Fujifilm XF 50mm F2 R WR Lens, Black
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
Fujifilm expands the XF lens series with the new Fujinon XF50mmF2 R WR. This compact and lightweight lens offers a focal length of 76 mm (equivalent to full-frame) and a large aperture of F2 for attractive bokeh. The XF50mmF2 R WR, along with the XF35mmF2 R WR and the XF23mmF2 R WR, forms its own product line within the XF series. All three lenses are notably handy and feature the same high-quality design characteristics. They are particularly well-suited for the rangefinder camera X-Pro2, as their compact barrel does not intrude into the optical viewfinder image. Weighing only 200 grams, the lens is pleasantly lightweight. The barrel is weather-sealed at ten points, protecting it against splashes and dust. The autofocus is based on internal focusing, where only the lightweight lens groups in the middle of the lens are moved. The XF50mmF2, like the other models, is mostly made of metal, which makes it robust and durable while also contributing to its stylish appearance.
in 33 offers
The lowest price for Fujifilm XF 50mm F2 R WR Lens, Black right now is $479.00 at E-Infinity Online Camera Store, compared across 25 retailers.
The all-time low was $399.00 on 26 Apr 2026 — today's price is 20% above the lowest ever. That's a little above the best price we've seen.
Prices last updated 10 June 2026.
Last updated at 10/06/2026 12:39:41
Fujifilm XF 50mm f/2 R WR Lens (Black)
Free delivery between 16–23 June
Fujifilm XF 50mm F2.0 R WR Lens Weather Resistant With Stepping Motor And Aspherical Element
Delivery $9.95
FujiFilm XF 50mm f/2 R WR Lens (Black)
Free delivery between 15–22 June
FUJIFILM XF 50mm f/2 R WR Lens (Black)
Delivery $15
Fujifilm | XF 50mm f/2 R WR Lens | Weather-Resistant Short Telephoto Prime | Super EBC Coating | 76mm Equivalent
Delivery between 16–24 June $9.90
FUJIFILM FUJINON LENS XF 50mm F2 R WR BLACK
Delivery $24.87
Fujifilm XF 50mm f/2 R WR Lens - Black
Delivery between 15–18 June $12.90
Fujifilm XF 50mm f/2 R WR Black Fujinon Lens
Delivery $18.45
FujiFilm X Lens XF50mm f/2 R WR Black Lens
Free delivery
Fujifilm FUJINON XF 50mm F2 R WR Black Lens
Free delivery
originally posted on bhphotovideo.com
I'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, ... MoreI'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, helps in that regard).Besides working well ergonomically, this lens puts out the images. Details are extremely sharp at f2, and improve marginally (mostly in corner performance) up to around f5.6. Because Fuji emphasizes wide-open image quality in this lens, it will serve you well in low-light shooting without flash.I received the 50mm f2 as a Christmas gift, and it has filled a real need in my X street setup. I might someday get the 56mm 1.2 for posed portraits, but my burning desire for that lens has diminished as I enjoy the 50mm f2.
originally posted on bhphotovideo.com
I thought maybe sharing my experiences on the new 50mm f/2 here might help some folks. I'm not going to talk about technical aspects, just how I like it and where I feel it sits and maybe if it's worth it. I received my 50mm f/2 last Friday and had a chance to shoot with it over the weekend.. I like it a lot. It met my expectations of what the focal length could do for me. For usage, I found the 75mm equiv. field of view less restricting than an 85mm.. which is what the Fujinon 56mm f/1.2 basically is. I was tempted to switch to my 23mm f/2 (a 35mm equiv.) at times, but I framed up my shot with the 50 and what I wanted to capture fit with a little room to spare. I don't expect this to be the case with everyone else, but for me, it's actually a very comfortable lens ... MoreI thought maybe sharing my experiences on the new 50mm f/2 here might help some folks. I'm not going to talk about technical aspects, just how I like it and where I feel it sits and maybe if it's worth it. I received my 50mm f/2 last Friday and had a chance to shoot with it over the weekend.. I like it a lot. It met my expectations of what the focal length could do for me. For usage, I found the 75mm equiv. field of view less restricting than an 85mm.. which is what the Fujinon 56mm f/1.2 basically is. I was tempted to switch to my 23mm f/2 (a 35mm equiv.) at times, but I framed up my shot with the 50 and what I wanted to capture fit with a little room to spare. I don't expect this to be the case with everyone else, but for me, it's actually a very comfortable lens to work with. Quite a versatile little lens and better range of usage than some might originally believe it may not have. As for the image quality, I love it. Even with max aperture of f/2, it has a good amount of subject isolation with nice bokeh.. I am discovering I am really liking the quality of the depth of the images I was making with the 50mm f/2. Color rendition is about as good as any of the other nice Fujinon prime lenses. Will it replace or make me want to sell my 56mm f/1.2?... I don't think so.. I don't feel they are equivalent lenses to say one would or should directly replace one or the other. Is it worth $450? I think so. For native Fujinon prime lenses, it's actually one of the least expensive.. and you get a lot for the price.. accurate, fast & silent AF, compact & light, great build, WR.. works particularly great with an X-Pro2, as I have, due to minimal OVF obstruction.. and if you want a 50mm lens that works with the OVF (useful real-time framelines parallax adjustments), this is pretty much the only option. I was thinking about the lens again today and if this is any revelation, I feel this 50 works and fits comfortably somewhere in the middle between 2 more popular focal len
originally posted on bhphotovideo.com
I shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and ... MoreI shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and therefore I've use a b+w soft filter. That is the one that's made like a Zeiss Softar with little dimpled lenses in the filter surface. Either way, with the filter or with the lens by itself this lens is very suitable for intimate portraiture. The mechanical build quality is top-notch. The lens hood is actually pretty good. This lens leaves nothing to be desired. I should also add set this lens complete my Holy Trinity of lenses, which are the 16mm 23mm and the 50mm. Armed with two x pro2 camera bodies, and those lenses, I am ready for almost any shooting assignment for any event. The 50 mm is a must-have lens.
| Focal Length | 50mm (35mm Equivalent Focal Length: 76mm) |
| Maximum Aperture | f/2 |
| Minimum Aperture | f/16 |
| Lens Mount | FUJIFILM X |
| Lens Format Coverage | APS – C |
Fujifilm XF 50mm f/2 R WR Lens (Black)
Free delivery between 16–23 June
Fujifilm XF 50mm F2.0 R WR Lens Weather Resistant With Stepping Motor And Aspherical Element
Delivery $9.95
FujiFilm XF 50mm f/2 R WR Lens (Black)
Free delivery between 15–22 June
FUJIFILM XF 50mm f/2 R WR Lens (Black)
Delivery $15
Fujifilm | XF 50mm f/2 R WR Lens | Weather-Resistant Short Telephoto Prime | Super EBC Coating | 76mm Equivalent
Delivery between 16–24 June $9.90
I'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, ... MoreI'll be the first to admit that this lens does not look special on paper. A 50mm f2? Are we taking the retro theme of the X system all the way back to retro lens technology as well? As it happens, Fuji knows that they are doing, and you should appreciate this fine photographic instrument.The WR lenses are designed to be small, fast, and durable. Such a portable lens must also be easy to handle and hand hold. In giving us a 75mm (FF equiv) in the 50mm, Fuji has given us a street telephoto that hasn't really existed outside the Leica 75mm Summicron -- only the 50mm WR has fast autofocus (not quite as fast as the 23mm f2, but still fast). I can respond quickly with this lens, and I don't struggle to hand hold even when I'm on the street (50mm, as opposed to 56mm, helps in that regard).Besides working well ergonomically, this lens puts out the images. Details are extremely sharp at f2, and improve marginally (mostly in corner performance) up to around f5.6. Because Fuji emphasizes wide-open image quality in this lens, it will serve you well in low-light shooting without flash.I received the 50mm f2 as a Christmas gift, and it has filled a real need in my X street setup. I might someday get the 56mm 1.2 for posed portraits, but my burning desire for that lens has diminished as I enjoy the 50mm f2.
I thought maybe sharing my experiences on the new 50mm f/2 here might help some folks. I'm not going to talk about technical aspects, just how I like it and where I feel it sits and maybe if it's worth it. I received my 50mm f/2 last Friday and had a chance to shoot with it over the weekend.. I like it a lot. It met my expectations of what the focal length could do for me. For usage, I found the 75mm equiv. field of view less restricting than an 85mm.. which is what the Fujinon 56mm f/1.2 basically is. I was tempted to switch to my 23mm f/2 (a 35mm equiv.) at times, but I framed up my shot with the 50 and what I wanted to capture fit with a little room to spare. I don't expect this to be the case with everyone else, but for me, it's actually a very comfortable lens ... MoreI thought maybe sharing my experiences on the new 50mm f/2 here might help some folks. I'm not going to talk about technical aspects, just how I like it and where I feel it sits and maybe if it's worth it. I received my 50mm f/2 last Friday and had a chance to shoot with it over the weekend.. I like it a lot. It met my expectations of what the focal length could do for me. For usage, I found the 75mm equiv. field of view less restricting than an 85mm.. which is what the Fujinon 56mm f/1.2 basically is. I was tempted to switch to my 23mm f/2 (a 35mm equiv.) at times, but I framed up my shot with the 50 and what I wanted to capture fit with a little room to spare. I don't expect this to be the case with everyone else, but for me, it's actually a very comfortable lens to work with. Quite a versatile little lens and better range of usage than some might originally believe it may not have. As for the image quality, I love it. Even with max aperture of f/2, it has a good amount of subject isolation with nice bokeh.. I am discovering I am really liking the quality of the depth of the images I was making with the 50mm f/2. Color rendition is about as good as any of the other nice Fujinon prime lenses. Will it replace or make me want to sell my 56mm f/1.2?... I don't think so.. I don't feel they are equivalent lenses to say one would or should directly replace one or the other. Is it worth $450? I think so. For native Fujinon prime lenses, it's actually one of the least expensive.. and you get a lot for the price.. accurate, fast & silent AF, compact & light, great build, WR.. works particularly great with an X-Pro2, as I have, due to minimal OVF obstruction.. and if you want a 50mm lens that works with the OVF (useful real-time framelines parallax adjustments), this is pretty much the only option. I was thinking about the lens again today and if this is any revelation, I feel this 50 works and fits comfortably somewhere in the middle between 2 more popular focal len
I shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and ... MoreI shoot people. Most of the times I use a 35 mm or wider lens to shoot people. Full-frame equivalent of course. With the x pro2 series camera, I'm finding I'm returning to my roots shooting with Leica m3 m4 and m6ttl. For me it's a more intimate way of shooting. With my full frame Canon DSLR cameras, I'm quick to use well over 100mm, with a 135mm being my favorite people lens. But with the x pro2 people don't get as bothered by the camera as they do with a larger camera. The camera does not intimidate them as much. Because of that, I can shoot closer, more intimately, more directly, more in contact with the person I'm photographing. Because of that the equivalent of 75 mm seems to work very well.This lens is very sharp. It is too sharp for some situations and therefore I've use a b+w soft filter. That is the one that's made like a Zeiss Softar with little dimpled lenses in the filter surface. Either way, with the filter or with the lens by itself this lens is very suitable for intimate portraiture. The mechanical build quality is top-notch. The lens hood is actually pretty good. This lens leaves nothing to be desired. I should also add set this lens complete my Holy Trinity of lenses, which are the 16mm 23mm and the 50mm. Armed with two x pro2 camera bodies, and those lenses, I am ready for almost any shooting assignment for any event. The 50 mm is a must-have lens.
As far as build quality, auto-focus, and image quality I would say that this sweet little lens falls in line with the recently released 23mm f2 and the 35mm f2 lenses. I my case, I already have the Zeiss Touit 50mm f2.8 Makro lens, so I made a reasonably scientific comparison between those two lenses. Since the Zeiss is a multi-purpose lens for me, used for portraits and general use as well as occasional macro work, I thought I might be able to replace it with this 50mm f2 and gain the size advantage and use my Fujifilm extension tube for the macro end of things. I performed a series of hand held shots at different distances and subjects at f2 through f8 as well as a series of tripod mounted shots with controlled lighting ranging from the closest possible extension ... MoreAs far as build quality, auto-focus, and image quality I would say that this sweet little lens falls in line with the recently released 23mm f2 and the 35mm f2 lenses. I my case, I already have the Zeiss Touit 50mm f2.8 Makro lens, so I made a reasonably scientific comparison between those two lenses. Since the Zeiss is a multi-purpose lens for me, used for portraits and general use as well as occasional macro work, I thought I might be able to replace it with this 50mm f2 and gain the size advantage and use my Fujifilm extension tube for the macro end of things. I performed a series of hand held shots at different distances and subjects at f2 through f8 as well as a series of tripod mounted shots with controlled lighting ranging from the closest possible extension tube distance to 1 meter (+/-) with out the tube. In virtually all cases at f2.8 and f4 the zeiss lens excelled in sharpness. At f5.6 and f8 the two lenses showed no discernible difference in sharpness. Overall the zeiss' micro contrast gave the images ever so slightly more pop whereas the bokeh seemed equally silky between the two lenses. If I didn't already have the Zeiss lens, this little jewel would be a keeper, but for me the overall slightly better image quality of the Zeiss along with the instant close-up capabilities won out over the size factor of the Fujinon lens. Also: The Fujinon did not work well with the 11mm extension tube, being very soft in all but the center 25% of the image as well as only being 1:4 magnification at best.
I like using a longer lens for street photography. However, I find the 56mm hard to use for this purpose because it is pretty slow to focus. This lens makes a lot of improvement on the 56 in certain areas: aperture ring feels WAY better, it is noticeably lighter and narrower, weather resistant, and noticeably faster to focus. I don't feel it focuses quite as fast as the 35 f2. Unfortunately, even on an Xpro 3 it's not near as good as tracking as other brands (Canon/Sony) and continuous autofocus still seems to be the weak link for Fuji. I also found the focal length was not quite long enough to give nice compression like the 56 (I was surprised there would be a difference here). As far as image quality, the 50mm is very good. It might be slightly more clinical and a ... MoreI like using a longer lens for street photography. However, I find the 56mm hard to use for this purpose because it is pretty slow to focus. This lens makes a lot of improvement on the 56 in certain areas: aperture ring feels WAY better, it is noticeably lighter and narrower, weather resistant, and noticeably faster to focus. I don't feel it focuses quite as fast as the 35 f2. Unfortunately, even on an Xpro 3 it's not near as good as tracking as other brands (Canon/Sony) and continuous autofocus still seems to be the weak link for Fuji. I also found the focal length was not quite long enough to give nice compression like the 56 (I was surprised there would be a difference here). As far as image quality, the 50mm is very good. It might be slightly more clinical and a little less filmic than the 56 but if they are not side by side it's hard to tell. For me sharpness is a toss up between the two and not worth making a decision on. Overall, for me, the autofocus was not a significant enough improvement over the 56 to make it a worthwhile addition and I have other weather-sealed lenses. I like the lens a lot and if you are looking for a cheaper alternative to the 56 or if you don't see yourself shooting wider than f2, this is a great choice.
This is the second copy of this lens I've owned. I sold the first after picking up a 56 f1.2 lens for commercial work, but realized I missed the compact size and beautiful, contrasty rendering of the 50 f2 so I purchased again for use on an X-Pro2 body. Both copies I've used are very sharp across the frame from wide open (bitingly sharp in the center), and hit peak sharpness around f4. Images are very punchy with no perceptible chromatic aberration, and vignetting and distortion are very well controlled. The aperture ring is tight with strong clicks, like the other f2 Fujicrons, and the wide manual focus ring is extremely smooth and a pleasure to use for fine-tuning focus. Importantly for X-Pro shooters, there the small tapered profile of the lens does not ... MoreThis is the second copy of this lens I've owned. I sold the first after picking up a 56 f1.2 lens for commercial work, but realized I missed the compact size and beautiful, contrasty rendering of the 50 f2 so I purchased again for use on an X-Pro2 body. Both copies I've used are very sharp across the frame from wide open (bitingly sharp in the center), and hit peak sharpness around f4. Images are very punchy with no perceptible chromatic aberration, and vignetting and distortion are very well controlled. The aperture ring is tight with strong clicks, like the other f2 Fujicrons, and the wide manual focus ring is extremely smooth and a pleasure to use for fine-tuning focus. Importantly for X-Pro shooters, there the small tapered profile of the lens does not significantly protrude into the optical viewfinder, and stays outside the bright lines. And it doesn't take up any room at all the bag. A wonderful lens for street photography, architecture and casual portraits (but the longer focal length of the 60mm f2.4 and 56 f1.2 or telephoto zooms tend to produce better portrait results). Very pleased to have this little gem back in my bag.
After reading many excellent reviews, I was still surprised by this lens: Excellent image quality, solid build, tack sharp, lightweight, silent and fast autofocus... and all of that at a relatively affordable price.I initially bought it for candid portraits, street photography and some landscape... most of it personal. I love my Fuji 90mm f2 for outdoors portraits (mostly paid work). However, I will definitely bring this f2 to my next session. I actually chose this over the already available 50mm f1 (due to the lighter f2 reported to have faster autofocus with less hunting).Last year I moved from Nikon DSRL to Fuji, and most of my lenses were f/2.8... so f2 has been more than enough for me... even at night (think downtown city lighting).My favorite features: ... MoreAfter reading many excellent reviews, I was still surprised by this lens: Excellent image quality, solid build, tack sharp, lightweight, silent and fast autofocus... and all of that at a relatively affordable price.I initially bought it for candid portraits, street photography and some landscape... most of it personal. I love my Fuji 90mm f2 for outdoors portraits (mostly paid work). However, I will definitely bring this f2 to my next session. I actually chose this over the already available 50mm f1 (due to the lighter f2 reported to have faster autofocus with less hunting).Last year I moved from Nikon DSRL to Fuji, and most of my lenses were f/2.8... so f2 has been more than enough for me... even at night (think downtown city lighting).My favorite features: Fast autofocus, lightweight, excellent image quality... and inexpensive.
I've only owned this lens for a bit over a week and haven't had the time to thoroughly put it through its paces, but I can tell you with confidence that this lens is optically excellent. Images are tack sharp straight from F2 (very similar to the Fuji 90mm F2), common aberrations like CA are well-controlled, vignetting generally isn't noticeable, the list goes on.The reserved headline comes from the fact that it's a 50mm lens on APS-C, which translates to a focal length of roughly 76mm in FF terms. The slight shortness compared to the standard 85mm is noticeable in the amount of background compression and bokeh this lens produces (which is fair on this lens, but distinctly average when compared to the Fuji 56mm F1.2).Focusing noise is excellent but focus speed ... MoreI've only owned this lens for a bit over a week and haven't had the time to thoroughly put it through its paces, but I can tell you with confidence that this lens is optically excellent. Images are tack sharp straight from F2 (very similar to the Fuji 90mm F2), common aberrations like CA are well-controlled, vignetting generally isn't noticeable, the list goes on.The reserved headline comes from the fact that it's a 50mm lens on APS-C, which translates to a focal length of roughly 76mm in FF terms. The slight shortness compared to the standard 85mm is noticeable in the amount of background compression and bokeh this lens produces (which is fair on this lens, but distinctly average when compared to the Fuji 56mm F1.2).Focusing noise is excellent but focus speed is not. It's blazing fast in good lighting as most lenses are, but in non-optimal lighting focusing speeds take a big hit, becoming even slower than my 16mm F1.4 and 23mm F1.4 lenses despite those being being F1.4 lenses with older focus motor technology.The minimum focus distance on this lens is quite good and image quality remains excellent
So many Fujifilm users speak negatively about the 50mm f/2 because the 56mm f/1.2 is so impressive. However, speaking as someone who owns and uses both lenses, I prefer shooting with the 50mm f/2. The 50mm is weather sealed, has faster autofocus, has a closer minimum focus distance, and delivers almost identical image sharpness from f/2.8 onward. At f/2 the 50mm isnt quite as sharp as the 56mm, but you have to pixel-peep test charts to see the difference. I often have to shoot portraits at f/2 with the 56mm to get the entire face in focus, so lately I just use the 50mm because I can get closer (thanks to the closer minimum focus distance), it focuses faster (with better accuracy), and f/2 is better than f/1.2 for getting a complete face in focus. The only time I use ... MoreSo many Fujifilm users speak negatively about the 50mm f/2 because the 56mm f/1.2 is so impressive. However, speaking as someone who owns and uses both lenses, I prefer shooting with the 50mm f/2. The 50mm is weather sealed, has faster autofocus, has a closer minimum focus distance, and delivers almost identical image sharpness from f/2.8 onward. At f/2 the 50mm isnt quite as sharp as the 56mm, but you have to pixel-peep test charts to see the difference. I often have to shoot portraits at f/2 with the 56mm to get the entire face in focus, so lately I just use the 50mm because I can get closer (thanks to the closer minimum focus distance), it focuses faster (with better accuracy), and f/2 is better than f/1.2 for getting a complete face in focus. The only time I use the 56mm is for low light events where I dont want to use high ISO and Im far enough away from the subject that shallow depth of field isnt an issue.
I've been on the fence about getting this lens and now that I have it, idk why I waited. I also have the 56mm f1.2, which I love. I thought that the 56mm fulfilled all of my short telephoto needs, I was wrong. This 50mm f2 has a number of benefits over the older 56mm f1.2. For one, the autofocus is much faster and quieter (as with all of the f2 primes). Plus, the closer minimum focusing distance means I can get much closer to my subjects. Weather proofing is a huge benefit, allowing me to feel comfortable using the lens in adverse conditions. Sure the depth of field and bokeh isn't going to match the 56mm f1.2, but if that's not all you're after in your work, this lens can be a great addition to your kit.
| Focal Length | 50mm (35mm Equivalent Focal Length: 76mm) |
| Maximum Aperture | f/2 |
| Minimum Aperture | f/16 |
| Lens Mount | FUJIFILM X |
| Lens Format Coverage | APS – C |
