Rode M3 Condenser Microphone
The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery. A -10 dB and -20 dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80 Hz to reduce low frequency sounds and handling noise.
The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery. A -10 dB and -20 dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80 Hz to reduce low frequency sounds and handling noise.
The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery. A -10 dB and -20 dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80 Hz to reduce low frequency sounds and handling noise.
The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery. A -10 dB and -20 dB level attenuator (pad), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or snare drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80 Hz to reduce low frequency sounds and handling noise.
in 34 offers
The lowest price for Rode M3 Condenser Microphone right now is $159.99 at Music On Stage, compared across 34 retailers.
The all-time low was $68.61 on 16 July 2025 — today's price is 133% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 28 June 2026.
Last updated at 28/06/2026 20:50:04
Rode M3 Multi-Powered Condenser Microphone
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RODE M3 Cardioid Condenser Microphone
Delivery $16.75
RØDE M3 End Address Condenser Microphone
Delivery $15
Rode M3 Microphone
14-day returns
Rode M3 Condenser Microphone
Delivery $6.90
Rode M3 Versatile End-Address Condenser Microphone
Delivery $9.90
Rode M3 Instrument and Multi-Purpose Condenser Microphone
Delivery between 29 June – 13 July $57.29
Rode M3 Live/Studio Condenser Microphone
Free delivery between 1–7 July
Rode M3 Versatile End-Address Condenser Microphone
Delivery between Tue – Thu $16
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originally posted on ebay.com
This is my second Rode NT-1 A, cuz I simply LOVE this mic, it's a professional mic and it never fails. I am extremely happy with the quality I get from recording vocals, drums, guitars, grand piano... you name it. Dynamics are awesome. It is a versatile and unique mic and within this price range, DO NOT LOOK ANY FURTHER - YOU WILL THANK ME LATER, JUST BUY IT. I have over 25 years of experience in producing and trust me, this is a Fantastic Mic. THANK YOU RODE, Thank you Sweetwater and my Best Sales Person - Derek Senestraro.
originally posted on ebay.com
Rode makes good sturdy products. The NT1 is no exception. I bought this because it has a flatter response than the slightly less expensive NT1A. I do voice overs, so I don't need something that will sweeten vocals. It performs exactly as advertised, giving me a more "complete" sound than my dynamics while staying very true to my natural sound. It was also touted as being less apt to pick up room noise than most other condensers, and I find this to be true. The built-in pop filter and accompanying shock mount are excellent, too. If there is a downside, it is that this is a cardioid-only microphone with no high pass or bass roll-off. If you need omni or figure 8 for two voices or instruments or want to do some equalizing in the mic, forget it.
originally posted on bhphotovideo.com
I use the M3 to record video voiceover, and this is my third M3 in 10 years. The first M3 worked for about 5 years and then the output level dropped to less than -50 dB regardless of the input level. Rode replaced it under warranty, and the replacement also worked about five years until it added a high-pitched noise during voice recording. Turning the switch off and on solved the noise problem temporarily. Since the problem was intermittent, I purchased my third M3 rather than return the second M3 to Rode. I've had the third M3 about a month and like the first two it performs as expected. Time will tell if the life of the third M3 will surpass the five-year limit of the first two.
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | Condenser |
| Diaphragm | 0.5" / 12.70 mm |
| Polar Pattern | Cardioid |
Rode M3 Multi-Powered Condenser Microphone
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
RODE M3 Cardioid Condenser Microphone
Delivery $16.75
RØDE M3 End Address Condenser Microphone
Delivery $15
Rode M3 Microphone
14-day returns
Rode M3 Condenser Microphone
Delivery $6.90
This is my second Rode NT-1 A, cuz I simply LOVE this mic, it's a professional mic and it never fails. I am extremely happy with the quality I get from recording vocals, drums, guitars, grand piano... you name it. Dynamics are awesome. It is a versatile and unique mic and within this price range, DO NOT LOOK ANY FURTHER - YOU WILL THANK ME LATER, JUST BUY IT. I have over 25 years of experience in producing and trust me, this is a Fantastic Mic. THANK YOU RODE, Thank you Sweetwater and my Best Sales Person - Derek Senestraro.
Rode makes good sturdy products. The NT1 is no exception. I bought this because it has a flatter response than the slightly less expensive NT1A. I do voice overs, so I don't need something that will sweeten vocals. It performs exactly as advertised, giving me a more "complete" sound than my dynamics while staying very true to my natural sound. It was also touted as being less apt to pick up room noise than most other condensers, and I find this to be true. The built-in pop filter and accompanying shock mount are excellent, too. If there is a downside, it is that this is a cardioid-only microphone with no high pass or bass roll-off. If you need omni or figure 8 for two voices or instruments or want to do some equalizing in the mic, forget it.
I use the M3 to record video voiceover, and this is my third M3 in 10 years. The first M3 worked for about 5 years and then the output level dropped to less than -50 dB regardless of the input level. Rode replaced it under warranty, and the replacement also worked about five years until it added a high-pitched noise during voice recording. Turning the switch off and on solved the noise problem temporarily. Since the problem was intermittent, I purchased my third M3 rather than return the second M3 to Rode. I've had the third M3 about a month and like the first two it performs as expected. Time will tell if the life of the third M3 will surpass the five-year limit of the first two.
This is a great mixer for anyone that wants to blend or mix prerecorded music from different sources. It will convert the traditional turntable inputs to regular 1 V input. It has the Numark quality that you would expect. It is also great if you want to listen to one source while playing a different. It is not good for the modern digital generation that has the need for fiberoptic and HDMI inputs. All inputs/outputs are RCA. It is not a mixer that is used to beat match and crash as they do in club music today. That is a totally different setup.
To offer a slightly different view from the 5 Star glowing endorsements, I did not like this microphone at all. I'm a flute player and this mic introduced a harshness in the upper frequencies that I just couldn't EQ away. It was easily out-classed by a much cheaper iSK Pearl microphone in terms of warmth, clarity, ease of positioning and overall tone reproduced. I sold on my Rode with a bit of a heavy heart. I've had 3 Rode mics (M3, NT1a, MT3) and based on Rode's service, warranty as well as their home-made Australianisms, wanted to like them all but could not. All were sold on. They just weren't right for my purposes and there are many better cheaper options. For me. I hope this helps someone.
Larger & heavier than I anticipated. Difficult to get the sound level right. If I set the input level on my recording kit to less than 8, it's barely audible. More thsn 9 and it distorts.
This is one of my best music purchase ever, I guess. I really love this product: I use it mostly for flute recordings and live performances, but for voice and acoustic guitar recordings too. I was searching for a good sound, expecially for "breath", "airy" and high-frequency sounds but with a low budget. And thats it: the M3 is the perfect choice. If you play acoustic instrument the mike is good both for live performances and for studio recordings (its main task). The flute sound its plenty of high clean tones and with a constant bass presence without annoying "howls" on bass frequencies. Even on practice room rough speaker I never suffered the typical mid-range surplus. Manufacturing its very good: its a sturdy metal product, it seems to be made to face battles! Of ... MoreThis is one of my best music purchase ever, I guess. I really love this product: I use it mostly for flute recordings and live performances, but for voice and acoustic guitar recordings too. I was searching for a good sound, expecially for "breath", "airy" and high-frequency sounds but with a low budget. And thats it: the M3 is the perfect choice. If you play acoustic instrument the mike is good both for live performances and for studio recordings (its main task). The flute sound its plenty of high clean tones and with a constant bass presence without annoying "howls" on bass frequencies. Even on practice room rough speaker I never suffered the typical mid-range surplus. Manufacturing its very good: its a sturdy metal product, it seems to be made to face battles! Of course its price relegates it to the semi-pro and beginner target, but - trust me - this product its really suitable for semi-pro and advanced projects and sounds like much more expensive product of other brands. Dont get sidetracked by the price: its a 150€ worthy product, in my opinion... but it costs 100... great!
The mic had a great sound when it worked. The first one I bought used. When I opened it up, as you have to do this to access the pad switch, as well as put in the 9v battery to do field recording, it was difficult to open. When I was finally able to do so, all that was inside was shards of plastic. Guitar center was awesome and refunded me no questions asked. The second one I bought new with a protection plan, cause I thought it was a fluke and liked that it could be used to do field recording. The second one, a week after recieving it, started producing an aweful buzzing sound, and this was after switching cables and mxl inputs in my mixer. I was only able to use it for one recording session. All in all, there are better, more dependable options at this price ... MoreThe mic had a great sound when it worked. The first one I bought used. When I opened it up, as you have to do this to access the pad switch, as well as put in the 9v battery to do field recording, it was difficult to open. When I was finally able to do so, all that was inside was shards of plastic. Guitar center was awesome and refunded me no questions asked. The second one I bought new with a protection plan, cause I thought it was a fluke and liked that it could be used to do field recording. The second one, a week after recieving it, started producing an aweful buzzing sound, and this was after switching cables and mxl inputs in my mixer. I was only able to use it for one recording session. All in all, there are better, more dependable options at this price range. I would not recommend this mic.
I have used many microphones throughout the years. It's important to know this for what it is. It's an all around mic, but a very good one at that.Kind of like an olympic triathlete. It Is very, very good at many things, but not great ant any one thing. Reminds me of a vehicle that is good on the highway able to hold its own off-road as well. Because it does both well, there will be compromises. On the highway it might not be the most quiet, and off road might not be able to manage the biggest bumps. So it goes- we have the Rode M3. A combination of condenser and dynamic characteristics...has the frequency response of a condenser (40-20k) and smooth highs (just a tad bright but in NO way hyped), with lower sensitivity like a dynamic and a natural bass roll off for ... MoreI have used many microphones throughout the years. It's important to know this for what it is. It's an all around mic, but a very good one at that.Kind of like an olympic triathlete. It Is very, very good at many things, but not great ant any one thing. Reminds me of a vehicle that is good on the highway able to hold its own off-road as well. Because it does both well, there will be compromises. On the highway it might not be the most quiet, and off road might not be able to manage the biggest bumps. So it goes- we have the Rode M3. A combination of condenser and dynamic characteristics...has the frequency response of a condenser (40-20k) and smooth highs (just a tad bright but in NO way hyped), with lower sensitivity like a dynamic and a natural bass roll off for noisier environments. Has a natural Bass rolloff that is fairly steep to around 200 hz. Has a 3-way switch--Off position, On, and High pass filter to extend bass roll off even more steeply..is great for noisy environments outside and wind noise. Can be used with phantom power ; or without it if you don't have it(just pop in a 9v battery which will power the mic. If you leave it in you can still connect it to phantom power..the battery will not be used). Rode claims battery will last 200 hours). Construction seems tank-like, and quality is truly beyond its price. How does it sound? to my ears very very'good'..not hyped, natural, with a slight 'crispness' in the top end like some MXL mics, but not cheap in any way.The M3 Sound much more expensive than the price would suggest (I agree with the Sound on Sound review) I would recommend this for vocal, acoustic guitars, snare drums, overheads...interviews and spoken word as well, and recording outdoors. Because of its natural roll-off vocals and acoustic guitars would be my choice. Downsides are: it is heavy, and really long, so not suitable for every situation... is much more susceptible to wind noise than a dynamic or LDC..so if using outdoors, the foam windscreen is a must, and engaging high-pas filter often necessary. If you need one mic that can do a lot, this is it.Can it replace an LDC? YES... SDC? yes.. Dynamic? yes, in certain situations. For a a mic to elegantly go from studio to recording an interview to an recording event says a lot. Should this be your only mic? No, but it would be difficult to outgrow, as I'm sure you'll always find a use for it. I HIGHLY recommend it.It it truly a bargain.
This mic is a great all-around, general purpose mic and is my go-to for field recording. I've just purchased a second one because my first (purchased in 2009) stopped working after it fell into the Gulf of Mexico earlier this year (2015). It works great shoe-mounted on an ENG camera which is how I've used it primarily. Lately I've been pistol gripping it for audio only interviews. I usually put a dead-kitten on it. Shot a documentary with it in West, Texas where the winds are fierce and the dead-kitten cut the wind-noise to near nil. Not a good mic for a boom pole. It's very heavy. Love the pickup pattern of this thing. It has a broad, but still very clear sweet spot so you don't have to be so surgically precise when pointing it at someone like you do with shotguns.
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | Condenser |
| Diaphragm | 0.5" / 12.70 mm |
| Polar Pattern | Cardioid |
