Fujifilm GFX50S II Mirrorless Camera With 35-70mm Lens Kit
The GFX50S II has a large-format image sensor with 51.4 megapixels. It is around 1.7 times larger than a 35 mm format sensor ("full format") and is characterised by a high dynamic range and an excellent signal-to-noise ratio. In conjunction with the powerful X-Processor 4, brilliant image quality is achieved. The images are characterised by rich tonal reproduction, low image noise and well-defined shadows and highlights. In conjunction with a GF series lens, a consistently high resolution is achieved across the entire image area and an almost three-dimensional image effect is achieved. The images are characterised by a high level of detail and a natural colour impression without false colours. This makes the GFX50S II the ideal camera for documentary work in museums and archives as well as other photographic applications where maximum colour and detail fidelity is required. The GFX50S II weighs only 900 grams and is particularly suitable for use without a tripod. The camera, which is no larger than a model with a 35 mm sensor, has an advanced five-axis image stabilisation system (IBIS) that effectively prevents camera shake and allows sharp images with up to 6.5 EV stops at slower shutter speeds. The IBIS system is particularly advantageous when shooting freehand in poor lighting conditions, such as indoors and after dark, as well as when shooting with long telephoto focal lengths. The robust magnesium housing is additionally reinforced around the bayonet mount to guarantee the best possible stability when using larger and heavier lenses. It is protected against splash water and dust and can be used at low temperatures down to minus 10 degrees Celsius. Its handiness and robustness make it possible to use the new GFX50S II in areas where conventional medium format cameras could hardly or not at all be used until now.
The GFX50S II has a large-format image sensor with 51.4 megapixels. It is around 1.7 times larger than a 35 mm format sensor ("full format") and is characterised by a high dynamic range and an excellent signal-to-noise ratio. In conjunction with the powerful X-Processor 4, brilliant image quality is achieved. The images are characterised by rich tonal reproduction, low image noise and well-defined shadows and highlights. In conjunction with a GF series lens, a consistently high resolution is achieved across the entire image area and an almost three-dimensional image effect is achieved. The images are characterised by a high level of detail and a natural colour impression without false colours. This makes the GFX50S II the ideal camera for documentary work in museums and archives as well as other photographic applications where maximum colour and detail fidelity is required. The GFX50S II weighs only 900 grams and is particularly suitable for use without a tripod. The camera, which is no larger than a model with a 35 mm sensor, has an advanced five-axis image stabilisation system (IBIS) that effectively prevents camera shake and allows sharp images with up to 6.5 EV stops at slower shutter speeds. The IBIS system is particularly advantageous when shooting freehand in poor lighting conditions, such as indoors and after dark, as well as when shooting with long telephoto focal lengths. The robust magnesium housing is additionally reinforced around the bayonet mount to guarantee the best possible stability when using larger and heavier lenses. It is protected against splash water and dust and can be used at low temperatures down to minus 10 degrees Celsius. Its handiness and robustness make it possible to use the new GFX50S II in areas where conventional medium format cameras could hardly or not at all be used until now.
The GFX50S II has a large-format image sensor with 51.4 megapixels. It is around 1.7 times larger than a 35 mm format sensor ("full format") and is characterised by a high dynamic range and an excellent signal-to-noise ratio. In conjunction with the powerful X-Processor 4, brilliant image quality is achieved. The images are characterised by rich tonal reproduction, low image noise and well-defined shadows and highlights. In conjunction with a GF series lens, a consistently high resolution is achieved across the entire image area and an almost three-dimensional image effect is achieved. The images are characterised by a high level of detail and a natural colour impression without false colours. This makes the GFX50S II the ideal camera for documentary work in museums and archives as well as other photographic applications where maximum colour and detail fidelity is required. The GFX50S II weighs only 900 grams and is particularly suitable for use without a tripod. The camera, which is no larger than a model with a 35 mm sensor, has an advanced five-axis image stabilisation system (IBIS) that effectively prevents camera shake and allows sharp images with up to 6.5 EV stops at slower shutter speeds. The IBIS system is particularly advantageous when shooting freehand in poor lighting conditions, such as indoors and after dark, as well as when shooting with long telephoto focal lengths. The robust magnesium housing is additionally reinforced around the bayonet mount to guarantee the best possible stability when using larger and heavier lenses. It is protected against splash water and dust and can be used at low temperatures down to minus 10 degrees Celsius. Its handiness and robustness make it possible to use the new GFX50S II in areas where conventional medium format cameras could hardly or not at all be used until now.
The GFX50S II has a large-format image sensor with 51.4 megapixels. It is around 1.7 times larger than a 35 mm format sensor ("full format") and is characterised by a high dynamic range and an excellent signal-to-noise ratio. In conjunction with the powerful X-Processor 4, brilliant image quality is achieved. The images are characterised by rich tonal reproduction, low image noise and well-defined shadows and highlights. In conjunction with a GF series lens, a consistently high resolution is achieved across the entire image area and an almost three-dimensional image effect is achieved. The images are characterised by a high level of detail and a natural colour impression without false colours. This makes the GFX50S II the ideal camera for documentary work in museums and archives as well as other photographic applications where maximum colour and detail fidelity is required. The GFX50S II weighs only 900 grams and is particularly suitable for use without a tripod. The camera, which is no larger than a model with a 35 mm sensor, has an advanced five-axis image stabilisation system (IBIS) that effectively prevents camera shake and allows sharp images with up to 6.5 EV stops at slower shutter speeds. The IBIS system is particularly advantageous when shooting freehand in poor lighting conditions, such as indoors and after dark, as well as when shooting with long telephoto focal lengths. The robust magnesium housing is additionally reinforced around the bayonet mount to guarantee the best possible stability when using larger and heavier lenses. It is protected against splash water and dust and can be used at low temperatures down to minus 10 degrees Celsius. Its handiness and robustness make it possible to use the new GFX50S II in areas where conventional medium format cameras could hardly or not at all be used until now.
in 3 offers
The lowest price for Fujifilm GFX50S II Mirrorless Camera With 35-70mm Lens Kit right now is $4,210.57 at eBay.com.au, compared across 3 retailers.
The all-time low was $4,007.44 on 10 May 2026 — today's price is 5% above the lowest ever. This is at or near its all-time low — a good time to buy.
Prices last updated 15 June 2026.
Last updated at 15/06/2026 08:12:31
Fujifilm Gfx 50s Ii + Gf35-70mm Lens Kit Shuttercount:584 [almost
Free delivery
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Fujifilm GFX 50SII/GF35-70mm** Kit BOX
Delivery between 18–22 June $10
Fujifilm GFX 50S Mark II Kit with 35-70mm f/4.5-5.6 WR lens
Delivery between 18–23 June $12.90
originally posted on bestbuy.com
I am constantly amazed at the picture quality of this camera. It is definitely not a camera for everyone, but if you are into landscapes it will change your world. The in-body stabilization is simply amazing, you can shoot hand-held in much lower light and shutter speed. It makes for big files so you need to be very selective and careful with your shooting. Overall, I am very happy with the camera.
originally posted on adorama.com
I've only had this body and lens a few weeks, so experience is limited. I read every credible review I could find and decided that few if any of the shortcomings described affected my landscape focus. I tend to shoot panoramas for print, so the 100 MP version was an overkill at this point.First impression is that image quality is astounding even with the 35-70 kit lens. Once understood, the menus are logical and quite easy to navigate. I like the breath and fine-grain control of menu variables.An absolute pleasure to use. As yet I haven found anything to complain about; it's a nice start to a new system.
originally posted on bhphotovideo.com
I'd say that I'm not a huge Fuji fan but moving to medium format at this price seemed promising. The handling is very nice aside from being a little big but that was to be expected, a true fuji camera with all the great buttons and settings. The menu is familiar and functional. The EVF isn't bad but not up to today's standards. The IBIS is awesome, the low ISO performance is the best I've experienced and the image quality is sublime. The focus speed felt like an original x100 and the shutter felt and sounded like I was closing the trunk on my car. Watch the reviews on how slow and unresponsive this camera is and believe them. I like to see a preview in the EVF after a shot but I couldn't figure out if this was possible in the GFX. I could see a preview of the image ... MoreI'd say that I'm not a huge Fuji fan but moving to medium format at this price seemed promising. The handling is very nice aside from being a little big but that was to be expected, a true fuji camera with all the great buttons and settings. The menu is familiar and functional. The EVF isn't bad but not up to today's standards. The IBIS is awesome, the low ISO performance is the best I've experienced and the image quality is sublime. The focus speed felt like an original x100 and the shutter felt and sounded like I was closing the trunk on my car. Watch the reviews on how slow and unresponsive this camera is and believe them. I like to see a preview in the EVF after a shot but I couldn't figure out if this was possible in the GFX. I could see a preview of the image on the LCD but I don't shoot with the LCD usually. The lens felt very cheap, like a plastic Nikon 18-55. The glass is fine but I'd rather have 2.8 or 1.4 for this camera. I wouldn't buy the kit again. Not the camera for me so I returned it.
| Camera type | Mirrorless full frame |
| Megapixels (still) | 51 |
| Full frame lens | Yes |
| Image sensor | 43.8 x 32.9mm CMOS Sensor |
| Lens | GF 35-70mm f/4.5-5.6 WR |
Fujifilm Gfx 50s Ii + Gf35-70mm Lens Kit Shuttercount:584 [almost
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Fujifilm GFX 50SII/GF35-70mm** Kit BOX
Delivery between 18–22 June $10
Fujifilm GFX 50S Mark II Kit with 35-70mm f/4.5-5.6 WR lens
Delivery between 18–23 June $12.90
I am constantly amazed at the picture quality of this camera. It is definitely not a camera for everyone, but if you are into landscapes it will change your world. The in-body stabilization is simply amazing, you can shoot hand-held in much lower light and shutter speed. It makes for big files so you need to be very selective and careful with your shooting. Overall, I am very happy with the camera.
I've only had this body and lens a few weeks, so experience is limited. I read every credible review I could find and decided that few if any of the shortcomings described affected my landscape focus. I tend to shoot panoramas for print, so the 100 MP version was an overkill at this point.First impression is that image quality is astounding even with the 35-70 kit lens. Once understood, the menus are logical and quite easy to navigate. I like the breath and fine-grain control of menu variables.An absolute pleasure to use. As yet I haven found anything to complain about; it's a nice start to a new system.
I'd say that I'm not a huge Fuji fan but moving to medium format at this price seemed promising. The handling is very nice aside from being a little big but that was to be expected, a true fuji camera with all the great buttons and settings. The menu is familiar and functional. The EVF isn't bad but not up to today's standards. The IBIS is awesome, the low ISO performance is the best I've experienced and the image quality is sublime. The focus speed felt like an original x100 and the shutter felt and sounded like I was closing the trunk on my car. Watch the reviews on how slow and unresponsive this camera is and believe them. I like to see a preview in the EVF after a shot but I couldn't figure out if this was possible in the GFX. I could see a preview of the image ... MoreI'd say that I'm not a huge Fuji fan but moving to medium format at this price seemed promising. The handling is very nice aside from being a little big but that was to be expected, a true fuji camera with all the great buttons and settings. The menu is familiar and functional. The EVF isn't bad but not up to today's standards. The IBIS is awesome, the low ISO performance is the best I've experienced and the image quality is sublime. The focus speed felt like an original x100 and the shutter felt and sounded like I was closing the trunk on my car. Watch the reviews on how slow and unresponsive this camera is and believe them. I like to see a preview in the EVF after a shot but I couldn't figure out if this was possible in the GFX. I could see a preview of the image on the LCD but I don't shoot with the LCD usually. The lens felt very cheap, like a plastic Nikon 18-55. The glass is fine but I'd rather have 2.8 or 1.4 for this camera. I wouldn't buy the kit again. Not the camera for me so I returned it.
I admit I was hesitant to purchase after reading reviews about facial tracking, but this isn't a feature I have ever been dependent on as a photographer before and I refused to rely on this as a final decision when going medium format. I'm glad I wasn't deterred. After upgrading to latest firmware and adjusting metering and focus to settings that work for a manual portrait shooter like myself, I simply could not be more happy with my decision. I also purchased the 80mm lens along with the kit lens and both lenses are superb. I truly didn't know what I had been missing until I saw the first set of images from this sensor. I continue to modify settings to my liking as they are literally limitless. I fully expect this experience to only get better and better! Thank you ... MoreI admit I was hesitant to purchase after reading reviews about facial tracking, but this isn't a feature I have ever been dependent on as a photographer before and I refused to rely on this as a final decision when going medium format. I'm glad I wasn't deterred. After upgrading to latest firmware and adjusting metering and focus to settings that work for a manual portrait shooter like myself, I simply could not be more happy with my decision. I also purchased the 80mm lens along with the kit lens and both lenses are superb. I truly didn't know what I had been missing until I saw the first set of images from this sensor. I continue to modify settings to my liking as they are literally limitless. I fully expect this experience to only get better and better! Thank you FujiFilm for bringing my work to entire new level because after 36 years I can truly say this system inspires me more every time I use it!
Excellent Camera, the picture coming out of this sensor in absolutely incredible. I have shot with pretty much all of the major flagship cameras. Fuji has create a great camera, that produces beautiful shots. This camera is not for everyone. If you take your time and slow down and are not shooting sports. This camera will blow you away with the colors and the detail. The kit lens has really impressed me to. Thank you Fuji for making a great camera. Please keep them coming.
Four stars because now I want more (expensive) GF glass!I moved up from an APS-C model to the GFX 50s II and what a difference in size! It's been 6 years since I last used a DSLR and the 50s II is very similar in size and weight to the Canons I used to have... but miles ahead in image quality. Let's say that as of now my X-Pro3 is now my 'pocket camera'.By the way, I've shot zero video in 10 years other than with a smartphone. Nada. So I am certainly not the person to offer an opinion on that feature.Speed of operation is the elephant in the room. Yes, the 50s II is a slower camera by far than most any FF DSLR or mirrorless. I haven't seen an APS-C this slow since the early 2000s. In fact, the 50s II sepcs out pretty close to the Canon 5DII for speed.Focus ... MoreFour stars because now I want more (expensive) GF glass!I moved up from an APS-C model to the GFX 50s II and what a difference in size! It's been 6 years since I last used a DSLR and the 50s II is very similar in size and weight to the Canons I used to have... but miles ahead in image quality. Let's say that as of now my X-Pro3 is now my 'pocket camera'.By the way, I've shot zero video in 10 years other than with a smartphone. Nada. So I am certainly not the person to offer an opinion on that feature.Speed of operation is the elephant in the room. Yes, the 50s II is a slower camera by far than most any FF DSLR or mirrorless. I haven't seen an APS-C this slow since the early 2000s. In fact, the 50s II sepcs out pretty close to the Canon 5DII for speed.Focus isn't instant, even exposures seem to take a beat or two longer. But I could care less. I've had very fast cameras and for my way of shooting they were never let off the leash to run. I shoot landscapes, panoramic and intimate. Tabletop photography is another favorite. Even when I shoot cityscapes it's a deliberate process. I found I could pay for speed or I could apply the money to better quality images.Even if you think that you know Fuji, you still have a learning curve. I used my Pro3 and copied all the setting into the GFX, and then found out that there are operational differences. Two examples of many:- The GFX custom settings also lock in the image capture size, which defaults to Fine JPG. Oops. You will need to get familiar with the camera.- Next, the control wheels and the joystick have more flexibility when assigning functions than you are probably used to. You can three-press the front wheel? It will take some muscle memory training time.The 35-70 lens is very, very nice. It would be a disservice to refer to it as a 'kit lens', just as it is with the X-series 18-55. No mistake, there are better GF lenses but the 35-70 isn't just good enough, it's a stellar performer in its own right. That said, after a few days I think I might go for the 50mm as a walkaround lens and keep the 35-70 plus a future 100-200 for those deliberate moments I mentioned above. Would I have chosen the 32-64 if it were less expensive as a kit option? Probably, but it's a bigger and less carry friendly lens for sure.This is not the "medium format digital camera for the masses" as one recent video suggested in its title. The GFX 50s II is the right choice for someone who wants great quality images, is not speed dependant, and maybe has a smaller and lighter walkaround camera option already on their shelf.Even though I sold my X-T body and a few lenses to offset this purchase, I kept the Pro3 and primes. I consider the 50s II an expansion of capabilities rather than a replacement. For the money, my process, and my current gear on hand, the GFX 50sII was a better option than any of the FF or pricier medium format offerings.
Until recently there was no camera in existence like GFX 50Sii, and the closest thing you could get was -way- more expensive - the price of a new car expensive. You should -not- get a GFX just because it's a great camera though. I'm not saying you need to be a professional photographer to use one, but it is more difficult to use than a crop or micro 4/3 sensor camera. If you know how to use it, then you know you know, so you don't need me to tell you. In that case, you'll be blown away by it's unique capabilities.
The 50S II is my first MF system since I sold my beloved Mamaya 645AF back in '01 to go digital. Compared to my Fuji X gear it's big, heavy and expensive but worth it for the kind of shooting I do. Maybe we're getting a bit lazy but I'm getting comparable quality to 4X5 and it sure is nicer to go on a hike with than 30 lbs. of view camera gear. I was expecting 50 mb of resolution and this system has that in spades, but what really surprised me is how much more dynamic range I'm getting out of the camera than in my X system. Exposing more for the highlights I can seemingly pull information out of the shadows for ever. As is typical of FujiFilm the kit lens is excellent. Maybe I just got a good copy, but I've really not found any cause for complaints. Sharp even at ... MoreThe 50S II is my first MF system since I sold my beloved Mamaya 645AF back in '01 to go digital. Compared to my Fuji X gear it's big, heavy and expensive but worth it for the kind of shooting I do. Maybe we're getting a bit lazy but I'm getting comparable quality to 4X5 and it sure is nicer to go on a hike with than 30 lbs. of view camera gear. I was expecting 50 mb of resolution and this system has that in spades, but what really surprised me is how much more dynamic range I'm getting out of the camera than in my X system. Exposing more for the highlights I can seemingly pull information out of the shadows for ever. As is typical of FujiFilm the kit lens is excellent. Maybe I just got a good copy, but I've really not found any cause for complaints. Sharp even at wide open at al zoom ranges.
I have been using Fuji GFX 50S II for a couple of weeks and I love the picture quality. My company photographs original art pieces and cultural heritage art. Over 22 years I have gone from film to digital. I have used Nikon, Canon, BetterLight scanning back, Hasselblad and now the Fuji GFX 50S II. The Fuji beats them all for image quality and color accuracy and RAW file size. The camera will produce a 1.3 gigaprixel 16 bit file right out of the camera. I primarily use the Pixel Shift function for shooting art. I plan on using the Fuji for photographing panoramas of large art pieces using my Rodeon Pixplorer. I also love the articulated LCD display since I shoot from a tripod/camera stand.One of the downsides of the camera (since I am a Canon shooter) are the ... MoreI have been using Fuji GFX 50S II for a couple of weeks and I love the picture quality. My company photographs original art pieces and cultural heritage art. Over 22 years I have gone from film to digital. I have used Nikon, Canon, BetterLight scanning back, Hasselblad and now the Fuji GFX 50S II. The Fuji beats them all for image quality and color accuracy and RAW file size. The camera will produce a 1.3 gigaprixel 16 bit file right out of the camera. I primarily use the Pixel Shift function for shooting art. I plan on using the Fuji for photographing panoramas of large art pieces using my Rodeon Pixplorer. I also love the articulated LCD display since I shoot from a tripod/camera stand.One of the downsides of the camera (since I am a Canon shooter) are the menus. It has menus everwhere! Also, I have to adjust to the mirrorless camera.
I was shopping for an X-T5 or maybe an X-H2 to nurture my love for Fujifilm cameras but to still fit in my workflow as an event photographer. Either of those could have gone nicely with my Sony A7RIII in my sort of weird mix of brands. But no, Fujifilm had to be running this awesome promo on a camera that would be really spectacular for landscape photography (which is my favorite genre but not the one that I get paid for...ever), so what did I do, I got the landscape camera.It is a bit big and clunky but I find it easy enough to use, not quite as dial-tastic as my old X-T1 but still easy enough to change what I need to change quickly and easily. I've used it on vacation and for a couple family photo shoots so far and I love the results. The AF is slower than my ... MoreI was shopping for an X-T5 or maybe an X-H2 to nurture my love for Fujifilm cameras but to still fit in my workflow as an event photographer. Either of those could have gone nicely with my Sony A7RIII in my sort of weird mix of brands. But no, Fujifilm had to be running this awesome promo on a camera that would be really spectacular for landscape photography (which is my favorite genre but not the one that I get paid for...ever), so what did I do, I got the landscape camera.It is a bit big and clunky but I find it easy enough to use, not quite as dial-tastic as my old X-T1 but still easy enough to change what I need to change quickly and easily. I've used it on vacation and for a couple family photo shoots so far and I love the results. The AF is slower than my Sony, but not so much that it is a huge issue. We shall see when I shoot an event later this month how much I use the Fuji and how much I defer to the Sony for action shots.
| Camera type | Mirrorless full frame |
| Megapixels (still) | 51 |
| Full frame lens | Yes |
| Image sensor | 43.8 x 32.9mm CMOS Sensor |
| Lens | GF 35-70mm f/4.5-5.6 WR |
