Sony E 70-350mm f/4.5-6.3 G OSS SEL70350G Lens
The optimized optical and mechanical design offers enormous super telezoom performance for APS-C packages (equivalent to 105-525 mm). The high performance of G Lenses is maintained throughout the zoom range. The compact, mobile 5x Supertele zoom lens also has built-in optical image stabilisation. The precise optical design with three extra-low dispersion (ED) glass elements and one aspherical element reduces aberrations throughout the zoom range, including chromatic aberration that can occur at super-tele focal lengths. High sharpness and clarity are achieved over the entire zoom and image area. And the bokeh is beautiful. Despite the 5x zoom range, the compact lens weighs only 625 g for improved camera system mobility. 70-350 mm (equivalent to 105-525 mm) is the ideal range for a wide variety of motifs. With built-in image stabilization, you can capture clear, blur-free images, even hand-held shots with Super Tele focal lengths. An APS-C lens is equipped with an XD linear motor, original Sony technology, which ensures fast, precise and consistent AF. Combined with the real-time AF capabilities of the latest compact APS-C enclosures, this provides a powerful, easy-to-use system for landscape and wildlife photography.
The optimized optical and mechanical design offers enormous super telezoom performance for APS-C packages (equivalent to 105-525 mm). The high performance of G Lenses is maintained throughout the zoom range. The compact, mobile 5x Supertele zoom lens also has built-in optical image stabilisation. The precise optical design with three extra-low dispersion (ED) glass elements and one aspherical element reduces aberrations throughout the zoom range, including chromatic aberration that can occur at super-tele focal lengths. High sharpness and clarity are achieved over the entire zoom and image area. And the bokeh is beautiful. Despite the 5x zoom range, the compact lens weighs only 625 g for improved camera system mobility. 70-350 mm (equivalent to 105-525 mm) is the ideal range for a wide variety of motifs. With built-in image stabilization, you can capture clear, blur-free images, even hand-held shots with Super Tele focal lengths. An APS-C lens is equipped with an XD linear motor, original Sony technology, which ensures fast, precise and consistent AF. Combined with the real-time AF capabilities of the latest compact APS-C enclosures, this provides a powerful, easy-to-use system for landscape and wildlife photography.
The optimized optical and mechanical design offers enormous super telezoom performance for APS-C packages (equivalent to 105-525 mm). The high performance of G Lenses is maintained throughout the zoom range. The compact, mobile 5x Supertele zoom lens also has built-in optical image stabilisation. The precise optical design with three extra-low dispersion (ED) glass elements and one aspherical element reduces aberrations throughout the zoom range, including chromatic aberration that can occur at super-tele focal lengths. High sharpness and clarity are achieved over the entire zoom and image area. And the bokeh is beautiful. Despite the 5x zoom range, the compact lens weighs only 625 g for improved camera system mobility. 70-350 mm (equivalent to 105-525 mm) is the ideal range for a wide variety of motifs. With built-in image stabilization, you can capture clear, blur-free images, even hand-held shots with Super Tele focal lengths. An APS-C lens is equipped with an XD linear motor, original Sony technology, which ensures fast, precise and consistent AF. Combined with the real-time AF capabilities of the latest compact APS-C enclosures, this provides a powerful, easy-to-use system for landscape and wildlife photography.
The optimized optical and mechanical design offers enormous super telezoom performance for APS-C packages (equivalent to 105-525 mm). The high performance of G Lenses is maintained throughout the zoom range. The compact, mobile 5x Supertele zoom lens also has built-in optical image stabilisation. The precise optical design with three extra-low dispersion (ED) glass elements and one aspherical element reduces aberrations throughout the zoom range, including chromatic aberration that can occur at super-tele focal lengths. High sharpness and clarity are achieved over the entire zoom and image area. And the bokeh is beautiful. Despite the 5x zoom range, the compact lens weighs only 625 g for improved camera system mobility. 70-350 mm (equivalent to 105-525 mm) is the ideal range for a wide variety of motifs. With built-in image stabilization, you can capture clear, blur-free images, even hand-held shots with Super Tele focal lengths. An APS-C lens is equipped with an XD linear motor, original Sony technology, which ensures fast, precise and consistent AF. Combined with the real-time AF capabilities of the latest compact APS-C enclosures, this provides a powerful, easy-to-use system for landscape and wildlife photography.
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The lowest price for Sony E 70-350mm f/4.5-6.3 G OSS SEL70350G Lens right now is $989.00 at digiDirect Australia, compared across 23 retailers.
The all-time low was $312.41 on 4 June 2026 — today's price is 217% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 1 July 2026.
Last updated at 01/07/2026 13:21:12
Sony SEL70350G APS-C E-Mount 70-350mm F4.5-6.3 G OSS Zoom Lens, Black
Free delivery
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Sony E 70-350mm f/4.5-6.3 G OSS Lens
Delivery between 8–13 July $8.95
Sony E 70-350mm f/4.5-6.3 G OSS Lens | Telephoto Zoom | Optical SteadyShot | XD Linear Motor | Aspherical and ED Elements
Delivery between 7–15 July $9.90
Sony E 70-350mm f/4.5-6.3 G OSS Lens
Free delivery between 6–13 July
Sony E 70-350mm F4.5-6.3 G OSS
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Sony 70-350mm f/4.5-6.3 E Mount OSS G Camera Lens
Delivery $6.99
Sony 70-350mm F4.5-6.3 G E-Mount Zoom Lens E Mount Camera Lens - Best For Travel Photography
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Sony E 70-350mm f/4.5-6.3 G OSS Lens
Delivery $15
Sony SEL70350G E 70-350mm F4.5-6.3G OSS Lens
Free delivery
Sony E 70-350mm F4.5-6.3 G OSS Lens (SEL70350G)
Free delivery between 4–8 July
originally posted on digitec.ch
This is a great lens for Sony mirrorless cameras from the a6400 upwards. For the price (when compared to full frame examples) it is much cheaper, lighter & smaller. However, a x5 zoom range means that when compared to the kit zoom lens it is much more expensive, heavier & larger - so it depends on your needs & expectations. The quality is great throughout almost the entire zoom range, providing you are using the built-in lens profile. It's sharp right up to the edges and has a great range (up to 525mm equivalent). Our family has the cheaper lens on an a6000 and it's fine for the price, but this G (Good) lens is much better on my a6400. It has built-in OSS, but is still hard to hand-hold on the longer end of the zoom. Obviously it's fairly slow so you need a lot of ... MoreThis is a great lens for Sony mirrorless cameras from the a6400 upwards. For the price (when compared to full frame examples) it is much cheaper, lighter & smaller. However, a x5 zoom range means that when compared to the kit zoom lens it is much more expensive, heavier & larger - so it depends on your needs & expectations. The quality is great throughout almost the entire zoom range, providing you are using the built-in lens profile. It's sharp right up to the edges and has a great range (up to 525mm equivalent). Our family has the cheaper lens on an a6000 and it's fine for the price, but this G (Good) lens is much better on my a6400. It has built-in OSS, but is still hard to hand-hold on the longer end of the zoom. Obviously it's fairly slow so you need a lot of light or have to bump up the ISO to compensate. Personally, I would have settled for a x4 zoom range of 70-280mm for a stop faster (F4) and reduced cost/weight, etc. But in any case it's a great partner for the 16-70mm F4 zoom.
originally posted on sony.com.au
Overall Amazing zoom lens, my one has excellent centrering and overall sharpness, touch back focused which I like when doing portraits photos - note this is really for Photography as it is a variable Aperature 4.5-6.3 so to test here is a cloudy day (Worse conitions) with Sony APS-C A6500 with extra Body stabilisation ... only issue I found was the Manual focusing ring very gritty sounding out of the box initially compared with sister zoom SEL16-55 F2.8. Optically it's amazing for it's weight. Sony could have gone lower Aperture but it would have being a huge heavy unit. This is great & I look forward to taking optimal shots on sunny days in future. Highly Recommend.
originally posted on bhphotovideo.com
You're an amateur photographer. You have kids in sports. You mostly just want to take photos with everything on Auto feature. You want a lens that takes measurably better pictures than the standard kit lenses. Then this is the lens for you. Even indoors with kids racing across the basketball court, this lens paired with a Sony APSC camera works the wonders you've been looking for. Where maybe on a good day 30 to 40% of your photos with the kit lens looked barely okay (and probably still needed to be enhanced), with this lens 80 to 90% of your photos looks sharp, crisp, like something you'd want to share, even before doing any enhancing. The zoom feature is excellent. The ability to lock on to subjects is precise. I've tried both kit lenses (16-55mm and 55-210mm) and ... MoreYou're an amateur photographer. You have kids in sports. You mostly just want to take photos with everything on Auto feature. You want a lens that takes measurably better pictures than the standard kit lenses. Then this is the lens for you. Even indoors with kids racing across the basketball court, this lens paired with a Sony APSC camera works the wonders you've been looking for. Where maybe on a good day 30 to 40% of your photos with the kit lens looked barely okay (and probably still needed to be enhanced), with this lens 80 to 90% of your photos looks sharp, crisp, like something you'd want to share, even before doing any enhancing. The zoom feature is excellent. The ability to lock on to subjects is precise. I've tried both kit lenses (16-55mm and 55-210mm) and the 18-135mm. I finally spent the money on this lens and I couldn't be more satisfied. This one is the best,... and by a long, long way. When I was shopping for a camera and the right lens, this is precisely the review that would have helped me out so much. Hopefully it helps you.
| Lens system | |
| Closest focusing distance | 1.1 m |
| Maximum aperture number | 4.5 |
| Lens mount interface | Sony E |
| Number of diaphragm blades | 7 |
Sony SEL70350G APS-C E-Mount 70-350mm F4.5-6.3 G OSS Zoom Lens, Black
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony E 70-350mm f/4.5-6.3 G OSS Lens
Delivery between 8–13 July $8.95
Sony E 70-350mm f/4.5-6.3 G OSS Lens | Telephoto Zoom | Optical SteadyShot | XD Linear Motor | Aspherical and ED Elements
Delivery between 7–15 July $9.90
Sony E 70-350mm f/4.5-6.3 G OSS Lens
Free delivery between 6–13 July
Sony E 70-350mm F4.5-6.3 G OSS
Free delivery
This is a great lens for Sony mirrorless cameras from the a6400 upwards. For the price (when compared to full frame examples) it is much cheaper, lighter & smaller. However, a x5 zoom range means that when compared to the kit zoom lens it is much more expensive, heavier & larger - so it depends on your needs & expectations. The quality is great throughout almost the entire zoom range, providing you are using the built-in lens profile. It's sharp right up to the edges and has a great range (up to 525mm equivalent). Our family has the cheaper lens on an a6000 and it's fine for the price, but this G (Good) lens is much better on my a6400. It has built-in OSS, but is still hard to hand-hold on the longer end of the zoom. Obviously it's fairly slow so you need a lot of ... MoreThis is a great lens for Sony mirrorless cameras from the a6400 upwards. For the price (when compared to full frame examples) it is much cheaper, lighter & smaller. However, a x5 zoom range means that when compared to the kit zoom lens it is much more expensive, heavier & larger - so it depends on your needs & expectations. The quality is great throughout almost the entire zoom range, providing you are using the built-in lens profile. It's sharp right up to the edges and has a great range (up to 525mm equivalent). Our family has the cheaper lens on an a6000 and it's fine for the price, but this G (Good) lens is much better on my a6400. It has built-in OSS, but is still hard to hand-hold on the longer end of the zoom. Obviously it's fairly slow so you need a lot of light or have to bump up the ISO to compensate. Personally, I would have settled for a x4 zoom range of 70-280mm for a stop faster (F4) and reduced cost/weight, etc. But in any case it's a great partner for the 16-70mm F4 zoom.
Overall Amazing zoom lens, my one has excellent centrering and overall sharpness, touch back focused which I like when doing portraits photos - note this is really for Photography as it is a variable Aperature 4.5-6.3 so to test here is a cloudy day (Worse conitions) with Sony APS-C A6500 with extra Body stabilisation ... only issue I found was the Manual focusing ring very gritty sounding out of the box initially compared with sister zoom SEL16-55 F2.8. Optically it's amazing for it's weight. Sony could have gone lower Aperture but it would have being a huge heavy unit. This is great & I look forward to taking optimal shots on sunny days in future. Highly Recommend.
You're an amateur photographer. You have kids in sports. You mostly just want to take photos with everything on Auto feature. You want a lens that takes measurably better pictures than the standard kit lenses. Then this is the lens for you. Even indoors with kids racing across the basketball court, this lens paired with a Sony APSC camera works the wonders you've been looking for. Where maybe on a good day 30 to 40% of your photos with the kit lens looked barely okay (and probably still needed to be enhanced), with this lens 80 to 90% of your photos looks sharp, crisp, like something you'd want to share, even before doing any enhancing. The zoom feature is excellent. The ability to lock on to subjects is precise. I've tried both kit lenses (16-55mm and 55-210mm) and ... MoreYou're an amateur photographer. You have kids in sports. You mostly just want to take photos with everything on Auto feature. You want a lens that takes measurably better pictures than the standard kit lenses. Then this is the lens for you. Even indoors with kids racing across the basketball court, this lens paired with a Sony APSC camera works the wonders you've been looking for. Where maybe on a good day 30 to 40% of your photos with the kit lens looked barely okay (and probably still needed to be enhanced), with this lens 80 to 90% of your photos looks sharp, crisp, like something you'd want to share, even before doing any enhancing. The zoom feature is excellent. The ability to lock on to subjects is precise. I've tried both kit lenses (16-55mm and 55-210mm) and the 18-135mm. I finally spent the money on this lens and I couldn't be more satisfied. This one is the best,... and by a long, long way. When I was shopping for a camera and the right lens, this is precisely the review that would have helped me out so much. Hopefully it helps you.
When it works it takes great pictures. However, mine quit working within 1 year. It will fail to work intermittently; does not focus in AF or manual mode and sometimes gives an error that the lens is not recognized. The standard 16-50mm works fine, so it is not the camera (Alpha 6400). Cleaning the lens contacts did not make a difference. It does tend to come back after resting for a few hours, but you never know when it will die again.Luckily it is still under warranty so it is going back to Sony, but it has caused me to miss a number of great shots.
I've owned this lens for a while now and have used it on my A6400 in all weather and light conditions. Yes, it is lightweight compared to a full frame lens but if you are looking for a zoom that gives you sharp photos above 250mm this is not it. The focus is not awful, just a touch soft. I am able to correct in software (mostly use Paintshop Photo Pro). My other complaint is the reach. I had a Nikon 5600 and used a Tamron 16-300mm F/3.5-6.3 as my walk around lens and when I occasionally shoot the moon, it filled more of the frame then this 350 does. Though to be fair the Tamron was also soft when it was close to 300mm. One other negative is the lack of a tripod foot. It may be lightweight but when you mounted on a tripod the lens vibrates a bit and it is noticeable ... MoreI've owned this lens for a while now and have used it on my A6400 in all weather and light conditions. Yes, it is lightweight compared to a full frame lens but if you are looking for a zoom that gives you sharp photos above 250mm this is not it. The focus is not awful, just a touch soft. I am able to correct in software (mostly use Paintshop Photo Pro). My other complaint is the reach. I had a Nikon 5600 and used a Tamron 16-300mm F/3.5-6.3 as my walk around lens and when I occasionally shoot the moon, it filled more of the frame then this 350 does. Though to be fair the Tamron was also soft when it was close to 300mm. One other negative is the lack of a tripod foot. It may be lightweight but when you mounted on a tripod the lens vibrates a bit and it is noticeable in the shots. I bought a reasonably priced one and it improved the shots taken from a tripod greatly. I would have given it 3.5 stars but not 4. I've included a recent photo taken a 70mm and 350mm. The 70mm shot was adjusted for sharpness and contrast while 350mm was cropped and sharpened.
I bought this lens as an intermediary as I have a 24/240 lens & a 200/600 lens (which is my favorite-mounted on an A9). I use this lens on my newly purchased A7 iv as I am using this camera for mainly video which drops the frame size to ASPC in 4K. So this lens (as it is basically an APSC) is just the ticket for this application. I also use it for stills. It is sharp, the focus is fast & responsive and is so light to use compared with the 200/600. I shoot mainly wildlife, particularly birds of prey and WW11 airplanes so the 70/350 is great for video at airshows as a 400mm lens is just too long.
I am still very new to photography but I enjoy taking my Sony a6000 on hikes and taking wildlife photos. I'd initially gotten a kit with the 16-50mm and 55-210mm lens. These were wonderful for getting to know the camera and experimenting with features but I wanted something with a bit more reach that could still be hand-held with relative ease. The 70-350mm (after extensive research and deliberation) was the lens I chose. So far it's heavier but still easy to bring in a backpack and take handheld shots. The price was still a big commitment for me, $1000 is no insignificant investment, but most everything else in the Sony lineup jumped to $2000 after this option. Regardless, I've been pleased with the lens thus far. I do notice my videos are shakier because the added ... MoreI am still very new to photography but I enjoy taking my Sony a6000 on hikes and taking wildlife photos. I'd initially gotten a kit with the 16-50mm and 55-210mm lens. These were wonderful for getting to know the camera and experimenting with features but I wanted something with a bit more reach that could still be hand-held with relative ease. The 70-350mm (after extensive research and deliberation) was the lens I chose. So far it's heavier but still easy to bring in a backpack and take handheld shots. The price was still a big commitment for me, $1000 is no insignificant investment, but most everything else in the Sony lineup jumped to $2000 after this option. Regardless, I've been pleased with the lens thus far. I do notice my videos are shakier because the added weight and extra zoom make the shake more pronounced, and that can sometimes influence how crisp my photos are as well. I know tripods are an options but the less I have to carry the better so I'll simply have to be mindful when using the lens and adapt as needed. I am also very pleased with the lens kit as the larger glass surface on this lens gathers dust more frequently than the smaller options in my selection. Overall, I'd recommend the lens to someone like me who is looking to stay within a budget and keep a relatively lightweight pack for photographing on outdoor adventures.
Key qualities about this lens:- Portability (under 600gr, and very compact dimensions for such a telephoto 105-525 FF equivalent) which makes it easy to bring this lens along on hikes, travel, in a simple messenger bag: "The best camera is the one you carry"- Amazing Image Quality, which completely satisfies consummate pro photographers !- Very good OSS, tremendous help at the long end- Affordability- E-mountA little bit of background which might resonate with a number of hobbyists and enthusiasts who may have found themselves in my situation, and maybe help them avoid making the 'mistake' I made.I got into photography at end of 2019 after a trip to Colombia where I realised the photos from my smartphone, GoPro and Osmo Pocket, were underwhelming ... MoreKey qualities about this lens:- Portability (under 600gr, and very compact dimensions for such a telephoto 105-525 FF equivalent) which makes it easy to bring this lens along on hikes, travel, in a simple messenger bag: "The best camera is the one you carry"- Amazing Image Quality, which completely satisfies consummate pro photographers !- Very good OSS, tremendous help at the long end- Affordability- E-mountA little bit of background which might resonate with a number of hobbyists and enthusiasts who may have found themselves in my situation, and maybe help them avoid making the 'mistake' I made.I got into photography at end of 2019 after a trip to Colombia where I realised the photos from my smartphone, GoPro and Osmo Pocket, were underwhelming compared to my friend's dslr.At the time, as a total beginner, after learning the basics about the exposure triangle and watching countless Youtube reviews about cameras, I chose a Canon M50 instead of a Sony A6400. Key reasons: ergonomics, simple menus, touchscreen, brand reputation and price. After building up a decent lineup of lenses (11-22, 22, 18-150, the sigma trio) and even upgrading to the M6 mk ii, I really enjoyed my kit and took a lot of nice photos.But now that I caught the bug and really enjoy this hobby, I found myself wanting more and more reach for wildlife, sports and even for landscape and street photography. I also noticed that most of my photos were at the longer end. I went from taking more wide angle pictures, to better subject isolation and composition, as well as really appreciating the background compression longer focal lengths create. As a result, my 150mm max focal length was starting to show its limits. I also started to be disappointed with how soft the photos were compared to my sigma 56 f1.4.So I investigated for a while the various options for telephoto lenses, with non-negotiable criterias for my use case: price, portability and IQ. Unfortunately the choice for the ef-m mount just doesn't exist, and won't since Canon has now killed this very convenient and promising system. Adapting EF glass is impractical and defeats the purpose of owning and carrying a small compact apsc setup. I quickly realised I didn't want to carry my sigma EF 18-35 f1.8 once I got the sigma ef-m 16 f1.4. So adapting either the heavy and bulky sigma 100-400 or 150-600 was a no go.I therefore found myself realising I would need to look at other bodies and good lenses that would match them: after watching a lot of content, I landed on either going- Canon RF with the R10 + the excellent compact and light RF 100-400- or Sony with the a6400 (or ZV-e10) + this amazing 70-350After watching one of my favourite wildlife bird photographer notice some AF issues with the R7 and R10, and also knowing that I really wanted the sigma 18-50 f2.8 as my main mid-range lens, which only exists for the E-mount; I was already leaning Sony. Then Canon announced recently they were not going to let 3rd party lens manufacturers develop affordable good quality lenses for the RF mount. This sealed the deal for me.So here I am 3 years later, full circle. I would have saved myself quite a bit of money and frustration by getting that A6400 from the very beginning.My conclusion for any enthusiast getting into this hobby: it's ALL about the lenses ! Ignore any fanboy/partisan brand debate except for the reliability of AF (which is really important indeed). Ignore any road map, rumours of lens release: only trust the ones already available on the market for your needs.And if your budget is under £1k and you want an excellent portable APS-C telephoto, there is essentially no competition with this 70-350. It's the best in the market ! And since it's an E-mount, it will mount perfectly on a full frame body in the future if I feel the need to. This lens is an absolute keeper.Below are a few shots with this lens mounted on the ZV-e10.
I'm very much an amateur; I don't think I can really utilize a quarter of the capabilities of the Sony a6400 camera I purchased from Best Buy. But this lens, with it's Optical Steady Shot, is rather incredible. When shooting handheld at maximum zoom you can't see any shake. And you end up with beautiful pictures that with the 26 megapixels in the camera you can crop them and zoom in even more.If money were no object I'd give it five stars but obviously that's not the case. And remember, this is a fairly big and heavy lens for an amateur to handle on the little Sony camera bodies. You might want to try it out a bit before springing for this lens. But for me, I like to get in tight and zoom in so I'll put up with that.
This review is based on the Sony 70-350 E-mount zoom lens paired with the Sony Alpha 6000 camera with kit lens - I don't know about its use with other camera models, though there is a "Compatibility" page on the Sony website.The first thing you notice is, of course, the size of the lens compared to the kit lens. Fully extended - with the supplied lens hood attached - it measures 26cms from the back of the camera to the lens hood.Also, the minimum lens-to-subject distance is much greater. With a kit lens, you can move in really close to smaller subjects - a flower, for example - but with this zoom lens the closest you can get is about 1 metre from the subject. Close-ups are still possible, and the best way to focus in this case is by moving the camera itself in ... MoreThis review is based on the Sony 70-350 E-mount zoom lens paired with the Sony Alpha 6000 camera with kit lens - I don't know about its use with other camera models, though there is a "Compatibility" page on the Sony website.The first thing you notice is, of course, the size of the lens compared to the kit lens. Fully extended - with the supplied lens hood attached - it measures 26cms from the back of the camera to the lens hood.Also, the minimum lens-to-subject distance is much greater. With a kit lens, you can move in really close to smaller subjects - a flower, for example - but with this zoom lens the closest you can get is about 1 metre from the subject. Close-ups are still possible, and the best way to focus in this case is by moving the camera itself in and out until you get a crisp result.It has a wide adjustable ring towards the front of the lens which adjusts the zoom manually, and a narrower ring further back which controls manual focus. When you zoom in on your subject, the front part of the lens extends - I find this method quicker and more accurate/reliable than using the 'camera lever' type of focus.The lens has an "OSS" switch, which is Sony's version of optical stabilisation. I find this really useful, as it's sometimes difficult to keep the camera steady, especially as you zoom further out. It also has an "Autofocus/Manual focus" switch, and the Focus Hold button, which is below the big letter "G" and is intended to pause auto focusing. Unfortunately it doesn't work with the A6000, you need a more advanced camera version - but it's easy to carry this function out on the camera itself.About Zoom ranges and settings: With this lens installed, you now have access to two levels of zoom - the range provided by the lens itself, and an extra zoom scale provided by the camera. You'll find that a previously unavailable "Zoom" menu option will come to life. This is in the Settings menu (the first tab), on the 5th screen. You'll see a scale on screen - press the right-arrow key and the camera will multiply the lens' zoom by certain amounts and you can see the effects on the camera monitor. This is explained from page 49 of the Sony Alpha 6000 manual, and on page 52 there's a table showing how the zoom scale - used in combination with the zoom of the lens - changes according to the selected Image Size.So you have several levels of zoom depending on Image Size and required quality. I decided to stick to the medium - Clearimage - setting (see the Custom menu, screen 3), with the Zoom function assigned to the right-arrow key for easy access, and Image Size assigned to another button so I can change it if required. (There are articles and videos on "Clear Image Zoom" and other settings on the internet)Quality: I was amazed at the clear and crisp results - on day one, a robin perched on a wall in the local park came out really clear and sharp, and there was plenty of background blur ('bokeh'), which the lens produces almost automatically. On day two, I got some lovely clear shots of a seal on the opposite side of a river bank. I later measured the distance on a map and found it was 50 metres - very satisfying!
| Lens system | |
| Closest focusing distance | 1.1 m |
| Maximum aperture number | 4.5 |
| Lens mount interface | Sony E |
| Number of diaphragm blades | 7 |
