the best at this price. Very sharp, too, capable of outresolving the A7RIV when stepped down.Far better than the Sony 50mm F/1.8. Optically I'd compare this to my Sony ZA 55mm F/1.8! Equally sharp, and even better aberration handling compared to the ZA 55mm.The bokeh from this lens is what's truely special. The optical design seems to be based on the classic Sonnar layout, but with a few extra elements to remove abberations. The end result is you get bokeh that's far better than any vintage SLR lens, completely blowing away every 50mm on any SLR and even DSLR, even Sigma's own Art series. This is possible due to the shorter flange distance on mirrorless cameras, allowing the sonnar design to fit without extending into the mirror box!This is truly a special lens, and the only comparable lens are the GM and ZA Sony lens. Nothing else comes close.
Hi there,After a few months with the lens I feel that I have a holistic idea of both the pros and cons of this lens.Pros:-Price (fantastic price for a great quality lens)-Build (some say it is heavy but for me I like the feel. Focus and aperture rings as smooth as you can imagine)-Quality (for a $225 lens the image quality is amazing. At aperture 5.6 and smaller you get sharpness across the frame)-Bokeh (I like the look the lens creates)Cons:-Vignetting (very harsh vignetting)-Not flare resistant (careful in harsh lighting conditions. Hood suggested)-Aberrations (this is exacerbated when your subject is against a light background. Purple vignetting is harshest, green vignetting is occasional)-Manual focus (this for me is a pro and con. Thing ... MoreHi there,After a few months with the lens I feel that I have a holistic idea of both the pros and cons of this lens.Pros:-Price (fantastic price for a great quality lens)-Build (some say it is heavy but for me I like the feel. Focus and aperture rings as smooth as you can imagine)-Quality (for a $225 lens the image quality is amazing. At aperture 5.6 and smaller you get sharpness across the frame)-Bokeh (I like the look the lens creates)Cons:-Vignetting (very harsh vignetting)-Not flare resistant (careful in harsh lighting conditions. Hood suggested)-Aberrations (this is exacerbated when your subject is against a light background. Purple vignetting is harshest, green vignetting is occasional)-Manual focus (this for me is a pro and con. Thing is, is that you CAN miss with a manual focus. Some struggle with manuals. That being said, the smooth focus ring and consistency of focusing means I have only had a few misses with this lens.-No lens profile (fixes I use in paragraph below.)All of the being said, this lens is great. Especially for people wanting to hone in their technical understanding of photography without breaking the bank. Fully manual with no contacts will teach you the exposure triangle fully in no time. Prime lens will help you to think about and really control every element in your frame. There are some drawbacks, but those can be overcome digitally.My lens profile to correct the aberrations, vignetting, and distortion of the lens are:-4 distortion7 purple defringe(green defringe as needed)50-100 vignetting depending on the shot.Here are some sample photos to go along with the review. Best of luck in finding your new lens visionairies.
This lens (the L-mount version) seems plenty sharp at F8, although it slightly softens at the left and right edges. I saw no evidence of decentering during a couple weeks of almost daily use. Also I saw little or no evidence of chromatic aberration at F8. It's a little bit glowy at F1.4 but this goes away by F2.8.My TTArtisan 50mm F1.4 L-mount Lens is well built and fits tightly on my Sigma fp L but not super-tight (tighter than my Sigma lens but not so tight that I'm worried about it).Front lens cover is machined aluminum and quite nice but easily lost, so I put it back in the box (a very nice box!) for safekeeping. According to the box, the lens weighs 436 grams (almost a pound).It is about 54mm in diameter (2 1/8) and about 68mm long (2.7) when mounted on ... MoreThis lens (the L-mount version) seems plenty sharp at F8, although it slightly softens at the left and right edges. I saw no evidence of decentering during a couple weeks of almost daily use. Also I saw little or no evidence of chromatic aberration at F8. It's a little bit glowy at F1.4 but this goes away by F2.8.My TTArtisan 50mm F1.4 L-mount Lens is well built and fits tightly on my Sigma fp L but not super-tight (tighter than my Sigma lens but not so tight that I'm worried about it).Front lens cover is machined aluminum and quite nice but easily lost, so I put it back in the box (a very nice box!) for safekeeping. According to the box, the lens weighs 436 grams (almost a pound).It is about 54mm in diameter (2 1/8) and about 68mm long (2.7) when mounted on the camera. Aperture ring has click-stops (yay!). The aperture ring and focus ring operate smoothly and are well damped, although the focus ring seems to have a slightly tighter spot midway (not much tighter though, and I did not notice it for several days). The lens does not move around in the helicoid, indicating that the focus helicoid is well-made and close-tolerance.I'm using a 49mm pinch-type front cap (Sigma LCF-49 III). My Sensei Pro LHM-49 threaded metal lens hood ($8.29 and 3/4 deep) does not cause vignetting and it takes a 58mm front cap so I can leave it on the lens.I am also using a 49mm Hoya EVO clear protector filter ($42) on the front of this lens at all times. It's worth spending money on a high quality protector, so that the image quality potential of the lens is not compromised.Bottom line is that this lens delivers great images with plenty of sharpness for an amazingly low price.
Pro: Images are very sharp, lens compact easy to use.con: no lens hoop, otherwise would be 5 stars.
Great lens for the cost. I bought for my Lumix S5 and it fits perfectly. Great bokeh/shallow depth of field at f 1.4, 2.0, 2.8, even at 4... Image looks sharp on my 4k monitor. Also, I did not mind the manual focus/aperture at all... I am old school anyway, so it takes me back to earlier days of filmmaking when there was no autofocus. Not difficult to adapt to. Definite improvement over the kit lens I have.
Interesting and inexpensive lens to use, with a very good construction. It's not the perfect tool optically, but it allows you to take very nice photos when you know the limitations. You just have to learn to take your time because of manual focussing.
I bought this to use on a Leica SL and was immediately impressed by its optical performance. The focusing ring and aperture ring are both smooth as silk, with just the right amount of resistance. For the price the lens is a screaming bargain. Waiting for them to make a 35mm version in the L mount. I'll get that too.
Sharp images. Nice colors and rendering.Feels solid...But what a surprise how I find this small lens heavy!For me it cannot be a street photography lens, I need a tripod or at least a monopod to support it.So four stars for the overall quality, including image qualityOne missing star for the weight.
| Focal Length | 50mm |
| Maximum Aperture | f/1.4 |
| Minimum Aperture | f/16 |
| Lens Mount | Leica L |
| Format Compatibility | Full-Frame |
