Canon RF 24-70mm f/2.8 L Is USM Lens
A professional 24-70mm zoom lens that, along with the RF 15-35mm and RF 70-200mm, represents the three essential lenses of the system. The RF 24-70mm has been designed for maximum reliability, offering a high aperture, image stabilization, and a Nano USM motor for particularly quiet focusing. Bright and razor-sharp - the ideal professional standard zoom for mirrorless full-frame cameras. This 24-70mm zoom lens for a mirrorless full-frame camera will exceed all expectations. The premium optical design, high aperture of f/2.8, and the 5-stop image stabilizer enable creative work in all situations. The high aperture of f/2.8, the popular focal length range of 24-70mm, and the extended 5-stop image stabilizer allow for extremely detailed shots. Responsive and precise. The fast, accurate focusing is thanks to the Nano USM motor, which enables instant and virtually silent autofocus and focuses extremely smoothly during video recording. Excellent optical quality. Three precision-molded aspherical lenses and three UD lenses, along with state-of-the-art optical coatings and a 9-blade iris diaphragm, allow for photography at a different standard. L-series quality with weather resistance. The quality of the lens construction elevates the L-series to a high level. The weather resistance prevents dust and splashes from entering, and the fluorine coating on the front and rear lenses protects them from fingerprints and dirt. Practical and compatible. Settings can be adjusted via the lens control ring, which is also ideal for macro photography with a minimum focusing distance of up to 21 centimeters.
A professional 24-70mm zoom lens that, along with the RF 15-35mm and RF 70-200mm, represents the three essential lenses of the system. The RF 24-70mm has been designed for maximum reliability, offering a high aperture, image stabilization, and a Nano USM motor for particularly quiet focusing. Bright and razor-sharp - the ideal professional standard zoom for mirrorless full-frame cameras. This 24-70mm zoom lens for a mirrorless full-frame camera will exceed all expectations. The premium optical design, high aperture of f/2.8, and the 5-stop image stabilizer enable creative work in all situations. The high aperture of f/2.8, the popular focal length range of 24-70mm, and the extended 5-stop image stabilizer allow for extremely detailed shots. Responsive and precise. The fast, accurate focusing is thanks to the Nano USM motor, which enables instant and virtually silent autofocus and focuses extremely smoothly during video recording. Excellent optical quality. Three precision-molded aspherical lenses and three UD lenses, along with state-of-the-art optical coatings and a 9-blade iris diaphragm, allow for photography at a different standard. L-series quality with weather resistance. The quality of the lens construction elevates the L-series to a high level. The weather resistance prevents dust and splashes from entering, and the fluorine coating on the front and rear lenses protects them from fingerprints and dirt. Practical and compatible. Settings can be adjusted via the lens control ring, which is also ideal for macro photography with a minimum focusing distance of up to 21 centimeters.
A professional 24-70mm zoom lens that, along with the RF 15-35mm and RF 70-200mm, represents the three essential lenses of the system. The RF 24-70mm has been designed for maximum reliability, offering a high aperture, image stabilization, and a Nano USM motor for particularly quiet focusing. Bright and razor-sharp - the ideal professional standard zoom for mirrorless full-frame cameras. This 24-70mm zoom lens for a mirrorless full-frame camera will exceed all expectations. The premium optical design, high aperture of f/2.8, and the 5-stop image stabilizer enable creative work in all situations. The high aperture of f/2.8, the popular focal length range of 24-70mm, and the extended 5-stop image stabilizer allow for extremely detailed shots. Responsive and precise. The fast, accurate focusing is thanks to the Nano USM motor, which enables instant and virtually silent autofocus and focuses extremely smoothly during video recording. Excellent optical quality. Three precision-molded aspherical lenses and three UD lenses, along with state-of-the-art optical coatings and a 9-blade iris diaphragm, allow for photography at a different standard. L-series quality with weather resistance. The quality of the lens construction elevates the L-series to a high level. The weather resistance prevents dust and splashes from entering, and the fluorine coating on the front and rear lenses protects them from fingerprints and dirt. Practical and compatible. Settings can be adjusted via the lens control ring, which is also ideal for macro photography with a minimum focusing distance of up to 21 centimeters.
A professional 24-70mm zoom lens that, along with the RF 15-35mm and RF 70-200mm, represents the three essential lenses of the system. The RF 24-70mm has been designed for maximum reliability, offering a high aperture, image stabilization, and a Nano USM motor for particularly quiet focusing. Bright and razor-sharp - the ideal professional standard zoom for mirrorless full-frame cameras. This 24-70mm zoom lens for a mirrorless full-frame camera will exceed all expectations. The premium optical design, high aperture of f/2.8, and the 5-stop image stabilizer enable creative work in all situations. The high aperture of f/2.8, the popular focal length range of 24-70mm, and the extended 5-stop image stabilizer allow for extremely detailed shots. Responsive and precise. The fast, accurate focusing is thanks to the Nano USM motor, which enables instant and virtually silent autofocus and focuses extremely smoothly during video recording. Excellent optical quality. Three precision-molded aspherical lenses and three UD lenses, along with state-of-the-art optical coatings and a 9-blade iris diaphragm, allow for photography at a different standard. L-series quality with weather resistance. The quality of the lens construction elevates the L-series to a high level. The weather resistance prevents dust and splashes from entering, and the fluorine coating on the front and rear lenses protects them from fingerprints and dirt. Practical and compatible. Settings can be adjusted via the lens control ring, which is also ideal for macro photography with a minimum focusing distance of up to 21 centimeters.
in 3 offers
The lowest price for Canon RF 24-70mm f/2.8 L Is USM Lens right now is $3,198.00 at Harvey Norman, compared across 3 retailers.
The all-time low was $35.05 on 21 May 2026 — today's price is 9024% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 6 Nov 2026.
Last updated at 06/11/2026 13:41:05
Canon RF 24-70mm F2.8L IS USM Lens
Delivery between 10–15 Nov $7.95
Canon RF 24-70mm f/2.8L IS USM Lens
Delivery between Wed – Fri $8.95
Canon RF 24-70 f/2.8L IS USM EOS R Camera Lens
Delivery $8.99
originally posted on bhphotovideo.com
As a paid member of Canon Professional Services, I was able to borrow both the RF 24-70 f/2.8 and the RF 24-105 f/4 lenses for evaluation on my R5. I really wanted to like the 24-105. It was lighter, less expensive and used the same 77mm filters I already had. I shot in manual switching between the lenses with a variety of subjects at 24mm, 40mm, 70mm and 105mm using f/2.8, f/4, f/8 and f/16. The 24-105 is a fine lens and perhaps I would have been happy with it but in every shot, the RF 24-70 provided superior results. Makes sense at twice the cost that it would be twice the lens. Capture One Pro 15 has a lens profile for both lenses.
originally posted on bhphotovideo.com
My biggest question when buying this lens was, is the upgrade worth the upgrade from the 24-70 2.8 EF. That lens was the only lens I usually had with me and stayed on my camera most of the time for video and photos. It's very versatile.I decided I wanted to decrease my bag weight and camera size by going RF. Well... The RF and the EF seem to be about the same size and weight. - the main reason I was upgrading.However, the auto focus is almost silent vs the EF which could sometimes be heard focusing in video mode. The RF focus is way snappier which will be way better in low light portraits at events. And it's sharper.The control ring is whatever, I sometimes use it, but having the spot reversed to the end of the lens and most of time under the reversed hood, I ... MoreMy biggest question when buying this lens was, is the upgrade worth the upgrade from the 24-70 2.8 EF. That lens was the only lens I usually had with me and stayed on my camera most of the time for video and photos. It's very versatile.I decided I wanted to decrease my bag weight and camera size by going RF. Well... The RF and the EF seem to be about the same size and weight. - the main reason I was upgrading.However, the auto focus is almost silent vs the EF which could sometimes be heard focusing in video mode. The RF focus is way snappier which will be way better in low light portraits at events. And it's sharper.The control ring is whatever, I sometimes use it, but having the spot reversed to the end of the lens and most of time under the reversed hood, I won't use it too much. Wish all of the RF lenses were designed with the focus, zoom ring and control all in the same spots. Come on Canon, WTF- a lot of photographers are OCD with that stuff.The zoom ring is bi-leveled which was weird at first, but don't mind it after getting used to it. And the zoom is a bigger turn than I'm used to.Overall, it's faster, sharper, cleaner than the EF. But... is it worth the upgrade from the EF?? well, I have another camera which I'm happy to put the EF on, 1DX III, So I don't mind having two of the essentially same lens - but I'd say the upgrade isn't big enough to justify it if it wasn't my main and favorite lens.I'm happy I have it though. Excited to work with it more!
originally posted on bhphotovideo.com
PROS:This lens is very sharp and the colors look incredible right out of camera. So far, I've been very pleased with the image quality.The overall build quality is also quite impressive. It definitely feels great in your hands while shooting and the dials turn smoothly.CONS:The switches for the IS and AF are not like the older EF lens switches. It's very easy for the switches to click on/off. I primarily photograph weddings and I have to turn the IS switch back on about 20 times throughout any given wedding, which is SUPER frustrating, considering I purchased the lens for it's Image Stabilization.I'm still pretty happy with my EF 24-70mm F/2.8L II (which works perfectly with the R6). So, if you're looking upgrade to the RF version specifically for the IS, ... MorePROS:This lens is very sharp and the colors look incredible right out of camera. So far, I've been very pleased with the image quality.The overall build quality is also quite impressive. It definitely feels great in your hands while shooting and the dials turn smoothly.CONS:The switches for the IS and AF are not like the older EF lens switches. It's very easy for the switches to click on/off. I primarily photograph weddings and I have to turn the IS switch back on about 20 times throughout any given wedding, which is SUPER frustrating, considering I purchased the lens for it's Image Stabilization.I'm still pretty happy with my EF 24-70mm F/2.8L II (which works perfectly with the R6). So, if you're looking upgrade to the RF version specifically for the IS, I would save your money (unless you're shooting video - this may be a totally different situation).
| Lens system | |
| Closest focusing distance | 0.21 m |
| Maximum aperture number | 2.8 |
| Lens mount interface | Canon RF |
| Number of diaphragm blades | 9 |
Canon RF 24-70mm F2.8L IS USM Lens
Delivery between 10–15 Nov $7.95
Canon RF 24-70mm f/2.8L IS USM Lens
Delivery between Wed – Fri $8.95
Canon RF 24-70 f/2.8L IS USM EOS R Camera Lens
Delivery $8.99
As a paid member of Canon Professional Services, I was able to borrow both the RF 24-70 f/2.8 and the RF 24-105 f/4 lenses for evaluation on my R5. I really wanted to like the 24-105. It was lighter, less expensive and used the same 77mm filters I already had. I shot in manual switching between the lenses with a variety of subjects at 24mm, 40mm, 70mm and 105mm using f/2.8, f/4, f/8 and f/16. The 24-105 is a fine lens and perhaps I would have been happy with it but in every shot, the RF 24-70 provided superior results. Makes sense at twice the cost that it would be twice the lens. Capture One Pro 15 has a lens profile for both lenses.
My biggest question when buying this lens was, is the upgrade worth the upgrade from the 24-70 2.8 EF. That lens was the only lens I usually had with me and stayed on my camera most of the time for video and photos. It's very versatile.I decided I wanted to decrease my bag weight and camera size by going RF. Well... The RF and the EF seem to be about the same size and weight. - the main reason I was upgrading.However, the auto focus is almost silent vs the EF which could sometimes be heard focusing in video mode. The RF focus is way snappier which will be way better in low light portraits at events. And it's sharper.The control ring is whatever, I sometimes use it, but having the spot reversed to the end of the lens and most of time under the reversed hood, I ... MoreMy biggest question when buying this lens was, is the upgrade worth the upgrade from the 24-70 2.8 EF. That lens was the only lens I usually had with me and stayed on my camera most of the time for video and photos. It's very versatile.I decided I wanted to decrease my bag weight and camera size by going RF. Well... The RF and the EF seem to be about the same size and weight. - the main reason I was upgrading.However, the auto focus is almost silent vs the EF which could sometimes be heard focusing in video mode. The RF focus is way snappier which will be way better in low light portraits at events. And it's sharper.The control ring is whatever, I sometimes use it, but having the spot reversed to the end of the lens and most of time under the reversed hood, I won't use it too much. Wish all of the RF lenses were designed with the focus, zoom ring and control all in the same spots. Come on Canon, WTF- a lot of photographers are OCD with that stuff.The zoom ring is bi-leveled which was weird at first, but don't mind it after getting used to it. And the zoom is a bigger turn than I'm used to.Overall, it's faster, sharper, cleaner than the EF. But... is it worth the upgrade from the EF?? well, I have another camera which I'm happy to put the EF on, 1DX III, So I don't mind having two of the essentially same lens - but I'd say the upgrade isn't big enough to justify it if it wasn't my main and favorite lens.I'm happy I have it though. Excited to work with it more!
PROS:This lens is very sharp and the colors look incredible right out of camera. So far, I've been very pleased with the image quality.The overall build quality is also quite impressive. It definitely feels great in your hands while shooting and the dials turn smoothly.CONS:The switches for the IS and AF are not like the older EF lens switches. It's very easy for the switches to click on/off. I primarily photograph weddings and I have to turn the IS switch back on about 20 times throughout any given wedding, which is SUPER frustrating, considering I purchased the lens for it's Image Stabilization.I'm still pretty happy with my EF 24-70mm F/2.8L II (which works perfectly with the R6). So, if you're looking upgrade to the RF version specifically for the IS, ... MorePROS:This lens is very sharp and the colors look incredible right out of camera. So far, I've been very pleased with the image quality.The overall build quality is also quite impressive. It definitely feels great in your hands while shooting and the dials turn smoothly.CONS:The switches for the IS and AF are not like the older EF lens switches. It's very easy for the switches to click on/off. I primarily photograph weddings and I have to turn the IS switch back on about 20 times throughout any given wedding, which is SUPER frustrating, considering I purchased the lens for it's Image Stabilization.I'm still pretty happy with my EF 24-70mm F/2.8L II (which works perfectly with the R6). So, if you're looking upgrade to the RF version specifically for the IS, I would save your money (unless you're shooting video - this may be a totally different situation).
Insanely powerful camera for both the MSRP and rental price. I was blown away by the video (I'm a C300mkiii user 95% of the time) After previously owning 5DmkIV's and a 1DXmkii, the R5 blows both of them out of the water as a small run and gun rig.I heard rumors about overheating, but our team didn't experience that at all. Even after the R5 being put through it's paces recording long clipsOnly thing that one of our guys complained about was switching modes. The Canon cinema line and DSLR's do have better button layouts and slightly better menus. That's the only minor thing , but to be honest, it doesn't even matter with how well this thing performs.
It's a standard for a reason. Not as bokelicious as the 28-70, but better close focus, stabilized, which is great for video, reasonable filter size, very sharp, and still decent bokeh. Also the extra 4mm on the wide end is significant. My wife photographs as well, and even though I own the 28-70, we own two of these 24-70's because of their versatility. That should say something. Only minus is price, but if you are looking at this, you should be making money with it, and that's made back with a lens that does the job. Recommended.
The speed of the RF focus system lenses to bodies is awesome. The sharpness and quality of the lenses are amazing but the price is eye watering.If you do professional work and will make the money back. I can highly recommend this. If you do professional work but don't have the money to throw around quite yet on lenses. Go for a Sigma 24-70 2.8 + the Canon EF-RF adapter. You cannot go wrong with that combo. Especially if you use the Canon EF-RF with the drop in filter adapter!Otherwise this is an amazing lens.
With my Canon R5, I compared photos taken with the new RF 24-70 2.8 L to the EF 24-70 2.8 L II lens. With the R5 the difference in these lenses is quite small. The in body R5 stabilization is excellent with the older EF lens and for me the RF lens based stabilization did not support slower hand held shutter speeds. This may be different for you. Both lenses were very sharp and comparable in the corners. The RF lens does allow you to get a bit closer to the subject, but for me this is not that important. If you are using a non stabilized RF body ( original R or RP ) I would recommended buying the new RF lens as the built in stabilization is very handy. If you have an in body stabilized R3, R5, R6 or R7, you might be better off buying an excellent condition used EF ... MoreWith my Canon R5, I compared photos taken with the new RF 24-70 2.8 L to the EF 24-70 2.8 L II lens. With the R5 the difference in these lenses is quite small. The in body R5 stabilization is excellent with the older EF lens and for me the RF lens based stabilization did not support slower hand held shutter speeds. This may be different for you. Both lenses were very sharp and comparable in the corners. The RF lens does allow you to get a bit closer to the subject, but for me this is not that important. If you are using a non stabilized RF body ( original R or RP ) I would recommended buying the new RF lens as the built in stabilization is very handy. If you have an in body stabilized R3, R5, R6 or R7, you might be better off buying an excellent condition used EF copy (II second generation), and use the savings on purchasing additional lens. Both the EF and RF lenses are impressively good. In closing, if you have a stabilized body and own the EF 2.8 24-70mm II lens, I would find it hard to justify an upgrade.
The star attraction to this L series (Luxury) Canon lens is photo detail clarity which is amazing! This 24-70mm is an EF lens series meant for full frame bodies. I am using it on a cropped frame Canon EFS series so that gives me an effective 38-112mm lens which works great. The automatic focus is fast and nimble, and the barrel action is tight giving testimony to high quality seals. The deal breaker for some is the lack of IS or image stabilization. If you have shaky hands, consider a different lens with the IS feature. It may also be a good lens for fast action shots using a higher ISO and shutter speed. I only use this lens on a tripod to photograph artifacts and for that purpose, I could not find a better lens. The clarity with which I can zoom in to pick up ... MoreThe star attraction to this L series (Luxury) Canon lens is photo detail clarity which is amazing! This 24-70mm is an EF lens series meant for full frame bodies. I am using it on a cropped frame Canon EFS series so that gives me an effective 38-112mm lens which works great. The automatic focus is fast and nimble, and the barrel action is tight giving testimony to high quality seals. The deal breaker for some is the lack of IS or image stabilization. If you have shaky hands, consider a different lens with the IS feature. It may also be a good lens for fast action shots using a higher ISO and shutter speed. I only use this lens on a tripod to photograph artifacts and for that purpose, I could not find a better lens. The clarity with which I can zoom in to pick up individual specks of sand in stone is phenomenal.
I primarily shoot events and weddings. I have been on the RF mount system for nearly 3 years and mostly with adapted lenses. I have been shooting with wide open primes most of my photo life. Why? Because we are told this is how you get the best results. Hence I have always gotten great results that way. This Canon RF 24-70mm challenges that thinking. It's Stabilized. 2.8 is decently fast. Supreme build quality. Sniper-like autofocus on the R6.This produces images as sharp and at times sharper than my primes. It's a cheat code for shooting fast moving events and occasions. I have used other 24-70mm standard zooms. To my eye this is a step better. Yes it is expensive. For my workflow using one lens for 80% of the day is worth it. I focus on composition and moments ... MoreI primarily shoot events and weddings. I have been on the RF mount system for nearly 3 years and mostly with adapted lenses. I have been shooting with wide open primes most of my photo life. Why? Because we are told this is how you get the best results. Hence I have always gotten great results that way. This Canon RF 24-70mm challenges that thinking. It's Stabilized. 2.8 is decently fast. Supreme build quality. Sniper-like autofocus on the R6.This produces images as sharp and at times sharper than my primes. It's a cheat code for shooting fast moving events and occasions. I have used other 24-70mm standard zooms. To my eye this is a step better. Yes it is expensive. For my workflow using one lens for 80% of the day is worth it. I focus on composition and moments instead of which lens and what to have on hand. This may not be sexy,but it meets and exceeds my needs. This is the desert island lens!
I've been shooting on a t6i for the past 6 years or so. I recently upgraded to an R6 with this lens. I didn't have the budget to buy a bunch of different prime lenses, and needed to get one good lens to start me off. I picked this one and don't regret my decision at all! I currently shoot a lot of automotive photography but I eventually want to get into wedding photography. The photos are sharp! IS Works great. The only thing is the lens doesn't fit in my old camera bag, so I have to buy a bigger bag now. You can't go wrong with this lens.
| Lens system | |
| Closest focusing distance | 0.21 m |
| Maximum aperture number | 2.8 |
| Lens mount interface | Canon RF |
| Number of diaphragm blades | 9 |
