Styled in a matte black finish the Slate Digital ML-1 is a large-diaphragm condenser microphone that is meant to be used with the VMS (Virtual Microphone System) or the VRS (Virtual Recording Studio). The microphone captures a linear frequency response between 20 Hz to 20 kHz doing so with minimal distortion. In this way it can serve as the unpainted canvas on which you'd apply the digital color of Slate's microphone emulations. Indeed paired with the VRS or VMS the microphone aims to put heretofore cost-prohibitive holy-grail mic/pre combinations at your fingertips. Included with the ML-1 is a bundle of emulations of prized microphones often used on vocals. For preamps Slate offers software versions of the classic British 73 preamp and the German 76. Here the microphone is offered a la carte. It is recommended you pair the ML-1 with Slate's complementary preamps or interfaces so that the emulations work to the best of their ability. If you prefer you can use the mic with your existing preamp or interface but the results may not be the same.
Styled in a matte black finish the Slate Digital ML-1 is a large-diaphragm condenser microphone that is meant to be used with the VMS (Virtual Microphone System) or the VRS (Virtual Recording Studio). The microphone captures a linear frequency response between 20 Hz to 20 kHz doing so with minimal distortion. In this way it can serve as the unpainted canvas on which you'd apply the digital color of Slate's microphone emulations. Indeed paired with the VRS or VMS the microphone aims to put heretofore cost-prohibitive holy-grail mic/pre combinations at your fingertips. Included with the ML-1 is a bundle of emulations of prized microphones often used on vocals. For preamps Slate offers software versions of the classic British 73 preamp and the German 76. Here the microphone is offered a la carte. It is recommended you pair the ML-1 with Slate's complementary preamps or interfaces so that the emulations work to the best of their ability. If you prefer you can use the mic with your existing preamp or interface but the results may not be the same.
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Styled in a matte black finish the Slate Digital ML-1 is a large-diaphragm condenser microphone that is meant to be used with the VMS (Virtual Microphone System) or the VRS (Virtual Recording Studio). The microphone captures a linear frequency response between 20 Hz to 20 kHz doing so with minimal distortion. In this way it can serve as the unpainted canvas on which you'd apply the digital color of Slate's microphone emulations. Indeed paired with the VRS or VMS the microphone aims to put heretofore cost-prohibitive holy-grail mic/pre combinations at your fingertips. Included with the ML-1 is a bundle of emulations of prized microphones often used on vocals. For preamps Slate offers software versions of the classic British 73 preamp and the German 76. Here the microphone is offered a la carte. It is recommended you pair the ML-1 with Slate's complementary preamps or interfaces so that the emulations work to the best of their ability. If you prefer you can use the mic with your existing preamp or interface but the results may not be the same.
Styled in a matte black finish the Slate Digital ML-1 is a large-diaphragm condenser microphone that is meant to be used with the VMS (Virtual Microphone System) or the VRS (Virtual Recording Studio). The microphone captures a linear frequency response between 20 Hz to 20 kHz doing so with minimal distortion. In this way it can serve as the unpainted canvas on which you'd apply the digital color of Slate's microphone emulations. Indeed paired with the VRS or VMS the microphone aims to put heretofore cost-prohibitive holy-grail mic/pre combinations at your fingertips. Included with the ML-1 is a bundle of emulations of prized microphones often used on vocals. For preamps Slate offers software versions of the classic British 73 preamp and the German 76. Here the microphone is offered a la carte. It is recommended you pair the ML-1 with Slate's complementary preamps or interfaces so that the emulations work to the best of their ability. If you prefer you can use the mic with your existing preamp or interface but the results may not be the same.
Last updated at 02/10/2024 18:19:50
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originally posted on americanmusical.com
originally posted on americanmusical.com
originally posted on americanmusical.com
Power Sources | Phantom Power |
Primary Applications | Studio Recording |
Form Factor | Stand/Boom Mount |
Intended Sound Sources | Vocals, Instrument |
Sound Field | Mono |
Updated about 10 hours ago
See 4 more history offers
Power Sources | Phantom Power |
Primary Applications | Studio Recording |
Form Factor | Stand/Boom Mount |
Intended Sound Sources | Vocals, Instrument |
Sound Field | Mono |