Last updated at 25/08/2026 00:14:26
Sigma 70mm F2.8 Dg Macro Art Lens Sharp Compact Prime For Canon Nikon
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Sigma 70mm F2.8 Dg Macro Art Full-frame Prime Lens For Canon Ef Mount
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Sigma Art 70mm F/2.8 Dg Macro For Canon Ef Mount [top Mint]
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Sigma Art 70mm F2.8 Dg Macro For Canon Ef Mount [near Mint] 8147lj
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Sigma Art 70mm F/2.8 Dg Macro For Canon Ef Mount [top Mint]
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70mm F2.8 SIGMA ART DG HSM PRIME LENS for SONY E NEW in FACTORY BOX,COVER & CASE
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Sigma 70mm f/2.8 DG Macro Art Lens for Canon EF - Excellent
Delivery $41.96
Sigma 70mm f/2.8 DG Macro Art Lens (Canon EF)
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Sigma 70mm f/2.8 DG Macro Art Lens - Canon EF
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Sigma 70mm f/2.8 DG | Art (Canon EF Mount) at Etoren
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originally posted on bhphotovideo.com
A very fine lens at all focusing distances, not just macro! This Art-series 70-mm lens is attractive and well made, and is fully compatible with an a7II such as mine. I would recommend you use a Sony body that has stabilization (IBIS). Although I normally read experts' and purchasers' reviews and tests before buying, I did not with this lens. So, based on only what I've personally seen while viewing my photos (at 100% on a 2013 Mac, non-Retina), the image sharpness is very, very high, and I have seen no transverse (lateral) aberration at all. The foreground bokeh and background bokeh are exceedlingly smooth. There is no noticeable color cast. The optical formula is modern and wonderful, and, after a few weeks of use, I now have high confidence in using this lens. (I ... MoreA very fine lens at all focusing distances, not just macro! This Art-series 70-mm lens is attractive and well made, and is fully compatible with an a7II such as mine. I would recommend you use a Sony body that has stabilization (IBIS). Although I normally read experts' and purchasers' reviews and tests before buying, I did not with this lens. So, based on only what I've personally seen while viewing my photos (at 100% on a 2013 Mac, non-Retina), the image sharpness is very, very high, and I have seen no transverse (lateral) aberration at all. The foreground bokeh and background bokeh are exceedlingly smooth. There is no noticeable color cast. The optical formula is modern and wonderful, and, after a few weeks of use, I now have high confidence in using this lens. (I have owned the Nikkor 105 VR macro, Zeiss 50 macro, and Contax 60 macro lenses.) The problems I do have are not related to the lens and are instead due to the limitations of the autofocus detectors in the a7II and/or with my being unable to rapidly select among the camera's many focus settings, such as MF, pre-AF, area AF, flexible spot, direct MF, and focus magnification. I need to narrow-down the settings and then practice often. My tips: Always use the hood unless you must view the ratios printed on the inner barrel, or with a shoe-mounted flash tilted down and shooting at closest range. Be ready to estimate (pre-visualize) the closest-possible distance from the subject to the front of the hood, and, for this lens, that is about 2 inches (5 cm). The three-position autofocus range switch can then be thought of as follows: any distance, any distance except very close (i.e., all the way from infinity to about 13 inches [33 cm] in front of the hood), and very close (from about 13 inches [33 cm] to 2 inches [5 cm] in front of the hood). To allow fastest-possible autofocus, you can be ready for various subjects by setting the switch at its mid-position (labeled inf. to 0.5 m) and then slide it to very close when you are sure you want maximum magnification (1:1).
originally posted on adorama.com
With other available macro lens out there for the E-mount, it's tough not to ignore a Sigma Art series macro lens. Once you've gotten used to the mechanical features to the lens, this lens will impress you in so many areas. It's compact, and lightweight allowing you to keep the weight down and pack efficiently in your gear bag - which is a huge reason why i switched 100% over to Sony from being a native Canon wedding photographer.Using this for macro ring shots and other fine details, the quality and sharpness in the photos were very impressive. Compared to Sony's 90mm and Canon's 100mm L, you wouldn't be able to tell the difference. With the Sony A7III, the magnification allows you to nail focus with great accuracy where you need it most. Colors are vibrant and ... MoreWith other available macro lens out there for the E-mount, it's tough not to ignore a Sigma Art series macro lens. Once you've gotten used to the mechanical features to the lens, this lens will impress you in so many areas. It's compact, and lightweight allowing you to keep the weight down and pack efficiently in your gear bag - which is a huge reason why i switched 100% over to Sony from being a native Canon wedding photographer.Using this for macro ring shots and other fine details, the quality and sharpness in the photos were very impressive. Compared to Sony's 90mm and Canon's 100mm L, you wouldn't be able to tell the difference. With the Sony A7III, the magnification allows you to nail focus with great accuracy where you need it most. Colors are vibrant and true, little color correction was needed in all my testing.
originally posted on bhphotovideo.com
I am a wildlife photographer and need an auto focus macro lens. I have been using the Leica R 100mm APO macro but as a manual lens with no weather sealing I can’t really walk around the jungle with it at night and expect to get lots of keeper images. When I can take the time to set up a shoot it (the 100mm APO) produces amazing images, but I need more. Enter the Sigma. So far I am more than pleased. It is sharp, colors are pretty solid, and though it’s not lightening quick to auto focus it is accurate and of course way more convenient than my manual lens. It has weather sealing which is critical for me and even though the barrel extends far out the end, if you use the hood you’re pretty much protected. I find the colors are not quite as perfect as my Leica glass but ... MoreI am a wildlife photographer and need an auto focus macro lens. I have been using the Leica R 100mm APO macro but as a manual lens with no weather sealing I can’t really walk around the jungle with it at night and expect to get lots of keeper images. When I can take the time to set up a shoot it (the 100mm APO) produces amazing images, but I need more. Enter the Sigma. So far I am more than pleased. It is sharp, colors are pretty solid, and though it’s not lightening quick to auto focus it is accurate and of course way more convenient than my manual lens. It has weather sealing which is critical for me and even though the barrel extends far out the end, if you use the hood you’re pretty much protected. I find the colors are not quite as perfect as my Leica glass but it’s an easy fix in post, and some people may not notice much of a difference. The sharpness is very solid which is important for me and I can’t imagine anyone would speak critically of it. Lack of in lens stabilization is definitely an inconvenience but I often shoot with diffused flash and can keep my shutter around 1/250. I find it’s still pretty sharp hand held up to about 1/125, but much lower than 1/90 you either need to be rock steady or use a tripod. As an SL shooter I can highly recommend this lens for anyone with similar needs to me, though I wish Leica would get their act together and come out with an AF 100mm APO Macro at 1:1 for the SL. I’d buy it in a second, though I’m happy with the sigma while I wait.
| Focal Length | 70mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Canon EF |
| Lens Format Coverage | Full-Frame |
Sigma 70mm F2.8 Dg Macro Art Lens Sharp Compact Prime For Canon Nikon
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma 70mm F2.8 Dg Macro Art Full-frame Prime Lens For Canon Ef Mount
Delivery $7.79
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma Art 70mm F/2.8 Dg Macro For Canon Ef Mount [top Mint]
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma Art 70mm F2.8 Dg Macro For Canon Ef Mount [near Mint] 8147lj
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sigma Art 70mm F/2.8 Dg Macro For Canon Ef Mount [top Mint]
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
A very fine lens at all focusing distances, not just macro! This Art-series 70-mm lens is attractive and well made, and is fully compatible with an a7II such as mine. I would recommend you use a Sony body that has stabilization (IBIS). Although I normally read experts' and purchasers' reviews and tests before buying, I did not with this lens. So, based on only what I've personally seen while viewing my photos (at 100% on a 2013 Mac, non-Retina), the image sharpness is very, very high, and I have seen no transverse (lateral) aberration at all. The foreground bokeh and background bokeh are exceedlingly smooth. There is no noticeable color cast. The optical formula is modern and wonderful, and, after a few weeks of use, I now have high confidence in using this lens. (I ... MoreA very fine lens at all focusing distances, not just macro! This Art-series 70-mm lens is attractive and well made, and is fully compatible with an a7II such as mine. I would recommend you use a Sony body that has stabilization (IBIS). Although I normally read experts' and purchasers' reviews and tests before buying, I did not with this lens. So, based on only what I've personally seen while viewing my photos (at 100% on a 2013 Mac, non-Retina), the image sharpness is very, very high, and I have seen no transverse (lateral) aberration at all. The foreground bokeh and background bokeh are exceedlingly smooth. There is no noticeable color cast. The optical formula is modern and wonderful, and, after a few weeks of use, I now have high confidence in using this lens. (I have owned the Nikkor 105 VR macro, Zeiss 50 macro, and Contax 60 macro lenses.) The problems I do have are not related to the lens and are instead due to the limitations of the autofocus detectors in the a7II and/or with my being unable to rapidly select among the camera's many focus settings, such as MF, pre-AF, area AF, flexible spot, direct MF, and focus magnification. I need to narrow-down the settings and then practice often. My tips: Always use the hood unless you must view the ratios printed on the inner barrel, or with a shoe-mounted flash tilted down and shooting at closest range. Be ready to estimate (pre-visualize) the closest-possible distance from the subject to the front of the hood, and, for this lens, that is about 2 inches (5 cm). The three-position autofocus range switch can then be thought of as follows: any distance, any distance except very close (i.e., all the way from infinity to about 13 inches [33 cm] in front of the hood), and very close (from about 13 inches [33 cm] to 2 inches [5 cm] in front of the hood). To allow fastest-possible autofocus, you can be ready for various subjects by setting the switch at its mid-position (labeled inf. to 0.5 m) and then slide it to very close when you are sure you want maximum magnification (1:1).
With other available macro lens out there for the E-mount, it's tough not to ignore a Sigma Art series macro lens. Once you've gotten used to the mechanical features to the lens, this lens will impress you in so many areas. It's compact, and lightweight allowing you to keep the weight down and pack efficiently in your gear bag - which is a huge reason why i switched 100% over to Sony from being a native Canon wedding photographer.Using this for macro ring shots and other fine details, the quality and sharpness in the photos were very impressive. Compared to Sony's 90mm and Canon's 100mm L, you wouldn't be able to tell the difference. With the Sony A7III, the magnification allows you to nail focus with great accuracy where you need it most. Colors are vibrant and ... MoreWith other available macro lens out there for the E-mount, it's tough not to ignore a Sigma Art series macro lens. Once you've gotten used to the mechanical features to the lens, this lens will impress you in so many areas. It's compact, and lightweight allowing you to keep the weight down and pack efficiently in your gear bag - which is a huge reason why i switched 100% over to Sony from being a native Canon wedding photographer.Using this for macro ring shots and other fine details, the quality and sharpness in the photos were very impressive. Compared to Sony's 90mm and Canon's 100mm L, you wouldn't be able to tell the difference. With the Sony A7III, the magnification allows you to nail focus with great accuracy where you need it most. Colors are vibrant and true, little color correction was needed in all my testing.
I am a wildlife photographer and need an auto focus macro lens. I have been using the Leica R 100mm APO macro but as a manual lens with no weather sealing I can’t really walk around the jungle with it at night and expect to get lots of keeper images. When I can take the time to set up a shoot it (the 100mm APO) produces amazing images, but I need more. Enter the Sigma. So far I am more than pleased. It is sharp, colors are pretty solid, and though it’s not lightening quick to auto focus it is accurate and of course way more convenient than my manual lens. It has weather sealing which is critical for me and even though the barrel extends far out the end, if you use the hood you’re pretty much protected. I find the colors are not quite as perfect as my Leica glass but ... MoreI am a wildlife photographer and need an auto focus macro lens. I have been using the Leica R 100mm APO macro but as a manual lens with no weather sealing I can’t really walk around the jungle with it at night and expect to get lots of keeper images. When I can take the time to set up a shoot it (the 100mm APO) produces amazing images, but I need more. Enter the Sigma. So far I am more than pleased. It is sharp, colors are pretty solid, and though it’s not lightening quick to auto focus it is accurate and of course way more convenient than my manual lens. It has weather sealing which is critical for me and even though the barrel extends far out the end, if you use the hood you’re pretty much protected. I find the colors are not quite as perfect as my Leica glass but it’s an easy fix in post, and some people may not notice much of a difference. The sharpness is very solid which is important for me and I can’t imagine anyone would speak critically of it. Lack of in lens stabilization is definitely an inconvenience but I often shoot with diffused flash and can keep my shutter around 1/250. I find it’s still pretty sharp hand held up to about 1/125, but much lower than 1/90 you either need to be rock steady or use a tripod. As an SL shooter I can highly recommend this lens for anyone with similar needs to me, though I wish Leica would get their act together and come out with an AF 100mm APO Macro at 1:1 for the SL. I’d buy it in a second, though I’m happy with the sigma while I wait.
I have tested this lens against several other highly-regarded macro lenses, including some classics like the Oly 90mm f/2.0 and the Tokina 90mm f/2.5 Bokina. The image quality of the Sigma lens was far better than any of these, at any aperture. There is no chromatic aberration. Its sharpest aperture is f/4.0. A great lens.I bought mine in Canon mount, for use with the Sigma MC21 mount converter for the Panasonic S1R. It focuses by wire. Crazily, the focus ring moves different distances depending on the speed of the focusing movement, and slow fine focusing movements don't engage the internal lens elements at all!!! This means it cannot be focused precisely in the macro realm on this camera. It is also not compatible with the Panasonic's focus bracketing ... MoreI have tested this lens against several other highly-regarded macro lenses, including some classics like the Oly 90mm f/2.0 and the Tokina 90mm f/2.5 Bokina. The image quality of the Sigma lens was far better than any of these, at any aperture. There is no chromatic aberration. Its sharpest aperture is f/4.0. A great lens.I bought mine in Canon mount, for use with the Sigma MC21 mount converter for the Panasonic S1R. It focuses by wire. Crazily, the focus ring moves different distances depending on the speed of the focusing movement, and slow fine focusing movements don't engage the internal lens elements at all!!! This means it cannot be focused precisely in the macro realm on this camera. It is also not compatible with the Panasonic's focus bracketing features.Also, as usual nowadays with B&H, it was shipped with grossly inadequate padding.
I Have been using macro lenses since the 70’s and I have probably owned and used over a dozen of them. I recently received the Sigma 70MM ART macro lens in the sony E mount and I have to say that the performance is up there with my Voigtlander APO. It isn’t second place to any macro I have ever owned or used. Some people complain that the lens does not focus fast. Think about the range a macro has to go thru from 1:1 to infinity. It has to move it’s focusing elements several inches. It isn’t practical to make it as snappy as your wide or normal focal lengths. It isn’t a fair comparison. In good light it is reasonably fast when working with longer distances. Some complain about the focus by wire taking a lot of turns to focus. Again, consider this is a macro lens, ... MoreI Have been using macro lenses since the 70’s and I have probably owned and used over a dozen of them. I recently received the Sigma 70MM ART macro lens in the sony E mount and I have to say that the performance is up there with my Voigtlander APO. It isn’t second place to any macro I have ever owned or used. Some people complain that the lens does not focus fast. Think about the range a macro has to go thru from 1:1 to infinity. It has to move it’s focusing elements several inches. It isn’t practical to make it as snappy as your wide or normal focal lengths. It isn’t a fair comparison. In good light it is reasonably fast when working with longer distances. Some complain about the focus by wire taking a lot of turns to focus. Again, consider this is a macro lens, not a portrait lens. You need lots of precision when focusing in the macro range otherwise you could not achieve the needed accuracy when working with a very shallow depth of field. Others have complained that the lens extends when focusing closer. It does, however, unlike some lenses that have internal focusing it’s optical focal length does not decrease as you get closer. A macro lens can be a general purpose lens when needed but keep in mind it is a special purpose lens first. To me the things that some people don’t like about this lens are part of it’s design and are what makes this a FANTASTIC macro lens not a compromised lens.
I Have been using macro lenses since the 70’s and I have probably owned and used over a dozen of them. I use them for small product photography. I recently received the Sigma 70MM ART macro lens in the sony E mount and I have to say that the performance is up there with my Voigtlander APO. It isn’t second place to any macro I have ever owned or used. Some people complain that the lens does not focus fast. Think about the range a macro has to go thru from 1:1 to infinity. It has to move it’s focusing elements a few inches. It isn’t practical to make it as snappy as your wide or normal focal lengths. It isn’t a fair comparison. In good light it is reasonably fast when working at longer distances with the focus limiter switch engaged. Some complain about the focus by ... MoreI Have been using macro lenses since the 70’s and I have probably owned and used over a dozen of them. I use them for small product photography. I recently received the Sigma 70MM ART macro lens in the sony E mount and I have to say that the performance is up there with my Voigtlander APO. It isn’t second place to any macro I have ever owned or used. Some people complain that the lens does not focus fast. Think about the range a macro has to go thru from 1:1 to infinity. It has to move it’s focusing elements a few inches. It isn’t practical to make it as snappy as your wide or normal focal lengths. It isn’t a fair comparison. In good light it is reasonably fast when working at longer distances with the focus limiter switch engaged. Some complain about the focus by wire taking a lot of turns to focus. The multi turn focusing allows you to have precise control over the focusing when working with very shallow depth of field in the macro range. To me that is an important feature. Others have complained that the lens extends when focusing closer. It does, however, unlike some lenses that have internal focusing it’s optical focal length does not decrease as you get closer, it will always be 70mm. A macro lens can be a general purpose lens when needed but keep in mind it is a special purpose lens first. To me the things that some people complain about are part of it’s design and are what makes this a FANTASTIC macro lens, not a compromised lens. I highly recommend it.
I have not been a Sigma Lens fans for decades however, I needed a macro to photo/scan C.Transp. 2 1/4 with the Lumix S1r and also a macro lens that would aid in close up nature work were my 1:2 mag. Lumix lenses stopped. This lens is V.G. to border excellent in all optical technical respects....color/res./contrast etc. and has a VG build with practical features. Notice I said I was not a Sigma lens fan. That was because I owned this in an early manual version some 35 yrs. ago and the color it produced was mud. I selected this lens over the Sigma because rightly or wrongly I believed the optical design of the elements would yield slightly better color and resolution. I am pretty happy overall with the optics. Handling is what I expected from a lens design where front ... MoreI have not been a Sigma Lens fans for decades however, I needed a macro to photo/scan C.Transp. 2 1/4 with the Lumix S1r and also a macro lens that would aid in close up nature work were my 1:2 mag. Lumix lenses stopped. This lens is V.G. to border excellent in all optical technical respects....color/res./contrast etc. and has a VG build with practical features. Notice I said I was not a Sigma lens fan. That was because I owned this in an early manual version some 35 yrs. ago and the color it produced was mud. I selected this lens over the Sigma because rightly or wrongly I believed the optical design of the elements would yield slightly better color and resolution. I am pretty happy overall with the optics. Handling is what I expected from a lens design where front element quickly extends outward as you focused closer. I have included 2 quick snaps with 1 simply a cropped section to sort of show the resolution. I shoot a little with Leica, which in macro is superior in many respects. Great lens for price as long as you receive a good copy. Gave it 5 stars because 4 1/2 not possible.
Really liked the images/video that came from this lens. Very sharp and bokeh was pleasing. DOF wasn't to narrow, but just enough at 2.8 for good subject/background separation. I have another lens where 2.8 feels almost like 1.2 in regards to focus area. The autofocus was to snappy for video, but obviously it's great for photos.Lensrentals has been great to rent from overall. I like how they make the mailing process feel personable. Each time I rent, I never feel like it's just a systematic transaction. They make me feel like I'm dealing with a friend who is willing to let me rent one of his pieces of equipment. With absolute certainty, I will continue to do business with lensrentals.
I watched many reviews on this lens and like what often happens people will talk you out of anything. But this is an excellent lens! It isnt as snappy to focus as others but this is designed for quality not race car speed. Its a great focus length for portraits and headshots but also a wonderful micro lens. There's a switch on the side to go macro, otherwise it works well in FULL mode on my Canon EOS RP, and when I switch to shoot cropped, it simulates a little further out. Sigma really delivers with super-sharp, great color saturation and for an affordable price. Oh, and its in a small package. You'll spend 3X and have 2X the size/weight compared to this.Highly recommended!
Most of my macro work is food photography. I had been looking for a macro lens to replace the 90mm Tamron I sold recently, I wanted to get myself a little closer to the plating, especially for overhead shots. The Sigma 70 intriqued me in part because of its unusual focal length, its relatively light weight, 2.8 aperture, 1:1 ratio, and 49mm front end, which translates to inexpensive top brand filters like B+W and of course.I haven't yet used it on a shoot, but I have experimented with it and tested the results at all apertures. I am not a tech or spec freak, but I can tell you there is a little vignetting wide open, which one should expect, and some degradation of the image quality after F11. Performance at 2.8 is acceptable, as the vignetting is easily corrected, ... MoreMost of my macro work is food photography. I had been looking for a macro lens to replace the 90mm Tamron I sold recently, I wanted to get myself a little closer to the plating, especially for overhead shots. The Sigma 70 intriqued me in part because of its unusual focal length, its relatively light weight, 2.8 aperture, 1:1 ratio, and 49mm front end, which translates to inexpensive top brand filters like B+W and of course.I haven't yet used it on a shoot, but I have experimented with it and tested the results at all apertures. I am not a tech or spec freak, but I can tell you there is a little vignetting wide open, which one should expect, and some degradation of the image quality after F11. Performance at 2.8 is acceptable, as the vignetting is easily corrected, sharpness across the field is good. The lens performance is quite good once you stopped down to F4 and is stellar in the middle apertures between 5.6 and 11. To be clear, it is hard to find the image degradation at the higher apertures, one really has to look for it comparing all images at 100% magnification on a large screen (I use a 27" monitor). AF seems to be spot on and quick enough, although I rarely use it when working very close. For real world use, based on initial experience, I would give the Sigma 70mm 2.8 Art lens a strong recommendation.
| Focal Length | 70mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Canon EF |
| Lens Format Coverage | Full-Frame |
Sigma 70mm f/2.8 DG Macro Art Lens - Canon
A medium-telephoto Macro lens from Sigma This medium-telephoto length Macro lens from Sigma is usable on both full-frame and APS-C image sensors, offering a magnified 105mm (approximately) on the latter. 1:1 magnification ratio is on offer, allowing for “life-size” images on your sensor, meaning you can capture the smallest of subjects with the utmost detail. Closest focus of this lens is just 7.4 inches, which allows you to get right in close to flowers, bugs, insects and capture them sharply and clearly. A flat front lens awards you with edge-to-edge sharpness, perfect for reproductions of artworks, documents, stamps etc. The medium-telephoto length of this Sigma Macro lens allows you to photograph subjects without getting too close to them. This will mean they will not get distracted or spooked - excellent for photographing small creatures and even focusing the lens for portraiture. The large f2.8 aperture rating makes it possible to use the lens without a tripod, due to the faster shutter speeds that you can shoot with. Even when you are working in close where focus is critical to the finished product, this large aperture offers you enough stability for pleasing results. A wonder of modern design, this Sigma lens can achieve the excellent results in a package that is merely 3.7 inches in length. Floating internal focus make this compact size possible throughout usage, also aiding in closest focus performance. Optically, the lens includes Three SLD glass elements for the overall excellence of images and the reduction of aberrations, while Super Multi-Layer coating tackles Flare and Ghosting comprehensively.
A medium-telephoto Macro lens from Sigma This medium-telephoto length Macro lens from Sigma is usable on both full-frame and APS-C image sensors, offering a magnified 105mm (approximately) on the latter. 1:1 magnification ratio is on offer, allowing for “life-size” images on your sensor, meaning you can capture the smallest of subjects with the utmost detail. Closest focus of this lens is just 7.4 inches, which allows you to get right in close to flowers, bugs, insects and capture them sharply and clearly. A flat front lens awards you with edge-to-edge sharpness, perfect for reproductions of artworks, documents, stamps etc. The medium-telephoto length of this Sigma Macro lens allows you to photograph subjects without getting too close to them. This will mean they will not get distracted or spooked - excellent for photographing small creatures and even focusing the lens for portraiture. The large f2.8 aperture rating makes it possible to use the lens without a tripod, due to the faster shutter speeds that you can shoot with. Even when you are working in close where focus is critical to the finished product, this large aperture offers you enough stability for pleasing results. A wonder of modern design, this Sigma lens can achieve the excellent results in a package that is merely 3.7 inches in length. Floating internal focus make this compact size possible throughout usage, also aiding in closest focus performance. Optically, the lens includes Three SLD glass elements for the overall excellence of images and the reduction of aberrations, while Super Multi-Layer coating tackles Flare and Ghosting comprehensively.
A medium-telephoto Macro lens from Sigma This medium-telephoto length Macro lens from Sigma is usable on both full-frame and APS-C image sensors, offering a magnified 105mm (approximately) on the latter. 1:1 magnification ratio is on offer, allowing for “life-size” images on your sensor, meaning you can capture the smallest of subjects with the utmost detail. Closest focus of this lens is just 7.4 inches, which allows you to get right in close to flowers, bugs, insects and capture them sharply and clearly. A flat front lens awards you with edge-to-edge sharpness, perfect for reproductions of artworks, documents, stamps etc. The medium-telephoto length of this Sigma Macro lens allows you to photograph subjects without getting too close to them. This will mean they will not get distracted or spooked - excellent for photographing small creatures and even focusing the lens for portraiture. The large f2.8 aperture rating makes it possible to use the lens without a tripod, due to the faster shutter speeds that you can shoot with. Even when you are working in close where focus is critical to the finished product, this large aperture offers you enough stability for pleasing results. A wonder of modern design, this Sigma lens can achieve the excellent results in a package that is merely 3.7 inches in length. Floating internal focus make this compact size possible throughout usage, also aiding in closest focus performance. Optically, the lens includes Three SLD glass elements for the overall excellence of images and the reduction of aberrations, while Super Multi-Layer coating tackles Flare and Ghosting comprehensively.
A medium-telephoto Macro lens from Sigma This medium-telephoto length Macro lens from Sigma is usable on both full-frame and APS-C image sensors, offering a magnified 105mm (approximately) on the latter. 1:1 magnification ratio is on offer, allowing for “life-size” images on your sensor, meaning you can capture the smallest of subjects with the utmost detail. Closest focus of this lens is just 7.4 inches, which allows you to get right in close to flowers, bugs, insects and capture them sharply and clearly. A flat front lens awards you with edge-to-edge sharpness, perfect for reproductions of artworks, documents, stamps etc. The medium-telephoto length of this Sigma Macro lens allows you to photograph subjects without getting too close to them. This will mean they will not get distracted or spooked - excellent for photographing small creatures and even focusing the lens for portraiture. The large f2.8 aperture rating makes it possible to use the lens without a tripod, due to the faster shutter speeds that you can shoot with. Even when you are working in close where focus is critical to the finished product, this large aperture offers you enough stability for pleasing results. A wonder of modern design, this Sigma lens can achieve the excellent results in a package that is merely 3.7 inches in length. Floating internal focus make this compact size possible throughout usage, also aiding in closest focus performance. Optically, the lens includes Three SLD glass elements for the overall excellence of images and the reduction of aberrations, while Super Multi-Layer coating tackles Flare and Ghosting comprehensively.
in 20 offers
The lowest price for Sigma 70mm f/2.8 DG Macro Art Lens - Canon right now is $451.13 at eBay.com.au, compared across 15 retailers.
The all-time low was $200.00 on 18 Aug 2026 — today's price is 126% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 25 Aug 2026.
