SLR Magic MicroPrime APO 25mm T2.1 Lens For Canon EF Mount
Full-Frame Coverage - T2.1-T16, Apochromatic Design Limits Aberrations, Lightweight Design, Cine-Style F/I Gears, Suitable for 8K Resolution Sensors, 12 Aperture Blades for Smooth Bokeh, 85mm Front Diameter, 82mm Filter Thread, Internal Focus, Nonrotating Front, 150° Focus Rotation. The APO MicroPrime Cine 25mm T2.1 Lens from SLR Magic offers apochromatic capture in a lighter-weight cine-style form. With a 43.27mm image circle projection this wider Sony E-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing suiting this lens for use with rod-mounted accessories and matte boxes. The APO MicroPrime Cine lenses feature 150? of focus rotation 12 aperture blades for smooth bokeh a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.
Full-Frame Coverage - T2.1-T16, Apochromatic Design Limits Aberrations, Lightweight Design, Cine-Style F/I Gears, Suitable for 8K Resolution Sensors, 12 Aperture Blades for Smooth Bokeh, 85mm Front Diameter, 82mm Filter Thread, Internal Focus, Nonrotating Front, 150° Focus Rotation. The APO MicroPrime Cine 25mm T2.1 Lens from SLR Magic offers apochromatic capture in a lighter-weight cine-style form. With a 43.27mm image circle projection this wider Sony E-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing suiting this lens for use with rod-mounted accessories and matte boxes. The APO MicroPrime Cine lenses feature 150? of focus rotation 12 aperture blades for smooth bokeh a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.
Full-Frame Coverage - T2.1-T16, Apochromatic Design Limits Aberrations, Lightweight Design, Cine-Style F/I Gears, Suitable for 8K Resolution Sensors, 12 Aperture Blades for Smooth Bokeh, 85mm Front Diameter, 82mm Filter Thread, Internal Focus, Nonrotating Front, 150° Focus Rotation. The APO MicroPrime Cine 25mm T2.1 Lens from SLR Magic offers apochromatic capture in a lighter-weight cine-style form. With a 43.27mm image circle projection this wider Sony E-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing suiting this lens for use with rod-mounted accessories and matte boxes. The APO MicroPrime Cine lenses feature 150? of focus rotation 12 aperture blades for smooth bokeh a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.
Full-Frame Coverage - T2.1-T16, Apochromatic Design Limits Aberrations, Lightweight Design, Cine-Style F/I Gears, Suitable for 8K Resolution Sensors, 12 Aperture Blades for Smooth Bokeh, 85mm Front Diameter, 82mm Filter Thread, Internal Focus, Nonrotating Front, 150° Focus Rotation. The APO MicroPrime Cine 25mm T2.1 Lens from SLR Magic offers apochromatic capture in a lighter-weight cine-style form. With a 43.27mm image circle projection this wider Sony E-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct color aberrations often seen in high-contrast images or shots captured with wide-open apertures.Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing suiting this lens for use with rod-mounted accessories and matte boxes. The APO MicroPrime Cine lenses feature 150? of focus rotation 12 aperture blades for smooth bokeh a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.
in 10 offers
The lowest price for SLR Magic MicroPrime APO 25mm T2.1 Lens For Canon EF Mount right now is $1,810.50 at C.R.Kennedy PHOTO, compared across 9 retailers.
The all-time low was $803.23 on 2 Oct 2024 — today's price is 125% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 10 May 2026.
Last updated at 10/05/2026 09:07:14
SLR Magic MicroPrime APO 25mm T2.1 Lens EF Mount
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SLR Magic MicroPrime APO 25mm T2.1 Lens for Canon EF Mount
Free delivery between 15–21 May
Slr Magic Microprime Cine Apo 25mm T2.1 Lens For Canon Ef Mount
Delivery $5
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Delivery $10
SLR Magic APO MicroPrime Cine 25mm T2.1 Lens (Canon EF)
Delivery $5.90
originally posted on bhphotovideo.com
This is now by far, one of my favorite 50mm lenses in Canon EOS mount. The colors are natural, there is very little focus breathing, the flaring feels classic but isn't extreme, the picture is detailed but not too sharp and, (the reason you buy an APO design lens) there is virtually no chromatic aberration. This lens is also all metal and well constructed, the iris and focus rings are smooth and have a comfortable 150 degree rotation. I'm looking forward to using this lens on a lot more projects.
originally posted on bhphotovideo.com
These lenses are beyond believable. I bought a 25 and a 50 for my Canon C70. I think they work best when used with the regular adapter than with the .71, but that would definitely be an issue of the Canon adapter and not these lenses. The focused breathing is virtually nonexistent, the colors are accurate and consistent throughout the frame. This is by far the best full-frame cinema lens you'll put your hands on, not only at this price but I believe also at some higher price points. I don't mean to sound cheesy but I simply love the results.
originally posted on bhphotovideo.com
As with my review of their APO Microprime 85mm T2.1, These lenses are incredible for their price and quality. The image is crisp, but not overly sharp, bokeh is beautiful, I love how blues and reds are rendered, good contrast... right kind of character, weight and build I needed with my Komodo. I highly recommend paring these with the Canon x 0.71 focal reducer. I hope Slr Magic continues this line with other focal lengths.
| Focal Length | 25mm |
| Lens Mount | Canon EF |
| Image Circle | 46.0 mm |
| Maximum T-Stop | T2.1 |
| Front Diameter | 85 mm |
SLR Magic MicroPrime APO 25mm T2.1 Lens EF Mount
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
SLR Magic MicroPrime APO 25mm T2.1 Lens for Canon EF Mount
Free delivery between 15–21 May
Slr Magic Microprime Cine Apo 25mm T2.1 Lens For Canon Ef Mount
Delivery $5
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
SLR Magic MicroPrime APO Cine 25mm T2.1 Camera Cinema Lens for Canon EF Mount
Free delivery
This is now by far, one of my favorite 50mm lenses in Canon EOS mount. The colors are natural, there is very little focus breathing, the flaring feels classic but isn't extreme, the picture is detailed but not too sharp and, (the reason you buy an APO design lens) there is virtually no chromatic aberration. This lens is also all metal and well constructed, the iris and focus rings are smooth and have a comfortable 150 degree rotation. I'm looking forward to using this lens on a lot more projects.
These lenses are beyond believable. I bought a 25 and a 50 for my Canon C70. I think they work best when used with the regular adapter than with the .71, but that would definitely be an issue of the Canon adapter and not these lenses. The focused breathing is virtually nonexistent, the colors are accurate and consistent throughout the frame. This is by far the best full-frame cinema lens you'll put your hands on, not only at this price but I believe also at some higher price points. I don't mean to sound cheesy but I simply love the results.
As with my review of their APO Microprime 85mm T2.1, These lenses are incredible for their price and quality. The image is crisp, but not overly sharp, bokeh is beautiful, I love how blues and reds are rendered, good contrast... right kind of character, weight and build I needed with my Komodo. I highly recommend paring these with the Canon x 0.71 focal reducer. I hope Slr Magic continues this line with other focal lengths.
This is a beautiful lens. The color is true. It loves skin. Wide-open it blooms, contrast drops, and it looks like you have a Promist filter on. Don't expect anywhere near sharp focus wide open. However, things sharpen up f/2.5-2.8. I bought and 32mm and 50mm, but the 32mm was soft through 3.5 - sent it back. I have yet to receive a replacement. Hopefully, it was a QC problem with that lens. Regarding the 50mm, the box had a crushed corner. So, I sent it back for an exchange.
In my opinion, the SLR Magic APO Microprimes are the best budget cine lenses on the market. All of the competitors in this price range - DZO, Meike, Rokinon, Irix, Dulens, etc. - have one or more of these weaknesses: chromatic aberration, lens breathing, color cast, or bokeh that contains "onion skin" or is shaped in a way I don't find appealing. Only the SLR Magic APO lenses performs very well in all of these categories. Extremely limited CA, minor lens breathing, accurate colors with maybe a tinge of warmth, and a clean, beautiful bokeh. I tested an older version of the 25mm and it had a distinct green colorcast compared to its siblings, but this new 25mm that I purchased from B&H in Feb. 2023 has fixed that issue and now matches my 32mm, 50mm and 85mm. Wide ... MoreIn my opinion, the SLR Magic APO Microprimes are the best budget cine lenses on the market. All of the competitors in this price range - DZO, Meike, Rokinon, Irix, Dulens, etc. - have one or more of these weaknesses: chromatic aberration, lens breathing, color cast, or bokeh that contains "onion skin" or is shaped in a way I don't find appealing. Only the SLR Magic APO lenses performs very well in all of these categories. Extremely limited CA, minor lens breathing, accurate colors with maybe a tinge of warmth, and a clean, beautiful bokeh. I tested an older version of the 25mm and it had a distinct green colorcast compared to its siblings, but this new 25mm that I purchased from B&H in Feb. 2023 has fixed that issue and now matches my 32mm, 50mm and 85mm. Wide open at T2.1 the lenses have the right amount of softness for me, including around the edges, to cut the sharpness of digital sensors. At T2.8 it's a hair less sharp than my Sony GM primes and Fujinon Cabrio but very acceptable - again, especially given how sharp Sony sensors are. The very slight softness and warmth put thelenses in between a vintage feel and modern feel, which I like. The flares are dramatic on these lenses, especially the 25mm, and that leans more toward a vintage feel.
I have both the 25mm and 50mm MicroPrime Cine lenses. Both are excellent manual lenses that work flawlessly on my Canon R5 with RF-EF adapter. I do a lot of product photography and video and to dial in focus is exactly what I need. Sure it is not autofocus, and isn't supposed to be, it is for those that want the ability of fine tuning detail and focus. The body is much higher quality metal than the plastic of the more expensive RF lenses. It is similar to zeiss lenses if you are familiar with those. I always color correct in post but the colors produced from the lenses seem consistent for my uses. The sharpness cannot be matched when combining these lenses with a 45mp sensor for photos and 8k video.I have spent thousands in lenses in the past, but these are ... MoreI have both the 25mm and 50mm MicroPrime Cine lenses. Both are excellent manual lenses that work flawlessly on my Canon R5 with RF-EF adapter. I do a lot of product photography and video and to dial in focus is exactly what I need. Sure it is not autofocus, and isn't supposed to be, it is for those that want the ability of fine tuning detail and focus. The body is much higher quality metal than the plastic of the more expensive RF lenses. It is similar to zeiss lenses if you are familiar with those. I always color correct in post but the colors produced from the lenses seem consistent for my uses. The sharpness cannot be matched when combining these lenses with a 45mp sensor for photos and 8k video.I have spent thousands in lenses in the past, but these are perfect for me at a much more reasonable cost than the alternative options.
Just got a new set of these lenses, as I shot a pilot on the APO Hyperprimes. Wanted to get the big boys but SLR Magic discontinued the 25mm in that set so I opted for these. I wanted to love these, but there is considerable image shift while focusing near infinity. Also very noticeable in the 85mm. Going to exchange them for new ones and hoping these were just two defects as opposed to their overall build. Will update after swapping.
With an a background using photo lenses, this piece of glass is heavy, at 2 lbs, great for smoothing out those micro-jitters on my Pocket 6K and 4K. I used this on a talking head video a like the results. I look forward to using this lens more to experience the characteristics people crave about. Overall, I'm happy with this purchase so much I'm considering purchasing the 85mm.
It's true this new 2023 version is way better that previous version. I recently went to B&H with my old 25mm purchase 2022 and had a rep let me check out the 2023 version or new stock they had. I compared them and I realized the green cast was gone and it was brighter on the old 2022 version, the new one is even a bit sharper. I attached a image so you could see the difference.I own the 25mm 32mm and 50mm. I'm going to pick up the 85mm later on this year.
I bought the full set of these (25, 32, 50 and 85mm) and I'm disappointed that the 25mm does not match the other lenses. It's much greener than the others. As far as I'm concerned this is the first thing a set of lenses should do. MATCH. It's hard to use the set and then tell a client 'oh that one will have to be graded to match' I have the cheaper SLR Magic emount lenses and these all match so really didn't expect this.
| Focal Length | 25mm |
| Lens Mount | Canon EF |
| Image Circle | 46.0 mm |
| Maximum T-Stop | T2.1 |
| Front Diameter | 85 mm |
