Canon RF 28-70mm f/2 L USM Lens
The Canon RF 28-70mm f/2L USM is a versatile lens. It's suitable for Canon mirrorless cameras with an RF mount. Its zoom range allows you to use it for travel, reporting, landscape, and architectural photography. The lens has a large maximum aperture of f/2, which makes it suitable for various lighting situations. You can also use it to create a natural bokeh in your portrait photos. This emphasizes the sharp eyes of your model. The USM autofocus motor focuses quickly and silently, so you can take photos and record smooth videos of activity moments. The customizable Lens Control Ring allows you to easily control your settings. You choose whether to use it to adjust aperture, shutter speed, or ISO value. The design of the lens is splash-proof and dustproof, so you can safely take it with you you into the wild.
The Canon RF 28-70mm f/2L USM is a versatile lens. It's suitable for Canon mirrorless cameras with an RF mount. Its zoom range allows you to use it for travel, reporting, landscape, and architectural photography. The lens has a large maximum aperture of f/2, which makes it suitable for various lighting situations. You can also use it to create a natural bokeh in your portrait photos. This emphasizes the sharp eyes of your model. The USM autofocus motor focuses quickly and silently, so you can take photos and record smooth videos of activity moments. The customizable Lens Control Ring allows you to easily control your settings. You choose whether to use it to adjust aperture, shutter speed, or ISO value. The design of the lens is splash-proof and dustproof, so you can safely take it with you you into the wild.
The Canon RF 28-70mm f/2L USM is a versatile lens. It's suitable for Canon mirrorless cameras with an RF mount. Its zoom range allows you to use it for travel, reporting, landscape, and architectural photography. The lens has a large maximum aperture of f/2, which makes it suitable for various lighting situations. You can also use it to create a natural bokeh in your portrait photos. This emphasizes the sharp eyes of your model. The USM autofocus motor focuses quickly and silently, so you can take photos and record smooth videos of activity moments. The customizable Lens Control Ring allows you to easily control your settings. You choose whether to use it to adjust aperture, shutter speed, or ISO value. The design of the lens is splash-proof and dustproof, so you can safely take it with you you into the wild.
The Canon RF 28-70mm f/2L USM is a versatile lens. It's suitable for Canon mirrorless cameras with an RF mount. Its zoom range allows you to use it for travel, reporting, landscape, and architectural photography. The lens has a large maximum aperture of f/2, which makes it suitable for various lighting situations. You can also use it to create a natural bokeh in your portrait photos. This emphasizes the sharp eyes of your model. The USM autofocus motor focuses quickly and silently, so you can take photos and record smooth videos of activity moments. The customizable Lens Control Ring allows you to easily control your settings. You choose whether to use it to adjust aperture, shutter speed, or ISO value. The design of the lens is splash-proof and dustproof, so you can safely take it with you you into the wild.
in 24 offers
The lowest price for Canon RF 28-70mm f/2 L USM Lens right now is $2,828.82 at Camera West, compared across 15 retailers.
The all-time low was $835.40 on 28 Apr 2026 — today's price is 239% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 8 June 2026.
Last updated at 08/06/2026 16:51:37
Canon RF 28-70mm f2, Boxed 3320000452
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Canon 28-70mm f2 3120000250
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Canon 28-70mm f2 L, Boxed 420000530
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Canon RF 28-70mm f2 L IS 7300001190
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Canon 28-70mm f2 L USM, Boxed 7100000488
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Canon RF 28-70mm f2 L USM
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Canon RF 28-70mm f2 L USM | Secondhand
2ND HAND - Canon RF 28-70mm F2 L Ø95mm
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Canon RF 28-70mm f/2L USM Lens
Free delivery between 13–20 June
Canon RF 28-70mm f/2L Lens
Delivery between 11–16 June $12.90
originally posted on ebay.com
This lens takes very sharp pictures. The only thing that could make this lens perfect is if it had Image Stabilization too. This lens is a workhorse. Compared to mostly plastic lenses, Tamron & Sigma, this lens is HEAVY. This lens works very well with my Canon 5D Mark III. In-camera JPGs look great. Since the price of SD cards and HDDs/SSDs have come down in price, I'm shooting RAW+jpg. This lens works great on full frame and crop sensor cameras that take EF lenses. I'm no pro, so I can't justify buying L lenses for my hobby. Just like cream puff cars, pro level lenses that have been taken well care of are a bargain compared to their brand new counterparts. The reviews of this lens are spot on. Check out its marks in dxomark lens ratings. This lens will be great the ... MoreThis lens takes very sharp pictures. The only thing that could make this lens perfect is if it had Image Stabilization too. This lens is a workhorse. Compared to mostly plastic lenses, Tamron & Sigma, this lens is HEAVY. This lens works very well with my Canon 5D Mark III. In-camera JPGs look great. Since the price of SD cards and HDDs/SSDs have come down in price, I'm shooting RAW+jpg. This lens works great on full frame and crop sensor cameras that take EF lenses. I'm no pro, so I can't justify buying L lenses for my hobby. Just like cream puff cars, pro level lenses that have been taken well care of are a bargain compared to their brand new counterparts. The reviews of this lens are spot on. Check out its marks in dxomark lens ratings. This lens will be great the next time I take wedding photos for fun.
originally posted on bhphotovideo.com
I'm usually a prime lens guy for anything under 100mm and prioritize image quality over convenience. That was always a tough compromise when shooting events, particularly concerts and red carpet events, likely weddings too which I don't shoot. With this lens I get prime lens quality images in a fast f/2 convenient zoom. For concerts and red carpets my life has been completely changed. It is a relatively heavy lens, about the same as a top L series EF 70-200mm, but it's shorter & wider, with the weight balanced toward the camera mount, which makes for a great balanced feel. Much easier to handle than the longer front heavy lenses of similar weight. So, no, it's not light, but it's not at all a ridiculous weight like many reviewers like to imply. Just remember it will ... MoreI'm usually a prime lens guy for anything under 100mm and prioritize image quality over convenience. That was always a tough compromise when shooting events, particularly concerts and red carpet events, likely weddings too which I don't shoot. With this lens I get prime lens quality images in a fast f/2 convenient zoom. For concerts and red carpets my life has been completely changed. It is a relatively heavy lens, about the same as a top L series EF 70-200mm, but it's shorter & wider, with the weight balanced toward the camera mount, which makes for a great balanced feel. Much easier to handle than the longer front heavy lenses of similar weight. So, no, it's not light, but it's not at all a ridiculous weight like many reviewers like to imply. Just remember it will literally take up more room in your bag. However it also eliminates the need to bring along several lenses I used to have on me at all times. The image quality is literally better at f/2.0 than any other mid-range zoom I've used, even the RF 24-70mm f/2.8 at a whole stop slower. If you're one of the few who need a lens like this, you likely already know it. Just do it! Worth every penny for a demanding professional or a passionate hobbyist with the cash to have fun with this amazing lens.
originally posted on bestbuy.com
The RF 28-70mm f/2 L USM is the best zoom lens hands down. Having double the light gathering capability of the 24-70 f/2.8 is only the beginning of the advantages of this lens. The versatility of a zoom lens with the characteristics of a prime lens at different focal lengths is absolutely delightful. The dynamic range and the sharpness are also unmatched for a zoom lens. Being able to shoot wide open at f/2 aperture and retain incredible sharpness is fantastic. Stopping the aperture down to f/2.8 to f/5.6 will yield just a touch more sharpness, however wide open at f/2 it is still sharper than any other zoom lens in it’s class that I’ve found.Additionally, this lens has given me some of the most pleasing and beautiful sun bursts I’ve experienced from a lens, as ... MoreThe RF 28-70mm f/2 L USM is the best zoom lens hands down. Having double the light gathering capability of the 24-70 f/2.8 is only the beginning of the advantages of this lens. The versatility of a zoom lens with the characteristics of a prime lens at different focal lengths is absolutely delightful. The dynamic range and the sharpness are also unmatched for a zoom lens. Being able to shoot wide open at f/2 aperture and retain incredible sharpness is fantastic. Stopping the aperture down to f/2.8 to f/5.6 will yield just a touch more sharpness, however wide open at f/2 it is still sharper than any other zoom lens in it’s class that I’ve found.Additionally, this lens has given me some of the most pleasing and beautiful sun bursts I’ve experienced from a lens, as well.This also can potentially replace your need for prime lenses, such as the 24mm (almost), 35mm, 50mm, 70mm, and (maybe) 85mm. Unless you are needing a faster lens, such as a 1.2 or 1.4, this lens will cover all those focal lengths. Plus not having to carry any or all of those lenses makes this a savings in weight for carrying around and space in your pack.The obvious downside of the lens is the size and weight. The lens itself is simply big and heavy, but with the potential to lighten your carrying load overall, as outlined above. The weight of the lens is a non-issue for me as I hand-carried my R6 with this lens attached to it all day, walking around and hiking without issue, but it is something that others should take into consideration. It is a big, big lens. Also, the front filter size is 95mm, which means buying UV filters, ND filters, CPL filters are also more expensive.Overall, if you are really in the market for a zoom lens in the range of 24-70 or 28-70, I would give this a serious consideration as you will be getting a phenomenal lens.
| Autofocus | Yes |
| Diaphragm Blades | 9, Rounded |
| Optical Design | 19 Elements in 13 Groups |
| Maximum Reproduction Ratio | 1:5.555 |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
Canon RF 28-70mm f2, Boxed 3320000452
Free delivery
Canon 28-70mm f2 3120000250
Free delivery
Canon 28-70mm f2 L, Boxed 420000530
Free delivery
Canon RF 28-70mm f2 L IS 7300001190
Free delivery
Canon 28-70mm f2 L USM, Boxed 7100000488
Free delivery
This lens takes very sharp pictures. The only thing that could make this lens perfect is if it had Image Stabilization too. This lens is a workhorse. Compared to mostly plastic lenses, Tamron & Sigma, this lens is HEAVY. This lens works very well with my Canon 5D Mark III. In-camera JPGs look great. Since the price of SD cards and HDDs/SSDs have come down in price, I'm shooting RAW+jpg. This lens works great on full frame and crop sensor cameras that take EF lenses. I'm no pro, so I can't justify buying L lenses for my hobby. Just like cream puff cars, pro level lenses that have been taken well care of are a bargain compared to their brand new counterparts. The reviews of this lens are spot on. Check out its marks in dxomark lens ratings. This lens will be great the ... MoreThis lens takes very sharp pictures. The only thing that could make this lens perfect is if it had Image Stabilization too. This lens is a workhorse. Compared to mostly plastic lenses, Tamron & Sigma, this lens is HEAVY. This lens works very well with my Canon 5D Mark III. In-camera JPGs look great. Since the price of SD cards and HDDs/SSDs have come down in price, I'm shooting RAW+jpg. This lens works great on full frame and crop sensor cameras that take EF lenses. I'm no pro, so I can't justify buying L lenses for my hobby. Just like cream puff cars, pro level lenses that have been taken well care of are a bargain compared to their brand new counterparts. The reviews of this lens are spot on. Check out its marks in dxomark lens ratings. This lens will be great the next time I take wedding photos for fun.
I'm usually a prime lens guy for anything under 100mm and prioritize image quality over convenience. That was always a tough compromise when shooting events, particularly concerts and red carpet events, likely weddings too which I don't shoot. With this lens I get prime lens quality images in a fast f/2 convenient zoom. For concerts and red carpets my life has been completely changed. It is a relatively heavy lens, about the same as a top L series EF 70-200mm, but it's shorter & wider, with the weight balanced toward the camera mount, which makes for a great balanced feel. Much easier to handle than the longer front heavy lenses of similar weight. So, no, it's not light, but it's not at all a ridiculous weight like many reviewers like to imply. Just remember it will ... MoreI'm usually a prime lens guy for anything under 100mm and prioritize image quality over convenience. That was always a tough compromise when shooting events, particularly concerts and red carpet events, likely weddings too which I don't shoot. With this lens I get prime lens quality images in a fast f/2 convenient zoom. For concerts and red carpets my life has been completely changed. It is a relatively heavy lens, about the same as a top L series EF 70-200mm, but it's shorter & wider, with the weight balanced toward the camera mount, which makes for a great balanced feel. Much easier to handle than the longer front heavy lenses of similar weight. So, no, it's not light, but it's not at all a ridiculous weight like many reviewers like to imply. Just remember it will literally take up more room in your bag. However it also eliminates the need to bring along several lenses I used to have on me at all times. The image quality is literally better at f/2.0 than any other mid-range zoom I've used, even the RF 24-70mm f/2.8 at a whole stop slower. If you're one of the few who need a lens like this, you likely already know it. Just do it! Worth every penny for a demanding professional or a passionate hobbyist with the cash to have fun with this amazing lens.
The RF 28-70mm f/2 L USM is the best zoom lens hands down. Having double the light gathering capability of the 24-70 f/2.8 is only the beginning of the advantages of this lens. The versatility of a zoom lens with the characteristics of a prime lens at different focal lengths is absolutely delightful. The dynamic range and the sharpness are also unmatched for a zoom lens. Being able to shoot wide open at f/2 aperture and retain incredible sharpness is fantastic. Stopping the aperture down to f/2.8 to f/5.6 will yield just a touch more sharpness, however wide open at f/2 it is still sharper than any other zoom lens in it’s class that I’ve found.Additionally, this lens has given me some of the most pleasing and beautiful sun bursts I’ve experienced from a lens, as ... MoreThe RF 28-70mm f/2 L USM is the best zoom lens hands down. Having double the light gathering capability of the 24-70 f/2.8 is only the beginning of the advantages of this lens. The versatility of a zoom lens with the characteristics of a prime lens at different focal lengths is absolutely delightful. The dynamic range and the sharpness are also unmatched for a zoom lens. Being able to shoot wide open at f/2 aperture and retain incredible sharpness is fantastic. Stopping the aperture down to f/2.8 to f/5.6 will yield just a touch more sharpness, however wide open at f/2 it is still sharper than any other zoom lens in it’s class that I’ve found.Additionally, this lens has given me some of the most pleasing and beautiful sun bursts I’ve experienced from a lens, as well.This also can potentially replace your need for prime lenses, such as the 24mm (almost), 35mm, 50mm, 70mm, and (maybe) 85mm. Unless you are needing a faster lens, such as a 1.2 or 1.4, this lens will cover all those focal lengths. Plus not having to carry any or all of those lenses makes this a savings in weight for carrying around and space in your pack.The obvious downside of the lens is the size and weight. The lens itself is simply big and heavy, but with the potential to lighten your carrying load overall, as outlined above. The weight of the lens is a non-issue for me as I hand-carried my R6 with this lens attached to it all day, walking around and hiking without issue, but it is something that others should take into consideration. It is a big, big lens. Also, the front filter size is 95mm, which means buying UV filters, ND filters, CPL filters are also more expensive.Overall, if you are really in the market for a zoom lens in the range of 24-70 or 28-70, I would give this a serious consideration as you will be getting a phenomenal lens.
I believe that there are many excellent copies of this lens available, but quite a few copies have what is called a "haze" problem (suggesting that the inner elements can simply be cleaned). I bought such a lens on eBay and found that the haze issue is a very serious problem. The problem is often due to glue deterioration within a doublet lens in the 4th (innermost) group. The doublet lens consists of two pieces of glass (known as a flint and a crown) that are glued together face to face. The doublet is sealed in a plastic housing. The entire unit has the serial number CY1-2532. None of these units seem to be available anywhere on the planet. I repaired mine by disassembling the plastic unit with a small woodcarver's chisel. Once I removed the doublet I soaked it in ... MoreI believe that there are many excellent copies of this lens available, but quite a few copies have what is called a "haze" problem (suggesting that the inner elements can simply be cleaned). I bought such a lens on eBay and found that the haze issue is a very serious problem. The problem is often due to glue deterioration within a doublet lens in the 4th (innermost) group. The doublet lens consists of two pieces of glass (known as a flint and a crown) that are glued together face to face. The doublet is sealed in a plastic housing. The entire unit has the serial number CY1-2532. None of these units seem to be available anywhere on the planet. I repaired mine by disassembling the plastic unit with a small woodcarver's chisel. Once I removed the doublet I soaked it in Methylene Chloride for at least 30(!) days. Be careful this is a volatile and dangerous chemical. I then carefully split the doublet apart with my fingernail (the glass can easily crack at any point during this process). I then cleaned the surfaces with more Methylene Chloride and alcohol. I glued the doublet back together with Norland 61 optical adhesive. Properly aligning the two halves of the double is difficult (without special equipment) especially since the flint and crown have different diameters.After the lens is re-assembled it still needs to be aligned (which is a whole other matter). Ultimately the only expense of this repair was the cost of the chemicals, adhesive, a chisel, and a UV light -- but the repair is very time-consuming and a lot can go wrong. In 2020 Midwest Camera Repair gave me a quote of $425 to do the complete repair (using a baking process rather than using chemical solvents) and included aligning the lens.
Great IQ is a given with the RF 28-70 and the price is what it is. The real question is whether you can handle the weight, and it's hard to know without trying it. Supported with two hands, it is your left hand that will get fatigued. You'll pick it up and, at first, you'll think it's not as bad as you imagined. The longer you hold it, the more you'll question this first impression. On my R5, I found that I could securely manipulate the body and lens with just my right hand on the camera's grip until I released my thumb to back button focus. Then it felt like a matter of time before I dropped the whole kit. In other words, I wouldn't use this without a camera strap. If you own the RF 100-500, the RF 28-70 is almost the same weight. The 28-70 is more compact but it ... MoreGreat IQ is a given with the RF 28-70 and the price is what it is. The real question is whether you can handle the weight, and it's hard to know without trying it. Supported with two hands, it is your left hand that will get fatigued. You'll pick it up and, at first, you'll think it's not as bad as you imagined. The longer you hold it, the more you'll question this first impression. On my R5, I found that I could securely manipulate the body and lens with just my right hand on the camera's grip until I released my thumb to back button focus. Then it felt like a matter of time before I dropped the whole kit. In other words, I wouldn't use this without a camera strap. If you own the RF 100-500, the RF 28-70 is almost the same weight. The 28-70 is more compact but it is front heavy so the experience of holding and supporting it is pretty similar. I ended up returning the lens. As much as I hate switching out primes, I hated trying to hold the RF 28-70 for extended periods more.
First of all, there is no better way to experiment with lenses than this company. So easy.Second of all, this lens could possibly be too heavy for you, if you are like me (older, creaking...) I did a two-hour shoot with it, outside (it was hot), and my hand, elbow, and back are still complaining. By the end of the shoot I was definitely introducing some camera shake. I know others have commented on the weight, and here I am confirming it.No doubt it is the best single lens I've shot with, but I think my days of carrying around lenses of this weight are behind me.If anyone knows of another EF lens in a similar focal range that can come anywhere remotely close to this lens's performance, at a lighter weight, I'd be interested to know what it is. I've got a six-hour ... MoreFirst of all, there is no better way to experiment with lenses than this company. So easy.Second of all, this lens could possibly be too heavy for you, if you are like me (older, creaking...) I did a two-hour shoot with it, outside (it was hot), and my hand, elbow, and back are still complaining. By the end of the shoot I was definitely introducing some camera shake. I know others have commented on the weight, and here I am confirming it.No doubt it is the best single lens I've shot with, but I think my days of carrying around lenses of this weight are behind me.If anyone knows of another EF lens in a similar focal range that can come anywhere remotely close to this lens's performance, at a lighter weight, I'd be interested to know what it is. I've got a six-hour event coming up, and I'm just wondering how I'm going to carry this lens for that amount of time, if I rent it again.
I have used this lens for two different studio sessions and have shot roughly 500 images with it up to this point. The other reviews are pretty much spot on with this lens. It is heavy, and after about 4 hours, you will know it's there. However, when mounted to an R5 with a battery grip, the overall weight doesn't get in the way of doing things, it just tires you out a little bit.Optically, the lens behaves much like my previous EF 35mm f/1.4L and EF 50mm f/1.4L which I would use for location shoots. Using the RF 28-70mm gives me both of those focal lengths at nearly the same wide open aperture. Since I routinely shot at f/2 or tighter (for focus needs on a 5DS R), this lens will be great outdoors. The beauty is in the studio where I have limited room and need the ... MoreI have used this lens for two different studio sessions and have shot roughly 500 images with it up to this point. The other reviews are pretty much spot on with this lens. It is heavy, and after about 4 hours, you will know it's there. However, when mounted to an R5 with a battery grip, the overall weight doesn't get in the way of doing things, it just tires you out a little bit.Optically, the lens behaves much like my previous EF 35mm f/1.4L and EF 50mm f/1.4L which I would use for location shoots. Using the RF 28-70mm gives me both of those focal lengths at nearly the same wide open aperture. Since I routinely shot at f/2 or tighter (for focus needs on a 5DS R), this lens will be great outdoors. The beauty is in the studio where I have limited room and need the zoom. I've been using an EF 24-70mm f/2.8L II with great results, but now I can get much softer focus in the studio with a zoom lens.The weight might make me tired, but the benefit of being able to do a session without the need for changing lenses will make up for the extra fatigue. Maintaining the tempo and energy of the session will actually reduce the amount of time that you have to carry this lens.My only gripe about this lens is the 95mm filter threads. I have a kit based around what used to be the largest 82mm filters with a Lee 100 filter mount. This lens will be a bit problematic to use in the landscape setting because I have yet to find an adaptor that will work for the Lee 100 system that doesn't cause vignetting. Of course, my few round filters don't fit this lens at all. I do understand that to make this an f/2 lens, there was no way around this fact, so I'm not deducting any points for that feature, it is just a consideration which I knew going into the purchase.
I went back and forth between purchasing this or an RF 85mm prime. In the end I went with the 28-70mm and, after using it on a paid shoot in a recording studio, am very pleased with the results I got with both the lens and my R6. The lens produces very nice bokeh that, while I'm sure it doesn't truly compare to F1.2, it still looks great and blows out the backgrounds perfectly. It was also really nice to be able to zoom in significantly at different points in the shoot.The downside to this lens twofold. Its quite heavy for its size. I got used to the weight but am still getting used to getting a good handhold on it. Also, the unique focal length of 28-70 would be better suited being a 24-70 but I digress. All in all, a great lens and definite happy edition to my bag.
This is an incredible lens. Reviewers say that this is a nearly-impossible statement piece from Canon, and while I don't know the market history or the difficulty of the optics involved, to use the lens, it's an easy statement to accept. It isn't as intensely precise as say the 85mm f/1.2, but it can get close over a zoom range that hits several prime hotspots. Most importantly, it brings that ineffable cool factor to shots, and can instantly switch subject and style while doing so. Of course, in doing all of this, the lens is very expensive, and also quite imposing physically. Although an obviously strong street lens, it is probably the least discrete thing you can attach to an R body, being both heavier and wider than the 100-500mm and more standoffish at ... MoreThis is an incredible lens. Reviewers say that this is a nearly-impossible statement piece from Canon, and while I don't know the market history or the difficulty of the optics involved, to use the lens, it's an easy statement to accept. It isn't as intensely precise as say the 85mm f/1.2, but it can get close over a zoom range that hits several prime hotspots. Most importantly, it brings that ineffable cool factor to shots, and can instantly switch subject and style while doing so. Of course, in doing all of this, the lens is very expensive, and also quite imposing physically. Although an obviously strong street lens, it is probably the least discrete thing you can attach to an R body, being both heavier and wider than the 100-500mm and more standoffish at interpersonal distances. It's a marked contrast to the Leica fantasy of a light body and an inoffensive lens with just right softness and lazy focus... it's a beast that requires effort to shoot and rewards you with vivid images and biting detail.
This lens is incredible!! I cannot say enough good things about the 28-70. I use this lens paired with my Canon R6 for mostly wedding and portrait photography. The auto focus is wicked fast, the photos are always tack sharp, and the bokeh is very beautiful. I’ve always preferred prime lenses. I was unsure if this lens would be good enough to replace the need to carry around multiple prime lenses in my camera bag, but I’m happy to say it did!! This is my go to lens for all my professional client work!I will say I do not recommend this lens for travel because of the size.*The photos I attached are not straight out of camera they have been edited in post
| Autofocus | Yes |
| Diaphragm Blades | 9, Rounded |
| Optical Design | 19 Elements in 13 Groups |
| Maximum Reproduction Ratio | 1:5.555 |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
