The Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7", viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.
The Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7", viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.
Blackmagic Studio Camera 4K Pro G2
The Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7", viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.
The Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7", viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.
in 29 offers
The lowest price for Blackmagic Studio Camera 4K Pro G2 right now is $2,531.10 at showtechnix.com.au, compared across 28 retailers.
The all-time low was $2,531.10 on 29 May 2026. That's the lowest price we've ever tracked — a great time to buy.
Prices last updated 9 June 2026.
Last updated at 09/06/2026 08:13:10
Blackmagic Studio Camera 4K Pro G2
Delivery $30
Blackmagic Studio Camera 4K Pro
Delivery between 12–17 June $12
Blackmagic Studio Camera 4K Pro G2
Delivery between 12–17 June $12
Blackmagic Studio Camera 4K Pro G2
Delivery $9.90
Blackmagic Studio Camera 4K Pro G2
Delivery by Mon $25
Blackmagic Design Studio Camera 4K Pro G2
Delivery $16.50
Blackmagic Design Studio Camera 4K Pro G2
Delivery $7.90
Blackmagic Studio Camera 4k Pro G2
Delivery $53
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Blackmagic Design Blackmagic Studio Camera 4K Pro G2
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Blackmagic Design Studio Camera 4K Pro G2 - Videoguys Australia
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originally posted on bhphotovideo.com
What a great experience using this camera. Love every aspect of it. Easy to use, you can find lots of explanatory videos online for this camera, and the results are incredible. Totally recommend!
originally posted on bhphotovideo.com
The Camera is difficult to use. Does not have auto focus. Can only be used with Davinci Resolve Editor which is also a pain to use. People at B&H can't help you with anything. They bundle stuff together they get a couple of sales and thats it. They don't care.
originally posted on adorama.com
Great camera. Very professional. Has every connection that you will need. Would be nice if Blackmagic sent a list of accessories that you would/could need to use with this camera including Focus Demand, Zoom demand, MFT lenses, etc. Major gain adjustments needed in low light. I'm concerned on how grainy my video might look in low light conditions.
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Blackmagic Studio Camera 4K Pro G2
Delivery $30
Blackmagic Studio Camera 4K Pro
Delivery between 12–17 June $12
Blackmagic Studio Camera 4K Pro G2
Delivery between 12–17 June $12
Blackmagic Studio Camera 4K Pro G2
Delivery $9.90
Blackmagic Studio Camera 4K Pro G2
Delivery by Mon $25
What a great experience using this camera. Love every aspect of it. Easy to use, you can find lots of explanatory videos online for this camera, and the results are incredible. Totally recommend!
The Camera is difficult to use. Does not have auto focus. Can only be used with Davinci Resolve Editor which is also a pain to use. People at B&H can't help you with anything. They bundle stuff together they get a couple of sales and thats it. They don't care.
Great camera. Very professional. Has every connection that you will need. Would be nice if Blackmagic sent a list of accessories that you would/could need to use with this camera including Focus Demand, Zoom demand, MFT lenses, etc. Major gain adjustments needed in low light. I'm concerned on how grainy my video might look in low light conditions.
The camera seems to work fine. I've spent way too much time sorting out the built in intercom side of things. You have two options; 3.5mm TRRS, and 5-pin XLR. Having built intercom systems before I assumed the 5-Pin XLR was going to be the easy route. The manual says it will output bias voltage on pins 1&2 for an electret microphone. I've not found this to be the case. I've tried two cameras and numerous electret microphones and I've not measured any voltage on pins 1&2. A lot of frustrations here. The headset that was purchased for this project used dual 3.5mm TRS plugs so an adapter was needed to combine them down to the 3.5mm TRRS jack. That worked fine, but I've had a lot of 3.5mm plugs snap off (I deal with students and faculty that are rough on equipment). I ... MoreThe camera seems to work fine. I've spent way too much time sorting out the built in intercom side of things. You have two options; 3.5mm TRRS, and 5-pin XLR. Having built intercom systems before I assumed the 5-Pin XLR was going to be the easy route. The manual says it will output bias voltage on pins 1&2 for an electret microphone. I've not found this to be the case. I've tried two cameras and numerous electret microphones and I've not measured any voltage on pins 1&2. A lot of frustrations here. The headset that was purchased for this project used dual 3.5mm TRS plugs so an adapter was needed to combine them down to the 3.5mm TRRS jack. That worked fine, but I've had a lot of 3.5mm plugs snap off (I deal with students and faculty that are rough on equipment). I was able to get the 5-pin jack to work if bias voltage is inserted external of the camera and I was able to get it to work with a dynamic mic so it's not a complete show stopper, but it does make it much harder to get to work. Blackmagic tech support was not that much use. My advice is if you are planning on using the built in intercom system then do a lot of research and plan on spending more time than expected on something that should be simple.
This is my first exposure to a mid-range Studio camera and I'll post some updates later, but I wanted to give some first impressions. I've used cameras such as the Canon XA35 and that class. I'm very impressed with the screen and screen options. I have a hard time sometimes in bright light and it looks like it'll make things a lot easier to view outdoors. I do either event or active sports and it looks good for both. I bought the zoom and focus demands, but you really need to research the lenses as the demands won't work with most other lenses even though B&H has a recommended lens. The recommended lens doesn't work with the demands and are the same price as working lenses. Blackmagic has a small list of lenses that are supposed to work with both. I bought one and ... MoreThis is my first exposure to a mid-range Studio camera and I'll post some updates later, but I wanted to give some first impressions. I've used cameras such as the Canon XA35 and that class. I'm very impressed with the screen and screen options. I have a hard time sometimes in bright light and it looks like it'll make things a lot easier to view outdoors. I do either event or active sports and it looks good for both. I bought the zoom and focus demands, but you really need to research the lenses as the demands won't work with most other lenses even though B&H has a recommended lens. The recommended lens doesn't work with the demands and are the same price as working lenses. Blackmagic has a small list of lenses that are supposed to work with both. I bought one and it works great. I have a Manfrotto 503 head and quality manfrotto tripod, but it was too heavy in the back with the handles and demands, so I'll upgrade to the new manfrotto heads Manfrotto 608 Nitrotech. Currently I have to lock the head vertically which limits action shots. The camera zoom and focus demands did not work initially with the software that was installed on the camera. I did a software upgrade and they work flawlessly. My next step is to tie into my Blackmagic video switchers and 4K capture and see how it goes. I am a writer so sorry for the verbiage, but I hope it saved some hours for others. I'll do further reviews as I experience the camera, but I'm very impressed, especially with the price.
After setting up a multi cam streaming system using cheap camera to test it we pretty quickly realized that we need to step up to something better. These were a nice compromise between needs, features and price. Gave us everything we need without breaking the bank.Plenty of adjustments and features for just about any need however remember this does not include a lens. Since we're streaming and the resulting image is being compressed we didn't have the requirements for a high end cine lens so sticking with a relatively inexpensive zoom worked well for us. Mounted to the camera as expected and easy to control.I'll be replacing the rest of our test cameras with more of these and relegating those test ones to other simple uses throughout the office.
Our school's TV Studio purchased 3 of these, plus 3 focus/zoom demands, plus 3 Tamron MFT lenses, which B&H have listed in the accessories, but not on Blackmagic list of recommended lenses. Cannot zoom with the Zoom Demand. Tally light is hidden because of teleprompter hood. And, after reading several of the questions and reviews, the tally light will not work with our Roland switcher, which we already had. Only the ATEM. The manual is helpful, but the zoom will not operate. That's the main drawback for us.
We were so excited to upgrade our school's television studio with 4 of these and are underwhelmed. The picture is extremely dark and grainy, and the two different types of lenses we've tried cannot be controlled with the EXACT rocker/LANC shown on BM's website.The lenses we bought were listed as compatible on BM's website, but one of them (of course the wide lens) must be controlled manually. And when we do zoom in to a tight 2-shot, the image gets blurry! This makes the camera basically useless during a live news show.If anyone can help, please respond to this.
We have been using M43 GH5 & GH5s and BMPCC4K to live stream church service with good results...but the tiny screen, lack of XLR audio (having to use adapter), awkward menu etc. from the GH series made it less than ideal. Was blown away by how well engineered the BM Studio Pro camera is. The the BEAUTIFUL 7 HDR screen with BM's simple menu structure is perfect for volunteers and will result in less mistakes. The low noise floor XLR audio has a lots of latitude and is superb. The ability to control the camera via HDMI from the ATEM mini & (free) software is so nice! The tally light, ethernet/SDI (if you need it) screw down power connector (no accidental disconnect) and other features are unheard of for this price. Perhaps best of all, is the 12 bit BRAW goodness with ... MoreWe have been using M43 GH5 & GH5s and BMPCC4K to live stream church service with good results...but the tiny screen, lack of XLR audio (having to use adapter), awkward menu etc. from the GH series made it less than ideal. Was blown away by how well engineered the BM Studio Pro camera is. The the BEAUTIFUL 7 HDR screen with BM's simple menu structure is perfect for volunteers and will result in less mistakes. The low noise floor XLR audio has a lots of latitude and is superb. The ability to control the camera via HDMI from the ATEM mini & (free) software is so nice! The tally light, ethernet/SDI (if you need it) screw down power connector (no accidental disconnect) and other features are unheard of for this price. Perhaps best of all, is the 12 bit BRAW goodness with the press of a button. Connect a cheap SSD via USB-C and you can record 12 bit raw video and 24 bit high qaulity audio while your live-streaming. Perfect for music specials or other high value parts of a service. Can use the camera to capture interviews, again in 12 bit raw/24 bit audio and edit in the fantastic Davinci Resolve. I am one happy customer!!! This is a nice piece of equipment. Don't listen to the whiners about the screen get's hot etc. For church livestreams with low skill volunteers and high quality interviews etc. this camera is unparalleled.
I bought one of these about 4 months ago because I thought it sounded like a great idea... can run fiber, SDI out/in, 10 screen, etc. I was going to use it in an PEG Access studio with good lighting. I fiddled with adjustments on the camera and the lens that I bought for it, an Olympus 12-50mm. Not a terribly expensive lens, but added with the BMD camera, it put me in the price range around some other ENG camcorders. I connected this to a TriCaster 860 via SDI. I also connected a Panasonic AC130 via component cables. I then split the screen on a monitor, shooting the same object, from the same distance, at the same angle... you get the point. It was no contest. The Panasonic won hands down. The BMD seemed very grainy. Now, I'm not a broadcast engineer, so maybe the ... MoreI bought one of these about 4 months ago because I thought it sounded like a great idea... can run fiber, SDI out/in, 10 screen, etc. I was going to use it in an PEG Access studio with good lighting. I fiddled with adjustments on the camera and the lens that I bought for it, an Olympus 12-50mm. Not a terribly expensive lens, but added with the BMD camera, it put me in the price range around some other ENG camcorders. I connected this to a TriCaster 860 via SDI. I also connected a Panasonic AC130 via component cables. I then split the screen on a monitor, shooting the same object, from the same distance, at the same angle... you get the point. It was no contest. The Panasonic won hands down. The BMD seemed very grainy. Now, I'm not a broadcast engineer, so maybe the lens I have isn't the best, but bottom line is price. It should have at least been comparable to the Panasonic. I think there are better options if you're looking for a decent prosumer studio camera.
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