Sony Standard Zoom Lens E PZ 16-50mm F3.5-5.6 OSS Sony E Mount APS-C Dedicated SELP1650
An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a seven-blade circular aperture for smooth bokeh. Designed for APS-C-format E-mount cameras, this 16-50mm lens will provide a versatile standard zoom range that is equivalent to 24-75mm. A variable aperture of f/3.5-5.6 helps keep the lens' overall size and weight to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Four aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Enjoy smooth zooms ideal for shooting movies with the power zoom mechanism available in this lens.
An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a seven-blade circular aperture for smooth bokeh. Designed for APS-C-format E-mount cameras, this 16-50mm lens will provide a versatile standard zoom range that is equivalent to 24-75mm. A variable aperture of f/3.5-5.6 helps keep the lens' overall size and weight to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Four aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Enjoy smooth zooms ideal for shooting movies with the power zoom mechanism available in this lens.
An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a seven-blade circular aperture for smooth bokeh. Designed for APS-C-format E-mount cameras, this 16-50mm lens will provide a versatile standard zoom range that is equivalent to 24-75mm. A variable aperture of f/3.5-5.6 helps keep the lens' overall size and weight to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Four aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Enjoy smooth zooms ideal for shooting movies with the power zoom mechanism available in this lens.
An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8", and uses a seven-blade circular aperture for smooth bokeh. Designed for APS-C-format E-mount cameras, this 16-50mm lens will provide a versatile standard zoom range that is equivalent to 24-75mm. A variable aperture of f/3.5-5.6 helps keep the lens' overall size and weight to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Four aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Enjoy smooth zooms ideal for shooting movies with the power zoom mechanism available in this lens.
in 33 offers
The lowest price for Sony Standard Zoom Lens E PZ 16-50mm F3.5-5.6 OSS Sony E Mount APS-C Dedicated SELP1650 right now is $79.00 at Cash Converters, compared across 7 retailers.
The all-time low was $49.97 on 24 Feb 2026 — today's price is 58% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 22 June 2026.
Last updated at 22/06/2026 10:39:52
Sony SELP1650 16-50mm Power Zoom Lens (Silver Bulk Packaging)
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Sony Selp1650 Black Camera Lens
Delivery $12.50
Sony Selp1650 Black Camera Lens
Delivery $12.50
Sony Selp1650 Black Camera Lens
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Sony Selp1650 Zoom Black Camera Lens
Delivery $9.75
Sony 16-50mm f3.5-5.6 PZ OSS (SELP1650)
Delivery $59
Sony 16-50mm f3.5-5.6 PZ OSS (SELP1650)
Delivery $59
Sony 16-50mm f3.5-5.6 PZ OSS (SELP1650)
Delivery $59
Sony 16-50mm f3.5-5.6 PZ OSS (SELP1650)
Delivery $59
Sony 16-50mm f3.5-5.6 PZ OSS (SELP1650)
Delivery $59
originally posted on sony.co.uk
This lens came with my A6400 but I would have bought it anyway. A lovely unobtrusive companion to the slim bodied camera which gives me the ability to use such a powerful combination in a way I've only been able to do with a compact.I love the image stabilisation as it allows me to use narrow apertures without compromising sharpness and detail.The power zoom is quick and smooth in use.Ideal for informal gatherings and travel photography.
originally posted on sony.co.uk
I bought this lens with the A6000 camera body at a very competitive price, along side the obviously more expensive Sony SELP18105G f4 fixed aperture lens. I like the super-compact proportions of the lens which allow the camera+lens to be stashed in a very small camera bag [at an exceptionally low carry weight] and cover all-the-bases for everyday use. It's a great add-on to the A6000 camera body without the bulk of the 18-105mm lens. There's some chatter from the zoom/focus motor. However, if you can get past that [and combine it with Sony's affordable Lens Correction App] it's an all round winner....!
originally posted on bhphotovideo.com
I bought mine at B&H in a kit with a NEX-6 in February 2013. I've shot this lens all over the world on my NEX-6 - as have other skilled photographers - and the simple fact is, you won't find a superior, comparably priced 16-50mm zoom for your NEX, A3000 or A6000 than this lens.To appreciate this lens, you need to understand that - to keep the price so low - it's a software-corrected lens. What that means is, the distortion, corner unsharpness and vignetting inherent in an affordable design are eliminated or sharply attenuated ONLY if you use the jpegs created in the camera, or run your RAW images through Lightroom, using the lens correction profile baked into all versions of Lightroom since version 4. If you just convert the raw files to jpegs with Photoshop/Adobe ... MoreI bought mine at B&H in a kit with a NEX-6 in February 2013. I've shot this lens all over the world on my NEX-6 - as have other skilled photographers - and the simple fact is, you won't find a superior, comparably priced 16-50mm zoom for your NEX, A3000 or A6000 than this lens.To appreciate this lens, you need to understand that - to keep the price so low - it's a software-corrected lens. What that means is, the distortion, corner unsharpness and vignetting inherent in an affordable design are eliminated or sharply attenuated ONLY if you use the jpegs created in the camera, or run your RAW images through Lightroom, using the lens correction profile baked into all versions of Lightroom since version 4. If you just convert the raw files to jpegs with Photoshop/Adobe Camera Raw, you will not get great results. That doesn't make this inexpensive lens different from other software-corrected lenses in its price class. You can look at the examples I upload here, or better yet, go to Flickr and search for images taken with this lens - just put Sony 16-50mm f/3.5-5.6 OSS in the Flickr search window, and see all the great, sharp images taken with this lens. These Flickr photos will convince you that those who condemn this lens are wrong.The photography world has many who look down their noses at kit lenses. I almost did too, because of the many negative comments on Internet forums. But I bought it with my NEX-6 because it was so inexpensive when purchased with my NEX-6 and once I got it, I realized the truth in the old adage, A poor carpenter blames his tools. Is this a great, Zeiss-competitive lens? Of course not! Are there inexpensive prime lenses that beat this lens at many focal lengths - absolutely! But the reality is, much of what we shoot never gets as far as a print, much less a 24x36 inch or larger that might - MIGHT - begin to show issues at great magnification. This is a walk-around lens, great for walking though a city and snapping images. If you travel as a family, couple or in a group, you will anger others as you slow them down while you switch prime lenses you need a zoom. The Sony 16-70mm alternative costs almost $ and the $ or more difference between buying that lens and this in a kit could pay for several days in a Prague AirBnB!Many who've listened to the nay-sayers eventually come back and buy the lens at $ or more over what they'd have paid if they bought it with a body. I suggest you not make a mistake and buy it with your new Sony camera.
Sony SELP1650 16-50mm Power Zoom Lens (Silver Bulk Packaging)
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Selp1650 Black Camera Lens
Delivery $12.50
Sony Selp1650 Black Camera Lens
Delivery $12.50
Sony Selp1650 Black Camera Lens
Delivery $12.50
Sony Selp1650 Zoom Black Camera Lens
Delivery $9.75
This lens came with my A6400 but I would have bought it anyway. A lovely unobtrusive companion to the slim bodied camera which gives me the ability to use such a powerful combination in a way I've only been able to do with a compact.I love the image stabilisation as it allows me to use narrow apertures without compromising sharpness and detail.The power zoom is quick and smooth in use.Ideal for informal gatherings and travel photography.
I bought this lens with the A6000 camera body at a very competitive price, along side the obviously more expensive Sony SELP18105G f4 fixed aperture lens. I like the super-compact proportions of the lens which allow the camera+lens to be stashed in a very small camera bag [at an exceptionally low carry weight] and cover all-the-bases for everyday use. It's a great add-on to the A6000 camera body without the bulk of the 18-105mm lens. There's some chatter from the zoom/focus motor. However, if you can get past that [and combine it with Sony's affordable Lens Correction App] it's an all round winner....!
I bought mine at B&H in a kit with a NEX-6 in February 2013. I've shot this lens all over the world on my NEX-6 - as have other skilled photographers - and the simple fact is, you won't find a superior, comparably priced 16-50mm zoom for your NEX, A3000 or A6000 than this lens.To appreciate this lens, you need to understand that - to keep the price so low - it's a software-corrected lens. What that means is, the distortion, corner unsharpness and vignetting inherent in an affordable design are eliminated or sharply attenuated ONLY if you use the jpegs created in the camera, or run your RAW images through Lightroom, using the lens correction profile baked into all versions of Lightroom since version 4. If you just convert the raw files to jpegs with Photoshop/Adobe ... MoreI bought mine at B&H in a kit with a NEX-6 in February 2013. I've shot this lens all over the world on my NEX-6 - as have other skilled photographers - and the simple fact is, you won't find a superior, comparably priced 16-50mm zoom for your NEX, A3000 or A6000 than this lens.To appreciate this lens, you need to understand that - to keep the price so low - it's a software-corrected lens. What that means is, the distortion, corner unsharpness and vignetting inherent in an affordable design are eliminated or sharply attenuated ONLY if you use the jpegs created in the camera, or run your RAW images through Lightroom, using the lens correction profile baked into all versions of Lightroom since version 4. If you just convert the raw files to jpegs with Photoshop/Adobe Camera Raw, you will not get great results. That doesn't make this inexpensive lens different from other software-corrected lenses in its price class. You can look at the examples I upload here, or better yet, go to Flickr and search for images taken with this lens - just put Sony 16-50mm f/3.5-5.6 OSS in the Flickr search window, and see all the great, sharp images taken with this lens. These Flickr photos will convince you that those who condemn this lens are wrong.The photography world has many who look down their noses at kit lenses. I almost did too, because of the many negative comments on Internet forums. But I bought it with my NEX-6 because it was so inexpensive when purchased with my NEX-6 and once I got it, I realized the truth in the old adage, A poor carpenter blames his tools. Is this a great, Zeiss-competitive lens? Of course not! Are there inexpensive prime lenses that beat this lens at many focal lengths - absolutely! But the reality is, much of what we shoot never gets as far as a print, much less a 24x36 inch or larger that might - MIGHT - begin to show issues at great magnification. This is a walk-around lens, great for walking though a city and snapping images. If you travel as a family, couple or in a group, you will anger others as you slow them down while you switch prime lenses you need a zoom. The Sony 16-70mm alternative costs almost $ and the $ or more difference between buying that lens and this in a kit could pay for several days in a Prague AirBnB!Many who've listened to the nay-sayers eventually come back and buy the lens at $ or more over what they'd have paid if they bought it with a body. I suggest you not make a mistake and buy it with your new Sony camera.
I am using the Sony 16-50mm f/3.5 on a Sony a7 iii.I came across this lens used for $ and took a chance on it. I wanted a small lens for traveling. What a gem this lens has proven to be!Image sharpness is excellent all the down to f/16 before diffraction sets in. This lens even performs well under overcast skies and when my subject is in shadows. I get great sharpness at throughout the focal range. Similarly, exposure, contrast, and color saturation are also excellent with little or no post production editing needed. In fact, colors are truer to reality than my other, more expensive Sony lenses that often need a boost in saturation.There’s no obvious chromatic shift. I had to blow my images up by 7X to see bluing on dead tree limbs, an increase so large I ... MoreI am using the Sony 16-50mm f/3.5 on a Sony a7 iii.I came across this lens used for $ and took a chance on it. I wanted a small lens for traveling. What a gem this lens has proven to be!Image sharpness is excellent all the down to f/16 before diffraction sets in. This lens even performs well under overcast skies and when my subject is in shadows. I get great sharpness at throughout the focal range. Similarly, exposure, contrast, and color saturation are also excellent with little or no post production editing needed. In fact, colors are truer to reality than my other, more expensive Sony lenses that often need a boost in saturation.There’s no obvious chromatic shift. I had to blow my images up by 7X to see bluing on dead tree limbs, an increase so large I would never do so otherwise. If you’re so inclined to point your camera at the sun, you’ll produce small but intense streaks or circles of colorBarrel distortion and vignetting in JEP’s are brilliantly adjusted by the in-camera software.Nighttime photography is especially important to me. Images are sharp, with good definition on illuminated objects. Lettering and other edges are sharp. At f/11, I got nice starbursts on single bulb lights and brilliant starbursts at f/16. As expected, other sources of light, such as double bulb lights and neon lights tend to “blow out” a bit with long exposures, but this is true of all lenses.Zooming - I prefer using the lens barrel to zoom in and out. The power zoom is good but the lever is at on the side of the barrel. I wish that it was higher up on the lens barrel, at 12:00 o’clock, where my index finger naturally falls. At least a few times, I have accidently changed the focal length.Someone pointed out that there’s a question of quality control with this lens. If so, I was a lucky one to get a good copy. It’s the only lens that I have been using for the past four months to do street photography, parades, general photography, and night photography.Every so often I bump into a lens that may not be in the mainstream, but which punches well above its price point. I add the Sony 16-50mm lens to this special group.
The poor and highly underestimated underdog of the E-mount lens family is actually a very good performer on APS-C Sony cams.It delivers excellent autofocus, excellent image stabilisation, is incredibly small and weighs practically nothing. Just don't ever use it for RAW images.I've used it for videos in poor lighting conditions, long exposure shots of the sky at night and even time-lapse clips during both day and night. The results were very good every time, obviously not as impressive as those you'd get from lens of the G or G Master family.The cons: (you have to have cons at such a low price) the manual focus ring control is reversed, it is inaccurate and lags (since it is fully electronic, it is dependent on the camera's computer responsiveness). Saving RAW ... MoreThe poor and highly underestimated underdog of the E-mount lens family is actually a very good performer on APS-C Sony cams.It delivers excellent autofocus, excellent image stabilisation, is incredibly small and weighs practically nothing. Just don't ever use it for RAW images.I've used it for videos in poor lighting conditions, long exposure shots of the sky at night and even time-lapse clips during both day and night. The results were very good every time, obviously not as impressive as those you'd get from lens of the G or G Master family.The cons: (you have to have cons at such a low price) the manual focus ring control is reversed, it is inaccurate and lags (since it is fully electronic, it is dependent on the camera's computer responsiveness). Saving RAW files will give you badly distorted images - as others pointed out this lens is dependent on the camera's ability to perform software corrections. My A6300 performs better at this and completely transparently than many expensive and complicated softwares. I compensate by using the 'extra fine' setting for JPEG file quality.
It's a tiny, light, and fun lens. However in close inspection and in use, it proves to be rather sharp, reliable, and utterly effective at most things an average person does with a walk-around camera. The 16-50 range is fine and with the sharpness it has in the center, it can be cropped either in Sony camera's in-camera digital zoom beyond 50, or it can simply be cropped in software. It outperforms a lot of much larger and heavier kit-lens range glass too. It just works each time, and focus is fast and reliable too, when used with a modern A series. It is a APS-C lens but it does what it is designed for, very well. It does distort the image slightly at extreme ranges, but not enough to be bothersome unless one is looking closely at the results for flaws. My only ... MoreIt's a tiny, light, and fun lens. However in close inspection and in use, it proves to be rather sharp, reliable, and utterly effective at most things an average person does with a walk-around camera. The 16-50 range is fine and with the sharpness it has in the center, it can be cropped either in Sony camera's in-camera digital zoom beyond 50, or it can simply be cropped in software. It outperforms a lot of much larger and heavier kit-lens range glass too. It just works each time, and focus is fast and reliable too, when used with a modern A series. It is a APS-C lens but it does what it is designed for, very well. It does distort the image slightly at extreme ranges, but not enough to be bothersome unless one is looking closely at the results for flaws. My only peeve is that the lens does increase the power-up time for Sony A series camera, as it extends the barrel for shooting. But that is totally forgivable as it compacts to half the size when powered off, especially as a daily carry around or travel. At $300 new MSRP it is a questionable purchase for many, as for a little more, there are much more specialized lenses in the $500 range. But with a kit purchase, it is much more reasonable with it being less than $200 over the price of camera body only price. Also inthe used market these are a dime a dozen at $150 for a very decent barely used condition lens. It probably won't be your art lens to do something specific, but for everything other than those tasks, it certainly does a lot of great photography. Especially for something that is nearly as compact as a body cap! The photo of a A7 with a LA-EA4 Adapter and Minolta 28-135 vs a NEX6 with 16-50 kit. This pancake 16-50 does 95% of what this bigger combination does. At 1/4th the price, and less than 1/3 of the weight and size. So when it is mission-critical, I have the big rig, but if I am just traveling around town or around the world, I think hard and walk off with the smaller setup most of the time, and for a great reason.
I got this lens with the a6500. Ive used many zoom lenses, including modern Nikon and Canon and Panasonic DSLR kit lenses. This lens falls far behind all of them. Its sized like a m4/3 lens but then extends to its real size. Its still overly small, with computerized corrections to make up for some of its inherent flaws.The image quality suffers, with hazy and glowing edges and lots of aberration. Most basic image quality issues, like CA and vignetting are correctable in camera or with raw files, but this lenss flaws go far beyond that. I do some photo editing for work, color correcting the files of non-professionals. While the other kit lenses are good enough not to stand out, I notice files shot with this lens and dread working on them.For photos I find it ... MoreI got this lens with the a6500. Ive used many zoom lenses, including modern Nikon and Canon and Panasonic DSLR kit lenses. This lens falls far behind all of them. Its sized like a m4/3 lens but then extends to its real size. Its still overly small, with computerized corrections to make up for some of its inherent flaws.The image quality suffers, with hazy and glowing edges and lots of aberration. Most basic image quality issues, like CA and vignetting are correctable in camera or with raw files, but this lenss flaws go far beyond that. I do some photo editing for work, color correcting the files of non-professionals. While the other kit lenses are good enough not to stand out, I notice files shot with this lens and dread working on them.For photos I find it unacceptable at any aperture.The lens does have a use, however. Its tiny, has OSS built in, and has a great focal range. This makes it a very good gimbal lens for 4K video. Image artifacts are lost in the motion blur and the small size makes it easy to use for a long amount of time. The OSS smooths out micro-jitters and the gimbal takes care of big movements.
This is my third identical lens. The first one came as kit lens as new with an alpha6000 body. After the warranty expired the first lens could not be zoomed in one direction. So I bought a second identical lens in used but pretty good condition. Recently, that lens developed a problem. It will not retract back when the camera is turned off. So I bought this third one in advertised Mint condition. Hope this one works for me.
I purchased this lens twice, once as part of a kit. I used it on the camera it came with and then sold it when I sold the camera.Kit lenses get a bad rap even though many of them perform quite well. Perhaps it is because testers and reviewers evaluate the lens without the lens profile in most of the better editors that adjust the characteristics such as, distortion, chromatic aberration, etc., which cause the lower ratings. Or perhaps the manufacturers want to sell higher profit lenses.I missed the size, focal rang 24-70mm, and minimum focus distance so I purchased it again. I use it on the A7R4 mostly in the crop mode providing a 26mp image. Occasionally I'll use it in the full frame mode at 70mm and crop out the dark edges.The images are sharp and it ... MoreI purchased this lens twice, once as part of a kit. I used it on the camera it came with and then sold it when I sold the camera.Kit lenses get a bad rap even though many of them perform quite well. Perhaps it is because testers and reviewers evaluate the lens without the lens profile in most of the better editors that adjust the characteristics such as, distortion, chromatic aberration, etc., which cause the lower ratings. Or perhaps the manufacturers want to sell higher profit lenses.I missed the size, focal rang 24-70mm, and minimum focus distance so I purchased it again. I use it on the A7R4 mostly in the crop mode providing a 26mp image. Occasionally I'll use it in the full frame mode at 70mm and crop out the dark edges.The images are sharp and it improves the overall size and weight of the kit considerably. To me its cost belies its utility.
Pros: small, easy to pocket, good for vloging in bright environment, descent Lende for taking typical use case pics between 16-50mm range and works as good compact setup.Cons: you quickly overshoot the f3.5 beyond f4.0 after 20mm zoom, if weight is not a factor to carry then f4.0 18-105mm would be great choice for Allrounder coverage when on travel. The OSS zoom makes more noise and it’s. It good, when powered on or off the lens makes noisy and fast barrel move which is not pleasant, lens build is not good as it wobbles.This lens is okay only to start with and consider overall daily usage and it’s cheaper when purchased with bossy as a kit lens. An inexpensive lens which can be packed for a risky shoots and rugged use.
