Kodak Professional T-MAX P3200 Black and White Negative 35mm Film
Kodak P3200 is a multi-speed continuous-tone panchromatic black-and-white negative film lets you photograph in situations that were previously impossible. P3200 film provides a notable combination of high to ultra-high film speeds with finer grain than that of other fast black-and-white films on Great for capturing very fast action. Excellent for dimly lighted scenes where you can't use flash. For use on subjects that require good depth of field combined with fast shutter speeds. For handholding telephoto lenses for fast action or in dim light.
Kodak P3200 is a multi-speed continuous-tone panchromatic black-and-white negative film lets you photograph in situations that were previously impossible. P3200 film provides a notable combination of high to ultra-high film speeds with finer grain than that of other fast black-and-white films on Great for capturing very fast action. Excellent for dimly lighted scenes where you can't use flash. For use on subjects that require good depth of field combined with fast shutter speeds. For handholding telephoto lenses for fast action or in dim light.
Kodak P3200 is a multi-speed continuous-tone panchromatic black-and-white negative film lets you photograph in situations that were previously impossible. P3200 film provides a notable combination of high to ultra-high film speeds with finer grain than that of other fast black-and-white films on Great for capturing very fast action. Excellent for dimly lighted scenes where you can't use flash. For use on subjects that require good depth of field combined with fast shutter speeds. For handholding telephoto lenses for fast action or in dim light.
Kodak P3200 is a multi-speed continuous-tone panchromatic black-and-white negative film lets you photograph in situations that were previously impossible. P3200 film provides a notable combination of high to ultra-high film speeds with finer grain than that of other fast black-and-white films on Great for capturing very fast action. Excellent for dimly lighted scenes where you can't use flash. For use on subjects that require good depth of field combined with fast shutter speeds. For handholding telephoto lenses for fast action or in dim light.
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The lowest price for Kodak Professional T-MAX P3200 Black and White Negative 35mm Film right now is $19.57 at Unique Photo, compared across 33 retailers.
The all-time low was $16.16 on 8 Dec 2025 — today's price is 21% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 3 June 2026.
Last updated at 03/06/2026 22:44:05
Kodak P3200 TMAX Professional ISO 3200, 35mm, 36 Exposures, Black and White Film
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KODAK T-MAX TMZ-135-36 3200ASA (SAME AS EKTAPAN 3200 7519572)
Delivery $35.07
Kodak T-Max P3200 - 35mm Black & White Negative Film (36 Exposures, Expired 03/2015)
Delivery $33.80
Kodak T-max P3200 35mm Black White Print Film Tmz 135-36 Exp 10/2019
Delivery $24.70
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
10 x Kodak Professional T-Max P3200 B&W Camera Film (35mm Roll Film, 36 Exp)
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Kodak Film T-max P3200 Negative Film (35mm Roll Film, 36 Exposures)
Free delivery
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Kodak Professional TMax P3200 - 36exp, 135/35mm Black & White Negative Film
Delivery $12.43
Kodak T-MAX 3200/ P3200TMAX / TMZ 5054 35mm 36 exp
Delivery between 10–18 June $31.16
Kodak TMax 3200 35mm film
Kodak Tmax 3200 Black & White 35MM Film 36 Exposures
originally posted on analoguewonderland.co.uk
I tried this out as I'd bought some when Analogue Wonderland were selling it for around a fiver. At that price, I'd certainly be happy to buy more, but I'm not so keen on it as at full price.It's fast - 3200 ISO - and comes with all the grain you'd expect from that. It's very contrast too, though again that is a feature and not a bug.It's forgiving, in the sense that you can shoot more or less at night, but you'll really want to stick with simple images for anything remotely useful.I did find (apparently this is common in these Kodak emulsions) that it needed a lot longer in the fix bath than was recommended. I checked it after developing and it looked fine, but when I came to scan, the next day, it had a very visible purple tint. The scans were fine, but I ... MoreI tried this out as I'd bought some when Analogue Wonderland were selling it for around a fiver. At that price, I'd certainly be happy to buy more, but I'm not so keen on it as at full price.It's fast - 3200 ISO - and comes with all the grain you'd expect from that. It's very contrast too, though again that is a feature and not a bug.It's forgiving, in the sense that you can shoot more or less at night, but you'll really want to stick with simple images for anything remotely useful.I did find (apparently this is common in these Kodak emulsions) that it needed a lot longer in the fix bath than was recommended. I checked it after developing and it looked fine, but when I came to scan, the next day, it had a very visible purple tint. The scans were fine, but I have since refixed and washed (leaving the negatives under the light did clear the purple, but they still had colouring from the improper fix).Just a thing to be aware of.
originally posted on analoguewonderland.co.uk
TMax P3200 is an excellent option for taking pictures on a rainy December day in London. I rated this roll at 1600 and developed it in Bellini Euro HC (which is a clone of Kodak's HC 110). I'm pleased with the results. It has that classic grainy film feel. Of course, the grain might not be for everyone but I find it really satisfying and adds an extra layer of interest to scenes. The first couple of examples were taken on a day out to Bletchley Park - it was grey, raining and I was inside and outside and felt confident that the film would get me useable results despite the darkness. The others are frosty bramble leaf shots finishing up the roll, and again the film suited the subject very well.
originally posted on analoguewonderland.co.uk
I do quite a lot of low-light photography, mostly of church interiors. I have used both Kodak TMax P3200 and Ilford Delta 3200 and find that TMax wins hands-down on account of the fact that it always seems to produce nicely balanced negatives when I follow Kodak's developing times. The same is not true for Delta 3200 - I find Ilford's recommendations hopelessly optimistic.The attached is an example shot at ISO 6400. This is a scan of a print made at grade 1.5.I can't give the film five stars; it is so expensive I can only afford to use it on high days and holidays.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Panchromatic B&W Negative |
| Film Speed | ISO 3200 |
| Film Processing | Standard Black and White Chemistry |
Kodak P3200 TMAX Professional ISO 3200, 35mm, 36 Exposures, Black and White Film
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
KODAK T-MAX TMZ-135-36 3200ASA (SAME AS EKTAPAN 3200 7519572)
Delivery $35.07
Kodak T-Max P3200 - 35mm Black & White Negative Film (36 Exposures, Expired 03/2015)
Delivery $33.80
Kodak T-max P3200 35mm Black White Print Film Tmz 135-36 Exp 10/2019
Delivery $24.70
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
10 x Kodak Professional T-Max P3200 B&W Camera Film (35mm Roll Film, 36 Exp)
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I tried this out as I'd bought some when Analogue Wonderland were selling it for around a fiver. At that price, I'd certainly be happy to buy more, but I'm not so keen on it as at full price.It's fast - 3200 ISO - and comes with all the grain you'd expect from that. It's very contrast too, though again that is a feature and not a bug.It's forgiving, in the sense that you can shoot more or less at night, but you'll really want to stick with simple images for anything remotely useful.I did find (apparently this is common in these Kodak emulsions) that it needed a lot longer in the fix bath than was recommended. I checked it after developing and it looked fine, but when I came to scan, the next day, it had a very visible purple tint. The scans were fine, but I ... MoreI tried this out as I'd bought some when Analogue Wonderland were selling it for around a fiver. At that price, I'd certainly be happy to buy more, but I'm not so keen on it as at full price.It's fast - 3200 ISO - and comes with all the grain you'd expect from that. It's very contrast too, though again that is a feature and not a bug.It's forgiving, in the sense that you can shoot more or less at night, but you'll really want to stick with simple images for anything remotely useful.I did find (apparently this is common in these Kodak emulsions) that it needed a lot longer in the fix bath than was recommended. I checked it after developing and it looked fine, but when I came to scan, the next day, it had a very visible purple tint. The scans were fine, but I have since refixed and washed (leaving the negatives under the light did clear the purple, but they still had colouring from the improper fix).Just a thing to be aware of.
TMax P3200 is an excellent option for taking pictures on a rainy December day in London. I rated this roll at 1600 and developed it in Bellini Euro HC (which is a clone of Kodak's HC 110). I'm pleased with the results. It has that classic grainy film feel. Of course, the grain might not be for everyone but I find it really satisfying and adds an extra layer of interest to scenes. The first couple of examples were taken on a day out to Bletchley Park - it was grey, raining and I was inside and outside and felt confident that the film would get me useable results despite the darkness. The others are frosty bramble leaf shots finishing up the roll, and again the film suited the subject very well.
I do quite a lot of low-light photography, mostly of church interiors. I have used both Kodak TMax P3200 and Ilford Delta 3200 and find that TMax wins hands-down on account of the fact that it always seems to produce nicely balanced negatives when I follow Kodak's developing times. The same is not true for Delta 3200 - I find Ilford's recommendations hopelessly optimistic.The attached is an example shot at ISO 6400. This is a scan of a print made at grade 1.5.I can't give the film five stars; it is so expensive I can only afford to use it on high days and holidays.
This was my first experience with T grain film, and I'll deffinately be shooting more over the comming year. This film is FAST...even in early February I had to use ND filters to get some shallow Deapth of Field shots, but well worth the effort. The contrast is perfect in my opinion, and the detail superb.I chose to shoot this film at box speed, so loaded it into my Contax 139 Quartz as the camera has a 3200 ISO setting, and took it with me for a pre-Christmas socially distanced blast with my Brass Band (Fakenham, Norfolk, UK) and decided to take a few shots of my Tuba whilst I had it out. With all the curved reflective surfaces I wasn't expecting too much, but the results are far better than I expected. I developed the film in Kodak HC110 (Dil-B) for 10:30 at 20 ... MoreThis was my first experience with T grain film, and I'll deffinately be shooting more over the comming year. This film is FAST...even in early February I had to use ND filters to get some shallow Deapth of Field shots, but well worth the effort. The contrast is perfect in my opinion, and the detail superb.I chose to shoot this film at box speed, so loaded it into my Contax 139 Quartz as the camera has a 3200 ISO setting, and took it with me for a pre-Christmas socially distanced blast with my Brass Band (Fakenham, Norfolk, UK) and decided to take a few shots of my Tuba whilst I had it out. With all the curved reflective surfaces I wasn't expecting too much, but the results are far better than I expected. I developed the film in Kodak HC110 (Dil-B) for 10:30 at 20 Deg C, and found it easy enough to load onto the Paterson spiral. Yes, there is some grain in the images, but much less than I was expecting from a 3200 ISO film.Would I buy this film again?...WITHOUT HESITATION.!!
I love this film. I use it for everything. Day time, night time, shade, sunlight ETC. Doesnt Matter.The real film speed is 800-1000 ISO depending on developers you use. XTOL or Tmax will give you a film speed of 1000 ISO. something like d76 will give you 800 ISO for normal speed.Everything else above that speed, is PUSHING this film. It is NOT a 3200 ISO film. the P3200 stands for - PUSH UP TO 3200 ISO.See Kodak's data sheet for information.Even in the sun, I use it, with a yellow-red filter to get into usable exposure speeds. In New England, its not super bright, so most of the time it is fine.I have heard people complain about the highlights being blown, especially with TMAX developer. Kodak wouldn't make a Tmax film, and a Tmax developer, and have them ... MoreI love this film. I use it for everything. Day time, night time, shade, sunlight ETC. Doesnt Matter.The real film speed is 800-1000 ISO depending on developers you use. XTOL or Tmax will give you a film speed of 1000 ISO. something like d76 will give you 800 ISO for normal speed.Everything else above that speed, is PUSHING this film. It is NOT a 3200 ISO film. the P3200 stands for - PUSH UP TO 3200 ISO.See Kodak's data sheet for information.Even in the sun, I use it, with a yellow-red filter to get into usable exposure speeds. In New England, its not super bright, so most of the time it is fine.I have heard people complain about the highlights being blown, especially with TMAX developer. Kodak wouldn't make a Tmax film, and a Tmax developer, and have them be unusable together, this is nonsense.The biggest problem people have with film these days, is a lack of calibration and testing, to their supplies and their methods. You need to test a film, run different speeds for your camera, calibrate it to your enlarger, Work out max black testing in the darkroom, and then adjust your development times based on highlight printing tests, also in the darkroom. That way you know for the camera you use, to the film you use, to the developer you use, to the agitation you use, to the enlarger you use, what your EXACT film speed ratings are for your camera, development times, etc to get great prints under an enlarger.Testing and calibrating things takes only a few hours. We didn't jump about from film to film like young folks do now, we tested and calibrated to get the BEST prints. If you use many cameras, you need to do this test for each and every camera, to evaluate adjustments in the mechanical shutters not being the same exact speeds, etc.If you don't do these things, don't complain about bad pictures, blown highlights, etc, bad shadow detail, on this amazing film. That is user Error, and its usually from shooting 10 films at once, and using 40 different options for scanning, developing, etc, and never ever learning your tools.If someone doesn't know how to do this, contact me and I will send you detailed instructions on calibrating your chosen film, camera, developer and enlarger, for free, in a DM.We were taught this in photography school and is a MUST.
...it's a marvellous film that yields wonderful negs from my Leica M3 and Summicron 50mm f2 v3.I'm running 35mm Tri-X in comparison at the moment (at 400 ISO) to see how the two render.The TMZ has bags of contrast and noticeable but tightly controlled grain that meets my need for an utterly 'undigital' look. Metering hasn't been an issue with incident readings for a ballpark starting point and any adjustment then judged 'on the fly' according to subject and circumstance.The negs scan beautifully and easily with my Sigma SD Quattro H and Sigma 70mm f2.8 DG 'Art' on a copy stand.All told, TMZ will remain my key staple for as long as I can wind on and focus...
It’s hard to believe that prior to 1988, there was no 3200 ISO film. Built-in light meters have long measured up to 3200 or 6400 but if you were shooting at night without a flash, you were push processing.I had been learning to shoot in the dark with P3200 since about 2007. I never liked the concept of flash photography. I didn’t like drawing attention to myself while shooting. I didn’t like interrupting people and scenes. I wanted to be invisible. I wanted my photographs to be honest and unforced. I wanted to photograph the essence of people. While I admire those hyper sharp close-up portraits of highly textured faces, I don’t believe that a person’s soul resides in highly defined lines on the surface of their skin. I believe that randomly dispersed film grain ... MoreIt’s hard to believe that prior to 1988, there was no 3200 ISO film. Built-in light meters have long measured up to 3200 or 6400 but if you were shooting at night without a flash, you were push processing.I had been learning to shoot in the dark with P3200 since about 2007. I never liked the concept of flash photography. I didn’t like drawing attention to myself while shooting. I didn’t like interrupting people and scenes. I wanted to be invisible. I wanted my photographs to be honest and unforced. I wanted to photograph the essence of people. While I admire those hyper sharp close-up portraits of highly textured faces, I don’t believe that a person’s soul resides in highly defined lines on the surface of their skin. I believe that randomly dispersed film grain fills shapes and movements so that we can look beyond the obvious and deeper into the person where something intangible hangs out. With P3200, I felt like I’d hit my artistic stride. Finally, a film that allowed me to shoot the way I wanted to shoot.In January, 2012 Kodak filed for bankruptcy. The rapid and relentless climb of consumer digital photography turned the size and weight of the megalithic film titan in on itself like a collapsing star, fighting its own gravity. Something had to break. On October 3rd of 2012, when they took TMAX P3200 away, I felt like photography was over for me.Fast forward to March 2018 and TMAX P3200 is back in all its big grain, tonal glory! We can return to the dimly lit bars, and concerts and shoot by street light and moon light. Or we can even just get grainy in broad daylight! The choice is ours again. Thank you, Kodak for bringing this legend back to life!
I liked what I got from this roll, even at EI3200 though it's going to really struggle with dark nighttime shots. It's basically out at the limit of what film can achieve in terms of sensitivity.The look is high-contrast and pretty heavy grain. I happen to love that look but if you want something clean this wont be it.
I've returned to P3200. I expose it @ EI 1000 and develop it in X-tol developer. It's used in low light situations such as museums or twilight shots. It gives my 50mm Zeiss f/2.0 Planar a bit of exposure 'wiggle room' with my M2. Just enough to negate camera shake at low speeds. I didn't like my results @ ISO 3200, but EI 1000 fits my taste. Just use fresh chemistry, and keep your eye on developing times & temps for best results. Not a film that tolerates sloppy habits.
I've shot a couple of rolls now, both at 1600 ISO and developed in DD-X. The results are nothing short of amazing, with low grain and terrific range of tones. I'm calling it my number one choice for all-purpose film, despite the price jump over my other favorites like HP-5+ and Tri-X. I bought more to keep on hand to use when the situation demands the superb versatility it allows.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Panchromatic B&W Negative |
| Film Speed | ISO 3200 |
| Film Processing | Standard Black and White Chemistry |
