Daniel Smith Watercolour Half Pans Burnt Sienna Light - S1
(287 reviews)
Each watercolor pan is hand-poured. Hand pouring pans is incredibly labor-intensive and offers the purest form of professional watercolor half pans. It takes three to four pours over several months of drying to produce each half pan of DANIEL SMITH Watercolor. A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.
Each watercolor pan is hand-poured. Hand pouring pans is incredibly labor-intensive and offers the purest form of professional watercolor half pans. It takes three to four pours over several months of drying to produce each half pan of DANIEL SMITH Watercolor. A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.
$13.10 - $18.15
in 4 offers
Colour:
Daniel Smith Watercolour Half Pans Burnt Sienna Light - S1
$13.10
Each watercolor pan is hand-poured. Hand pouring pans is incredibly labor-intensive and offers the purest form of professional watercolor half pans. It takes three to four pours over several months of drying to produce each half pan of DANIEL SMITH Watercolor. A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.
Each watercolor pan is hand-poured. Hand pouring pans is incredibly labor-intensive and offers the purest form of professional watercolor half pans. It takes three to four pours over several months of drying to produce each half pan of DANIEL SMITH Watercolor. A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.
Colour:
Size