Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens
Sony's Vario-Tessar lens blends a brilliant Zeiss build with versatile wide angle zoom to deliver wonderful landscape photography. With blur-reducing Optical SteadyShot, a constant f/4 aperture and useful 2.1x zoom, you'll snap anything from interior snapshots to lush cityscapes. Compatible with any Sony E mount, this compact lens will deliver ravishing results. Wide Angle Wonder Crack detailed wide-angles or pin-sharp close-ups with this lens' 16-35mm focal length. The 2.1x optical zoom gives ample room to refine your shot, while the 0.28m minimum focus distance gives magnificent macro shots. The maximum f/4 aperture is kept constant across all zoom ranges, too. This way, you can zoom and shoot without worrying about changing exposure settings. Finished with an image-enhancing ZEISS coating, this lens is perfect for landscape photography. Crystal-Clear Optics Made of Advanced aspherical, aspherical and ED optical elements, every detail of your shots will be pin-sharp. Furthermore, the rounded aperture delivers pleasing bokeh effects and robust optical control. Optical SteadyShot Optical SteadyShot is Sony's Image Stabiliser, and this lens has it built-in. Levelling out blur when shooting by hand, you'll shoot sharp pictures without needing to set-up a tripod. This is especially perfect for making movies at sports events or when nature-watching. Hardy, Lightweight Build Not only is this lens lightweight, it's dust and moisture resistant. This way, you'll be able to take it anywhere and snap pictures in the harshest conditions.
Sony's Vario-Tessar lens blends a brilliant Zeiss build with versatile wide angle zoom to deliver wonderful landscape photography. With blur-reducing Optical SteadyShot, a constant f/4 aperture and useful 2.1x zoom, you'll snap anything from interior snapshots to lush cityscapes. Compatible with any Sony E mount, this compact lens will deliver ravishing results. Wide Angle Wonder Crack detailed wide-angles or pin-sharp close-ups with this lens' 16-35mm focal length. The 2.1x optical zoom gives ample room to refine your shot, while the 0.28m minimum focus distance gives magnificent macro shots. The maximum f/4 aperture is kept constant across all zoom ranges, too. This way, you can zoom and shoot without worrying about changing exposure settings. Finished with an image-enhancing ZEISS coating, this lens is perfect for landscape photography. Crystal-Clear Optics Made of Advanced aspherical, aspherical and ED optical elements, every detail of your shots will be pin-sharp. Furthermore, the rounded aperture delivers pleasing bokeh effects and robust optical control. Optical SteadyShot Optical SteadyShot is Sony's Image Stabiliser, and this lens has it built-in. Levelling out blur when shooting by hand, you'll shoot sharp pictures without needing to set-up a tripod. This is especially perfect for making movies at sports events or when nature-watching. Hardy, Lightweight Build Not only is this lens lightweight, it's dust and moisture resistant. This way, you'll be able to take it anywhere and snap pictures in the harshest conditions.
Sony's Vario-Tessar lens blends a brilliant Zeiss build with versatile wide angle zoom to deliver wonderful landscape photography. With blur-reducing Optical SteadyShot, a constant f/4 aperture and useful 2.1x zoom, you'll snap anything from interior snapshots to lush cityscapes. Compatible with any Sony E mount, this compact lens will deliver ravishing results. Wide Angle Wonder Crack detailed wide-angles or pin-sharp close-ups with this lens' 16-35mm focal length. The 2.1x optical zoom gives ample room to refine your shot, while the 0.28m minimum focus distance gives magnificent macro shots. The maximum f/4 aperture is kept constant across all zoom ranges, too. This way, you can zoom and shoot without worrying about changing exposure settings. Finished with an image-enhancing ZEISS coating, this lens is perfect for landscape photography. Crystal-Clear Optics Made of Advanced aspherical, aspherical and ED optical elements, every detail of your shots will be pin-sharp. Furthermore, the rounded aperture delivers pleasing bokeh effects and robust optical control. Optical SteadyShot Optical SteadyShot is Sony's Image Stabiliser, and this lens has it built-in. Levelling out blur when shooting by hand, you'll shoot sharp pictures without needing to set-up a tripod. This is especially perfect for making movies at sports events or when nature-watching. Hardy, Lightweight Build Not only is this lens lightweight, it's dust and moisture resistant. This way, you'll be able to take it anywhere and snap pictures in the harshest conditions.
Sony's Vario-Tessar lens blends a brilliant Zeiss build with versatile wide angle zoom to deliver wonderful landscape photography. With blur-reducing Optical SteadyShot, a constant f/4 aperture and useful 2.1x zoom, you'll snap anything from interior snapshots to lush cityscapes. Compatible with any Sony E mount, this compact lens will deliver ravishing results. Wide Angle Wonder Crack detailed wide-angles or pin-sharp close-ups with this lens' 16-35mm focal length. The 2.1x optical zoom gives ample room to refine your shot, while the 0.28m minimum focus distance gives magnificent macro shots. The maximum f/4 aperture is kept constant across all zoom ranges, too. This way, you can zoom and shoot without worrying about changing exposure settings. Finished with an image-enhancing ZEISS coating, this lens is perfect for landscape photography. Crystal-Clear Optics Made of Advanced aspherical, aspherical and ED optical elements, every detail of your shots will be pin-sharp. Furthermore, the rounded aperture delivers pleasing bokeh effects and robust optical control. Optical SteadyShot Optical SteadyShot is Sony's Image Stabiliser, and this lens has it built-in. Levelling out blur when shooting by hand, you'll shoot sharp pictures without needing to set-up a tripod. This is especially perfect for making movies at sports events or when nature-watching. Hardy, Lightweight Build Not only is this lens lightweight, it's dust and moisture resistant. This way, you'll be able to take it anywhere and snap pictures in the harshest conditions.
in 32 offers
The lowest price for Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens right now is $650.00 at CeX, compared across 24 retailers.
The all-time low was $413.91 on 12 Feb 2026 — today's price is 57% above the lowest ever. It has been notably cheaper before — worth setting a price alert.
Prices last updated 7 June 2026.
Last updated at 07/06/2026 23:12:31
Sony SEL1635Z Full Frame E-Mount FE 16-35mm F4 Vario-Tessar T Zeiss OSS Lens, Black
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Sony SEL1635Z 16-35mm Vario-Tessar T FE F4 ZA OSS
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Sony 16-35mm F4 OSS
Sony Vario-Tessar T FE 16-35mm f/4 ZA OSS Lens
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Sony Vario-tessar T Fe 16-35mm F4 Za Oss Lens E Mount Full Frame
Delivery $126.57
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Sony Fe 16-35mm F4 Za Oss Sel1635z F4.0 E-mount Full Frame Lens 1 Year
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Sony 16-35mm Vario-tessar T Fe F4 Za Oss E-mount Lens - Tracking
Delivery $28.44
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Sony Zoom Lens Vario - Tessar T Fe 16-35 Mm F4 Za Oss E Mount 35 Mm
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Sony FE 16-35mm F4 Zeiss Lens
Delivery between 12–16 June $40
Sony FE 16-35mm f/4 ZA OSS SEL1635Z Lens Full Frame
Delivery $26.90
originally posted on ebay.com
Zeiss has been Sonys long term partner in manufacturing quality optic products and they did not disappoint in creating this outstanding piece of ultra-wide lens. When mounted on FE (full frame) Sony body, this lens is really wide. It finds its perfect use in outdoors and landscapes shooting as well as architecture and interior. The ED (means: Extra Low Dispersion) glass elements are responsible for fantastic edge-to-edge sharpness and colour reproduction. It certainly is one of the most preferred wide lenses for Sony mirrorless systems. This lens continuously receives 5 stars reviews from both professionals and amateurs. It is fully compatible with both the a7 and a5000, a6000 and older NEX series cameras.
originally posted on ebay.com
in love with this lens. I was originally just looking for a really high quality wide or ultra-wide lens for landscape timelapse, but the versatility of the 16-35 range is amazing--and tack sharp throughout. Perfect walkaround lens--not too bulky to handle off-tripod like almost any sigma. And the OSS on top of the built-in stabilization with the a7iii makes video perform to an almost steadicam-smooth degree. Really gorgeous colors and superb sharpness. Only potential downside is the somewhat slow aperture, maxing open at 4. While not ideal for low lighting ISO can compensate and this aperture makes it extremely convenient to get almost everything in focus on every shot. It also can stay constant while zooming, huge plus for video. I've already used this for ... Morein love with this lens. I was originally just looking for a really high quality wide or ultra-wide lens for landscape timelapse, but the versatility of the 16-35 range is amazing--and tack sharp throughout. Perfect walkaround lens--not too bulky to handle off-tripod like almost any sigma. And the OSS on top of the built-in stabilization with the a7iii makes video perform to an almost steadicam-smooth degree. Really gorgeous colors and superb sharpness. Only potential downside is the somewhat slow aperture, maxing open at 4. While not ideal for low lighting ISO can compensate and this aperture makes it extremely convenient to get almost everything in focus on every shot. It also can stay constant while zooming, huge plus for video. I've already used this for landscapes, street photography, event video, and even interviews where I want to show off the environment around the subject more. Highly recommend!
originally posted on bhphotovideo.com
I recently moved from the A6000 to A7ii full frame. Having owned a number of lenses for APS-C, I was torn in moving to the A7 series whether I should go with primes or zooms. I mainly do landscape photography and I was hesitant to go with this zoom lens over a dedicated prime. I am not a pixel peeper, but I do like to confirm when purchasing a new lens that it’s sharp in center and reasonably sharp on the corners and edges. I likely watched every review and video on this lens. Most reviews spoke very highly of the lens with the only concern being that it tended towards softness at 35mm. This did not concern me as I was mainly looking towards its use from 16-24 (my favorite focal lengths for landscapes). After purchasing the lens, I can see where so many ... MoreI recently moved from the A6000 to A7ii full frame. Having owned a number of lenses for APS-C, I was torn in moving to the A7 series whether I should go with primes or zooms. I mainly do landscape photography and I was hesitant to go with this zoom lens over a dedicated prime. I am not a pixel peeper, but I do like to confirm when purchasing a new lens that it’s sharp in center and reasonably sharp on the corners and edges. I likely watched every review and video on this lens. Most reviews spoke very highly of the lens with the only concern being that it tended towards softness at 35mm. This did not concern me as I was mainly looking towards its use from 16-24 (my favorite focal lengths for landscapes). After purchasing the lens, I can see where so many photographers, including landscape pros, carry on about this lens. I have found CA to be quite low even at f/4. 16mm wide open is impressively sharp through the entire frame. Focus is accurate and quick. The lens produces striking sunstars with well managed flare. I also found that 35mm stopped down to f/8 is more than adequate for my needs. The lens body has a high quality feel which is typical for Sony Zeiss lenses, I am quite pleased with this lens and find that f/4 is not a limitation for my type of photography. I highly recommend this lens.
Sony SEL1635Z Full Frame E-Mount FE 16-35mm F4 Vario-Tessar T Zeiss OSS Lens, Black
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Sony SEL1635Z 16-35mm Vario-Tessar T FE F4 ZA OSS
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Sony 16-35mm F4 OSS
Sony Vario-Tessar T FE 16-35mm f/4 ZA OSS Lens
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Sony Vario-tessar T Fe 16-35mm F4 Za Oss Lens E Mount Full Frame
Delivery $126.57
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Zeiss has been Sonys long term partner in manufacturing quality optic products and they did not disappoint in creating this outstanding piece of ultra-wide lens. When mounted on FE (full frame) Sony body, this lens is really wide. It finds its perfect use in outdoors and landscapes shooting as well as architecture and interior. The ED (means: Extra Low Dispersion) glass elements are responsible for fantastic edge-to-edge sharpness and colour reproduction. It certainly is one of the most preferred wide lenses for Sony mirrorless systems. This lens continuously receives 5 stars reviews from both professionals and amateurs. It is fully compatible with both the a7 and a5000, a6000 and older NEX series cameras.
in love with this lens. I was originally just looking for a really high quality wide or ultra-wide lens for landscape timelapse, but the versatility of the 16-35 range is amazing--and tack sharp throughout. Perfect walkaround lens--not too bulky to handle off-tripod like almost any sigma. And the OSS on top of the built-in stabilization with the a7iii makes video perform to an almost steadicam-smooth degree. Really gorgeous colors and superb sharpness. Only potential downside is the somewhat slow aperture, maxing open at 4. While not ideal for low lighting ISO can compensate and this aperture makes it extremely convenient to get almost everything in focus on every shot. It also can stay constant while zooming, huge plus for video. I've already used this for ... Morein love with this lens. I was originally just looking for a really high quality wide or ultra-wide lens for landscape timelapse, but the versatility of the 16-35 range is amazing--and tack sharp throughout. Perfect walkaround lens--not too bulky to handle off-tripod like almost any sigma. And the OSS on top of the built-in stabilization with the a7iii makes video perform to an almost steadicam-smooth degree. Really gorgeous colors and superb sharpness. Only potential downside is the somewhat slow aperture, maxing open at 4. While not ideal for low lighting ISO can compensate and this aperture makes it extremely convenient to get almost everything in focus on every shot. It also can stay constant while zooming, huge plus for video. I've already used this for landscapes, street photography, event video, and even interviews where I want to show off the environment around the subject more. Highly recommend!
I recently moved from the A6000 to A7ii full frame. Having owned a number of lenses for APS-C, I was torn in moving to the A7 series whether I should go with primes or zooms. I mainly do landscape photography and I was hesitant to go with this zoom lens over a dedicated prime. I am not a pixel peeper, but I do like to confirm when purchasing a new lens that it’s sharp in center and reasonably sharp on the corners and edges. I likely watched every review and video on this lens. Most reviews spoke very highly of the lens with the only concern being that it tended towards softness at 35mm. This did not concern me as I was mainly looking towards its use from 16-24 (my favorite focal lengths for landscapes). After purchasing the lens, I can see where so many ... MoreI recently moved from the A6000 to A7ii full frame. Having owned a number of lenses for APS-C, I was torn in moving to the A7 series whether I should go with primes or zooms. I mainly do landscape photography and I was hesitant to go with this zoom lens over a dedicated prime. I am not a pixel peeper, but I do like to confirm when purchasing a new lens that it’s sharp in center and reasonably sharp on the corners and edges. I likely watched every review and video on this lens. Most reviews spoke very highly of the lens with the only concern being that it tended towards softness at 35mm. This did not concern me as I was mainly looking towards its use from 16-24 (my favorite focal lengths for landscapes). After purchasing the lens, I can see where so many photographers, including landscape pros, carry on about this lens. I have found CA to be quite low even at f/4. 16mm wide open is impressively sharp through the entire frame. Focus is accurate and quick. The lens produces striking sunstars with well managed flare. I also found that 35mm stopped down to f/8 is more than adequate for my needs. The lens body has a high quality feel which is typical for Sony Zeiss lenses, I am quite pleased with this lens and find that f/4 is not a limitation for my type of photography. I highly recommend this lens.
This is my favourite lens for travel and street photography. The f-stop at 4 is good for letting in decent light onto the sensor. And this is helpful for architecture, street, real-estate photography I do. Even for outdoor events, this wider focal length gives a whole new perspective. The bokeh is minimal to none, but picture quality is top notch and sharp from corner to corner. Much affordable compared to G-Master, and Zeiss coating on the lens controls the dispersion giving almost similar results to a 16-35 G master. The human eye in daylight works at a f/8 and I use that as a benchmark for every lens I use in daylight. The results at f6.3-f8 have always been the sharpest, and I just love this lens. I also like the fact this isn't having any buttons. just a zoom ... MoreThis is my favourite lens for travel and street photography. The f-stop at 4 is good for letting in decent light onto the sensor. And this is helpful for architecture, street, real-estate photography I do. Even for outdoor events, this wider focal length gives a whole new perspective. The bokeh is minimal to none, but picture quality is top notch and sharp from corner to corner. Much affordable compared to G-Master, and Zeiss coating on the lens controls the dispersion giving almost similar results to a 16-35 G master. The human eye in daylight works at a f/8 and I use that as a benchmark for every lens I use in daylight. The results at f6.3-f8 have always been the sharpest, and I just love this lens. I also like the fact this isn't having any buttons. just a zoom ring, and a focus ring. I would probably like an aperture ring that is clickable, in it's next iteration.
I've shot many thousands of photos with this lens, and the key point, as one reviewer stated, is that the color rendition, tonality and 3d modeling is very good. It's much better than the Tamron 17-28 (which I've also used a lot) in this regard, which produces very clean, flat, boring images with strange color. This lens isn't perfect. Better if the barrel didn't extend and if it was sharper at 35, but at f4 I think it's the best choice, and other than the G master the only other option at 2.8 or f4 that doesn't have issues. The PZ has terrible distortion at 16, the 17-28 images are very off-putting (I also have the 28-75 and it's much different and better), and the Sigma has terrible vignetting.
I bought this alongside the 24-105mm F4, to use for landscapes. I have no need for an expensive and heavy F2.8 version, so settled on this lens, as it was the only option at the time. I was hoping for performance similar to the equivalent Canon EF lens, which is cheaper yet excellent. I also assumed that given the Zeiss badging and the fact that it is only 2X zoom versus 4X that it would easily outperform my standard zoom. How disappointed I've been with it. The 24-105 is much sharper. This lens is adequate in the centre across the range, but nothing more. The corners are never sharp, especially at either end of the range, very bad for landscapes. Would have been understandable if it cost half the price, but for £1200, I assume half the price must have gone on the ... MoreI bought this alongside the 24-105mm F4, to use for landscapes. I have no need for an expensive and heavy F2.8 version, so settled on this lens, as it was the only option at the time. I was hoping for performance similar to the equivalent Canon EF lens, which is cheaper yet excellent. I also assumed that given the Zeiss badging and the fact that it is only 2X zoom versus 4X that it would easily outperform my standard zoom. How disappointed I've been with it. The 24-105 is much sharper. This lens is adequate in the centre across the range, but nothing more. The corners are never sharp, especially at either end of the range, very bad for landscapes. Would have been understandable if it cost half the price, but for £1200, I assume half the price must have gone on the blue badge, rather than the optics. So I only use this lens if I need less than 24mm, otherwise I just use the standard zoom. Trying to decide whether to replace it with the Tamron 17-28 or Sony 20mm, both considerably cheaper and faster.
I purchased this lens primarily for real estate photography and it is the perfect all-around option. The lens seems super sharp at 16mm and pretty clean at 35mm. The included polarizer is great for reducing sun glare on hard wood floors and other surfaces. I shot several images with and without the polarizer and it doesnt seem to reduce image quality or have any color cast issues. The 16mm focal length is a great wide-angle option without being too wide that it introduces distortion. This lens is also smaller and lighter than I expected (probably because my main lens is a 24-70 G Master), but the body and focus/zoom rings are all metal and the build quality seems solid. AF is fast and quiet. Only downside of this lens is that it is f/4 and not f/2.8, but for half ... MoreI purchased this lens primarily for real estate photography and it is the perfect all-around option. The lens seems super sharp at 16mm and pretty clean at 35mm. The included polarizer is great for reducing sun glare on hard wood floors and other surfaces. I shot several images with and without the polarizer and it doesnt seem to reduce image quality or have any color cast issues. The 16mm focal length is a great wide-angle option without being too wide that it introduces distortion. This lens is also smaller and lighter than I expected (probably because my main lens is a 24-70 G Master), but the body and focus/zoom rings are all metal and the build quality seems solid. AF is fast and quiet. Only downside of this lens is that it is f/4 and not f/2.8, but for half the price of the G Master lens I cant complain. I wish I purchased this lens sooner.
I've not used the lens in 'anger yet apart from quick test shots so can't comment on the quality of the images it produces but as far as the look and feel of the lens is concerned up to now I am very happy. Beautiful satin black finish, the lens fits snugly and tightly to the camera body, much tighter than my Canon 5d Mk3 body and lenses. Comes with a lens hood which clicks nicely and securely in place, a carry pouch, and, obviously, front and back caps. The zoom ring I particularly like, its a good size and is smooth to operate across its range and has reassuringly high amount of friction as you zoom in or out. No sloppiness or sticking so no problems if you wanted to use the lens for video as well as stills. Just waiting for an opportunity to get out and see how ... MoreI've not used the lens in 'anger yet apart from quick test shots so can't comment on the quality of the images it produces but as far as the look and feel of the lens is concerned up to now I am very happy. Beautiful satin black finish, the lens fits snugly and tightly to the camera body, much tighter than my Canon 5d Mk3 body and lenses. Comes with a lens hood which clicks nicely and securely in place, a carry pouch, and, obviously, front and back caps. The zoom ring I particularly like, its a good size and is smooth to operate across its range and has reassuringly high amount of friction as you zoom in or out. No sloppiness or sticking so no problems if you wanted to use the lens for video as well as stills. Just waiting for an opportunity to get out and see how the glass performs now . . . .
I changed from Nikon to Sony because I wanted to go mirrorless and the Sony fitted the bill. I'm using the Sony a7111 with the Vario-Tessar T* FE 16-35mm F4 ZA.It would be an understatement to say that I love this lens!It's sharp, and I mean SHARP! Once focussed it stays there, the focussing ring is smooth but firm, no creep whatsoever. I mostly use manual focus but this cameras auto focus is very fast and accurate. Shooting mostly at f11, edge to edge and corner to corner images are sharp enough to cut through doors at Fort Knox. Of course it's down to me to make sure I focus accurately but when I get it right I couldn't be happier with the results. It's not Sony's top 16-35 zoom but from the build quality and performance you'd think it was!Highly recommended...
This co-branded Sony/Zeiss lens feels a lot more Zeiss than Sony. (Pre G master series). Incredible build quality - with terrific, controlled action with the zoom and focus rings. I've mated this with my Sony a7S and the auto-focus improvements over a previous Sony lens are significant. This lens really unlocks the power and potential of my a7S in ways I didn't think possible. The image looks sharp center to edges - and I didn't see any image degradation throughout the aperture range or focal length. Yes, at f4, it's not an especially fast lens - but the a7S's capabilities make this a non-issue for me. I also like being able to have objects in focus about 7 or 8 inches form the lens. In short time, this has become my default lens - the one on the camera most of the ... MoreThis co-branded Sony/Zeiss lens feels a lot more Zeiss than Sony. (Pre G master series). Incredible build quality - with terrific, controlled action with the zoom and focus rings. I've mated this with my Sony a7S and the auto-focus improvements over a previous Sony lens are significant. This lens really unlocks the power and potential of my a7S in ways I didn't think possible. The image looks sharp center to edges - and I didn't see any image degradation throughout the aperture range or focal length. Yes, at f4, it's not an especially fast lens - but the a7S's capabilities make this a non-issue for me. I also like being able to have objects in focus about 7 or 8 inches form the lens. In short time, this has become my default lens - the one on the camera most of the time, especially roaming through streets or countrysides. I've also been using it in event shoots and i've been very happy with the results. Truth be told, I was on the forever waiting list for the Batis 25mm - and simply couldn't wait any longer and, with initial regret, abandoned the wait to go with my second choice - this lens. I feel very fortunate that I made this decision - especially with the added OSS - and now have no regrets at all with this choice. This is a more versatile lens than the Batis and the quality and imaging appear to be on par.
