Last updated at 27/06/2026 20:55:02
Carl Zeiss Planar 50mm f1.4 ZE T* Canon EF - OldCamsByJens
Delivery between 2–8 July $267.55
Carl Zeiss Planar T 1.4 / 50 Ze Canon Ef
Free delivery
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Zeiss 50mm F1.4 Planar T Ze Lens Canon Ef
Delivery $47.85
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[unused W/hood] Carl Zeiss Planar T 50mm F/1.4 Ze Lens For Canon Ef
Delivery $63.80
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Zeiss Planar 50mm F/1.4 F1.4 Ze T Lens For Canon Ef Mount
Delivery $20
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Carl Zeiss 50mm f1.4 Planar T* ZE
Delivery between 3–10 July $59
Carl Zeiss 50mm f1.4 Planar T* ZE
Delivery between 3–10 July $59
Carl Zeiss 50mm f1.4 Planar T* ZE
Delivery between 3–10 July $59
- Zeiss Carl Planar T* 1,4/50 ZE (1677-817) Lens, Black, 48X71MM
Delivery between 4–7 July $29
Carl Zeiss Planar T 50mm f1.4 ZE lens - Canon Mount
Delivery $15.90
originally posted on bhphotovideo.com
An absolutely wonderful and exceptional lens. I came to the Zeiss 50mm normal from the Canon 50mm 1/1.2 L, itself a brilliant lens, and I have to admit I wasn't sure if I would be comfortable using the Zeiss and end up missing the character and build quality of the Canon. But I wanted to try it on the strength of its reputation, and I wanted to challenge myself to use a manual focus. Well, the Zeiss lives up to its reputation, and then some. Mechanically, this lens is just phenomenal. The manufacturing tolerances of the lens are at the least the equal of the Canon, and because the Zeiss designers were not encumbered by having to account for an AF motor, they were able to give the focus barrel movement much more damping, and have tuned the rotation resistance of the ... MoreAn absolutely wonderful and exceptional lens. I came to the Zeiss 50mm normal from the Canon 50mm 1/1.2 L, itself a brilliant lens, and I have to admit I wasn't sure if I would be comfortable using the Zeiss and end up missing the character and build quality of the Canon. But I wanted to try it on the strength of its reputation, and I wanted to challenge myself to use a manual focus. Well, the Zeiss lives up to its reputation, and then some. Mechanically, this lens is just phenomenal. The manufacturing tolerances of the lens are at the least the equal of the Canon, and because the Zeiss designers were not encumbered by having to account for an AF motor, they were able to give the focus barrel movement much more damping, and have tuned the rotation resistance of the barrel to absolute perfection. The lens is a ridiculous pleasure to focus - you really have to handle it in persom to appreciate how wonderful it is. My biggest concern was how the manual focus would work, especially since I only have the default focus screen on my camera (the 5D Mk II). First, because of the superb optical qualities of the Zeiss, identifying the focus plane is very easy, and at higher f-stops, consistently focused shots are no problem. Now for the fun part - even though the lens is technically manual focus, the Canon AF system - the part that identifies the necessary contrast at the designated focus point - still functions perfectly using the lens. This is extremely useful at lower f-stops, where getting the focus plane precisely positioned can be tricky. By depressing the shutter trigger halfway, the camera's AF sensor evaluates the shot contrast at the focus point as it normally does - if the focus point flashes red, then you have a good focus. If not, simply adjust the focus and re-evaluate. It's really the best of both worlds to have such a fantastic manual focus mechanism with the AF assist from the camera when you need it.Optically, the Zeiss is absolutely brilliant. Colors are vibrant, focus is razor sharp, and depending on the f-stop chosen, the bokeh is exquisitely smooth. Best of all, there is an unmistakeable and lovely character to the shots the lens produces that are unique and wonderfully expressive.In short, I am totally thrilled with the Zeiss, and the performance of the 50mm makes me want the 35mm as the next in my collection.
originally posted on wexphotographic.com
With this being manual focus lens I thought I would struggle with it as I have many vintage manual focus lenses and don't always get sharp shots. It is so easy to nail focus with this lens and the image quality of the file is awesome. Wouldn't hesitate to recommend this lens to anyone and will be looking to purchase another second hand Zeiss lens soon
originally posted on adorama.com
I'm a DP/Director/Editor and I work mainly on fashion films and commercials. I shoot mainly with cine glass, however I own this Zeiss 50mm and the Distagon 21mm and both lenses are powerhouses.Really fast at f1.4, a SUPER smooth focus throw and a really great image regardless of what camera you use these with. I've had mine for ages and they've seen action on everything from a 5D mkii to Alexa Mini and a bunch in between.I would recommend picking one up if you're interested in investing in good glass but don't want to spring for a top tier cine lens kit. I would take these over any Xeen cine lens, any set of Canon or Zeiss CP2 PL mount lenses also.The build is sturdy, the image is sharp without being too digital looking, and I've found the set handles skin ... MoreI'm a DP/Director/Editor and I work mainly on fashion films and commercials. I shoot mainly with cine glass, however I own this Zeiss 50mm and the Distagon 21mm and both lenses are powerhouses.Really fast at f1.4, a SUPER smooth focus throw and a really great image regardless of what camera you use these with. I've had mine for ages and they've seen action on everything from a 5D mkii to Alexa Mini and a bunch in between.I would recommend picking one up if you're interested in investing in good glass but don't want to spring for a top tier cine lens kit. I would take these over any Xeen cine lens, any set of Canon or Zeiss CP2 PL mount lenses also.The build is sturdy, the image is sharp without being too digital looking, and I've found the set handles skin tones well also. I probably won't ever sell my set because of how great they are.
| Focal length description | 50 mm |
| Lens type | Wide Angle |
| Compatible mountings | Canon EF |
| Camera lens description | 50 mm |
| Model year | 2012 |
Carl Zeiss Planar 50mm f1.4 ZE T* Canon EF - OldCamsByJens
Delivery between 2–8 July $267.55
Carl Zeiss Planar T 1.4 / 50 Ze Canon Ef
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Zeiss 50mm F1.4 Planar T Ze Lens Canon Ef
Delivery $47.85
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[unused W/hood] Carl Zeiss Planar T 50mm F/1.4 Ze Lens For Canon Ef
Delivery $63.80
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Zeiss Planar 50mm F/1.4 F1.4 Ze T Lens For Canon Ef Mount
Delivery $20
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
An absolutely wonderful and exceptional lens. I came to the Zeiss 50mm normal from the Canon 50mm 1/1.2 L, itself a brilliant lens, and I have to admit I wasn't sure if I would be comfortable using the Zeiss and end up missing the character and build quality of the Canon. But I wanted to try it on the strength of its reputation, and I wanted to challenge myself to use a manual focus. Well, the Zeiss lives up to its reputation, and then some. Mechanically, this lens is just phenomenal. The manufacturing tolerances of the lens are at the least the equal of the Canon, and because the Zeiss designers were not encumbered by having to account for an AF motor, they were able to give the focus barrel movement much more damping, and have tuned the rotation resistance of the ... MoreAn absolutely wonderful and exceptional lens. I came to the Zeiss 50mm normal from the Canon 50mm 1/1.2 L, itself a brilliant lens, and I have to admit I wasn't sure if I would be comfortable using the Zeiss and end up missing the character and build quality of the Canon. But I wanted to try it on the strength of its reputation, and I wanted to challenge myself to use a manual focus. Well, the Zeiss lives up to its reputation, and then some. Mechanically, this lens is just phenomenal. The manufacturing tolerances of the lens are at the least the equal of the Canon, and because the Zeiss designers were not encumbered by having to account for an AF motor, they were able to give the focus barrel movement much more damping, and have tuned the rotation resistance of the barrel to absolute perfection. The lens is a ridiculous pleasure to focus - you really have to handle it in persom to appreciate how wonderful it is. My biggest concern was how the manual focus would work, especially since I only have the default focus screen on my camera (the 5D Mk II). First, because of the superb optical qualities of the Zeiss, identifying the focus plane is very easy, and at higher f-stops, consistently focused shots are no problem. Now for the fun part - even though the lens is technically manual focus, the Canon AF system - the part that identifies the necessary contrast at the designated focus point - still functions perfectly using the lens. This is extremely useful at lower f-stops, where getting the focus plane precisely positioned can be tricky. By depressing the shutter trigger halfway, the camera's AF sensor evaluates the shot contrast at the focus point as it normally does - if the focus point flashes red, then you have a good focus. If not, simply adjust the focus and re-evaluate. It's really the best of both worlds to have such a fantastic manual focus mechanism with the AF assist from the camera when you need it.Optically, the Zeiss is absolutely brilliant. Colors are vibrant, focus is razor sharp, and depending on the f-stop chosen, the bokeh is exquisitely smooth. Best of all, there is an unmistakeable and lovely character to the shots the lens produces that are unique and wonderfully expressive.In short, I am totally thrilled with the Zeiss, and the performance of the 50mm makes me want the 35mm as the next in my collection.
With this being manual focus lens I thought I would struggle with it as I have many vintage manual focus lenses and don't always get sharp shots. It is so easy to nail focus with this lens and the image quality of the file is awesome. Wouldn't hesitate to recommend this lens to anyone and will be looking to purchase another second hand Zeiss lens soon
I'm a DP/Director/Editor and I work mainly on fashion films and commercials. I shoot mainly with cine glass, however I own this Zeiss 50mm and the Distagon 21mm and both lenses are powerhouses.Really fast at f1.4, a SUPER smooth focus throw and a really great image regardless of what camera you use these with. I've had mine for ages and they've seen action on everything from a 5D mkii to Alexa Mini and a bunch in between.I would recommend picking one up if you're interested in investing in good glass but don't want to spring for a top tier cine lens kit. I would take these over any Xeen cine lens, any set of Canon or Zeiss CP2 PL mount lenses also.The build is sturdy, the image is sharp without being too digital looking, and I've found the set handles skin ... MoreI'm a DP/Director/Editor and I work mainly on fashion films and commercials. I shoot mainly with cine glass, however I own this Zeiss 50mm and the Distagon 21mm and both lenses are powerhouses.Really fast at f1.4, a SUPER smooth focus throw and a really great image regardless of what camera you use these with. I've had mine for ages and they've seen action on everything from a 5D mkii to Alexa Mini and a bunch in between.I would recommend picking one up if you're interested in investing in good glass but don't want to spring for a top tier cine lens kit. I would take these over any Xeen cine lens, any set of Canon or Zeiss CP2 PL mount lenses also.The build is sturdy, the image is sharp without being too digital looking, and I've found the set handles skin tones well also. I probably won't ever sell my set because of how great they are.
I really wanted to give this lens a thoughtful review because like many who are considering this are also looking at the 50mm 2.0 Makro Planar. I have not had the opportunity to actually use the 50 MP so I can't directly compare. But indirectly I will give a shot based on hours of reading and using the 50 1.4. First of all I am not a professional photographer so take that into consideration but here are some generalities that I have come up with considering the two lenses and how it applies to the 50 1.4. I don't think there is any question that the 50 2.0 MP is a sharper lens by design. From the images I have seen it is sharp and very good at macro shots fo which it designed. I have read where people look at the 50 2.0 MP like it is an upgrade or better lens than ... MoreI really wanted to give this lens a thoughtful review because like many who are considering this are also looking at the 50mm 2.0 Makro Planar. I have not had the opportunity to actually use the 50 MP so I can't directly compare. But indirectly I will give a shot based on hours of reading and using the 50 1.4. First of all I am not a professional photographer so take that into consideration but here are some generalities that I have come up with considering the two lenses and how it applies to the 50 1.4. I don't think there is any question that the 50 2.0 MP is a sharper lens by design. From the images I have seen it is sharp and very good at macro shots fo which it designed. I have read where people look at the 50 2.0 MP like it is an upgrade or better lens than the 50 1.4 but I don't think that is the case at all. It is just designed to optimize a specific application. If very sharp images are what you want than the 50 MP is a great choice.Now the 50 1.4 can take a sharp photo especially stopped down a bit but the general character of the lens is a bit softer and for lack of a better term artistic. For what this lens may lack in razor sharp detail it makes up for in really pleasing overall photographs. The colors are superb and accurate. The background blur is very pleasing and the depth of field has endless possibilities. This lens is a lot of fun and you can get some real unexpected gems from it. One of the reasons I chose this lens over the other brand auto focus options was the manual focus and the build quality. The build quality on this lens is outstanding and the focus has a long throw and is smooth and well damped. It is relatively small lens when compared to the 24-105 zoom lens on the 5d mkII. The lens has some heft for its size due to the all metal build but when mounted to the 5D mkII the camera feels much lighter and balanced. It just feels good to shoot with it.One of the best surprises for me when using this lens is the throw-back to when I used to shoot with a 35mm film camera with just a manual 50mm lens. For those of you old enough to remember, the technology was much simpler and you had to work at composition and proper focus and exposure. Using a lens like this brings a lot of that all back and it has really bridged a gap. I love using the analogue scale on the lens to calculate depth of field for each aperature setting. This is how I used to shoot and it feels very familiar to me. OK, enough of the trip down nostalgia lane. Here is how I use this lens and some of you will say this is how I like to shoot and some will say I really don't want to deal with that, I want auto focus. As others have said, nailing the focus on this lens can be tricky and downright difficult if opened up, using the viewfinder and trying to shoot something that needs to be hurried. Where this lens will shine in my opinion is when using a tripod in low light or when very narrow depth of field is desired. I use the live view on the 5D at max magnification to focus very precisely on the portion of the subject that you want in focus. Using this technique will help you get the focus right. It is not always possible to use a tripod so maybe some focus bracketing will help with very narrow depth of field. As a walk around lens and a lot of the reason to use a 50mm this lens is very usable if you keep in mind you focal lengths and using that great depth of field gauge engraved in the lens. This is how I used to do it and it works very well. Aperature above 4.0 (8.0 is best) set the infinity end of the depth of field gauge on the aperature setting you are using and match up the distance on the other side and you will know that everything from say 10' to infinity is in focus. You can walk around all day and not have to worry about focusing.A couple of other points I like is the lack of zoom takes one variable out of the equation. You have 50 and thats it! It makes you walk around more and work at the composition. I remember taking a photograph class back in the 80's and the instructor only let us shoot with blank and white and a 50mm lens. There was no place to hide. It was all about getting a feel for light and composition. Throw this lens on a modern DSLR, set the ISO to 100 and see what you can come up with. Opens up a lot of creative possibilities by limiting your options. I think it is a great lens to have in your quiver in this day of super duper technological wonders. Hope this helps.
This review is a follow up to my prior review. That review was mostly about how it performed from f/4 to f/14. I've since been using it extensively from f/2 to f/1.6 and I'm blown away by the photos I'm getting. I love shooting at f/1.6 for my portrait work. You have to ignore the technical reviews. It's beautiful on real world subjects. Sharpness is more than sufficient for people photos and the bokeh is so nice. I should add that your point of focus does not have to be in the center for good results. Its solid clear out into the mid-frame. The photos will truly make you smile. The Zeiss Classic 50mm f/1.4 deserves so much more attention than it gets. As I noted in my prior review, this is a lens for creating art. There's no better way to put it. If you can get ... MoreThis review is a follow up to my prior review. That review was mostly about how it performed from f/4 to f/14. I've since been using it extensively from f/2 to f/1.6 and I'm blown away by the photos I'm getting. I love shooting at f/1.6 for my portrait work. You have to ignore the technical reviews. It's beautiful on real world subjects. Sharpness is more than sufficient for people photos and the bokeh is so nice. I should add that your point of focus does not have to be in the center for good results. Its solid clear out into the mid-frame. The photos will truly make you smile. The Zeiss Classic 50mm f/1.4 deserves so much more attention than it gets. As I noted in my prior review, this is a lens for creating art. There's no better way to put it. If you can get past the manual focus, you will likely love it. It's not biting sharp wide open. That's NOT what this lens is about. Go for the Milvus is you need that. This is an art lens.
Bought this lens in Canon EF to use with my 5D mk3. I also planned on using it with my FS700 and a metabones. The lens is super well built and works flawlessly. Initially, the lens was a nice addition to my canon glass, but being a prime 50mm lens the mounting and un mounting got to be an issue in the run and gun world. This lens is small in stature and was dwarfed by the 5D. Also, I was not impressed using it on the FS700 with metabones. Thought it could have been sharper. Well, time goes by I pickup a Sony A7Sii (love this camera). Coupled with the metabones adapter, I have to say the Zeiss has found a home. It shines in performance and perfectly fits the size of the A7Sii. Plus it's an F1.4. Finally seeing the sharpness I have come to expect from these lenses. ... MoreBought this lens in Canon EF to use with my 5D mk3. I also planned on using it with my FS700 and a metabones. The lens is super well built and works flawlessly. Initially, the lens was a nice addition to my canon glass, but being a prime 50mm lens the mounting and un mounting got to be an issue in the run and gun world. This lens is small in stature and was dwarfed by the 5D. Also, I was not impressed using it on the FS700 with metabones. Thought it could have been sharper. Well, time goes by I pickup a Sony A7Sii (love this camera). Coupled with the metabones adapter, I have to say the Zeiss has found a home. It shines in performance and perfectly fits the size of the A7Sii. Plus it's an F1.4. Finally seeing the sharpness I have come to expect from these lenses. Glad I held on to it.
Was scared to put so much money in lens at the beginning, specially it being manual lens only, but all my doubts went away the moment I got the lens. The build quality is breath taking. Amazingly built, it fells like its gonna last the life time plus few more years. I have no clue what I got till almost a week when I finally figured out the focusing, which is the red light and beep, and took a picture. and I can tell you that was the first best picture I have ever taken in my life. I don't even use a high end camera; but the picture quality wasn't less than any professional cameraman might have taken. Here are some tips, if you are the first time user of this lens, or looking to buy this lens.: 1. The focus is completely achieved when the points in the viewfinder ... MoreWas scared to put so much money in lens at the beginning, specially it being manual lens only, but all my doubts went away the moment I got the lens. The build quality is breath taking. Amazingly built, it fells like its gonna last the life time plus few more years. I have no clue what I got till almost a week when I finally figured out the focusing, which is the red light and beep, and took a picture. and I can tell you that was the first best picture I have ever taken in my life. I don't even use a high end camera; but the picture quality wasn't less than any professional cameraman might have taken. Here are some tips, if you are the first time user of this lens, or looking to buy this lens.: 1. The focus is completely achieved when the points in the viewfinder blink red when you half-press the shutter release. Try to focus the best you can and then press the shutter release to the half point to see if the small black dots blink red. 2. If you are having too hard time to get the "red blinking", try moving little bit, its easier to move forward or backward then to precisely focus using the lens. The reason why this helps is because the focus line of this lens is tiny( I mean if I am taking a closeup picture, I can focus on cheeks and not on nose or ears, its that tiny focus line). 3. Take tons of pictures, while moving the focus ring, at the beginning you won't know which picture might turn out alright. Sometimes it looks okay and you get really blurry picture and sometimes it doesn't look perfect from viewfinder but you get great picture. It might not be the easiest lens to use, but like other people have said, the built quality, the smooth focus ring, and the color plus the booked effect, you won't ask more then that!!! Its a BUY BUY BUY!!!
Very very unique, challenging lense if you are ready to step into the manual focus game. Built like a tank. All metal, including the lens hood. Has electronic camera connection, so you can use with MF guide of your camera if you are into.The sharpest results comes up anywhere between f/5 and f/8 as you may guess. Wider apertures brings soft results (especially around f/2.2 and wider.) I also observed a slight chromatic abbreviation on green side. If you like contrast forward photos without retouching, this would be the one.
I can not believe Zeiss can put their name on that. I have some first gen rokinon's primes that ate sharper and shows significantly less CA than this lens at the same aperture. Lenses I bought nearly 10 years ago for less than 400$ each. I have to return this Zeiss and will lose money over custom and shipping. This is an absolute disaster. Ah and the T* Coating is a joke on this product the flare is ugly at best and not well managed at all. Paying this much for a lens that render nice images at f4 or higher is nothing less than a disgrace toped with a giant ripoff. DO NOT EVER EVER EVEN CONSIDER BUYING THIS USELESS PIECE OF GARBAGE.
I bought this because it has approximately the same field of view as the human eye, I have only used it twice so far. The results are very good. The color reproduction is outstanding and it is tack sharp. I have read many reviews that it is soft wide open. I shoot mainly landscape so I have shot from f4 to f8 only. I mostly shoot manual focus even with auto focus lenses so the lack of auto focus with this lens makes no difference to me.
| Focal length description | 50 mm |
| Lens type | Wide Angle |
| Compatible mountings | Canon EF |
| Camera lens description | 50 mm |
| Model year | 2012 |
Zeiss Planar T* 50mm f/1.4 ZE Lens for Canon
Avid photographers will love the quality and detail they will get while shooting with the Zeiss Planar T* 50mm f/1.4 ZE lens. This high speed lens is by all means considered to be one of the best SLR lenses. The lens uses virtually all exposure programs i.e. (P, AV, TV, and M). It features the patented Carl Zeiss T lens coating.Fantastic PerformanceThe most impressing thing about this lens is its image quality. The lens is very sharp and wide open. It is practically chromatic aberration free, and distortion free. Even with the sun directly hitting the corner of the frame the lens shows very little flare. The lens is ideally used with the Canon EF-Mount and EOS DSLR cameras and can be of great use in studio and portrait shooting. It is ideal for exactmanual focusing and renders quality images by eliminating aberrations and possesses very high definition allowing contrast in the subject to be faithfully produced.
Avid photographers will love the quality and detail they will get while shooting with the Zeiss Planar T* 50mm f/1.4 ZE lens. This high speed lens is by all means considered to be one of the best SLR lenses. The lens uses virtually all exposure programs i.e. (P, AV, TV, and M). It features the patented Carl Zeiss T lens coating.Fantastic PerformanceThe most impressing thing about this lens is its image quality. The lens is very sharp and wide open. It is practically chromatic aberration free, and distortion free. Even with the sun directly hitting the corner of the frame the lens shows very little flare. The lens is ideally used with the Canon EF-Mount and EOS DSLR cameras and can be of great use in studio and portrait shooting. It is ideal for exactmanual focusing and renders quality images by eliminating aberrations and possesses very high definition allowing contrast in the subject to be faithfully produced.
Avid photographers will love the quality and detail they will get while shooting with the Zeiss Planar T* 50mm f/1.4 ZE lens. This high speed lens is by all means considered to be one of the best SLR lenses. The lens uses virtually all exposure programs i.e. (P, AV, TV, and M). It features the patented Carl Zeiss T lens coating.Fantastic PerformanceThe most impressing thing about this lens is its image quality. The lens is very sharp and wide open. It is practically chromatic aberration free, and distortion free. Even with the sun directly hitting the corner of the frame the lens shows very little flare. The lens is ideally used with the Canon EF-Mount and EOS DSLR cameras and can be of great use in studio and portrait shooting. It is ideal for exactmanual focusing and renders quality images by eliminating aberrations and possesses very high definition allowing contrast in the subject to be faithfully produced.
Avid photographers will love the quality and detail they will get while shooting with the Zeiss Planar T* 50mm f/1.4 ZE lens. This high speed lens is by all means considered to be one of the best SLR lenses. The lens uses virtually all exposure programs i.e. (P, AV, TV, and M). It features the patented Carl Zeiss T lens coating.Fantastic PerformanceThe most impressing thing about this lens is its image quality. The lens is very sharp and wide open. It is practically chromatic aberration free, and distortion free. Even with the sun directly hitting the corner of the frame the lens shows very little flare. The lens is ideally used with the Canon EF-Mount and EOS DSLR cameras and can be of great use in studio and portrait shooting. It is ideal for exactmanual focusing and renders quality images by eliminating aberrations and possesses very high definition allowing contrast in the subject to be faithfully produced.
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The lowest price for Zeiss Planar T* 50mm f/1.4 ZE Lens for Canon right now is $444.35 at Oldcamsbyjens.com, compared across 6 retailers.
The all-time low was $289.00 on 18 Mar 2026 — today's price is 54% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 27 June 2026.
