Sony FE 28-70mm f/2 GM Lens
A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony's first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs. Sony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f/2 checks all of these boxes as it sets out to be a single lens replacement for several primes. Constant f/2 maximum aperture is a full stop faster than an f/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation. XA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings. Nano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions. Floating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance. Rounded 11-blade diaphragm results in smooth, circular bokeh quality.
A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony's first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs. Sony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f/2 checks all of these boxes as it sets out to be a single lens replacement for several primes. Constant f/2 maximum aperture is a full stop faster than an f/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation. XA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings. Nano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions. Floating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance. Rounded 11-blade diaphragm results in smooth, circular bokeh quality.
A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony's first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs. Sony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f/2 checks all of these boxes as it sets out to be a single lens replacement for several primes. Constant f/2 maximum aperture is a full stop faster than an f/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation. XA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings. Nano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions. Floating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance. Rounded 11-blade diaphragm results in smooth, circular bokeh quality.
A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony's first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs. Sony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f/2 checks all of these boxes as it sets out to be a single lens replacement for several primes. Constant f/2 maximum aperture is a full stop faster than an f/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation. XA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings. Nano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions. Floating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance. Rounded 11-blade diaphragm results in smooth, circular bokeh quality.
in 34 offers
The lowest price for Sony FE 28-70mm f/2 GM Lens right now is $3,736.95 at cccwarehouse.com.au, compared across 27 retailers.
The all-time low was $3,149.00 on 25 Apr 2026 — today's price is 19% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 20:22:44
Sony FE 28-70mm F2 GM Lens Black
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Sony FE 28-70mm f/2 GM Lens Full Frame G Master
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Sony FE 28-70mm f/2 GM Lens (SEL2870GM)
Free delivery between 16–23 June
Sony FE 28-70mm F2 GM
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Sony FE 28-70mm f/2 GM Lens - Brand New
Free delivery between 12–18 June
Sony FE 28-70mm f/2 GM Lens (SEL2870GM) by Onestop Digital
Free delivery between 15–19 June
Sony FE 28-70mm f/2 GM Lens
Delivery between 16–18 June $8.95
Sony FE 28-70mm f/2 GM Lens
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Sony FE 28-70mm F2 GM
Free delivery
Sony FE 28-70mm F2 GM
Free delivery
originally posted on bhphotovideo.com
Sony's previous 24-70 f2.8 GM lens was good, this new upgrade version of fantastic. Smaller and lighter than any other manufacturer lens of this quality, and also loaded with features including adjustable drag when rotating the zoom ring, aperture adjustment dial with switch to enable/disable click, Auto/Manual focus switch, and multiple programmable buttons. The lens hood design is also an improvement over the previous Sony GM lens, with better attachment mechanism, slide tab to allow adjusting variable ND filters, and smaller petals so it does not add as much to the length of the lens.There are plenty of detailed reviews on the internet, and all conclude this lens is very sharp corner to corner across the range of apertures.I've used mine for thousands of ... MoreSony's previous 24-70 f2.8 GM lens was good, this new upgrade version of fantastic. Smaller and lighter than any other manufacturer lens of this quality, and also loaded with features including adjustable drag when rotating the zoom ring, aperture adjustment dial with switch to enable/disable click, Auto/Manual focus switch, and multiple programmable buttons. The lens hood design is also an improvement over the previous Sony GM lens, with better attachment mechanism, slide tab to allow adjusting variable ND filters, and smaller petals so it does not add as much to the length of the lens.There are plenty of detailed reviews on the internet, and all conclude this lens is very sharp corner to corner across the range of apertures.I've used mine for thousands of photos at some events I attended over the past few months, and I'm blown away by the image quality.
originally posted on adorama.com
I got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great ... MoreI got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great optics. To me the sigma has annoyed me the past with missing focus during critical moments during events which caused me having to reshoot but missing the better moment.Also please take into consideration sample variation because I had to go through TWO copies of the GM II to get this excellent one which is NOT FUN. Copy variation plagues the 24-70 zoom lenses in particular as they are difficult to design and have different tolerances. I was not happy with my two previous copies as they were softer on the left side of the frame even stopped down at most FL which was not OK. I had the same experience when I got my sony 12-24 GM lens. I really wish this wasn't the same case in 2023 but here we are.Still highly recommend this lens if you can afford it and want the best AF especially.
originally posted on districtcamera.com
Have thought for years about trading my old workhorse Sony FE 24-105 F4.0 G for this one and finally decided to take the plunge. I have some misgivings: The 24-105 was a GREAT all-around lens and I could get to about 135 equivalent in crop-sensor mode, so I've got my fingers crossed that the extra stop (2.8 instead of 4) and the GM sharpness compared to the G will provide high enough resolution that I can crop-in for enlargements when I otherwise would have used the extra virtual zoom to highlight one face in a crowd. The fact that the new version of the 24-70 F2.8 is actually lighter and smaller than the 24-105 is an added benefit. One of the things that kept me from trading up to the original 24-70 F2.8 was the fact that it weighed more. Sony's vendor event ... MoreHave thought for years about trading my old workhorse Sony FE 24-105 F4.0 G for this one and finally decided to take the plunge. I have some misgivings: The 24-105 was a GREAT all-around lens and I could get to about 135 equivalent in crop-sensor mode, so I've got my fingers crossed that the extra stop (2.8 instead of 4) and the GM sharpness compared to the G will provide high enough resolution that I can crop-in for enlargements when I otherwise would have used the extra virtual zoom to highlight one face in a crowd. The fact that the new version of the 24-70 F2.8 is actually lighter and smaller than the 24-105 is an added benefit. One of the things that kept me from trading up to the original 24-70 F2.8 was the fact that it weighed more. Sony's vendor event trade-in discount helped sweeten the deal on this, too!PS: Love the folks at this company & try to give my business to them rather than to the big superstores whenever I can to support local businesses and help them continue in their tradition of excellent customer service.
| Focal Length | 28 to 70mm |
| Maximum Aperture | f/2 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
Sony FE 28-70mm F2 GM Lens Black
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony FE 28-70mm f/2 GM Lens Full Frame G Master
Delivery $26.90
Sony FE 28-70mm f/2 GM Lens (SEL2870GM)
Free delivery between 16–23 June
Sony FE 28-70mm F2 GM
Free delivery
Sony FE 28-70mm f/2 GM Lens - Brand New
Free delivery between 12–18 June
Sony's previous 24-70 f2.8 GM lens was good, this new upgrade version of fantastic. Smaller and lighter than any other manufacturer lens of this quality, and also loaded with features including adjustable drag when rotating the zoom ring, aperture adjustment dial with switch to enable/disable click, Auto/Manual focus switch, and multiple programmable buttons. The lens hood design is also an improvement over the previous Sony GM lens, with better attachment mechanism, slide tab to allow adjusting variable ND filters, and smaller petals so it does not add as much to the length of the lens.There are plenty of detailed reviews on the internet, and all conclude this lens is very sharp corner to corner across the range of apertures.I've used mine for thousands of ... MoreSony's previous 24-70 f2.8 GM lens was good, this new upgrade version of fantastic. Smaller and lighter than any other manufacturer lens of this quality, and also loaded with features including adjustable drag when rotating the zoom ring, aperture adjustment dial with switch to enable/disable click, Auto/Manual focus switch, and multiple programmable buttons. The lens hood design is also an improvement over the previous Sony GM lens, with better attachment mechanism, slide tab to allow adjusting variable ND filters, and smaller petals so it does not add as much to the length of the lens.There are plenty of detailed reviews on the internet, and all conclude this lens is very sharp corner to corner across the range of apertures.I've used mine for thousands of photos at some events I attended over the past few months, and I'm blown away by the image quality.
I got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great ... MoreI got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great optics. To me the sigma has annoyed me the past with missing focus during critical moments during events which caused me having to reshoot but missing the better moment.Also please take into consideration sample variation because I had to go through TWO copies of the GM II to get this excellent one which is NOT FUN. Copy variation plagues the 24-70 zoom lenses in particular as they are difficult to design and have different tolerances. I was not happy with my two previous copies as they were softer on the left side of the frame even stopped down at most FL which was not OK. I had the same experience when I got my sony 12-24 GM lens. I really wish this wasn't the same case in 2023 but here we are.Still highly recommend this lens if you can afford it and want the best AF especially.
Have thought for years about trading my old workhorse Sony FE 24-105 F4.0 G for this one and finally decided to take the plunge. I have some misgivings: The 24-105 was a GREAT all-around lens and I could get to about 135 equivalent in crop-sensor mode, so I've got my fingers crossed that the extra stop (2.8 instead of 4) and the GM sharpness compared to the G will provide high enough resolution that I can crop-in for enlargements when I otherwise would have used the extra virtual zoom to highlight one face in a crowd. The fact that the new version of the 24-70 F2.8 is actually lighter and smaller than the 24-105 is an added benefit. One of the things that kept me from trading up to the original 24-70 F2.8 was the fact that it weighed more. Sony's vendor event ... MoreHave thought for years about trading my old workhorse Sony FE 24-105 F4.0 G for this one and finally decided to take the plunge. I have some misgivings: The 24-105 was a GREAT all-around lens and I could get to about 135 equivalent in crop-sensor mode, so I've got my fingers crossed that the extra stop (2.8 instead of 4) and the GM sharpness compared to the G will provide high enough resolution that I can crop-in for enlargements when I otherwise would have used the extra virtual zoom to highlight one face in a crowd. The fact that the new version of the 24-70 F2.8 is actually lighter and smaller than the 24-105 is an added benefit. One of the things that kept me from trading up to the original 24-70 F2.8 was the fact that it weighed more. Sony's vendor event trade-in discount helped sweeten the deal on this, too!PS: Love the folks at this company & try to give my business to them rather than to the big superstores whenever I can to support local businesses and help them continue in their tradition of excellent customer service.
This is my second time purchasing this lens, one was already gifted to someone. It's optically really nice, the size is large but not too big and it has very sharp and pleasant. It is comparable to primes at times, especially during the day and with filters. The 24-70 focal range is also versatile and with the APS-C crop on some cameras you can get to approximately 105mm for potential cityscapes or distant objects. Close focusing distance is good so you can take pictures of smaller things like rings, watches or flowers. The only down side comes at night time, as f2.8 is a little dark, but if you have a capable camera body then you can make it work too. The 82mm filter thread is shared with the 16-35 f2.8 GM lens and the 135mm f1.8 GM. There isn't much to dislike ... MoreThis is my second time purchasing this lens, one was already gifted to someone. It's optically really nice, the size is large but not too big and it has very sharp and pleasant. It is comparable to primes at times, especially during the day and with filters. The 24-70 focal range is also versatile and with the APS-C crop on some cameras you can get to approximately 105mm for potential cityscapes or distant objects. Close focusing distance is good so you can take pictures of smaller things like rings, watches or flowers. The only down side comes at night time, as f2.8 is a little dark, but if you have a capable camera body then you can make it work too. The 82mm filter thread is shared with the 16-35 f2.8 GM lens and the 135mm f1.8 GM. There isn't much to dislike about this product, it can also operate well on a gimbal.
GM glass is GM glass so you know it's going to be good. Haven't yet shot a lot with it yet (big trip coming up) but the few I have taken are excellent. (Full disclosure, I also paired it with the A7R4 to replace the A7R3 so there's that. 😊) Compared to my prior GM version: 1) It has an aperture ring (iris lock) to offer more control but you need to apply a bit of force to get it over the A setting for the camera to take over. I was afraid of forcing it until I saw others with the same question on YouTube 😊 2) It LACKS the lock button to keep the lens from extending under its own weight. I carry my camera in a hip holster with the lens hanging down and appreciated the GM version's lock to keep it from extending automatically. The smooth-tight tension switch does ... MoreGM glass is GM glass so you know it's going to be good. Haven't yet shot a lot with it yet (big trip coming up) but the few I have taken are excellent. (Full disclosure, I also paired it with the A7R4 to replace the A7R3 so there's that. 😊) Compared to my prior GM version: 1) It has an aperture ring (iris lock) to offer more control but you need to apply a bit of force to get it over the A setting for the camera to take over. I was afraid of forcing it until I saw others with the same question on YouTube 😊 2) It LACKS the lock button to keep the lens from extending under its own weight. I carry my camera in a hip holster with the lens hanging down and appreciated the GM version's lock to keep it from extending automatically. The smooth-tight tension switch does not make it tight enough to prevent it from sliding. 3) It's several ounces lighter which I love but that comes by virtue of using more plastic in the build (understandable). Hopefully it's weather resistance is still maintained.
I really enjoyed the lens for the first 3-6 months. I used to own the 1st gen, and I feel like this lens is sharper with better coatings. Unfortunately, I was disappointed, because I noticed a crazy amount of dust inside the lens after using it for only 3-6 months. None of my older Sony lenses, including the original 24-70 GM or even the older and much cheaper Sony 16-35 f/4 Zeiss had any dust inside. The new GM 2 is vacuuming the air like crazy. I shoot at apertures closer to f/8-f/9 (I shoot high-end interior design and architecture), and that dust can be noticeable in some of the photographs, which is unforgivable for a lens, which as Sony claims itself, updated dust and moisture resistant design provides extra reliability for outdoor use in challenging ... MoreI really enjoyed the lens for the first 3-6 months. I used to own the 1st gen, and I feel like this lens is sharper with better coatings. Unfortunately, I was disappointed, because I noticed a crazy amount of dust inside the lens after using it for only 3-6 months. None of my older Sony lenses, including the original 24-70 GM or even the older and much cheaper Sony 16-35 f/4 Zeiss had any dust inside. The new GM 2 is vacuuming the air like crazy. I shoot at apertures closer to f/8-f/9 (I shoot high-end interior design and architecture), and that dust can be noticeable in some of the photographs, which is unforgivable for a lens, which as Sony claims itself, updated dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions. Well, I mostly use the lens indoors, and it still got crazy amount of dust inside. And it affected not only the front element, but several elements behind it, so getting it clean won't be a cheap thing to do, which basically adds to its already high cost (it will also affect its resale value if you don't get it professionally cleaned before selling it). Again, the 1st generation was on another level in that regard.
This is a fantastic lens. I sold my first Sony Fe 24-70mm f/2.8 GM because it was simply to big and heavy and did not outperform my beloved prime lenses. However, traveling around the world and carrying around multiple primes got tiresome. I decided to buy this marvel and keep my primes for my Milky Way night sky photography.I have not regretted this decision.-This lens is lighter and smaller than the predecessor.-Very well build, no play of focus and zoom rings and no wobble of extended zoom tube.-Loaded with useful functions that can be programed according to ones need.-I tested the lens for chromatic aberrations but was not able to see any.-The lens is sharp, really sharp, at any aperture and focal lens and to my perception, sharp into the far ... MoreThis is a fantastic lens. I sold my first Sony Fe 24-70mm f/2.8 GM because it was simply to big and heavy and did not outperform my beloved prime lenses. However, traveling around the world and carrying around multiple primes got tiresome. I decided to buy this marvel and keep my primes for my Milky Way night sky photography.I have not regretted this decision.-This lens is lighter and smaller than the predecessor.-Very well build, no play of focus and zoom rings and no wobble of extended zoom tube.-Loaded with useful functions that can be programed according to ones need.-I tested the lens for chromatic aberrations but was not able to see any.-The lens is sharp, really sharp, at any aperture and focal lens and to my perception, sharp into the far corners.-Even though it is not a macro lens, the close-up performance is impressive.-Color rendering is beautiful.-The bokeh is beautiful.-The Auto focus is fast, silent and reliable.I have not tested the lens for any coma aberrations, so I cannot report how well it will perform, but I have high hopes.This lens is small and light enough to take on my trips, replacing four primes for simplicity and reduced clutter, without sacrificing image quality. I always will have my favorite 21mm prime lens with me but as mentioned, I don't have to carry all the other primes in addition, anymore.I highly recommend this marvel. Bravo Sony!
I have owned this lens for only about five days. It is the most expensive lens I have ever purchased by many magnitudes, and I am using it on the most expensive camera I have ever purchased (the Sony A7 IV purchased from BB). That said, my impression after four days is simple: magic. This lens is so versatile, the images so sharp, at all magnifications, even out to the edges, and colors jump off the page. I can't believe I'm generating these gorgeous images; it's just magic.I happened to be in a position when I could splurge and treat myself to such an expensive canera lens, and I am totally pleased. I know I will learn a lot more on how best to use this lens, and will grow with this lens and camera, but the results so far have exceeded my expectations. Sony ... MoreI have owned this lens for only about five days. It is the most expensive lens I have ever purchased by many magnitudes, and I am using it on the most expensive camera I have ever purchased (the Sony A7 IV purchased from BB). That said, my impression after four days is simple: magic. This lens is so versatile, the images so sharp, at all magnifications, even out to the edges, and colors jump off the page. I can't believe I'm generating these gorgeous images; it's just magic.I happened to be in a position when I could splurge and treat myself to such an expensive canera lens, and I am totally pleased. I know I will learn a lot more on how best to use this lens, and will grow with this lens and camera, but the results so far have exceeded my expectations. Sony knocked it out of the park. Yes, you pay a high price for this lens, but the money has been well spent.
I think this lens is absolutely one of the greatest lenses I have ever used. It's definitely one of the most versatile in the business, and the quality of images that I can capture on my A7iv is incredible.That being said, this thing cost as much as an A7iv! I think it all depends on the budget. If money is not an issue with your next lens, then I would recommend this one. It has a ton of on-lens features (aperture wheel, custom buttons, etc.) that make it stand apart from other cheaper options.On the flip side, I rarely find that people don't want to save money. To be quite frank, I think there are a ton of options that are just as similar as this one for much cheaper. Sure, you going to miss some fancy options and maybe even be looking at a third party company ... MoreI think this lens is absolutely one of the greatest lenses I have ever used. It's definitely one of the most versatile in the business, and the quality of images that I can capture on my A7iv is incredible.That being said, this thing cost as much as an A7iv! I think it all depends on the budget. If money is not an issue with your next lens, then I would recommend this one. It has a ton of on-lens features (aperture wheel, custom buttons, etc.) that make it stand apart from other cheaper options.On the flip side, I rarely find that people don't want to save money. To be quite frank, I think there are a ton of options that are just as similar as this one for much cheaper. Sure, you going to miss some fancy options and maybe even be looking at a third party company but saving close to a thousand dollars and still having a 24-70 f 2.8 lens is well worth it in my opinion.All in all, it always depends on the photographer. Hope this helps someone!Also, highly recommend B&H for all of your photography / videography needs!!!!!!!
I purchased this lens new from B&H nearly two years ago ... it is my primary travel lens (A7RIII and A7RV bodies) and has been used in all sorts of weather extremes without issue. I dust off/wipe down my gear after each use and allow air dry if exposed to moisture ... I am pleased with how it's held up; despite its use still looks pristine and has no dust inside.There are lots of performance technical write-ups on the net; I've used this lens to create everything from landscapes to portraiture ... the results are stunning.A key trade off to the focal length versatility and constant f2.8 is its size and weight. It makes for a chunky gear combo around the neck, but not to the extent I can't comfortably carry it all day.If you're looking for premium quality and ... MoreI purchased this lens new from B&H nearly two years ago ... it is my primary travel lens (A7RIII and A7RV bodies) and has been used in all sorts of weather extremes without issue. I dust off/wipe down my gear after each use and allow air dry if exposed to moisture ... I am pleased with how it's held up; despite its use still looks pristine and has no dust inside.There are lots of performance technical write-ups on the net; I've used this lens to create everything from landscapes to portraiture ... the results are stunning.A key trade off to the focal length versatility and constant f2.8 is its size and weight. It makes for a chunky gear combo around the neck, but not to the extent I can't comfortably carry it all day.If you're looking for premium quality and versatility in a mid range zoom lens, it's well worth the price.
| Focal Length | 28 to 70mm |
| Maximum Aperture | f/2 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
