Fujifilm Fujichrome Provia 100F 135-36 (1 Roll)
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
Fujifilm Fujichrome Provia 100F Professional (RDP III) is a daylight-balanced color transparency film that exhibits a super-fine grain structure with vivid and naturally appearing colors and rich tonal rendition. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in the E-6 proces and can effectively be pulled one half stop or pushed two stops with minimal variations in color balance and gradation. Excellent reciprocity characteristics also make this film highly suitable for use during long exposures and ensures consistent film speeds and coloring across multiple and extended exposures. Medium overall contrast and saturation make this film ideal for use in a wide range of photographic applications and is especially well-suited for use in product, landscape, nature, portraiture, and fashion photography. Super-fine grain. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Vivid and faithful color reproduction. Extremely satisfying color depiction, providing the most brilliant primaries without sacrificing the delicate pastels, for wide-ranging application. Rich tone reproduction. Smooth gradation reproduction with superb depth, thanks to bias-free, brilliant highlights and excellent highlight-to-shadow gradation linearity. Improved reciprocity characteristics. Increased resistance to loss in film speed and color balance during long exposures, as well as consistently accurate multiple-exposure performance. Excellent push-/pull-processing. Outstanding tolerance to exposure and density compensation during processing, within -1/2 stop to +2 stops, resulting in minimal variations color balance and gradation.
in 5 offers
The lowest price for Fujifilm Fujichrome Provia 100F 135-36 (1 Roll) right now is $48.02 at Amazon.com.au, compared across 4 retailers.
The all-time low was $14.69 on 5 June 2026 — today's price is 227% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 29 June 2026.
Last updated at 29/06/2026 13:34:01
FUJIFILM 135 PROVIA100F NP 36EX 1 Reverse Film Fujichrome 100F 35mm 36 Sheets 1
Delivery $16.99
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Fujifilm Fujichrome Provia 100f Colour Reversal Film 135/36 - Exp
Delivery $11.50
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
3 X Rolls Fuji Provia 100f Ultra Fresh 35mm/36 Exps Color
Delivery $9.99
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
FUJIFILM Reversal Film Fuji Chrome PROVIA 100F 35mm 36 sheets 135 PROVIA100F NP 36EX 1
Delivery $9.86
Fujifilm Provia 100F Color Negative Film 35mm Slide Film
Delivery between 3–8 July $15
originally posted on adorama.com
There is no substitute for large format color slide film. The colors are much more crisp than something like Portra. If you have good light, it's not hard to shoot. Even the greatest medium format digital camera can't do what this film can in 4x5. In terms of image quality, it's actually cheaper for me to shoot on used film cameras than buy an expensive medium format digital camera that can't do the movements needed for architecture and such.
originally posted on analoguewonderland.co.uk
After receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less ... MoreAfter receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less blue and magenta than Ektachrome, more green-ish but still natural.
originally posted on bhphotovideo.com
My journey in photography began in 1978 with the purchase of a Minolta XE-5 with a 50mm lens (I still have it today), and began shooting Kodachrome 64.Today I continue to shoot film. Kodachrome 64 is gone and my search for another side film led me to Fujifilm.I settled on Provia 100F. The colors are bright and true and I get that film look that I like.Try a roll or two. I don't think you'll be disappointed.
| Leverantör | FUJIFILM |
| Film - Brand | Fujichrome |
FUJIFILM 135 PROVIA100F NP 36EX 1 Reverse Film Fujichrome 100F 35mm 36 Sheets 1
Delivery $16.99
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Fujifilm Fujichrome Provia 100f Colour Reversal Film 135/36 - Exp
Delivery $11.50
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
3 X Rolls Fuji Provia 100f Ultra Fresh 35mm/36 Exps Color
Delivery $9.99
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
FUJIFILM Reversal Film Fuji Chrome PROVIA 100F 35mm 36 sheets 135 PROVIA100F NP 36EX 1
Delivery $9.86
Fujifilm Provia 100F Color Negative Film 35mm Slide Film
Delivery between 3–8 July $15
There is no substitute for large format color slide film. The colors are much more crisp than something like Portra. If you have good light, it's not hard to shoot. Even the greatest medium format digital camera can't do what this film can in 4x5. In terms of image quality, it's actually cheaper for me to shoot on used film cameras than buy an expensive medium format digital camera that can't do the movements needed for architecture and such.
After receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less ... MoreAfter receiving a roll of Provia 100 from the lab I had similar impression to when I first saw a roll of Ektachrome: slide film is just a pure magic! Seeing the world enclosed in those little frames is really satisfying.But after scanning it with a flatbed scanner (Epson v550) I was a bit disappointed. It just looks too clean, saturated, almost like a taken on a digital camera. And it's not what I expect out of film photography!The magic comes back when you put it into a projector and watch the whole roll on your wall. I feel like this is the best way to enjoy slide film - in darkness, listening to the hum of a projector and seeing your pictures in big format.Provia 100F gives you natural, vivid colours and moderate contrast. I have the impression it's less blue and magenta than Ektachrome, more green-ish but still natural.
My journey in photography began in 1978 with the purchase of a Minolta XE-5 with a 50mm lens (I still have it today), and began shooting Kodachrome 64.Today I continue to shoot film. Kodachrome 64 is gone and my search for another side film led me to Fujifilm.I settled on Provia 100F. The colors are bright and true and I get that film look that I like.Try a roll or two. I don't think you'll be disappointed.
This is my favourite slide film. The colours are beautiful. It is slightly more saturated than Ektachrome, but a little less forgiving, so be sure to expose for those highlights otherwise photos can get blown out. There is a very distinct look to photos, just like old school slide film from the 80s/90s. The only bad thing is the price nowadays and the uncertainty of production. Stock up if you see this at a reasonable price.
I used an entire roll of this on one beach from the afternoon into the evening. The resulting images had great sharpness and reduced grain which I really liked. One concern I have with this film however is the colours. I have seen accurate colours be produced by this film, however I found my images weren't necessarily true to life. However, this could be down to develop/scanning and the fact that this was my second ever roll of film I shot (human error). I love the results that this film, and slide film in general, offer and I have a roll of Provia 100 that I am waiting to shoot, but the price means that it shall be saved for special occasions. The benefit that slide film gives to an image is worth it for me, but it's definitely worth considering carefully how all ... MoreI used an entire roll of this on one beach from the afternoon into the evening. The resulting images had great sharpness and reduced grain which I really liked. One concern I have with this film however is the colours. I have seen accurate colours be produced by this film, however I found my images weren't necessarily true to life. However, this could be down to develop/scanning and the fact that this was my second ever roll of film I shot (human error). I love the results that this film, and slide film in general, offer and I have a roll of Provia 100 that I am waiting to shoot, but the price means that it shall be saved for special occasions. The benefit that slide film gives to an image is worth it for me, but it's definitely worth considering carefully how all 36 exposures will be used.In short, what sells this film for me and means that I'd use it again is its sharpness and grain over the colour reproduction.
Among the last of the great slide films available in 4x5 format. Incredible saturation and contrast. Decent latitude (for slide film) I feel like as well. Very very fine grain. Fuji if you are reading this, please keep making slide film!
I've been using Fuji Provia 100F film for years for professional work. I can't say enough good things about it. Just lovely, realistic color. My only worry is that its availability has become erratic. May the Gods of Photography smile on us and persuade Fuji to continue making this wonderful film.
The best slide film I have ever used except for maybe Kodachrome 25. Even Kodachrome 25 couldn't match Provia 100F's ability to capture action because of it's low ISO. Fine grain and excellent colors. I experimented with 21 rolls of Kodak e100 and regretted it. Provia 100F has much better colors and exposure latitude. I'll quit shooting film before I buy e100 again.
One of the best films out right now. Beats out Kodak's refreshed E100, and has broader use than Velvia by a long shot.- Brilliant blues and greens - it's color balanced towards tungsten, automatically making it a better slide film than E100- Slightly better range than Velvia - you probably still don't want the sun in the frame, but you can use the range to great effect.- Excellent resolution - super fine detail, that's on par with a lot of digital.- Handles long exposures well, with less compensation needed for reciprocity failure.If you're using this in the right context, you'll be able to pull details out of scenes that digital is still not getting to. Candidly, this might be the one film you choose to stock up on.
What can I say? Its 2019 and I refuse to stop shooting film. I do not use color print film too much anymore, and Provia and Velvia have become my go tos. Now, for full disclosure, Provia and Velvia are basically the only 2 slide films on the market these days, but even before they were, I used them extensively. While I did like good ole Kodachrome, I did not like Ektachrome at all. I use Provia in both 35mm and 120 (645 and 6X7) formats, and you just cannot beat the colors, sharpness, fine grain structure, etc. Why use Provia instead of Velvia 50? They are 2 different films, and should be used as such. Velvia 50 is a finer grained film, and renders punchier, Technicolor-esq, colors. For certain types of shooting it does outperform Provia (think of a 16x20 poster ... MoreWhat can I say? Its 2019 and I refuse to stop shooting film. I do not use color print film too much anymore, and Provia and Velvia have become my go tos. Now, for full disclosure, Provia and Velvia are basically the only 2 slide films on the market these days, but even before they were, I used them extensively. While I did like good ole Kodachrome, I did not like Ektachrome at all. I use Provia in both 35mm and 120 (645 and 6X7) formats, and you just cannot beat the colors, sharpness, fine grain structure, etc. Why use Provia instead of Velvia 50? They are 2 different films, and should be used as such. Velvia 50 is a finer grained film, and renders punchier, Technicolor-esq, colors. For certain types of shooting it does outperform Provia (think of a 16x20 poster sized print from a 6x7 slide, of a landscape) . BUT...…. If your shoot is going to consist of people, load your camera with Provia and forget it. Provia is the best choice for skin tones today. Its not as perfect as Fujis now (unfortunately) discontinued Astia was, but Provia does render natural skin tones (IMHO), where Velvia does not. You can (slightly) improve the over the top pink skin tones that Velvia does render, by using an 81B filter, in a pinch. But Id rather just use the Provia. I hope Fuji realizes that they have cornered the market (by default) with an EXCELLENT product, and continue to manufacture it for many, many years.
| Leverantör | FUJIFILM |
| Film - Brand | Fujichrome |
